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Archives General File collection

https://archives.whyte.org/en/permalink/descriptions451

Part Of: Archives General File Collection

Scope & Content: The Archives General File is an artificial collection of accessions which do not constitute separate fonds or collections or cannot be placed within existing fonds or collections. Included in the collection are textual records of many types, such as manuscripts, reports, letters, diaries, speeches…

Date Range: [after 1890]

Reference Code: M8 / S8 / V8

Description Level: 1 / Fonds

GMD: Motion picture; Film; Video; Photograph; Album; Framed print; Negative; Photograph print; Postcard; Transparency; Sound recording; Cassette; Reel to reel; Textual record; Diary; Plan; Private record; Published record

Part Of: Archives General File Collection

Description Level: 1 / Fonds

Fonds Number: M 8; S 8; V 8

Sous-Fonds: M8 / S8 / V8

Accession Number: Numerous. Access to material via accession number is available through the online database

Reference Code: M8 / S8 / V8

GMD: Motion picture; Film; Video; Photograph; Album; Framed print; Negative; Photograph print; Postcard; Transparency; Sound recording; Cassette; Reel to reel; Textual record; Diary; Plan; Private record; Published record

Date Range: [after 1890]

Physical Description: 57 cm textual records. -- 50 cm of photographs : prints. -- 189 photographs (15 framed prints, 51 transparencies, 79 negatives; 44 copy negatives). -- 3 photograph albums (139 prints). -- 6 motion pictures. -- 9 sound recordings

Scope & Content: The Archives General File is an artificial collection of accessions which do not constitute separate fonds or collections or cannot be placed within existing fonds or collections. Included in the collection are textual records of many types, such as manuscripts, reports, letters, diaries, speeches, poetry, plans and others; photographs in the form of prints, negatives, transparencies, albums, postcards, etc.; sound recorded interviews and programmes; and motion pictures. Material pertains broadly to the Banff area and many other areas within the Archives collecting mandate.; Notable items include: Walter Wilcox letter; George Kinney report; interviews with Bill Round and Edward Feuz; original copy of Treaty Number Seven; Mary Schaffer material, including letters, notes, photograph and report; reports on the Nakimu Caves; film pertaining to Banff Winter Carnival; Georgia Engelhard letters and photos; plans for buildings and structures; George Noble photograph; W. S. Park photograph.

Name Access: Archives General File

Subject Access: Exploration, discovery and travel; Family and personal life; First Nations; Sports, recreation and leisure

Access Restrictions: No restrictions on access; Copyright, privacy, commercial use and other restrictions may apply

Language: Language is English

Finding Aid: Finding aids and reference tools: electronic database

Creator: Whyte Museum of the Canadian Rockies

Category: Exploration, discovery and travel; Family and personal life; First nations; Sports, recreation and leisure

Title Source: Title describes nature of collection. Individual titles in accession-level inventory have generally been assigned.

Processing Status: Processed

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Bert Riggall fonds

https://archives.whyte.org/en/permalink/descriptions587

Part Of: Bert Riggall fonds

Scope & Content: Fonds includes seven series: I. Personal and professional, 1884-1959; II. Business and financial, ca.1910-1959; III. Professional photography, 1900-1955; IV. Writing, 1906-1957; V. Natural history, 1904-1954; VI. Other interests, 1913-1956; VII. Riggall family, ca.1865-1959. Personal and pro…

Date Range: [ca.1865]-1959, predominant [ca.1890]-1959

Reference Code: M376 / V26

Description Level: 1 / Fonds

GMD: Photograph; Album; Negative; Photograph print; Transparency; Textual record; Diary; Map; Private record; Published record

Part Of: Bert Riggall fonds

Description Level: 1 / Fonds

Fonds Number: M 376; V 26

Sous-Fonds: M 376; V 26

Accession Number: 5777, 7200, 7201, 7772 (unproc)

Reference Code: M376 / V26

GMD: Photograph; Album; Negative; Photograph print; Transparency; Textual record; Diary; Map; Private record; Published record

