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Bill Gibbons fonds

https://archives.whyte.org/en/permalink/descriptions582
Part Of
Bill Gibbons fonds
Scope & Content
Fonds consists of photographic business records of professional photographer Bill Gibbons in three series: I. Commercial black and white series, ca.1945-ca.1958, ca.5400 photographs; II. Canadian Rockies colour series, ca.1945-ca.1990, predominant ca.1966-ca.1972, ca.8000 photographs; III. Other …
Date Range
[ca.1945-ca.1990]
Reference Code
M532 / V227
Description Level
1 / Fonds
GMD
Photograph
Negative
Photograph print
Postcard
Transparency
Textual record
Private record
Part Of
Bill Gibbons fonds
Description Level
1 / Fonds
Fonds Number
M 532
V 227
Sous-Fonds
M 532
V 227
Accession Number
194, 275, 1991, 2020, 5753, 5756, 6760, 7936, 7237
Reference Code
M532 / V227
GMD
Photograph
Negative
Photograph print
Postcard
Transparency
Textual record
Private record
Responsibility
Fonds consists of the private business records of Bill Gibbons. Some photographs may have been made by employees.
Date Range
[ca.1945-ca.1990]
Physical Description
ca.13,404 photographs: negatives, prints, transparencies, albums, postcards. -- 2.5 cm textual records
History / Biographical
W. J. L. "Bill" Gibbons, 1914-1994 , was a professional photographer at Banff, Alberta, Canada from 1945 until 1959. Gibbons came to Canada in 1941 and settled in Banff after the war with his wife, Ella Mae (Becker), a Banff native. He established British Photographic Laboratories, with partners Lou Crosby and Jack Anderson, in the basement of the Mount Royal Hotel, moving later to street-level. Bill and Ella Mae Gibbons travelled throughout the mountain parks photographing views for sale in the Banff shop. These were offered as hand-coloured prints, with much of the colouring done or supervised by Ella Mae.
Later the business expanded to include colour postcards and slide sets. Gibbons employed other photographers, such as Bruno Engler, for specialty work, such as ski photography, and the Banff studio also did portraiture. Gibbons himself did most of the 4 x 5 format landscape work and made extensive use of models, many of who were young women employed by his Banff store. In 1959, Gibbons sold his business to a group of Banff businessmen and moved to Vancouver. In subsequent years, he continued to be active as a photographer and in publishing, working in different areas of the world. He made several photographic trips through the mountain parks, ca.1966-1972.
Scope & Content
Fonds consists of photographic business records of professional photographer Bill Gibbons in three series: I. Commercial black and white series, ca.1945-ca.1958, ca.5400 photographs; II. Canadian Rockies colour series, ca.1945-ca.1990, predominant ca.1966-ca.1972, ca.8000 photographs; III. Other black and white series, ca. 1947, 4 photographs.
I. Commercial black and white series consists of six sub-series: A. Portraits and documentary views, 1945-1950, 2437 negatives (individual and group portraits, weddings, conferences, events, buildings, facilities and places; Banff and area); B. Banff School of Fine Arts, ca.1949, 277 negatives (privately produced views of classes, group portraits, activities, buildings and facilities); C. "S" sub-series, ca.1950, 1220 negatives (scenic views in the vicinity of Banff, Lake Louise, Banff-Jasper Highway, Jasper National Park, Radium and Columbia Valley, British Columbia and Pacific Coast, First Nations views); D. "T" sub-series, ca.1950, 482 negatives (scenic and commercial views, mainly Jasper, Banff-Jasper Highway and Lake Louise areas); E. Rolliflex and panorama negatives, 1949-1958, 584 negatives (Banff Winter Carnival, Banff School of Fine Arts, and Banff and area); F. Other, ca.1945-1951, 364 items (material similar to that in other series, some unidentified). Accompanied by small number of prints and postcards; also, publication: "Photographing the Canadian Rockies" by Bill J. L. Gibbons, 1948.
II. Canadian Rockies colour series consists of four sub-series: A. CR1 to CR84, ca.1966-ca.1972, ca.260 prints; B. CR1 to CR443, ca.1966-ca.1972, ca.5130 photographs; C. CR35-2 to CR35-81, ca.1966-ca.1972, ca.2310 photographs; D. Other photographs, ca.1945-ca.1990. Series consists primarily of commercial colour negatives and corresponding proof prints pertaining to Banff, Jasper and Yoho National Parks, also some transparencies and oversize display prints.
III. Other black and white series. Series consists of 2 black and white prints of crash landing at Sunshine with Al Gaetz and Dick Pike, 1947 and two copy negatives with prints of Bruno Engler and Ella Mae Gibbons, ca.1947.
Textual records are record book, 1945-1953, 62 p; and book layout.
Name Access
Gibbons, Bill
Subject Access
Arts
Buildings and facilities
Commerce and industry
Education
Environment
Family and personal life
Sports, recreation and leisure
Access Restrictions
Some restriction/s on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: arrangement outline
series and file description
electronic finding aid
selected modern reference prints
Creator
Gibbons, Bill
Category
Arts
Commerce and industry
Education
Environment
Family and personal life
Sports, recreation and leisure
Title Source
Title based on accession records and contents of fonds
Processing Status
Processed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Carole Harmon fonds

https://archives.whyte.org/en/permalink/descriptions209
Part Of
Carole Harmon fonds
Scope & Content
Fonds consists mainly of textual records in the form of correspondence, reports, grant applications, etc. pertaining to the preservation, duplication and exhibition of Byron Harmon photograph collection, 1973-1983; correspondence, research notes and photocopies of primary and secondary sources on B…
Date Range
[ca.1952]-1983
Reference Code
M65 / S26 / V264
Description Level
1 / Fonds
GMD
Photograph
Photograph print
Sound recording
Reel to reel
Textual record
Private record
Published record
Part Of
Carole Harmon fonds
Description Level
1 / Fonds
Fonds Number
M 65
S 26
V 264
Sous-Fonds
M 65
S 26
V 264
Accession Number
424, 2675, 5159
Reference Code
M65 / S26 / V264
GMD
Photograph
Photograph print
Sound recording
Reel to reel
Textual record
Private record
Published record
Date Range
[ca.1952]-1983
Physical Description
10 cm of textual records. -- 7 photographs : prints. -- 1 sound recording : audio tape reel
History / Biographical
Carole Harmon, b.1947, writer, publisher, photographer and businesswoman at Banff, Alberta, Canada, was instrumental in securing the preservation and exhibition of the photographs of her grand-father, Byron Harmon.
Scope & Content
Fonds consists mainly of textual records in the form of correspondence, reports, grant applications, etc. pertaining to the preservation, duplication and exhibition of Byron Harmon photograph collection, 1973-1983; correspondence, research notes and photocopies of primary and secondary sources on Byron Harmon biography and cinematography, ca.1902-1977. Also includes ephemeral material from Merry-Go-Round Theatre productions in which Carole Harmon was involved as a child, ca.1952-1960. Sound recording is an interview by Aileen, Carole and Don Harmon with Edward Feuz, recorded while the group looked at photographs. It pertains to trips with Byron Harmon and Harmon's photography and film making career; also, Feuz's life and guiding career, clients, trips. Photographs pertain to Merry-Go Round Theatre productions, Carole Harmon and other participants.
Name Access
Harmon, Carole
Subject Access
Arts
Family and personal life
Access Restrictions
Some restriction/s on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: sound recording summary and reference copy
Creator
Harmon, Carole
Category
Arts
Family and personal life
Title Source
Title based on accession records
Processing Status
Processed / Unprocessed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
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