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Dorothy Wardle fonds

https://archives.whyte.org/en/permalink/descriptions398
Part Of
Dorothy Wardle fonds
Scope & Content
Fonds consists of two sous-fonds: M521 and V75. M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including cor…
Date Range
ca.1870-2002
Reference Code
M521 / V75
Description Level
1 / Fonds
GMD
Photograph
Album
Negative
Photograph print
Postcard
Transparency
Textual record
Private record
Published record
Part Of
Dorothy Wardle fonds
Description Level
1 / Fonds
Fonds Number
M521
V75
Sous-Fonds
M521
V75
Accession Number
5296, 5391, 7504
Reference Code
M521 / V75
GMD
Photograph
Album
Negative
Photograph print
Postcard
Transparency
Textual record
Private record
Published record
Date Range
ca.1870-2002
Physical Description
154 cm of textual records. -- 1304 photographs (1190 prints, 95 negatives, 19 transparencies). -- 6 photograph albums.
History / Biographical
The Wardle family was comprised of husband and wife, James Morey Wardle (June 26,1888 - May 18,1971) and Maud Leette (Roney) Wardle (May 24,1889 - December 1,1969), and their one child, Dorothy Hope Wardle (May 23,1919 - July 20,2003). James Wardle, born in Chiliwack, British Columbia, was a civil engineer and public servant. He was the Superintendent of Banff National Park from 1918-1921, Chief Engineer for Parks Canada from 1921-1935, and Deputy Minister of the Interior from 1935-1936. He is primarily known as a highway design engineer, particularly for building the Banff-Windermere, Banff-Lake Louise, and Banff-Jasper highways. He was a councillor for the Municipality of Rockcliffe Park in Ontario and he was the President of the Trail Riders of the Canadian Rockies in Banff from 1925-1929. Mount Wardle in Vermillion was named after him in 1921. James married Leette on November 4, 1913, with whom he had one child, Dorothy. Born in Calgary, Alberta, Dorothy (also known as Dot and Dorie) grew up in Banff, Alberta and Ottawa, Ontario, due to her father's position with the federal government. She was educated at the Mountain School in Banff and at the Elmwood School in Ottawa. All three family members were graduates of Queen's University in Kingston, Ontario. James graduated in 1912 with a Bachelor of Science in Engineering, Leette graduated with a Bachelor's degree, and in 1942, Dorothy also earned a Bachelor's degree. Dorothy was prominent in student life and active in athletics. In 1941, Dorothy became the first woman elected as President of the Alma Mater Society and during her academic career, Dorothy was a member of the Levana Intercollegiate Debative, University Centenary Committee, and Queen’s War Aid Commission. Dorothy spent her career as a freelance writer however, upon graduation she served as the first Secretary-In-Charge of Records at Carleton College (now Carleton University) from 1942-1944 in Ottawa and in the mid-1950s worked as a secretary for the Glenbow Foundation in Calgary. Dorothy pursued a lifelong interest in traveling, art, and antiques. Although she was fiercely proud and protective of Banff and the Park, and remained a volunteer and patron of the Whyte Museum of the Canadian Rockies, Dorothy eventually settled in Sidney, British Columbia and shared an apartment with Sheila Iris Ritchie, with whom Dorothy travelled extensively. After her death in 2003, Dorothy, "Dorie," was laid to rest alongside her parents in the Old Banff Cemetery.
Scope & Content
Fonds consists of two sous-fonds: M521 and V75.
M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including correspondence with Carl Rungius and Mrs. Helen Brett, and Christmas and other greeting cards from Peter and Catharine Whyte). Series III: Queen's University, 7.5 cm, 1911-1980 (including graduation certificates for each family member and records pertaining to Dorothy's participation on the Alma Mater Society). Series IV: Travel, 44.5 cm, ca.1950-1988 (includes hand-written notebooks meticulously detailing their travels).
V75 consists of two series, 79.5 cm, ca. 1912-2001. Series I: Wardle Family, ca. 1912-1971, 6 albums, 31 cm of photograph prints and negatives (including family trips, trail rides in the Canadian Rocky Mountains, and family gatherings). Series II: Dorothy Wardle, 1972-2001, 34 cm of photograph prints, negatives, and transparencies (including Dorothy's travels in Alberta and British Columbia, overseas, and various outings with friends).
