Narrow Results By
- Catharine Robb Whyte, O. C. (1906 – 1979, Canadian) 4
- Charles A. Beil (1894 – 1976, Canadian) 2
- Luxton, Norman 2
- Webstad, Phyllis 2
- Adese, Jennifer 1
- Allan, Melissa 1
- Bastien, Betty 1
- Bearspaw, Johnny 1
- Beaver, Annie 1
- Big Stoney, Bill 1
- Black, Liza 1
- Blondin, Walter; Blondin, George; Goose, Leanne; Mountain, Antoine; Stewart, Sarah; Yakeleya, Raymond; and Dene Elders; foreword by Blondin, Walter. 1
- Date
- 1880
- Material
- skin; glass
- Catalogue Number
- 103.01.0022
- Description
- Two long strips of beaded leather sewn together end to end. The pattern on the stip is a medium blue background with orange Vs outlined in black along its length.
1 image
- Title
- Beaded Trim
- Date
- 1880
- Material
- skin; glass
- Dimensions
- 7.5 x 196.0 cm
- Description
- Two long strips of beaded leather sewn together end to end. The pattern on the stip is a medium blue background with orange Vs outlined in black along its length.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 103.01.0022
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Beaded Necklace
https://archives.whyte.org/en/permalink/artifact103.01.0014
- Date
- 1890
- Material
- fibre; glass; metal
- Catalogue Number
- 103.01.0014
- Description
- A thick necklace formed by wrapping a strand of small glass beads around a length of cloth with one large brass metal bead at each end. The small beads are black, blue, and green, attached in colour-block sections along the length of the necklace. The two ends of the length of cloth are beaded tog…
1 image
- Title
- Beaded Necklace
- Date
- 1890
- Material
- fibre; glass; metal
- Dimensions
- 57.0 cm
- Description
- A thick necklace formed by wrapping a strand of small glass beads around a length of cloth with one large brass metal bead at each end. The small beads are black, blue, and green, attached in colour-block sections along the length of the necklace. The two ends of the length of cloth are beaded together so the necklace forms a loop.
- Subject
- decorative
- Indigenous
- Stoney
- beadwork
- regalia
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 103.01.0014
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Beaded Necklace
https://archives.whyte.org/en/permalink/artifact103.01.0001
- Date
- 1890
- Material
- glass; fibre
- Catalogue Number
- 103.01.0001
- Description
- A necklace made of two thick strands wrapped with dark blue and red beads. Hanging from the centre of the necklace there are two thick ropes of wrapped beads which split into two pieces at each end. Cotton ribbons secure the necklace at the neck.
1 image
- Title
- Beaded Necklace
- Date
- 1890
- Material
- glass; fibre
- Dimensions
- 150.0 cm
- Description
- A necklace made of two thick strands wrapped with dark blue and red beads. Hanging from the centre of the necklace there are two thick ropes of wrapped beads which split into two pieces at each end. Cotton ribbons secure the necklace at the neck.
- Subject
- Indigenous
- Stoney
- decorative
- beadwork
- regalia
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 103.01.0001
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1890
- Material
- glass; fibre
- Catalogue Number
- 103.01.0003 a,b
- Description
- A pair of armlets, each consisting of three thick strands wrapped with stripes of dark blue, yellow and red beads. Two wrapped strands hang from the centre of each armlet with loops of beads at the ends and where they attach.
1 image
- Title
- Beaded Armlet
- Date
- 1890
- Material
- glass; fibre
- Dimensions
- 32.5 cm
- Description
- A pair of armlets, each consisting of three thick strands wrapped with stripes of dark blue, yellow and red beads. Two wrapped strands hang from the centre of each armlet with loops of beads at the ends and where they attach.
