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- Barrett, Louise and Lawrence, Donald, and Mills, Josephine and Dundas Oke, Emily and Kockelkoren, Petran 1
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- Bovey, Patricia 1
- Brown, Annora 1
- Campbell, Brooke 1
- Clarke, Victoria 1
- Cucman, Patty and Munn, Stanley 1
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Chris Cran Explore
https://archives.whyte.org/en/permalink/catalogue26620
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2023
- Publisher
- The Royal Canadian Geographical Society
- Call Number
- 06.1 P81c
- 06.1 P81c Copy 2
- 06.1 P81c Reference Copy
- Responsibility
- edited by Pope, Alexandra
- Publisher
- The Royal Canadian Geographical Society
- Published Date
- 2023
- Physical Description
- 64pages
- Abstract
- 'Explore, an exhhibition by Calgary artist Chris Cran, is the happy public celebration of a new relationship between the Whyte Museum of the Canadian Rockies in Banff and the Royal Canadian Geographical Society.' - Front cover
- ISBN
- 9781989227022
- Call Number
- 06.1 P81c
- 06.1 P81c Copy 2
- 06.1 P81c Reference Copy
- Collection
- Archives Library
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Flower : exploring the world in bloom
https://archives.whyte.org/en/permalink/catalogue25676
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Clarke, Victoria
- Publisher
- London ; New York : Phaidon Press Limited
- Call Number
- 06.1 C55f
- Author
- Clarke, Victoria
- Publisher
- London ; New York : Phaidon Press Limited
- Published Date
- 2020
- Physical Description
- 351 pages : illustrations (chiefly colour) ; 30 cm
- Subjects
- Art
- Botany
- Flowers
- Photography
- Abstract
- Takes readers on a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. Showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media - from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles - and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them.
- ISBN
- 9781838660857
- Accession Number
- 2022.27
- Call Number
- 06.1 C55f
- Collection
- Archives Library
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Great waves & mountains : perspectives and discoveries in collecting the arts of Japan
https://archives.whyte.org/en/permalink/catalogue26277
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Publisher
- Gainesville : University of Florida Press
- Call Number
- 06.1 Oy7g
- Publisher
- Gainesville : University of Florida Press
- Published Date
- 2022
- Subjects
- Japanese
- Japan
- Edward Sylvester Morse
- Art History
- Abstract
- This richly illustrated volume addresses the history of collecting Japanese art and the factors that contributed to the growth of collections in North America following the Meiji Restoration in 1868"-- Provided by publisher."Illuminating the history of collecting Japanese art This richly illustrated volume addresses the history of collecting Japanese art and the factors that contributed to the growth of collections in North America following the Meiji Restoration in 1868. With wide-ranging essays that fill in gaps in the scholarly investigation of the subject, art historians discuss the historical development of the Japanese aesthetic and examine questions of connoisseurship, authenticity, and controversial collectors and their current-day reception. The volume also features case studies on the formation of Japanese art collections in North America, exploring the diverse array of factors that contributed to their quality, contents, and the role that these collections play for their respective communities. Contributors delve into university and museum archives and interview art dealers, collectors, and artists to better understand their own collections. They present original research on cross-pollination and dialogue between artists from Japan and the United States, the development and growth of museums, and the personal histories of the people who shaped art collections. Together, these essays illustrate the shifting priorities in the collection of Japanese art across 150 years. -- Provided by publisher.
- Contents
- Introduction / Natsu Oyobe and Allysa B. Peyton -- Kwan ko dzu setsu: a textbook of Japanese ceramics for foreign collectors / Princess Akiko of Mikasa -- Collecting art and culture: the case of Edward Sylvester Morse / Midori Oka -- Fluctuating authenticity: the journey of a Ninsei tea bowl at the Royal Ontario Museum / Akiko Takesue -- A century of collecting for artists and designers at the RISD Museum / Wai Yee Chiong -- Prints for Portland: the Mary Andrews Ladd collection / Jeannie Kenmotsu -- Avery Brundage and the formation of the Asian Art Museum's Japanese collection / Robert Mintz -- The Japanese art collection of the Cleveland Museum of Art, 1915 to 1951 / Sine´ad Vilbar -- Japanese unglazed ware at the University of Michigan Museum of Art: exchange between Japanese and American ceramic artists, 1950s-1960s / Natsu Oyobe -- A brush with beauty: Japanese paintings in the Indianapolis Museum of Art / John Tadao Teramoto -- Making visible again: Postwar Japanese art at the Dallas Museum of Art / Vivian Li.