Name Access
Wardle, Dorothy
Wardle, James
Rungius, Carl
Brett, Helen
Keyte, Freeman
Hart, E. J. (Ted)
Harkin, J. B. (James Bernard)
Brewster, Pat
Peyto, Bill
Brett, Robert George
Sanson, Norman
White, Clifford
Drummond-Davies, Nora
Mills, Ike
McLean, George
Walking Buffalo (George McLean)
Kaquitts, Frank
Oxborough, Dorothy
Whyte, Jon
Robinson, Dean
Warren, Mary Schaffer
Simpson, George
Gibbon, John Murray
Whyte, Catharine
Whyte, Peter
Greenham, Margaret
Subject Access
Arts
Environment
Personal and Family Life
Banff
Old Banff Cemetery
Whyte Museum of the Canadian Rockies
Cabins
Travel
Picnics and picnicking
Holidays
Scenery
Christmas
Dogs
Horses
Mountain
Canoes and canoeing
Hiking
Wildlife
War Memorial
Highland Games
Bow River Bridge
Golfing
Anniversary
Horseback riding
Indigenous Peoples
Stoney Nakoda
Education
Snowshoes and snowshoeing
Banff Winter Carnival
Banff Winter Festival
Women
Trails
Trail Riders of the Canadian Rockies
Sports and leisure
Skiing
European travel
Beach
Calgary Herald
Geography
Government
Newspaper
Politics
Research
Banff Public Library
National parks and reserves
Park policy
Parks Canada
Wardens
Ya-Ha-Tinda Ranch
Community life
Mines and mineral resources
History
Immigration and homesteading
Settlement
Organizations
World War II
Biographical
Professional and Personal Life
Grizzly Bears
Fire fighters
Sunshine Village
Teahouses
Banff Indian Days
Regalia
Calgary Stampede
Mountain guides
Mountain School
The Albertan
Crag and Canyon newspaper
Homestead Hotel
Banff Centre
Hot Springs
Superintendents
Automobiles
Natural history
Records
Calendar
Finances
Leases
Legal and Financial
Property
Recreation
Geographic Access
Banff
Banff National Park
Canmore
Alberta
Canada
Canadian Rocky Mountains
Castle Mountain
Bankhead
British Columbia
Glacier National Park
Kootenay National Park
Silver City
Victoria
Scotland
Revelstoke
Yoho National Park
Ottawa
Ontario
Prince Edward Island
Plain of Six Glaciers
Lake Agnes
Lake Louise
Lake Minnewanka
Lake O'Hara
Bow River
Calgary
Sidney
San Francisco
United States
Europe
Germany
Switzerland
France
Spain
Monaco
Italy
Denmark
Austria
Quebec
Windermere
New York
Assiniboine
Ghost River
High River
Quebec City
New Brunswick
Maine
Great Divide
Moraine Lake
Maligne Lake
Columbia Icefield
Washington
Philadelphia
Atlantic City
Larch Valley
Cascade Mountain
Panama
Sulphur Mountain
Field
Emerald Lake
Head Smashed In Buffalo Jump
Takkakaw Falls
Jasper National Park
Athabasca Falls
Okanagan
Kananaskis
Hoodoos
Powell River
Montreal
Access Restrictions
Some restriction/s on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Related Material
Dorothy also donated artwork (by Carl Rungius) to Art and Heritage.
James Morey Wardle fonds (Library and Archives Canada)
Creator
Wardle, Dorothy
Wardle, James M.
Wardle, Leette
Category
Arts
Environment
Education
Exploration, discovery and travel
Family and personal life
First nations
Sports, recreation and leisure
Title Source
Title based on accession records and contents of fonds
Processing Status
Processed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Archives General File collection

https://archives.whyte.org/en/permalink/descriptions451
Part Of
Archives General File Collection
Scope & Content
The Archives General File is an artificial collection of accessions which do not constitute separate fonds or collections or cannot be placed within existing fonds or collections. Included in the collection are textual records of many types, such as manuscripts, reports, letters, diaries, speeches…
Date Range
[after 1890]
Reference Code
M8 / S8 / V8
Description Level
1 / Fonds
GMD
Motion picture
Film
Video
Photograph
Album
Framed print
Negative
Photograph print
Postcard
Transparency
Sound recording
Cassette
Reel to reel
Textual record
Diary
Plan
Private record
Published record
Part Of
Archives General File Collection
Description Level
1 / Fonds
Fonds Number
M 8
S 8
V 8
Sous-Fonds
M8 / S8 / V8
Accession Number
Numerous. Access to material via accession number is available through the online database
Reference Code
M8 / S8 / V8
GMD
Motion picture
Film
Video
Photograph
Album
Framed print
Negative
Photograph print
Postcard
Transparency
Sound recording
Cassette
Reel to reel
Textual record
Diary
Plan
Private record
Published record
Date Range
[after 1890]
Physical Description
57 cm textual records. -- 50 cm of photographs : prints. -- 189 photographs (15 framed prints, 51 transparencies, 79 negatives; 44 copy negatives). -- 3 photograph albums (139 prints). -- 6 motion pictures. -- 9 sound recordings
Scope & Content
The Archives General File is an artificial collection of accessions which do not constitute separate fonds or collections or cannot be placed within existing fonds or collections. Included in the collection are textual records of many types, such as manuscripts, reports, letters, diaries, speeches, poetry, plans and others; photographs in the form of prints, negatives, transparencies, albums, postcards, etc.; sound recorded interviews and programmes; and motion pictures. Material pertains broadly to the Banff area and many other areas within the Archives collecting mandate.