- Subject
- Indigenous
- Stoney
- beadwork
- regalia
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 103.01.0003 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1895
- Material
- skin, buffalo; glass; fabric
- Catalogue Number
- 103.05.0003
- Description
- An entirely beaded boy's vest with fringe along both of the sides and the bottom. The vest has blanket trim and a v-neck. The vest is decorated with nine diamond motifs of red and blue beads forming a square on the back, and six diamonds centred on the front and two on the front shoulders. The en…
1 image
- Title
- Beaded Vest
- Date
- 1895
- Material
- skin, buffalo; glass; fabric
- Dimensions
- 42.0 x 55.0 (includes 9.0 cm fringe) cm
- Description
- An entirely beaded boy's vest with fringe along both of the sides and the bottom. The vest has blanket trim and a v-neck. The vest is decorated with nine diamond motifs of red and blue beads forming a square on the back, and six diamonds centred on the front and two on the front shoulders. The entire vest is beaded with a light blue background.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 103.05.0003
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Commemorative Medal
https://archives.whyte.org/en/permalink/artifact105.02.0129%20a%2cb
- Date
- 1897
- Material
- metal; skin; animal
- Catalogue Number
- 105.02.0129 a,b
- Description
- (a) a reproduction from original Treaty No. 7 medal given to chiefs of tribes involved in the 1877 ceremonies. Face is Queen Victoria in profile and stamped printing "Victoria Regina". Obverse is white man and Indigenous man shaking hands in prairie setting, surrounded by inscription "Indian Treaty…
1 image
- Title
- Commemorative Medal
- Date
- 1897
- Material
- metal; skin; animal
- Dimensions
- 1.0 x 7.6 cm
- Description
- (a) a reproduction from original Treaty No. 7 medal given to chiefs of tribes involved in the 1877 ceremonies. Face is Queen Victoria in profile and stamped printing "Victoria Regina". Obverse is white man and Indigenous man shaking hands in prairie setting, surrounded by inscription "Indian Treaty No. 7 on top and 1877 on the bottom. A piece of buckskin is looped through the ring on top of the medal so it can be worn around the neck. (b) a maroon fibre drawstring bag with a tag attached in Catharine Whyte’s writing “Johnny Bearspaw - medal - July 1977 brought it back”
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 105.02.0129 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Chief Sitting Bull
https://archives.whyte.org/en/permalink/artifactspe.02.03
- Artist
- Earl F. Spencer
- Date
- 1962
- Medium
- oil on canvas on board
- Catalogue Number
- SpE.02.03
- Description
- Study of an man sitting on a rock, he holds a pipe across his knees, his hair is braided and he wears one feather in it.
- Artist
- Earl F. Spencer
- Title
- Chief Sitting Bull
- Date
- 1962
- Medium
- oil on canvas on board
- Dimensions
- 40.5 x 30.5 cm
- Description
- Study of an man sitting on a rock, he holds a pipe across his knees, his hair is braided and he wears one feather in it.
- Subject
- figure, male
- Indigenous
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- SpE.02.03
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Lukasie Angiyou, Povungnituk
https://archives.whyte.org/en/permalink/artifactwyc.01.297
- Date
- 1968
- Medium
- oil on canvas
- Catalogue Number
- WyC.01.297
- Description
- Facial portrait of a boy. The boy is smiling. His skin is coloured red-brown with tints of red blended in. The boy's features are defined with brown paint. The boy has a cap of blue-black hair. His shoulders are visible and he is wearing a blue shirt with a vest of light grey-tan. Touches of ochre …
1 image
- Title
- Lukasie Angiyou, Povungnituk
- Date
- 1968
- Medium
- oil on canvas
- Dimensions
- 35.5 x 28.0 cm
- Description
- Facial portrait of a boy. The boy is smiling. His skin is coloured red-brown with tints of red blended in. The boy's features are defined with brown paint. The boy has a cap of blue-black hair. His shoulders are visible and he is wearing a blue shirt with a vest of light grey-tan. Touches of ochre blended into the vest help separate it from the background.
- Subject
- portrait, male
- Indigenous
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- WyC.01.297
- Notes
- Artistry Revealed: Peter Whyte, Catharine Robb Whyte and Their Contemporaries; June 17, 2018 to October 21, 2018
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Lizzie Irquasiak, Samisa's Daughter
https://archives.whyte.org/en/permalink/artifactwyc.01.298
- Date
- 1968
- Medium
- oil on canvas
- Catalogue Number
- WyC.01.298
- Description
- Facial portrait of a young woman under the hood of her parka. The woman is gazing at the viewer surrounded by the fur trim of her jacket's hood. The woman's face is coloured red-brown with tints of brown and red blended in. She also has short black hair. The fur trim of her hood is coloured light …
1 image
- Title
- Lizzie Irquasiak, Samisa's Daughter
- Date
- 1968
- Medium
- oil on canvas
- Dimensions
- 35.5 x 28.0 cm
- Description
- Facial portrait of a young woman under the hood of her parka. The woman is gazing at the viewer surrounded by the fur trim of her jacket's hood. The woman's face is coloured red-brown with tints of brown and red blended in. She also has short black hair. The fur trim of her hood is coloured light tan with highlights of white, and shadows of ochre and brown, or blue. The woman is wearing a light blue shirt under her jacket.