- Notes
- Catharine Robb Whyte's maternal grandfather, Edward Sylvester Morse included.
- ISBN
- 9781683402657
- Accession Number
- 2024.09
- Call Number
- 06.1 Oy7g
- Collection
- Archives Library
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Indigenous media arts in Canada : making, caring, sharing
https://archives.whyte.org/en/permalink/catalogue25729
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2023
- Publisher
- Waterloo, Ontario : Wilfrid Laurier University Press
- Call Number
- 07.2 C54m
- Responsibility
- Edited by Dana Claxton and Ezra Winton
- Publisher
- Waterloo, Ontario : Wilfrid Laurier University Press
- Published Date
- 2023
- Physical Description
- 437 pages
- Abstract
- A timely and crucial collection of essays and conversations focused on Indigenous-settler cultural politics and the ethics of Indigenous representation in Canada’s media arts that explores issues of narrative sovereignty, cultural identity, cultural resistance and decolonizing creative practices. -- Provided by publisher.
- ISBN
- 9781771125413
- Accession Number
- P2023.15
- Call Number
- 07.2 C54m
- Collection
- Archives Library
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J.E.H. MacDonald up close : the artist’s materials and techniques
https://archives.whyte.org/en/permalink/catalogue26526
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2024
- Author
- Helwig, Kate and Douglas, Alison
- Publisher
- Fredericton, New Brunswick : Goose Lane Editions
- Edition
- 1st
- Call Number
- 06.1 H37j
- Edition
- 1st
- Publisher
- Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2024
- Physical Description
- 215 pages : illustrations (chiefly colour) ; 26 cm
- Subjects
- J.E.H. MacDonald
- Art
- Artists
- Group of Seven
- Abstract
- "At the height of his career, J.E.H. MacDonald’s paintings and oil sketches reveal a mastery of colour mixing, a sureness of brushstroke, and a deep understanding of compositional design. His striking landscapes and views of nature are an important artistic legacy and confirm his essential place among the Group of Seven painters. J.E.H. MacDonald Up Close provides a fresh interpretation of MacDonald’s artistic development and sheds new light on questions of authenticity and dating surrounding MacDonald’s paintings. Here art conservation experts Kate Helwig and Alison Douglas combine rigorous scientific analysis with a close visual examination of MacDonald’s work to focus on his materials and techniques. Exploring the interface between art history and science, Helwig and Douglas use excerpts from MacDonald’s diaries, letters, and lectures to provide socio-historical context to their in-depth reading of the paintings as physical objects. Helwig and Douglas’s fascinating text is accompanied not only by reproductions of key artworks, but also by never-before-seen photographs taken through a microscope. These unique, close-up views of MacDonald’s working methods reveal the texture of his brushstrokes and the characteristic ways he layered and mixed his paint."-- Provided by publisher.
- Notes
- Relevant to our 2024 J.E.H. exhibition
- ISBN
- 9781773104157
- Accession Number
- 2024.45
- Call Number
- 06.1 H37j
- Collection
- Archives Library
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Journey north : the Inuit Art Centre Project = Aullaaniq Ukiuqtaqtuq : Inuit Sabanguaganut Iglurjuaq Piliaksaq
https://archives.whyte.org/en/permalink/catalogue25677
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Author
- Borys, Stephen D.
- Publisher
- Winnipeg, Manitoba : Winnipeg Art Gallery
- Call Number
- 06 B65j
- Author
- Borys, Stephen D.
