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Collection Scroll End
https://archives.whyte.org/en/permalink/artifact105.02.0092%20a-q
- Date
- 1750 – 1850
- Material
- wood; ivory
- Catalogue Number
- 105.02.0092 a-q
- Description
- A collection of 17 various caps used to conceal the rough ends of dowels on which scrolls are rolled. 10 smooth, polished, cylindrical pieces of ivory, roughly hollowed with small inset lip at one end to accommodate dowel, some with hairline cracks. 7 smoothly finished wooden caps, one black pai…
1 image
- Title
- Collection Scroll End
- Date
- 1750 – 1850
- Material
- wood; ivory
- Description
- A collection of 17 various caps used to conceal the rough ends of dowels on which scrolls are rolled. 10 smooth, polished, cylindrical pieces of ivory, roughly hollowed with small inset lip at one end to accommodate dowel, some with hairline cracks. 7 smoothly finished wooden caps, one black painted wooden peg.
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 105.02.0092 a-q
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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- Date
- 1796 – 1796
- Material
- fibre, flax; wood; paper; metal
- Catalogue Number
- 107.02.0009
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on a loosely woven ecru linen. The sampler has a narrow double-stitched border with a floral band at the top followed by rows of letters of the alphabet separated by horizontal bars. Most of the letters are worked twice together through…
1 image
- Title
- Sampler
- Date
- 1796 – 1796
- Material
- fibre, flax; wood; paper; metal
- Dimensions
- 15.0; 18.0 (frame) x 20.0; 22.5 (frame) cm
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on a loosely woven ecru linen. The sampler has a narrow double-stitched border with a floral band at the top followed by rows of letters of the alphabet separated by horizontal bars. Most of the letters are worked twice together through the alphabet repeating from A to D at the end, followed by another floral band as at the top, and then “Susanah Lehman November the 3 1796.” The sampler was originally framed in a simple brown wood frame with parallel line texture (wood grain?) and has a framer’s sticker on the back “The Royal Art Gallery” (Calgary, Alberta).
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 107.02.0009
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1794 – 1796
- Material
- fibre, flax; wood; paper; metal
- Catalogue Number
- 107.02.0010
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on ecru linen. The sampler has a narrow stitched border with a design in the band at the top followed by rows of letters separated by horizontal bars. The alphabet is stitched with each letter worked twice, followed by the alphabet with…
1 image
- Title
- Sampler
- Date
- 1794 – 1796
- Material
- fibre, flax; wood; paper; metal
- Dimensions
- 19.0; 21.0 (frame) x 13.5; 16.0 (frame) cm
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on ecru linen. The sampler has a narrow stitched border with a design in the band at the top followed by rows of letters separated by horizontal bars. The alphabet is stitched with each letter worked twice, followed by the alphabet with each letter worked once until “P” at the end of the sampler where “Susana Lhaman” (sic) is stitched. The sampler was originally framed with a simple brown wood frame with parallel line texture (wood grain?).
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 107.02.0010
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.