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- National Museum of Wildlife Art 3
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- Ashevak, Kenojuak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik 1
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Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate
https://archives.whyte.org/en/permalink/catalogue25155
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Reid, Mark Collin
- Call Number
- P
1 website
- Author
- Reid, Mark Collin
- Responsibility
- Mark Collin Read
- Published Date
- 2020
- Physical Description
- p.28 - 35
- Medium
- Library - Periodical
- Abstract
- Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
- Notes
- In Canada's History, Vol. 100, No.3 (June-July)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
Websites
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Brushes with climate change - Rockies Repeat project explores the intersection between conservation, art, history, and culture
https://archives.whyte.org/en/permalink/catalogue25227
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Campbell, Brooke
- Call Number
- P
1 website
- Author
- Campbell, Brooke
- Responsibility
- Brooke Campbell
- Published Date
- 2020
- Physical Description
- p. 12 - 13
- Medium
- Library - Periodical
- Abstract
- Pertains to the Rockies Repeat Project which involves a group of women travelling to specific locations and re-creating the paintings of Peter Whyte and Catharine Robb Whyte with the end result of creating a documentary, exhibition and digital storytelling capsule
- Notes
- In Canada's History, Vol. 101, No.2 (April-May)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
Websites
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Revision and resistance : mistiko^siwak (Wooden Boat People) at The Metropolitan Museum of Art
https://archives.whyte.org/en/permalink/catalogue25281
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Monkman, Kent
- Publisher
- Toronto, ON : Art Canada Institute
- Call Number
- 06.1 M74r
1 website
- Author
- Monkman, Kent
- Responsibility
- Kent Monkman
- Publisher
- Toronto, ON : Art Canada Institute
- Published Date
- 2020
- Physical Description
- 127 pages (2 folded) : illustrations (chiefly color)
- Abstract
- This book explores mistikôsiwak (Wooden Boat People) by the internationally renowned artist Kent Monkman. Commissioned by The Metropolitan Museum of Art, the epic diptych exhibited in The Met’s Great Hall revisits iconic works of art, notably the famed painting Washington Crossing the Delaware by Emanuel Leutze. Monkman—featured in mistikôsiwak (Wooden Boat People) as his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle—reverses the colonial gaze of American and European art history through an Indigenous lens to present a powerful vision for the future. Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art is the definitive documentation on Monkman, his practice, and two of the most important paintings of our times. (From publisher's website)
- Contents
- Introduction from the Met / by Randall Griffey -- Introduction from ACI / by Sara Angel -- Introducing Miss Chief Eagle Testickle / by Shirley Madill -- Inside Kent Monkman's Studio / by Jami Powell -- Revisioning History: An Index, Part I / by Ruth Phillips & Mark Phillips -- Welcoming the Newcomers by Ruth Phillips & Mark Phillips -- Revisioning History: An Index, Part II / by Sasha Suda -- Resurgence of the People / by Sasha Suda -- Waves of History / by Nick Estes.
- ISBN
- 9781487102258
- Call Number
- 06.1 M74r
- Collection
- Archives Library
- URL Notes
- Publisher's website
Websites
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The frame job
https://archives.whyte.org/en/permalink/catalogue25109
- Medium
- Library - Periodical
- Published Date
- June 8, 2018
- Author
- Mykytyshyn, Brent
- Publisher
- Calgary Herald
- Call Number
- P
1 website
- Author
- Mykytyshyn, Brent
- Publisher
- Calgary Herald
- Published Date
- June 8, 2018
- Physical Description
- p.20-25
- Medium
- Library - Periodical
- Abstract
- Pertains to how the Whyte Museum of the Canadian Rockies contracted Jarvis Hall of Jarvis Hall Gallery in Calgary, Alberta to make 35 frames in the style of Peter Whyte's original frames for the 50th anniversary of the Whyte Museum of the Canadian Rockies exhibition Artistry Revealed
- Notes
- In Swerve, June 18, 2010
- Accession Number
- TBD
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Website for Jarvis Hall Gallery
Websites
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Anthropocene : Burtynsky, Baichwal, de Pencier
https://archives.whyte.org/en/permalink/catalogue19825
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator)
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.4 H11a
1 website
- Responsibility
- Curated by Sophie Hackett, Andrea Kunard, Urs Stahel
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 251 pages : illustrations (chiefly color) ; 24 cm
- Subjects
- Photographers
- Photography
- Photography, Aerial
- Art
- Exhibitions
- Exhibition catalogue
- Environment
- Subjects
- Art - Exhibitions
- Art and photography
- Art and society
- Artists
- Color photography
- Design, Industrial - Pictoral works
- Education
- Photographers
- Photographs - Catalogues
- Photography
- Photography - Collections
- Photography - Exhibitions
- Photography - Landscapes
- Photography, Documentary
- Recycling (Waste), etc.