- Publisher
- Winnipeg, Manitoba : Winnipeg Art Gallery
- Published Date
- 2021
- Physical Description
- 285 pages : illustrations (chiefly colour), portraits (chiefly colour) ; 30 cm
- Subjects
- Art galleries
- culture
- Museum
- Inuit
- History-Canada
- Abstract
- To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery Director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912, when the foundation was laid to support a diverse and far-reaching mission that could embrace both historical and contemporary artmaking on national and international levels. By the time director Dr. Ferdinand Eckhardt arrived at the gallery in 1953, and discovered Inuit stone carving at the Hudson's Bay Company department store located across the street from the WAG, the idea of assembling a collection to celebrate this Indigenous art form moved closer to reality. This account of the development of the Inuit Art Centre includes different historical and contemporary perspectives and voices through a compilation of texts and images. In addition to the key essay by the book's author Stephen Borys, several writers from across the country have shared their stories about the gallery, the Inuit art collection, and the building project. In addition to the essays and the architectural renderings of the Inuit Art Centre by Michael Maltzan, the book also includes: a selection of Arctic photographs taken by Hazel Mouzon Borys and Iwan Baan, a series of construction images by Winnipeg Free Press photographers Mike Sudoma and Mike Deal, and finished building photographs by Jacqueline Young. -- Provided by publisher.
- Contents
- Message from the title sponsor / Ernest Cholakis -- Foreword / Natan Obed -- Message from the Chair / Ernest Cholakis -- Acknowledgements / Stephen Borys -- Qaumajuq: a name for the Inuit Art Centre / Julia LaFreniere -- Introduction / Stephen Borys -- A journey north / Stephen Borys -- Midnight sunlight / Iwan Baan -- Reflections on a curatorial journey / Darlene Coward Wight -- Origins / Abraham Anghik Ruben -- Multiple visions, magnificent reality / Patricia Bovey -- A vault into visibility : personal reflections / Richard Yaffe -- Museum encounters of another kind : indigenous methodologies of collaboration lead the charge / Julie Nagam -- Selecting an architect for the Inuit Art Centre / George Baird -- Characteristics and context / Michael Malitzan -- Biindigin Biwaasaeyaah and Qaumajuq : conversations and collaborations towards a new Winnipeg Art Gallery / Heather Igloliorte and Julie Nagam -- Winnipeg : a new cultural capital for Inuit art / Pat Feheley -- Moments of kindness and reconciliation : a new understanding for Inuit culture / Barry Appleton -- Building photography -- Contributors.
- ISBN
- 9781773070032
- Accession Number
- 2022.27
- Call Number
- 06 B65j
- Collection
- Archives Library
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Object lives and global histories in northern North America : material culture in motion, c. 1780-1980
https://archives.whyte.org/en/permalink/catalogue25572
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Call Number
- 07.2 L54o
- Responsibility
- Edited by Beverly Lemire, Laura Peers, and Anne Whitelaw
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Published Date
- 2021
- Physical Description
- x, [x], 450 pages : illustrations (some color), maps (some color) ; 25 cm
- Subjects
- Museum
- Museum Studies
- Material culture
- North America
- Object
- History
- Indigenous
- Indigenous Art
- Abstract
- Object Lives and Global Histories in Northern North America explores how close, collaborative looking can discern the traces of contact, exchange, and movement of objects and give them a life and political power in complex cross-cultural histories. Red River coats, prints of colonial places and peoples, Indigenous-made dolls, and an Englishwoman's collection provide case studies of art and material culture that correct and give nuance to global and imperial histories. The result of a collaborative research process involving Indigenous and non-Indigenous contributors, this book looks closely at the circumstances of making, use, and circulation of these objects: things that supported and defined both Indigenous resistance and colonial and imperial purposes. Contributors re-envision the histories of northern North America by focusing on the lives of things flowing to and from this vast region between the eighteenth and the twentieth centuries, showing how material culture is a critical link that tied this diverse landscape to the wider world. An original perspective on the history of northern North American peoples grounded in things, Object Lives and Global Histories in Northern North America provides a key analytical and methodological lens that exposes the complexity of cultural encounters and connections between local and global communities.-- Provided by publisher