Notable items include: Walter Wilcox letter; George Kinney report; interviews with Bill Round and Edward Feuz; original copy of Treaty Number Seven; Mary Schaffer material, including letters, notes, photograph and report; reports on the Nakimu Caves; film pertaining to Banff Winter Carnival; Georgia Engelhard letters and photos; plans for buildings and structures; George Noble photograph; W. S. Park photograph.
Name Access
Archives General File
Subject Access
Exploration, discovery and travel
Family and personal life
First Nations
Sports, recreation and leisure
Access Restrictions
No restrictions on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: electronic database
Creator
Whyte Museum of the Canadian Rockies
Category
Exploration, discovery and travel
Family and personal life
First nations
Sports, recreation and leisure
Title Source
Title describes nature of collection. Individual titles in accession-level inventory have generally been assigned.
Processing Status
Processed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Banff Lantern Slides

https://archives.whyte.org/en/permalink/descriptions21760
Part Of
Archives General File Collection
Scope & Content
Series consists of 4 lantern slides. Slides are views of the Banff Hot Springs, Banff Avenue with Cascade Mountain, Devil's Lake, and the city of Calgary.
Date Range
[c. 1890]
Reference Code
V8 / 7919 / PS - 1 to PS - 4
Description Level
3 / Series
GMD
Transparency
Lantern slide
  4 images  
Part Of
Archives General File Collection
Description Level
3 / Series
Fonds Number
M8 / V8 / S8
Series
Accession Number : 7919
Sous-Fonds
V8
Accession Number
7919
Reference Code
V8 / 7919 / PS - 1 to PS - 4
GMD
Transparency
Lantern slide
Date Range
[c. 1890]
Physical Description
4 photographs : b&w slides ; 8.2 x 8.2 cm
Scope & Content
Series consists of 4 lantern slides. Slides are views of the Banff Hot Springs, Banff Avenue with Cascade Mountain, Devil's Lake, and the city of Calgary.
Subject Access
Lantern slide
Tourism
Geographic Access
Banff
Calgary
Alberta
Canada
Language
English
Conservation
All slides were cleaned prior to scanning.
Title Source
Title based on contents of series
Processing Status
Processed
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Children's Coloured Lantern Slides

https://archives.whyte.org/en/permalink/descriptions54644
Part Of
Archives General File Collection
Scope & Content
Series contains 35 children's magic lantern slides done in colour, machine-printed rather than hand-painted. There are 4 distinct grouping of the slides: 2019.88-1-12 depict the story "The Transvaal War" [manufactured in 1895?]. Each slide has 3 seperate images with black borders and are numbered s…
Date Range
[c.1895]
Reference Code
V8 / 2019.88 / PS - 1 to PS - 35
Description Level
3 / Series
GMD
Transparency
Lantern slide
  35 images  
Part Of
Archives General File Collection
Description Level
3 / Series
Fonds Number
M8 / V8 / S8
Series
Accession Number : 2019.88
Sous-Fonds
V8
Accession Number
2019.88
Reference Code
V8 / 2019.88 / PS - 1 to PS - 35
GMD
Transparency
Lantern slide
Date Range
[c.1895]
Physical Description
35 photographs : col. slides ; 6.5 x 22.5 cm
History / Biographical
The Ernst Plank Company (EP) was located in Nerumberg, Germany and operated from 1866 until 1930. The company was known for their production of copper and tin toys, specifically stationary and locomotive toy steam engines and carriages, they also produced a variety of magic lanterns and lantern slides. When they first began producing lantern slides, the standard shape of a slide was a square piece of glass about 8cm x 8cm and, depending on the style of magic lantern being used, may have a wooden frame built around the glass. Styles changed as methods for printing slides and lantern designs advanced – by the 1880’s the wooden frame was removed entirely from the slides and replaced with thin strips of coloured binding tape that protected fingers from the glass edges. Originally, hand painted black silhouette images on glass or wax paper were used to create projected pictures, followed closely by the use of colour paints to create entire scenes. Printed images soon replaced hand-painted slides, allowing for cheaper production and more widespread use. A popular format for commercially manufactured lantern slides was a long piece of glass (usually no more than 23cm long) on which multiple images could be printed in order to tell a smoother story. This allowed for two different kinds of display. The first display has smaller pictures printed in circular or square