Narrow Results By
- Peter Whyte (1905 – 1966, Canadian) 321
- Robert William Sinclair (1939 – , Canadian) 86
- Catharine Robb Whyte, O. C. (1906 – 1979, Canadian) 68
- Ernest C. W Lamarque (1879 – 1970, Canadian) 63
- Les Graff (1936 – , Canadian)
- Walter Joseph Phillips, R. C. A. (1884 – 1963, Canadian) 28
- Charles John Collings (1848 – 1931, British)
- Sitting Wind (1925 – 2002, Canadian) 15
- James (Sr.) Simpson (1877 – 1972, Canadian) 14
- Herbert C. Hahn (1907 – , American) 10
- Kathleen Frances Daly Pepper (1898 – 1994, Canadian) 10
- Janet Holly Middleton (1922 – 2018, Canadian) 9
Abraham Lake #3
https://archives.whyte.org/en/permalink/artifactgrl.01.07
- Date
- 2000 – 2000
- Medium
- oil on masonite board
- Catalogue Number
- Grl.01.07
- Description
- An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
1 image
- Title
- Abraham Lake #3
- Date
- 2000 – 2000
- Medium
- oil on masonite board
- Dimensions
- 40.5 x 40.5 cm
- Description
- An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- Grl.01.07
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Abraham Lake/East
https://archives.whyte.org/en/permalink/artifactgrl.01.17
- Date
- 2001 – 2001
- Medium
- oil on masonite board
- Catalogue Number
- GrL.01.17
- Description
- An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
1 image
- Title
- Abraham Lake/East
- Date
- 2001 – 2001
- Medium
- oil on masonite board
- Dimensions
- 40 x 40.5 cm
- Description
- An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- GrL.01.17
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Approaching Rain - West Kootenay Plains #2
https://archives.whyte.org/en/permalink/artifactgrl.01.40
- Date
- 2005 – 2005
- Medium
- oil on masonite board
- Catalogue Number
- GrL.01.40
- Description
- An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mo…
1 image
- Title
- Approaching Rain - West Kootenay Plains #2
- Date
- 2005 – 2005
- Medium
- oil on masonite board
- Dimensions
- 40.5 x 40.5 cm
- Description
- An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mottled green and beige. The artist’s signature is in the brhc in purple paint. Au verso, written in black ink in the tlhc, “49/X”.
- Credit
- Gift of Les Graff, Bashaw, 2008
- Catalogue Number
- GrL.01.40
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Boats near Devon
https://archives.whyte.org/en/permalink/artifactcoj.03.085
- Date
- n.d.
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.085
- Description
- Scene with a number of sailboats in the varying distance, and three small fishing boats with figures working on them.“A composition with three small boats in the foreground and twelve larger sailboats beyond, this sketch supports the case for Japanese influence in Collings art.” -- “Charles John…
1 image
- Title
- Boats near Devon
- Date
- n.d.
- Medium
- graphite on paper
- Dimensions
- 11.5 x 25.5 cm
- Description
- Scene with a number of sailboats in the varying distance, and three small fishing boats with figures working on them.“A composition with three small boats in the foreground and twelve larger sailboats beyond, this sketch supports the case for Japanese influence in Collings art.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1984
- Catalogue Number
- CoJ.03.085
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- Artist
- Fitzpatrick
- Date
- 1920 – 1930
- Medium
- ink on heavy paper
- Catalogue Number
- FiP.03.06
- Description
- A view of Bow lake, a teepee with a man in front of it, off right centre. Taken from a Byron Harmon photograph.
- Artist
- Fitzpatrick
- Title
- Bow Lake
- Date
- 1920 – 1930
- Medium
- ink on heavy paper
- Dimensions
- 27.8 x 41.7 cm
- Description
- A view of Bow lake, a teepee with a man in front of it, off right centre. Taken from a Byron Harmon photograph.
- Subject
- landscape
- Canadian Rockies
- lake
- Credit
- Gift of Don Harmon, Banff, 1978
- Catalogue Number
- FiP.03.06
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Coastal Village (sailboats in anchor on back)
https://archives.whyte.org/en/permalink/artifactcoj.03.312
- Date
- c. 1900
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.312
- Description
- Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme
1 image
- Title
- Coastal Village (sailboats in anchor on back)
- Date
- c. 1900
- Medium
- graphite on paper
- Dimensions
- 20.0 x 26.0 cm
- Description
- Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.03.312
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Crag at Nipigon
https://archives.whyte.org/en/permalink/artifactcoj.03.527
- Date
- c. 1920
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.527
- Description
- Very faint rendition of a crag or rock face on the horizon with water in the foreground. Writing surrounding drawing denotes colour scheme and details.