- Contents
- Acknowledgments ; Maps ; Introduction / Beverly Lemire, Laura Peers, and Anne Whitelaw ; 1. Object lives: innovating methodology / Beverly Lemire, Laura Peers, and Anne Whitelaw ; Sidebar 1. Management and methodology / Beverly Lemire, Laura Peers, and Anne Whitelaw ; 2. Crossing worlds: hide coats, relationships, and identity in Rupert's Land and Britain / Laura Peers ; 3. "A typical Canadian outfit": the Red River coat / Cynthia Cooper ; Sidebar 2. The Huron-Wendat Capot / Cynthia Cooper ; Sidebar 3. The Red River coat and its commercial promotion / Cynthia Cooper ; 4. Colonizing winter: tobogganing, toboggan suits, and imperial agendas in the Northlands, c. 1800-1900 / Beverly Lemire ; Sidebar 4. Gifts of empire / Beverly Lemire ; 5. Peter Rindisbacher and the imagined North: circulations, realities, and representations / Julie-Ann Mercer ; 6. The wampum and the print: objects tied to Nicolas Vincent Tsawenhohi's London visit, 1824-1825 / Jonathan Lainey and Anne Whitelaw ; Sidebar 5. Active imperial networks / Jonathan Lainey and Anne Whitelaw ; 7. A brief history of the "Eskimo sweater" / Laurie K. Bertram ; 8. Clare Sheridan: British writer, sculptor, and collector in Blackfoot country, 1937 / Sarah Carter ; 9. Dolls, women's art, and Indigenous networks in the borderlands of northern North America, 1885-1945 / Katie Pollock ; 10. Dew claw bags, Indigenous women, and material culture in history and practice / Judy Half and Beverly Lemire ; 11. Inscribing the North West: hide jackets and colonial surveyors / Susan Berry ; Sidebar 6. Jackets in circulation / Susan Berry ; 12. From the sanatorium to the museum and beyond: the circulation of art and craft made by Indigenous patients at tuberculosis hospitals / Sara Komarnisky ; Figures ; Bibliography ; Contributors ; Index.
- ISBN
- 9780228003991
- Accession Number
- P2022.13
- Call Number
- 07.2 L54o
- Collection
- Archives Library
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Old man's garden : the history and lore of southern Alberta wildflowers
https://archives.whyte.org/en/permalink/catalogue25141
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Brown, Annora
- Publisher
- Calgary, Alberta : Rocky Mountain Books
- Call Number
- 04.1 B81 2020
1 website
- Author
- Brown, Annora
- Responsibility
- Annora Brown
- Mary-Beth Laviolette (introduction)
- Niitsitapi (Siksika) Bishop - the Right Reverand Sidney Black (forward)
- Publisher
- Calgary, Alberta : Rocky Mountain Books
- Published Date
- 2020
- Physical Description
- xxii, 268 pages : illustrations (some colour)
- Subjects
- Botany
- Folklore
- Art
- Flowers
- Brown, Annora
- Abstract
- Through pen and ink illustrations and stories, Old Man’s Garden conveys the legends and folklore connected with Southern Alberta’s wildflowers, native plants, and Indigenous culture. Originally published in 1954, Annora Brown’s Old Man’s Garden is a Canadian classic that tells the story of Southern Alberta’s native plants and wildflowers through art and in consideration of Indigenous traditional knowledge from the region. Accompanying the new RMB edition of Old Man’s Garden, Sidney Black of Fort Macleod, the Indigenous Anglican Bishop for Treaty 7, provides his own commentary about Annora’s art and writing in relation to the Blackfoot, while independent art curator Mary-Beth Laviolette broadens the story about the artist’s contribution to Canadian art. Also included in this new edition are full-colour images of Annora’s later paintings of Blackfoot lodges (tipis) and regalia, the dramatic landscape of the Oldman RIver region such as Waterton National Park, and her abiding, lifelong regard for the flora of her homeland. According to Annora Brown, Old Man’s Garden is a “book of gossip about the flowers of the West.” A one-of-a-kind work featuring 169 black-and-white drawings of flowers and native plants, this classic text is about more than botany. Throughout its pages there is a sparkle to her stories of early exploration and settlement, her concern for conservation, and her regard for the Blackfoot Nation, and Indigenous culture. (from Rocky Mountain Books website)
- Contents
- Forward by Niitsitapi (Siksika) Bishop - the Right Reverand Sidney Black
- Introduction to the new edition by Mary-Beth Laviolette
- Introduction to the 1954 edition
- I Wi-suk-i-tshak
- II Trail Blazers
- III Moon-When-the-Grass-Turns-Green
- IV Old Man's Vegetable Garden
- V Old Man's Medicine Bag
- VI Dyes
- VII Desert and Swamp
- VIII Incense
- IX Moon-of-the-Flowers
- X Berries
- XI Trees
- Index
- Notes
- Originally published in 1954 by J.M. Dent & Sons Ltd. and 1970 by Gray's Publishing Co.