frames with a solid black border and shown as independent images of a larger narrative with pauses in between. The second display option for these slides is as a panoramic scene with the entire area coloured in (or just with figures displayed like on a stage) so they could seamlessly slide from one side to the other. This long thin kind of slide was ideal for home use and could be easily handled by children. Ernst Plank also produced a toy magic lantern out of lightweight tin that could be lit with a small oil lamp specifically for use by children. Slides meant for that kind of lantern were printed on celluloid or on a single plane of glass with a thin layer of transparent lacquer to protect the image. This created a thinner, more lightweight and less delicate slide ideal for small hands. When a toy magic lantern was purchased it came with 1 or 2 sets (each set consisting of 12 slides) in the lantern’s box, additional sets of a particular theme could be purchased independently. Magic lanterns varied greatly in design and material depending on the use. Professional showmen would have multi-lens lanterns lit by powerful chemicals or high-voltage lightbulbs that would allow them to project clear images onto a large screen for a theater audience. There were also simpler lanterns that could be powered by oil lamps, multi-wick candles, gas lighting, or electricity in the home. One of the most popular themes for slide shows where images from international travel, but domestic scenes, Christmas, and famous historic battles were also very common.
Scope & Content
Series contains 35 children's magic lantern slides done in colour, machine-printed rather than hand-painted. There are 4 distinct grouping of the slides:
2019.88-1-12 depict the story "The Transvaal War" [manufactured in 1895?]. Each slide has 3 seperate images with black borders and are numbered sequentially so that the showman could keep track. There is no maker's mark, but according to a note placed in the accompanying lantern slide box, this set was made by the Ernst Plank Company. The slides depict protraits of men in various uniforms, battle scenes, and soldiers in uniform. Each silde is bordered with green paper in good condition.
2019.88-13-16 are unrelated EP slides bordered in red paper of varying condition. 13 has 4 travel images seperated with a black border; 14 is a long slide showing 4 boys in play dress as a marching band; 15 is a panoramic sea scape with ships and a harbour. A section of the coloured glass along the top slightly to the left of centre has been chipped off; 16 is a panoramic pastoral Dutch scene set in the springtime. The supporting glass piece has been badly damaged and is missing on the left end of the slide.
2019.88-17-28 are all travel scenes with 4 images to a slide seperated with a black border and no maker's mark. The images contain a mixture of people, animals, buildings and temples (mainly made from stone), boats, and landscapes from North America, Africa (with an emphasis on Egypt), and what could be either South America or Eurasia. All slides are bordered in red paper of fair to good condition.
2019.88-29-35 are unrelated EP slides of various styles bordered in red paper in fair to good condition. 29 depicts 4 caricature portraits with a black border; 30, 32, 34 are long slides with 4 individuals on each that are not seperated from eachother with borders, but are not part of a larger scene; 31, 33, 35 are all panoramic pastoral Dutch scenes set in both springtime and winter.
Notes
Accompanying the slides is what appears to be an original lantern slide box, made of wood and covered in faded purple paper with a steam engine train image on the top and a logo containing the intials "E.P." The logo consists of a 4-spoke wheel with wings on either side and 3 stars above. One short end of the box is missing and the sliding lid is either warped or stuck and does not open. A sticky note placed inside the box states that the green-line lantern slides (2019.88/PS-1 to PS-12) accompanied the box.
Subject Access
Lantern slide
Children
Education
Entertainment
Language
N/A
Conservation
New binding tape, supports for broken glass
Creator
Ernst Plank Company
Biographical Source Notes
https://www.luikerwaal.com/newframe_uk.htm?/merk_ep1_uk.htm
https://libraries.psu.edu/findingaids/2328.htm#toc
Title Source
Title based on contents of series.
Processing Status
Processed
Images
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Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
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