- Subject
- portrait, female
- Indigenous
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- WyC.01.298
- Notes
- Artistry Revealed: Peter Whyte, Catharine Robb Whyte and Their Contemporaries; June 17, 2018 to October 21, 2018
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Joseph Amarualik
https://archives.whyte.org/en/permalink/artifactwyc.01.299
- Date
- 1968
- Medium
- oil on canvas
- Catalogue Number
- WyC.01.299
- Description
- Facial portrait of a man wearing a fur jacket. The man's face has close-set eyes and strong jaws. His solemn gaze does not seem to be directed at the viewer. His face is coloured red-brown with tints of red and violet-grey blended in. The figure's face is outlined in black and his short hair is bl…
1 image
- Title
- Joseph Amarualik
- Date
- 1968
- Medium
- oil on canvas
- Dimensions
- 35.5 x 28.0 cm
- Description
- Facial portrait of a man wearing a fur jacket. The man's face has close-set eyes and strong jaws. His solemn gaze does not seem to be directed at the viewer. His face is coloured red-brown with tints of red and violet-grey blended in. The figure's face is outlined in black and his short hair is black and brown. The man's fur collar is coloured light tan with touches of ochre. The collar has white and yellow highlights, and shadows of brown and grey-brown. The background is light grey-tan.
- Subject
- portrait, male
- Indigenous
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- WyC.01.299
- Notes
- Artistry Revealed: Peter Whyte, Catharine Robb Whyte and Their Contemporaries; June 17, 2018 to October 21, 2018
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1968
- Medium
- oil on canvas
- Catalogue Number
- WyC.01.296
- Description
- Facial portrait of a woman in a fur parka with the hood down. The firgure's head is visible in a sea of fur. The dark brown trim of the hood of the woman's jacket forms a circle which sits in front of and behind her head. Light tan fur with areas in grey shadow separates the woman's head from the r…
1 image
- Title
- Nanook's Wife
- Date
- 1968
- Medium
- oil on canvas
- Dimensions
- 35.5 x 28.0 cm
- Description
- Facial portrait of a woman in a fur parka with the hood down. The firgure's head is visible in a sea of fur. The dark brown trim of the hood of the woman's jacket forms a circle which sits in front of and behind her head. Light tan fur with areas in grey shadow separates the woman's head from the ring of dark brown. The woman's face is coloured red-brown with tints of orange and pink blended in. The woman is smiling. She has short hair (coloured brown, black and grey) which forms a thin semicircle about her head.
- Subject
- portrait, female
- Indigenous
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- WyC.01.296
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1969
- Medium
- ink; graphite on paper
- Catalogue Number
- StS.03.04
- Description
- Colour: black on white. At viewer’s left and forefront, a man,is facing left and sitting on an oil drum. He is is wearing a cap, shirt, jeans and cowboy boots and is playing a guitar. Behind the man and toward viewer’s right is a telephone pole with a figure of a man hanging from a rope. In the bac…
1 image
- Title
- Just Playing
- Date
- 1969
- Medium
- ink; graphite on paper
- Dimensions
- 27.5 x 37.0 cm
- Description
- Colour: black on white. At viewer’s left and forefront, a man,is facing left and sitting on an oil drum. He is is wearing a cap, shirt, jeans and cowboy boots and is playing a guitar. Behind the man and toward viewer’s right is a telephone pole with a figure of a man hanging from a rope. In the background are a gentle range of hills.Au verso printed in pencil “JUST PLAYING”, rhtc “115” encircled, blhc “20” encircled with “25” on top
- Subject
- figures, male
- Indigenous
- Credit
- Purchased from Archives of the Canadian Rockies, Banff, 1970
- Catalogue Number
- StS.03.04
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Commemorative Coin
https://archives.whyte.org/en/permalink/artifact105.02.1065%20a%2cb
- Date
- 1969
- Material
- metal; plastic
- Catalogue Number
- 105.02.1065 a,b
- Description
- 1969 Banff Indian Days Kiwanis dollar, in envelope, INDIAN DAYS 1889-1969 value one dollar in Banff. Shows picture of tepee with mountain background. Obverse: BANFF CANADA KIWANIS DOLLAR EXPIRES SEPT.30.69. with head wearing buffalo horn headddress. Plastic envelope with flap, pocket is 4.7 square…
1 image
- Title
- Commemorative Coin
- Date
- 1969
- Material
- metal; plastic
- Description
- 1969 Banff Indian Days Kiwanis dollar, in envelope, INDIAN DAYS 1889-1969 value one dollar in Banff. Shows picture of tepee with mountain background. Obverse: BANFF CANADA KIWANIS DOLLAR EXPIRES SEPT.30.69. with head wearing buffalo horn headddress. Plastic envelope with flap, pocket is 4.7 square, rounded flap has 2.7 fold-over.