- ISBN
- 9781771603447
- Accession Number
- P2020-6
- Call Number
- 04.1 B81 2020
- Collection
- Archives Library
- URL Notes
- Book on Rocky Mountain Book's website
Websites
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To see what he saw : J.E.H. MacDonald and the O’Hara Years, 1924-1932
https://archives.whyte.org/en/permalink/catalogue26386
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2024
- Author
- Cucman, Patty and Munn, Stanley
- Publisher
- Vancouver, BC : Figure 1 Publishing
- Banff, AB : Whyte Museum of the Canadian Rockies
- Edition
- 1st
- Call Number
- 06.1 C91t
- 06.1 C91t c.2
- 06.1 C91 Reference Copy
- Edition
- 1st
- Publisher
- Vancouver, BC : Figure 1 Publishing
- Banff, AB : Whyte Museum of the Canadian Rockies
- Published Date
- 2024
- Physical Description
- 348 pages ; 31 cm
- Subjects
- Group of Seven
- J.E.H. MacDonald
- Lake O'Hara
- Lake O'Hara region
- Art
- Artists
- Canada - Western Region
- Abstract
- "To See What He Saw focuses on the Lake O’Hara work produced by English-Canadian artist and Group of Seven member James Edward Hervey (J.E.H.) MacDonald, R.C A. (1873–1932) between 1924 and 1932. The book documents MacDonald’s seven trips to Yoho National Park in the Rocky Mountains of eastern British Columbia, Canada, and presents a detailed catalogue of the resulting en plein air sketches and the subsequent studio works completed during the last nine years of his life. The book features more than 200 of MacDonald’s western works from this period, organized geographically with en plein air sketches and studio work illustrated side by side. Each sketch is accompanied by at least one present-day photograph, many of which are taken from the exact rocky perch where MacDonald sat. Save for the forest growth since the 1920s, this pairing enables the viewer to see what MacDonald saw, and to understand how he processed the landscape before him. The book includes full transcripts of diaries, essays, and poems from which detailed, chronological descriptions of MacDonald's seven trips have been compiled. Relevant excerpts and original research further contextualize and illuminate the artist’s practices for specific sketches wherever possible. Of interest to Group of Seven and Canadian art collectors, curators, historians, students, and enthusiasts alike, this book is produced in conjunction with a 2024 exhibition at the Whyte Museum of the Canadian Rockies in Banff, Alberta. To See What He Saw offers a comprehensive examination of this esteemed artist’s painting process, finished works, and mindset over this period, and provides a unique lens through which to view MacDonald’s O’Hara work—a perspective that has not previously been fully explored in exhibition or in publication."-- Provided by publisher.
- Contents
- Partial Contents: 1. A hinterland far beyond Algoma -- 2. MacDonald's O'Hara legacy -- 3. The trips -- 4. The studio works -- 5. Transcriptions
- Notes
- This publication was made possible through the generous funding from Masters Gallery, Ltd., Calgary.