- Video art - Exhibitions
- Abstract
- "A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
- Contents
- Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.4 H11a
- Collection
- Art Library
- URL Notes
- Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
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Facing the monumental : Rebecca Belmore
https://archives.whyte.org/en/permalink/catalogue19826
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Nanibush, Wanda (editor)
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.1 N11f
1 website
- Author
- Nanibush, Wanda (editor)
- Responsibility
- Edited by Wanda Nanibush
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 132 pages : illustrations (color)
- Subjects
- Art
- Artists
- Exhibition catalogue
- Exhibitions
- Abstract
- Catalogue of an exhibition held at the Art Gallery of Ontario from July 12 to October 21, 2018.
- Contents
- Directors Forward
- Facing the Monumental
- Works:
- artist (No.2)
- 1181
- The Named and Unnamed
- Fringe
- March 5, 1819
- Black Cloud
- blood on the snow
- X mark
- Mixed Blessing
- Thin Red Line
- Quote, Misquote, Fact
- A Pelican Falls
- sister
- State of Grace
- To Rest and to Dream
- Biinjiya'iing Onji (From Inside)
- Wave Sound
- Fountain
- Rising to the Occasion
- Performace:
- Creaton or Death: We Will Win
- Bury My Heart
- Indian Factory
- A Simple Truth
- Tent City
- Victorious
- Making Always War
- X
- Clay on Stone
- Work in Progress:
- Tower and tarpaulin
- Nibi
- Notes
- One of the cast aluminum sculptures that was a part of the LandMarks 2017 Wave Sound installation is located on the shore of Lake Minnewanka in Banff National Park - refer to pages 84 - 94 - https://www.rebeccabelmore.com/wave-sound/
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.1 N11f
- Collection
- Art Library
- URL Notes
- Artist's website
Websites
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Tunirrusiangit : Kenojuak Ashevak and Tim Pitsiulak
https://archives.whyte.org/en/permalink/catalogue19827
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Ashevak, Kenojuak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.1 As3t
1 website
- Responsibility
- Kenojuak Ashevak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 154 pages : illustrations (chiefly color), portraits (some color) ; 27 cm
- Subjects
- Art
- Artists
- Exhibition catalogue
- Exhibitions
- Subjects
- Art
- Kenojauk, 1927-
- Exhibitions
- Abstract
- "Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding 'grandmother of Inuit art,' famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, 'their gifts' or 'what they gave' in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, Tunirrusiangit features more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity" -- Provided by publisher.
- Contents
- Director's foreword / Stephan Jost -- Gracious acceptance of their gifts / Jocelyn Piirainen -- Tunirrusiangit: the gift of collaboration / Anna Hudson and Georgiana Uhlyarik -- I am the light of happiness / Laakkuluk Williamson Bathory -- Kenojuak Ashevak: works -- Hunting as culture / Koomuatuk Curley -- Tim Pitsiulak: works -- Kuujjuatuqaq ; after an argument ; two poems: the cuban, the canadian / Taqralik Partridge.