Date Range: [ca.1865]-1959, predominant [ca.1890]-1959

Physical Description: ca.13,100 photographs: ca.7080 prints, ca.5310 negatives, ca.700 transparencies. -- 9 photograph albums. -- ca.2 m textual records, print material and graphic records. -- 33 cartographic records

History / Biographical: Frederick Herbert (Bert) Riggall, 1884-1959, was a mountain guide, outfitter, hunter, trapper, rancher, naturalist, photographer, writer and gunsmith/loader in southern Alberta. Born in 1884 at Gayton-le-Wold Grange, Lincolnshire, his family moved to Grimsby where his father was an auctioneer and, in 1905, served as Mayor. In England, Riggall was an athlete, avid sportsman and naturalist. He was exposed to alpine country on school holidays in Switzerland and, determined to visit Canada, left for North America in 1904.; Upon arriving in western Canada, Riggall worked for a year at Craighurst Farm near Calgary. There he met Dorothea (Dora) Williams, 1877-1951, an Irish Quaker ranch cook who had emigrated with her sister Anna in 1902. In 1905, Bert worked on the Correction Land Survey in southwestern Alberta and explored Waterton Lakes. Bert and Dora married in 1906 and until 1946 they homesteaded and ranched adjacent to Waterton Lakes National Park.; Initially, Bert and partner Jack Hazzard built boats and guided fishing parties on Waterton Lakes. In 1909, with partner Cyril Watmough, the Riggalls began guiding and outfitting summer and fall hunting and fishing trips for numerous repeat clients, especially, after 1913, four Minneapolis, Minnesota families: Bovey, Crosby, Bennett and McKnight. Hunts involved Big Horn Sheep, goats, black and grizzly bears. Bert served as chief guide and Dora as camp cook. Prior to 1911, the Riggalls worked at Gloyne's oil camp and Oil City to supplement their income. In 1911, Bert and partner Cyril Watmough made a 1000 mile (1600 km) exploratory trip from Fort Steele, B.C. to the Yellowhead Pass and beyond. Following that trip, Riggall concentrated guiding activities on the continental divide as far north as the Highwood region, but primarily in the upper Oldman River Valley and Gap in the Livingstone Range. Their outfit grew to include numerous saddle and pack horses.; Of five children, only two daughters survived infancy. Kay Riggall (Russell), 1909-1984, and Doris (Babe) Riggall (Burton), 1910-1999, were both able riders, markswomen and packtrain workers. They accompanied their parents on summer back country trips starting in 1918. Bert Riggall was renowned for his knowledge of botany, geology, zoology, wilderness life and lore as well as literature and current affairs. He was especially endeared to his clients for his skill as a raconteur and campfire storyteller. He wrote articles for magazines such as: Arms and the Man, American Rifleman, Field and Stream and the Boone and Crockett Club's book: North American Big Game. Riggall was an accomplished semi-professional photographer who specialized in wildlife studies, panoramic landscapes, Dufaycolor and later Kodachrome transparencies. His photographs appear in Department of Interior Reports and other publications.; Bert's heart problems forced the Riggalls to move to Pincher Creek in 1947. Daughter Kay and son-in-law Andy Russell continued the packtrain and guiding business until 1960. After Dora's death, Bert experienced medical problems and lived with or close to Doris.

Scope & Content: Fonds includes seven series: I. Personal and professional, 1884-1959; II. Business and financial, ca.1910-1959; III. Professional photography, 1900-1955; IV. Writing, 1906-1957; V. Natural history, 1904-1954; VI. Other interests, 1913-1956; VII. Riggall family, ca.1865-1959.; Personal and professional series consists of diaries and notes, correspondence and personal papers.; Business and financial series consists of guiding and ranching records, gunsmithing, shooting and loading records; and legal and financial records.; Professional photography series consists of standard photographs, panoramas, transparencies and textual records; Writing series contains manuscripts, published magazines, book outlines, newspaper articles and letters to the editor; Natural history series contains bird and plant records, and other natural history papers; Other interests series consist of clippings, annotated books and collected material; Riggall family series contains Bert and Dora Riggall family papers and photographs, Williams family photographs, Frederick W. and Fanny Riggall papers and photographs, and Allan Riggall papers and photographs. Negatives and transparencies pertain to Andy Russell as a young man with Bert Riggall.