- Subject
- events
- Banff Indian Days
- organization
- Kiwanis
- artists
- Charlie Beil
- George McLean
- Chief Walking Buffalo
- Indigenous
- Credit
- Purchased from Robert Smith, Banff, 1969
- Catalogue Number
- 105.02.1065 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1969
- Material
- metal; wood; plastic; stone
- Catalogue Number
- 103.09.3039
- Description
- Silver coloured bucking horse with rider (12.5 cm high) stands on top of tall blue and silver pillar which stands on a round "marble" disk attached to wooden base. Wood base has metal plaque with “KIWANIS INTERNATIONAL” in circle with “K” at centre and "BANFF INDIAN DAYS All Round Cowboy 1969" …
1 image
- Title
- Loving Cup
- Date
- 1969
- Material
- metal; wood; plastic; stone
- Dimensions
- 40.5 x 10.0 x 15.0 cm
- Description
- Silver coloured bucking horse with rider (12.5 cm high) stands on top of tall blue and silver pillar which stands on a round "marble" disk attached to wooden base. Wood base has metal plaque with “KIWANIS INTERNATIONAL” in circle with “K” at centre and "BANFF INDIAN DAYS All Round Cowboy 1969" inscribed on centre of plaque. Bottom of wooden base is stamped with “ANC CALGARY 723 10th Ave S.W. PHONE 263-1150 M46--.”
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.09.3039
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1969
- Material
- metal; wood
- Catalogue Number
- 104.49.3002
- Description
- Metal blade curves down at ends to wooden handles. One side soldered and a different handle form opposite side. Tag: "Old Chiniquay 50 yrs. old brought by Louis Labelle Aug. 1, 1969."
1 image
- Title
- Drawknife
- Date
- 1969
- Material
- metal; wood
- Dimensions
- 16.0 x 32.0 cm
- Description
- Metal blade curves down at ends to wooden handles. One side soldered and a different handle form opposite side. Tag: "Old Chiniquay 50 yrs. old brought by Louis Labelle Aug. 1, 1969."
- Subject
- Indigenous
- woodworking
- Chiniquay
- Louis Labelle
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 104.49.3002
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1969
- Material
- metal
- Catalogue Number
- 104.19.3006 a-f
- Description
- Six various sized copper cooking pots, old Hudson's Bay style with bail handles. a) Slightly misshapen pot (18.7 x 21.5 x 21 cm) stored in (b).b) Large pot with broken handle (20.7 x 30.0 x 31.5 cm).c) Pot with rounded bottom (18.5 x 18.0 x 17.5 cm ) stored in (a).d) Pot blackened from use (15.2…
1 image
- Title
- Cooking Pot
- Date
- 1969
- Material
- metal
- Dimensions
- 20.7 (b) x 30.0 (b) x 31.5 (b) cm
- Description
- Six various sized copper cooking pots, old Hudson's Bay style with bail handles. a) Slightly misshapen pot (18.7 x 21.5 x 21 cm) stored in (b).b) Large pot with broken handle (20.7 x 30.0 x 31.5 cm).c) Pot with rounded bottom (18.5 x 18.0 x 17.5 cm ) stored in (a).d) Pot blackened from use (15.2 x 15.5 x 15.5 cm) stored in (f).e) Small pot (12.6 x 10.0 x 11.5 cm) stored in (d).f) Blackened pot (16.2 x 18.0 x 19.5 cm) sitting in shallow blue and white enamel bowl with tag attached with CRW's writing: "West end Chiniki Lake AD Oct 27 '69"
- Subject
- households
- kitchen
- Indigenous
- camping
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 104.19.3006 a-f
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Picturing indians : native Americans in film, 1941-1960
https://archives.whyte.org/en/permalink/catalogue25516
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Black, Liza
- Publisher
- Lincoln, Nebraska : University of Nebraska
- Call Number
- 07.2 B57p
- Author
- Black, Liza
- Publisher
- Lincoln, Nebraska : University of Nebraska
- Published Date
- 2020
- Physical Description
- xxi, 327 pages : illustrations ; 24 cm
- Subjects
- Indigenous
- Film making
- History
- Colonialism
- Abstract
- Liza Black critically examines the inner workings of post-World War II American films and production studios, which cast American Indian extras and actors as Native people, forcing them to come face-to-face with mainstream representations of "Indianness." -- From by publisher
- Contents