- ISBN
- 978-1-77310-091-3
- Accession Number
- 2019.36
- Call Number
- 06.1 As3t
- Collection
- Art Library
- URL Notes
- Exhibition website
Websites
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Shine a light : CDN biennial 2014
https://archives.whyte.org/en/permalink/catalogue24958
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2014
- Author
- Muse´e des beaux-arts du Canada
- National Gallery of Canada
- Publisher
- Ottawa : National Gallery of Canada = Muse´e des beaux-arts du Canada
- Call Number
- 06.1 N19s
1 website
- Responsibility
- Greg A Hill
- Jose´e Drouin-Brisebois
- Andrea Kunard
- Jonathan Shaughnessy
- Rhiannon Vogl
- Jonathan L Shaughnessy
- Publisher
- Ottawa : National Gallery of Canada = Muse´e des beaux-arts du Canada
- Published Date
- 2014
- Abstract
- "Published in conjunction with the exhibition Shine a Light: Canadian Biennial 2014, organized by the National Gallery of Canada and presented in Ottawa from 17 October 2014 to 8 March 2015." (Exhibition catalogue)
- Contents
- David Armstrong Six -- Shuvinai Ashoona -- Nicolas Baier -- Shary Boyle -- Edward Burtynsky -- Tammi Campbell -- Mario Doucette -- Geoffrey Farmer -- David Hartt -- Isabelle Hayeur -- Philippa Jones -- Ste´phane La Rue -- Rita Letendre -- An Te Liu -- David McMillan -- Damian Moppett -- Luke Parnell -- Vanessa Paschakarnis -- Ed Pien -- Tim Pitsiulak -- Kelly Richardson -- Jeremy Shaw -- Althea Thauberger -- Jutai Toonoo -- Howie Tsui -- Lawrence Paul Yuxweluptun.
- Notes
- Section pertains to Edward Burtynksy - several pieces in Whyte Museum's art collection
- ISBN
- 9780888849298
- Accession Number
- 2019.94
- Call Number
- 06.1 N19s
- Collection
- Archives Library
- URL Notes
- National Gallery of Canada site for 2014 CND Biennial
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Glen Boles : mountain masterpiece
https://archives.whyte.org/en/permalink/catalogue20021
- Medium
- Library - Periodical
- Published Date
- 2014
- Author
- Martel, Lynn
- Call Number
- P
1 website
- Author
- Martel, Lynn
- Responsibility
- Lynn Martel
- Published Date
- 2014
- Medium
- Library - Periodical
- Abstract
- Pertians to the art of Glen Boles.
- Notes
- In Highline Magazine, Vol. 6, Iss. 2, Summer 2014, p. 20 - 21
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Highline website
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Miss Ellen Q : T.G.I.F. - thank God I'm fabulous
https://archives.whyte.org/en/permalink/catalogue20022
- Medium
- Library - Periodical
- Published Date
- 2014
- Author
- DiManno, Corrie
- Call Number
- P
1 website
- Author
- DiManno, Corrie
- Responsibility
- Corrie DiManno
- Published Date
- 2014
- Medium
- Library - Periodical
- Abstract
- Pertians to the career of Bow Valley drag queen Miss Ellen Q (Joe Bembridge).
- Notes
- In Highline Magazine, Vol. 6, Iss. 2, Summer 2014, p. 28 - 29
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Highline website
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Beyond "the artist's wife": women, artist-couple marriage and the exhibition experience in postwar Canada
https://archives.whyte.org/en/permalink/catalogue19806
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2013
- Author
- Mastin, Catharine Margaret
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Call Number
- 06.1 Ma37b
1 website
- Author
- Mastin, Catharine Margaret
- Responsibility
- Catharine Margaret Mastin
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Published Date
- 2013
- Physical Description
- 358 pages ; PDF format
- Subjects
- Women
- Artists
- Exhibitions
- Thesis
- Abstract
- When art critic Lucy Lippard named "the artist's wife" to be a socially-assigned identity for female artists in the early 1970s, she understood some of the significance of women's companionship status. This dissertation considers how "the artist's wife" was a diverse and hierarchical problem for six female artists during their efforts to access Canada's postwar exhibition market. Joyce Wieland of Toronto, Ontario, Marion Nicoll of Calgary, Alberta, Mary Pratt of St. John's, Newfoundland, and Kenojuak Ashevak of Cape Dorset, Nunavut all experienced this social phenomenon differently. Because the two studios of Wieland and Pratt were combined with domestic life they were also dubbed "kitchen artists." As Marion Nicoll learned, it took much conviction to pursue an art practice focused on abstract painting in traditional institutional and marital contexts. The category "Eskimo" added racial difference to Kenojuak's creative and marital identities. Frances Loring and Florence Wyle of Toronto were persistently called "the Girls," an identity that underscored their non-compliance with heterosexual marriage. Using feminist theories of sexual difference and representation, and intersecting the traditionally distinct fields of history and art history, this study illuminates that the female artist's companionship status mattered much more than has been historically understood. These artists' experiences provide opportunity to reflect on curatorial practice and subject representation and expose that the solo exhibition cannot be fully separated from the artist-couple exhibition when studying the female artist's exhibition history. Their experiences also make visible that gender and female artist identities, including the category "woman artist," are important when studying the female artist in postwar North American art and marriage histories if the social conditions of women's art production are to be fully understood.