Notes: Some transparencies in V110 Dick Russell are marked Andy Russell, some marked 64 dup; V110 - original transparencies have full set of duplicates (2 sets were made, 1 for Dick Russell and the other is part of this accession)

Name Access: Riggall, Bert

Subject Access: Arts; Environment; Exploration, discovery and travel; Family and personal life; Sports, recreation and leisure

Access Restrictions: Some restriction/s on access; Copyright, privacy, commercial use and other restrictions may apply

Language: Language is English

Finding Aid: basic description for processed material

Related Material: Related to the Andy Russell fonds (M153/S43/V555) and the Kay Russell family fonds (M63/V63)

Creator: Riggall, Bert

Category: Arts; Environment; Exploration, discovery and travel; Family and personal life; Sports, recreation and leisure

Title Source: Title based on accession record and contents of fonds

Processing Status: Processed / Unprocessed

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Banff Lantern Slides

https://archives.whyte.org/en/permalink/descriptions21760

Part Of: Archives General File Collection

Scope & Content: Series consists of 4 lantern slides. Slides are views of the Banff Hot Springs, Banff Avenue with Cascade Mountain, Devil's Lake, and the city of Calgary.

Date Range: [c. 1890]

Reference Code: V8 / 7919 / PS - 1 to PS - 4

Description Level: 3 / Series

GMD: Transparency; Lantern slide

4 images

Part Of: Archives General File Collection

Description Level: 3 / Series

Fonds Number: M8 / V8 / S8

Series: Accession Number : 7919

Sous-Fonds: V8

Accession Number: 7919

Reference Code: V8 / 7919 / PS - 1 to PS - 4

GMD: Transparency; Lantern slide

Date Range: [c. 1890]

Physical Description: 4 photographs : b&w slides ; 8.2 x 8.2 cm

Scope & Content: Series consists of 4 lantern slides. Slides are views of the Banff Hot Springs, Banff Avenue with Cascade Mountain, Devil's Lake, and the city of Calgary.

Subject Access: Lantern slide; Tourism

Geographic Access: Banff; Calgary; Alberta; Canada

Language: English

Conservation: All slides were cleaned prior to scanning.

Title Source: Title based on contents of series

Processing Status: Processed

Images

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Children's Coloured Lantern Slides

https://archives.whyte.org/en/permalink/descriptions54644

Part Of: Archives General File Collection

Scope & Content: Series contains 35 children's magic lantern slides done in colour, machine-printed rather than hand-painted. There are 4 distinct grouping of the slides: 2019.88-1-12 depict the story "The Transvaal War" [manufactured in 1895?]. Each slide has 3 seperate images with black borders and are numbered s…

Date Range: [c.1895]

Reference Code: V8 / 2019.88 / PS - 1 to PS - 35

Description Level: 3 / Series

GMD: Transparency; Lantern slide

35 images

Part Of: Archives General File Collection

Description Level: 3 / Series

Fonds Number: M8 / V8 / S8

Series: Accession Number : 2019.88

Sous-Fonds: V8

Accession Number: 2019.88

Reference Code: V8 / 2019.88 / PS - 1 to PS - 35

GMD: Transparency; Lantern slide

Date Range: [c.1895]