- ISBN
- 9781773272504
- Accession Number
- 2024.36
- Call Number
- 06.1 C91t
- 06.1 C91t c.2
- 06.1 C91 Reference Copy
- Location
- Reference copy located in Reading Room
- Collection
- Archives Library
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Uninvited : Canadian women artists in the modern moment
https://archives.whyte.org/en/permalink/catalogue25674
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Author
- Milroy, Sarah
- Publisher
- Vancouver ; Berkeley : Figure.1
- Call Number
- 06.1 M64u
- Author
- Milroy, Sarah
- Responsibility
- McMichael Canadian Art Collection
- Publisher
- Vancouver ; Berkeley : Figure.1
- Published Date
- 2021
- Physical Description
- 317 pages : illustrations (some colour), portraits (some colour) ; 29 cm.
- Abstract
- A monument to the talent of Canadian women artists in the interwar period, Uninvited: Canadian Women Artists in the Modern Moment provides a full and diverse cross-country survey of the art made by women during this pivotal time, incorporating the work of both settler and Indigenous visual artists in a stirring affirmation of the female creative voice. -- Provided by publisher.
- Contents
- Director's foreword / Ian A.C. Dejardin -- Uninvited: Canadian women artists in the Modern Moment / Sarah Milroy -- The politics of invitation: Canadian women's art history and the settler-colonial context / Kristina Huneault -- Teachers, colleagues, and friends: Canadian men and women artists in the modern period / Katerina Atanassova and Jocelyn Anderson -- Anne Savage / Jocelyn Anderson, Anna Hudson -- Winifred Petchey Marsh / Maureen Matthews -- Attatsiaq / Christina Williamson -- Kathleen Munn / Georgiana Uhlyarik -- Yvonne McKague Housser / Sara Angel, Alicia Boutilier -- Elizabeth Katt Petrant / Alexandra Kahsenni:io Nahwegahbow, Christi Belcourt -- Bess Harris / Ian M. Thom -- Regina Seiden Goldberg / Alma Mikulinsky -- Vera Weatherbie / Michelle Jacques -- Emily Coonan / Anne-Marie Bouchard -- Suzanne Duquet / Anne-Marie Bouchard -- Lilias Torrance Newton / Shelley Adler, Gerta Moray -- Prudence Heward / Jacques Des Rochers, Tobi Bruce, Michelle Jacques -- Yulia Biriukova / Ian A.C. Dejardin -- Mary Wrinch / John Geoghegan -- Marion Long / Anna Hudson -- Frances Loring and Florence Wyle / Catharine Mastin, Luis Jacob -- Elizabeth Wyn Wood / Renée van der Avoird -- Margaret Watkins / Sarah Parsons -- Mrs. Walking Sun / Tanya Harnett -- Kathleen Daly Pepper / Gerald McMaster -- Annora Brown / Mary-Beth Laviolette -- Elizabeth Styring Nutt / Sarah Fillmore -- Bridget Anne Sack / Jordan Bennett and Melissa Peter-Paul -- Isabel McLaughlin / Tobi Bruce -- Pegi Nicol MacLeod / Georgiana Uhlyarik, Shary Boyle -- Marian Dale Scott / Alicia Boutilier, Gwendolyn Owens -- Paraskeva Clark / Jocelyn Anderson, Panya Clark Espinal -- Sewinchelwet (Sophie Frank) / Sesemiya (Tracy Williams) -- Emily Carr / Kristina Huneault, Jisgang Nika Collison -- Note -- List of works -- Figures -- Further reading -- Acknowledgements.
- Notes
- Catalogue of an exhibition held at the McMichael Canadian Art Collection from September 10, 2021 to January 16, 2022
- ISBN
- 9781773271194
- Accession Number
- P2021.01
- Call Number
- 06.1 M64u
- Location
- Reading Room
- Collection
- Archives Library
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