- "Just Like a Snake You'll Be Crawling in Your Own Shit": American Indians and White Narcissism ; "Indians Agree to Perform and Act as Directed": Urban Indian (and Non-Indian) Actors ; "Not Desired by You for Photographing": The Labor of American Indian (and Non-Indian) Extras ; "White May Be More Than Skin Deep": Whites in Redface ; "A Bit Thick": The Transformation of Indians into Movie Indians ; "Dig Up a Good Indian Historian": The Search for Authenticity
- ISBN
- 9780803296800
- Accession Number
- P2022.02
- Call Number
- 07.2 B57p
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Brotherhood to nationhood : George Manuel and the making of the modern indian movement
https://archives.whyte.org/en/permalink/catalogue25528
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- McFarlane, Peter and Manuel, Doreen
- Publisher
- Toronto : Between the Lines
- Call Number
- 07.2 M16a
- Publisher
- Toronto : Between the Lines
- Published Date
- 2020
- Physical Description
- xxvi, 311 pages : illustrations ; 23 cm
- Subjects
- Indigenous
- History
- History-Canada
- Colonialism
- Politics
- Abstract
- George Manuel was the strategist and visionary behind the modern Indigenous movement in Canada. A three-time Nobel Peace Prize nominee, he laid the groundwork for what would become the Assembly of First Nations and was the founding president of the World Council of Indigenous Peoples. Authors Peter McFarlane and Doreen Manuel follow him on a riveting journey from his childhood on a Shuswap reserve through three decades of fierce and dedicated activism. In these pages, an all-new foreword by celebrated Mi'kmaq lawyer and activist Pam Palmater is joined by an afterword from Manuel's granddaughter, land defender Kanahus Manuel. This edition features new photos and previously untold stories of the pivotal roles that the women of the Manuel family played--and continue to play--in the battle for Indigenous rights.
- ISBN
- 9781771135108
- Accession Number
- P2021.02
- Call Number
- 07.2 M16a
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Hudson's Bay Company : Edmonton House journals, including the Peigan Post, 1826-1834
https://archives.whyte.org/en/permalink/catalogue25543
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Publisher
- Calgary, A.B. : Historical Society of Alberta
- Call Number
- 08.2 B51h
- Responsibility
- Edited with an Introduction and Commentaries by Ted Binnema and Gerhard J. Ens
- Publisher
- Calgary, A.B. : Historical Society of Alberta
- Published Date
- 2020
- Physical Description
- 562 pages
- Series
- Hudson's Bay Company : Edmonton House Journals
- Abstract
- As Edmonton House entered its fourth decade, its future as one of the most profitable Hudson's Bay Company posts seeme secure, but were its best days behind it? In the late 1820s, John Rowand, the imposing figure in charge of the fort, struggled to adapt to the rapidly changing circumstances on the northwestern plains. American traders operating from the Missouri River began to draw off much of the trade of the Plains people, even as the relations among and within Plains nations grew ever more acrimonious. Closer to home, and much to Rowand's frustration, Metis families grew increasingly assertive and independent. Rowand could not find peace even within the fort palisades. Company servants chafed under the heavy hand of an increasingly irascible Rowand. The Edmonton House Journals published here offer a fascinating glimpse at the day-to-day life at one of the HBC's most important trading centres. Peigan Post, 1833-1834 John Rowand only reluctantly re-established an HBC presence on the southern plains of Rupert's Land in 1832. Having abandoned Chesterfield House in 1805, and having experienced much frustration with the Bow River Expedition in 1822-1823, the HBC established Peigan Post, on the Bow River, upstream from present-day Calgary in a desperate bid to regain the lucrative trade of the Peigan. The Peigan Post journals of 1833-1834 readily reveal the dangers and risks of trading at the location. -- Fom back cover
- Contents
- Edmonton House Post Journals, 1826-34 ; Peigan Post, 1833-34
- ISBN
- 9781777228507
- Accession Number