1 image
- Title
- Crag at Nipigon
- Date
- c. 1920
- Medium
- graphite on paper
- Dimensions
- 25.0 x 18.5 cm
- Description
- Very faint rendition of a crag or rock face on the horizon with water in the foreground. Writing surrounding drawing denotes colour scheme and details.
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.03.527
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Fairholme Range, Bow River
https://archives.whyte.org/en/permalink/artifactfip.03.02
- Artist
- Fitzpatrick
- Date
- 1920 – 1930
- Medium
- ink on heavy paper
- Catalogue Number
- FiP.03.02
- Description
- A view of the Bow River between Mount Rundle and Tunnel Mountain, Fairholme Range in background - from a photograph by Byron Harmon.
- Artist
- Fitzpatrick
- Title
- Fairholme Range, Bow River
- Date
- 1920 – 1930
- Medium
- ink on heavy paper
- Dimensions
- 27.8 x 41.7 cm
- Description
- A view of the Bow River between Mount Rundle and Tunnel Mountain, Fairholme Range in background - from a photograph by Byron Harmon.
- Subject
- landscape
- mountains
- Canadian Rockies
- Bow River
- Credit
- Gift of Don Harmon, Banff, 1978
- Catalogue Number
- FiP.03.02
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Fallen Tree Stump and Mountain
https://archives.whyte.org/en/permalink/artifactcoj.03.145
- Date
- n.d.
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.145
- Description
- Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
1 image
- Title
- Fallen Tree Stump and Mountain
- Date
- n.d.
- Medium
- graphite on paper
- Dimensions
- 20 x 15.5 cm
- Description
- Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
- Credit
- Gift of John Rivette, Seymour Arm, 1985
- Catalogue Number
- CoJ.03.145
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A Flat in Caribou Country
https://archives.whyte.org/en/permalink/artifactcoj.03.353
- Date
- c. 1915
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.353
- Description
- A lake scene with trees to the left, water in the foreground, and mountains and more trees in the background.Title is in top left corner: “A Flat in Caribou Country”Other writing throughout denoting colour scheme.
1 image
- Title
- A Flat in Caribou Country
- Date
- c. 1915
- Medium
- graphite on paper
- Dimensions
- 20.0 x 26.0 cm
- Description
- A lake scene with trees to the left, water in the foreground, and mountains and more trees in the background.Title is in top left corner: “A Flat in Caribou Country”Other writing throughout denoting colour scheme.
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.03.353
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Foothills of the Rockies
https://archives.whyte.org/en/permalink/artifactcoj.05.01
- Date
- 1925
- Medium
- watercolour on paper
- Catalogue Number
- CoJ.05.01
- Description
- Landscape, colourful rolling foothills in the forground. - in the immediate forground at the bl. is a spot of green brown grasses. - past that is a varying green plateau. - then a spot of trees onward to the purple/blue mountains in the distance. - the sky fades into a yellow to green shade.“Collin…
1 image
- Title
- Foothills of the Rockies
- Date
- 1925
- Medium
- watercolour on paper
- Dimensions
- 27.3 x 37 cm
- Description
- Landscape, colourful rolling foothills in the forground. - in the immediate forground at the bl. is a spot of green brown grasses. - past that is a varying green plateau. - then a spot of trees onward to the purple/blue mountains in the distance. - the sky fades into a yellow to green shade.“Collings typically restricted his darkest tones in this late watercolour to minimal accents -- a streak of rich sienna merging with deep blue which works as a ‘base line’ and his the key to colour relationships in the rest of his picture. The overall pastel tones and broad, open river valley view combine to produce an effect of silent and awesome beauty.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1982
- Catalogue Number
- CoJ.05.01
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- Date
- c. 1927
- Medium
- watercolour on paper
- Catalogue Number
- CoJ.05.19
- Description
- Scene of five sailboats at varying distance away sailing on a brisk sea of blue/green water, the sky has a shade of darkening blue/grey.“This view of sailboats, apparently racing, is related in mood and handing to Catalogue entry #187. [Celebration in Remembrance CoJ.05.22] Collings used cold tones…
1 image
- Title
- Heavy Seas
- Date
- c. 1927
- Medium
- watercolour on paper
- Dimensions
- 15 x 31 cm
- Description
- Scene of five sailboats at varying distance away sailing on a brisk sea of blue/green water, the sky has a shade of darkening blue/grey.“This view of sailboats, apparently racing, is related in mood and handing to Catalogue entry #187. [Celebration in Remembrance CoJ.05.22] Collings used cold tones in both and rushing water to create a sense of drama.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1982