Physical Description: 35 photographs : col. slides ; 6.5 x 22.5 cm

History / Biographical: The Ernst Plank Company (EP) was located in Nerumberg, Germany and operated from 1866 until 1930. The company was known for their production of copper and tin toys, specifically stationary and locomotive toy steam engines and carriages, they also produced a variety of magic lanterns and lantern slides. When they first began producing lantern slides, the standard shape of a slide was a square piece of glass about 8cm x 8cm and, depending on the style of magic lantern being used, may have a wooden frame built around the glass. Styles changed as methods for printing slides and lantern designs advanced – by the 1880’s the wooden frame was removed entirely from the slides and replaced with thin strips of coloured binding tape that protected fingers from the glass edges. Originally, hand painted black silhouette images on glass or wax paper were used to create projected pictures, followed closely by the use of colour paints to create entire scenes. Printed images soon replaced hand-painted slides, allowing for cheaper production and more widespread use. A popular format for commercially manufactured lantern slides was a long piece of glass (usually no more than 23cm long) on which multiple images could be printed in order to tell a smoother story. This allowed for two different kinds of display. The first display has smaller pictures printed in circular or square frames with a solid black border and shown as independent images of a larger narrative with pauses in between. The second display option for these slides is as a panoramic scene with the entire area coloured in (or just with figures displayed like on a stage) so they could seamlessly slide from one side to the other. This long thin kind of slide was ideal for home use and could be easily handled by children. Ernst Plank also produced a toy magic lantern out of lightweight tin that could be lit with a small oil lamp specifically for use by children. Slides meant for that kind of lantern were printed on celluloid or on a single plane of glass with a thin layer of transparent lacquer to protect the image. This created a thinner, more lightweight and less delicate slide ideal for small hands. When a toy magic lantern was purchased it came with 1 or 2 sets (each set consisting of 12 slides) in the lantern’s box, additional sets of a particular theme could be purchased independently. Magic lanterns varied greatly in design and material depending on the use. Professional showmen would have multi-lens lanterns lit by powerful chemicals or high-voltage lightbulbs that would allow them to project clear images onto a large screen for a theater audience. There were also simpler lanterns that could be powered by oil lamps, multi-wick candles, gas lighting, or electricity in the home. One of the most popular themes for slide shows where images from international travel, but domestic scenes, Christmas, and famous historic battles were also very common.

Scope & Content: Series contains 35 children's magic lantern slides done in colour, machine-printed rather than hand-painted. There are 4 distinct grouping of the slides:; 2019.88-1-12 depict the story "The Transvaal War" [manufactured in 1895?]. Each slide has 3 seperate images with black borders and are numbered sequentially so that the showman could keep track. There is no maker's mark, but according to a note placed in the accompanying lantern slide box, this set was made by the Ernst Plank Company. The slides depict protraits of men in various uniforms, battle scenes, and soldiers in uniform. Each silde is bordered with green paper in good condition.; 2019.88-13-16 are unrelated EP slides bordered in red paper of varying condition. 13 has 4 travel images seperated with a black border; 14 is a long slide showing 4 boys in play dress as a marching band; 15 is a panoramic sea scape with ships and a harbour. A section of the coloured glass along the top slightly to the left of centre has been chipped off; 16 is a panoramic pastoral Dutch scene set in the springtime. The supporting glass piece has been badly damaged and is missing on the left end of the slide.; 2019.88-17-28 are all travel scenes with 4 images to a slide seperated with a black border and no maker's mark. The images contain a mixture of people, animals, buildings and temples (mainly made from stone), boats, and landscapes from North America, Africa (with an emphasis on Egypt), and what could be either South America or Eurasia. All slides are bordered in red paper of fair to good condition.; 2019.88-29-35 are unrelated EP slides of various styles bordered in red paper in fair to good condition. 29 depicts 4 caricature portraits with a black border; 30, 32, 34 are long slides with 4 individuals on each that are not seperated from eachother with borders, but are not part of a larger scene; 31, 33, 35 are all panoramic pastoral Dutch scenes set in both springtime and winter.

Notes: Accompanying the slides is what appears to be an original lantern slide box, made of wood and covered in faded purple paper with a steam engine train image on the top and a logo containing the intials "E.P." The logo consists of a 4-spoke wheel with wings on either side and 3 stars above. One short end of the box is missing and the sliding lid is either warped or stuck and does not open. A sticky note placed inside the box states that the green-line lantern slides (2019.88/PS-1 to PS-12) accompanied the box.