- Contents
- Abstract
- Acknowledgements
- List of figures
- List of abbreviations
- Chapter One : introduction : beyond "the artist's wife"
- Chapter Two : socializing women to marriage : the five artist-couple marraiges of Marion Nicholl, Joyce Wieland, Mary Pratt, Frances Loring, Florence Wyle and Kenojuak Ashevak
- Chapter Three : two women's "one-man exhibitions" : the experience of abstract painting and the artist-couple marriages of Marion Nicholl and Joyce Wieland, 1959 - 1963
- Chapter Four : two women's "one-man exhibitions" : Joyce Wieland, Mary Pratt and the identity "kitchen artist" 1963 - 1973
- Chapter Five : two more women's "two-man" artist-couple exhibitions : the social emergence of Frances Loring and Florence Wyle as "the girls"
- Chapter Six : one women's "two-man" exhibitions : Kenojuak Ashevak's artist-couple exhibitions with Johnniebo Ashevak, 1967 - 1970
- Chapter Seven : conclusion
- Bibliography
- Appendix 1
- Copyright permissions
- ISBN
- 978-0-494-89628-0
- Accession Number
- p2019-26
- Call Number
- 06.1 Ma37b
- Collection
- Archives Library
- URL Notes
- Available online through University of Alberta
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Art inspired by the Canadian Rockies, Purcell Mountains and Selkirk Mountains 1809-2012
https://archives.whyte.org/en/permalink/catalogue20143
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2012
- Author
- Townshend, Nancy
- Publisher
- Calgary : Bayeux Arts
- Call Number
- N T69 A78
1 website
- Author
- Townshend, Nancy
- Responsibility
- Nancy Townshend
- Publisher
- Calgary : Bayeux Arts
- Published Date
- 2012
- Physical Description
- vi, 136p, 40 plates : ill., maps
- Subjects
- Art
- Artists
- O'Brien, Lucius
- Notman, William & Son
- Thompson, David
- Harmon, Byron
- Harris, Lawren
- MacDonald, J.E.H
- Sargent, John Singer
- Whyte, Peter
- Whyte, Catharine Robb
- Rocky Mountains
- Purcell Mountains
- Selkirk Mountains
- Abstract
- Nancy Townshend's book on art inspired by the Canadian Rockies, Purcell Mountains, and Selkirk Mountains presents these mountains' justifiable prominence in world art. For over two centuries, Canadian artists have admired their magnitude and grandeur, their endlessly changing light and atmospheric conditions, their four distinct seasons, and myriad other aspects. The book is organized chronologically into three eras: traditional (1809 –1899), Modern (1900–1973) and contemporary (1974–2012). From David Thompson's watercolours in the early nineteenth century (c. 1809) of the East Kootenays to Jan Kabatoff's multimedia art of the early twenty-first century that addresses the impact of global warming on glaciers, Townshend's book presents a whole gamut of Canadian art inspired by these great mountains. Featuring three comprehensive overviews and thirteen chapters on both central and western Canadian artists, as well as a chapter on American artist John Singer Sargent, the book offers insights into their art and inspirations. What did two centuries of artistic exploration in the infinitely facetted Canadian Rockies, Purcells and Selkirks yield? How did the resulting works of art serve to build a unique western Canadian identity? How does the West inform Canadians about themselves, about their own place in the world at this critical time in world history? Townshend answers these questions in this significant reference book for decades to come. Over the past two hundred years, a shift from the exploitative view of Canada's mountain West during the traditional era to the contemporary creative genesis of this area has occurred. Because of the contemporary artists' commitment to wildlife conservation and environmental issues, the contemporary era is more outward looking and expansive, concerned about the world's future. Townshend's all-encompassing text and selected stunning images confirm John Ruskin's observation that mountains are "the beginning and end of all natural scenery." That Canada's mountain West is indeed a place to be revered, a place from which we can learn about ourselves now and in the future. (from author's website)