- P2022.08
- Call Number
- 08.2 B51h
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
In good relation : history, gender, and kinship in indigenous feminisms
https://archives.whyte.org/en/permalink/catalogue25712
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Call Number
- 07.2 N53i
- Responsibility
- Edited by Sarah Nickel and Amanda Fehr
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Published Date
- 2020
- Physical Description
- 260 pages : illustrations ; 23 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous Peoples
- Indigenous Traditions
- Women
- Feminism
- Gender
- Sexuality
- Abstract
- Over the past thirty years, a strong canon of Indigenous feminist literature has addressed how Indigenous women are uniquely and dually affected by colonialism and patriarchy. Indigenous women have long recognized that their intersectional realities were not represented in mainstream feminism, which was principally white, middle-class, and often ignored realities of colonialism. As Indigenous feminist ideals grew, Indigenous women became increasingly multi-vocal, with multiple and oppositional understandings of what constituted Indigenous feminism and whether or not it was a useful concept. Emerging from these dialogues are conversations from a new generation of scholars, activists, artists, and storytellers who accept the usefulness of Indigenous feminism and seek to broaden the concept. In Good Relation captures this transition and makes sense of Indigenous feminist voices that are not necessarily represented in existing scholarship. There is a need to further Indigenize our understandings of feminism and to take the scholarship beyond a focus on motherhood, life history, or legal status (in Canada) to consider the connections between Indigenous feminisms, Indigenous philosophies, the environment, kinship, violence, and Indigenous Queer Studies. Organized around the notion of "generations," this collection brings into conversation new voices of Indigenous feminist theory, knowledge, and experience. Taking a broad and critical interpretation of Indigenous feminism, it depicts how an emerging generation of artists, activists, and scholars are envisioning and invigorating the strength and power of Indigenous women. -- Provided by publisher
- Contents
- Introduction / Sarah Nickel -- Broadening indigenous feminisms. The uninvited / by Jana-Rae Yerxa -- Us / by Elaine McArthur -- Making matriarchs at Coqualeetza : Sto´:lo¯ women's politics and histories across generations / by Madeline Rose Knickerbocker -- Sa´mi feminist moments : decolonization and Indigenous feminism / by Astri Dankertsen -- "It just piles on, and piles on, and piles on" : young Indigenous women and the colonial imagination / by Tasha Hubbard with Joi T. Arcand, Zoey Roy, Darian Lonechild, and Marie Sanderson -- "Making an honest effort" : Indian homemakers' clubs and complex settler engagements / by Sarah Nickel -- Queer and two-spirit identities, and sexuality. Reclaiming traditional gender roles : a two-spirit critique / by Kai Pyle -- Reading Chrystos for feminisms that honour two-spirit erotics / by Aubrey Jean Hanson -- Naawenangweyaabeg Coming in : intersections of Indigenous sexuality and spirituality / by Chantal Fiola -- Morning star, and moon share the sky : (re)membering two-spirit identity through culture-centred HIV prevention curriculum for Indigenous youth / by Ramona Beltra´n, Antonia R.G. Alvarez, and Miriam M. Puga -- Multi-generational feminisms and kinship. Honouring our great-grandmothers : an ode to Caroline LaFramboise, twentieth-century Me´tis matriach / by Zoe Todd -- on anishinaabe parental kinship with black girl life : twenty-first century ([de]colonial) turtle island / by waaseyaa'sin christine sy with aja sy -- Toward an Indigenous relational aesthetics : making Native love, still / by Lindsay Nixon -- Conversations on Indigenous feminism / by Omeasoo Wa¯hpa¯siw and Louise Halfe -- These are my daughters / by Anina Major.
- ISBN
- 9780887558511
- Accession Number
- P2023.09
- Call Number
- 07.2 N53i
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