- Catalogue Number
- CoJ.05.19
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Kananaskis Mountain Study #7 2004
https://archives.whyte.org/en/permalink/artifactgrl.01.01
- Date
- 2004
- Medium
- painting on masonite
- Catalogue Number
- GrL.01.01
- Description
- An oil sketch of a mountain landscape. The primary colours used in the painting are green, blue, brown and red. The image is impressionistic with thick, visible brush strokes. The viewer’s top left corner is blue and extends across the top of the of the painting, narrowing until disappearing in th…
1 image
- Title
- Kananaskis Mountain Study #7 2004
- Date
- 2004
- Medium
- painting on masonite
- Dimensions
- 41.0 x 40.5 cm
- Description
- An oil sketch of a mountain landscape. The primary colours used in the painting are green, blue, brown and red. The image is impressionistic with thick, visible brush strokes. The viewer’s top left corner is blue and extends across the top of the of the painting, narrowing until disappearing in the right top corner. The rest of the painting is dominated by a largely green landscape. The artist’s signature is in the brhc in beige paint. Au verso, written in black ink in the top left-hand corner, “48/V”.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- GrL.01.01
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Kananaskis Study #2
https://archives.whyte.org/en/permalink/artifactgrl.03.28
- Date
- 2004 – 2004
- Medium
- graphite on paper
- Catalogue Number
- GrL.03.28
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
1 image
- Title
- Kananaskis Study #2
- Date
- 2004 – 2004
- Medium
- graphite on paper
- Dimensions
- 12..5 x 17.6 cm
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
- Credit
- Gift of Les Graff, Bashaw, 2007
- Catalogue Number
- GrL.03.28
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Kootenay Plains / Study #1
https://archives.whyte.org/en/permalink/artifactgrl.03.07
- Date
- 2001 – 2001
- Medium
- graphite on paper
- Catalogue Number
- GrL.03.07
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
1 image
- Title
- Kootenay Plains / Study #1
- Date
- 2001 – 2001
- Medium
- graphite on paper
- Dimensions
- 12.5 x 17.6 cm
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- GrL.03.07
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Kootenay Plains / Study #1
https://archives.whyte.org/en/permalink/artifactgrl.03.13
- Date
- 2002 – 2002
- Medium
- graphite on paper
- Catalogue Number
- GrL.03.13
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc…
1 image
- Title
- Kootenay Plains / Study #1
- Date
- 2002 – 2002
- Medium
- graphite on paper
- Dimensions
- 12.5 x 17.6 cm
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, 46/X-6“”.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- GrL.03.13
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Kootenay Plains / Study #2
https://archives.whyte.org/en/permalink/artifactgrl.03.08
- Date
- 2001 – 2001
- Medium
- graphite on paper
- Catalogue Number
- GrL.03.08
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in p…
1 image
- Title
- Kootenay Plains / Study #2
- Date
- 2001 – 2001
- Medium
- graphite on paper
- Dimensions
- 12.5 x 17.6 cm
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/H-7”.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- GrL.03.08
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Kootenay Plains / Study #2
https://archives.whyte.org/en/permalink/artifactgrl.03.14
- Date
- 2002 – 2002
- Medium
- graphite on paper
- Catalogue Number
- GrL.03.14
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
1 image
- Title
- Kootenay Plains / Study #2
- Date
- 2002 – 2002
- Medium
- graphite on paper
- Dimensions
- 12.5 x 17.6 cm
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- GrL.03.14
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Kootenay Plains / Study #3
https://archives.whyte.org/en/permalink/artifactgrl.03.04
- Date
- 2000 – 2000
- Medium
- graphite on paper
- Catalogue Number
- GrL.03.04
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X…
1 image
- Title
- Kootenay Plains / Study #3
- Date
- 2000 – 2000
- Medium
- graphite on paper
- Dimensions
- 13.6 x 21.4 cm
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X-6”.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- GrL.03.04
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Kootenay Plains / Study #3
https://archives.whyte.org/en/permalink/artifactgrl.03.09
- Date
- 2001 – 2001
- Medium
- graphite on paper
- Catalogue Number
- GrL.03.09
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
1 image
- Title
- Kootenay Plains / Study #3
- Date
- 2001 – 2001
- Medium
- graphite on paper
- Dimensions
- 12.5 x 17.6 cm
- Description
- A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
- Credit
- Gift of Les Graff, Bashaw, 2006
- Catalogue Number
- GrL.03.09
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