- Contents
- Preface
- Introduction to the Traditional Era (1809-1899):
- Chapter One - Lucius O'Brien (1832-1899)
- Chapter Two - William McFarlane Notman (1857-1913)
- Chapter Three - Frederic Bell-Smith (1846-1923)
- Chapter Four - David Thompson (1770-1857)
- Chapter Five - Richard Henery Trueman (1856-1911)
- Chapter Six - Byron Harmon (1976-1942)
- Introduction to the Modern Era (1900-1971):
- Chapter Seven - Lawren Stewart Harris (1885-1970)
- Chapter Eight - J.E.H. MacDonald (1873-1932)
- Chapter Nine - John Singer Sargent (1856-1925)
- Chapter Ten - Peter Whyte (1905-1966)
- Chapter Eleven - Catharine Robb Whyte (1906-1979)
- Introduction to the Contemporary Era (1972-2012):
- Chapter Twelve - Kent Monkman (1965-)
- Chapter Thirteen - Jin-Me Yoon (1960-)
- Chapter Fourteen - Jan Kabatoff (1948-)
- Conclusion
- Index
- Notes
- Signed by author
- ISBN
- 978-1-897411-37-7
- Accession Number
- AC637
- Call Number
- N T69 A78
- Collection
- Alpine Club of Canada Library
- URL Notes
- Author's website
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Rungius collection debuts
https://archives.whyte.org/en/permalink/catalogue25125
- Medium
- Library - Periodical
- Published Date
- 2011
- Author
- Mishev, Dina
- Publisher
- Images West
- Call Number
- P - General
1 website
- Author
- Mishev, Dina
- Responsibility
- Dina Mishev
- Publisher
- Images West
- Published Date
- 2011
- Medium
- Library - Periodical
- Subjects
- Rungius, Carl
- Art
- Artists
- Wildlife
- Wildlife artists
- Abstract
- Pertains to the 45 drypoint etchings of Carl Rungius that were exhibited at the National Museum of Wildlife Art from May 7th to October 2nd 2011
- Notes
- In Images West, 2011, p. 23-24
- Call Number
- P - General
- Collection
- Archives Library
- URL Notes
- Images West website
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Untamed heart - Dwayne Harty, Fall Arts Festival poster artist, unveils trove of paintings in "Yellowstone to Yukon : Journey of Wildlife and Art"
https://archives.whyte.org/en/permalink/catalogue25126
- Medium
- Library - Periodical
- Published Date
- 2011
- Author
- Wilkinson, Todd
- Publisher
- Images West
- Call Number
- P - General
1 website
- Author
- Wilkinson, Todd
- Responsibility
- Todd Wilkinson
- Publisher
- Images West
- Published Date
- 2011
- Medium
- Library - Periodical
- Subjects
- Exhibitions
- Art
- Artists
- Wildlife
- Wildlife artists
- Abstract
- Pertains to an exhibit of paintings that were on display at the Whyte Museum of the Canadian Rockies in the summer of 2012 from the National Museum of Wildlife Art entitled "Yellowstone to Yukon : Journey of Wildlife and Art" which featured many artists including Carl Rungius, Thomas Moran, Albert Bierstadt, Thomas Hill, Louis Agassiz Fuertes, Charles M. Russell, Edward Kemeys, A.P. Proctor, Belmore Browne, John Fery, Aiden Lassell Ripley, Bob Kuhn, Tucker Smith, Ken Bunn, Ken Carlson, Michael Coleman, Jim Wilcox, Laney, Frances Yellow, Lanford Monroe, Tim Shinabarger, Nancy Glazier, Ernest Thompson Seton, Clarence Tillenius, Robert Lougheed, Robert Bateman, Charles A. Beil, Richard Loffler, Robert Muskego, Robert Hope, Walter Phillips, Maureen Enns etc.
- Notes
- In Images West, 2011, p. 20-24
- Call Number
- P - General
- Collection
- Archives Library
- URL Notes
- Images West website
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Dwayne Harty captures Yellowstone to Yukon
https://archives.whyte.org/en/permalink/catalogue25127
- Medium
- Library - Periodical
- Published Date
- 2011
- Author
- Wilkinson, Todd
- Publisher
- Big Sky Journal
- Call Number
- P - General
1 website
- Author
- Wilkinson, Todd
- Responsibility
- Todd Wilkinson
- Publisher
- Big Sky Journal
- Published Date
- 2011
- Medium
- Library - Periodical
- Subjects
- Exhibitions
- Art
- Artists
- Wildlife
- Wildlife artists
- Abstract
- Pertains to an exhibit of paintings that were on display at the Whyte Museum of the Canadian Rockies in the summer of 2012 from the National Museum of Wildlife Art entitled "Yellowstone to Yukon : Journey of Wildlife and Art" which featured many artists including Carl Rungius, Thomas Moran, Albert Bierstadt, Thomas Hill, Louis Agassiz Fuertes, Charles M. Russell, Edward Kemeys, A.P. Proctor, Belmore Browne, John Fery, Aiden Lassell Ripley, Bob Kuhn, Tucker Smith, Ken Bunn, Ken Carlson, Michael Coleman, Jim Wilcox, Laney, Frances Yellow, Lanford Monroe, Tim Shinabarger, Nancy Glazier, Ernest Thompson Seton, Clarence Tillenius, Robert Lougheed, Robert Bateman, Charles A. Beil, Richard Loffler, Robert Muskego, Robert Hope, Walter Phillips, Maureen Enns etc.
- Notes
- In Big Sky Journal, Volume XVII, Number 3, Art 2011, p. 74-77
- Call Number
- P - General
- Collection
- Archives Library
- URL Notes
- Big Sky Journal webpage for magazines
Websites
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Call of the wild - National Museum of Wildlife Art Volume 6, Number 1, 2010
https://archives.whyte.org/en/permalink/catalogue25119
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2010
- Author
- National Museum of Wildlife Art
- Publisher
- National Museum of Wildlife Art
- Call Number
- 06.1 N19c 2010 PAM
1 website
- Publisher
- National Museum of Wildlife Art
- Published Date
- 2010
- Physical Description
- 54 pages ; illus.
- Series
- Volume 6, Number 1
- Subjects
- Wildlife
- Wildlife artists
- Art
- Art galleries
- Artists
- Abstract
- Pertains to wildlife art and wildlife artists at the National Museum of Wildlife Art in Jackson, Wyoming
- Contents
- Museum announces inaugural Bull-Bransom award for children's book illustration
- Authentic and artistic: Karl Bodmer's western wildlife
- When two prints are not the same
- Wild at heart, a rich history of fauna in art
- Picture this: a change of seasons
- Exclusive: Maurice Sendak on the wild side of humanity
- Me & Mike : Mike Forsberg's Great Plains
- Secrets of the night - dusk to dawn: nocturnes from the collection
- Incomparable inspiration: African adventures with William R. Leigh and his contemporaries
- Collection spotlight: Rembrandt, Bugatti and the Antwerp School
- Accession Number
- TBD
- Call Number
- 06.1 N19c 2010 PAM
- Collection
- Archives Library
- URL Notes
- National Museum of Wildlife Art website
Websites
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Expanding horizons : painting and photography of American and Canadian landscape, 1860-1918
https://archives.whyte.org/en/permalink/catalogue24957
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2009
- Author
- Goldfarb, Hilliard T.
- Publisher
- [Montreal] : Montreal Museum of Fine Arts
- Call Number
- 06.1 G11e O.S.
1 website
- Author
- Goldfarb, Hilliard T.
- Responsibility
- Hilliard T. Goldfarb (editor)
- Publisher
- [Montreal] : Montreal Museum of Fine Arts
- Published Date
- 2009
- Physical Description
- 318 pages : illustrations (some color), maps
- Subjects
- Art
- Landscapes
- Artists
- Photographers
- Photography
- Exhibitions
- Canada
- United States
- North America
- Abstract
- Catalogue of an exhibition first held at the Montreal Museum of Fine Arts from June 18 to Sept. 27, 2009 and then travelling to Vancouver Art Gallery, from Oct. 17, 2009 to Janu. 17, 2010. Issued also in French under title: Grandeur nature : peinture et photographie des paysages ame´ricains et canadiens de 1860 a` 1918.
- Contents
- Endangered horizons / Nathalie Bondil -- Lenders to the exhibition -- Crossed destinies: manifesting the paths of nationhood in the United States and Canada through Landscapes, 1860-1918 / Hilliard T. Goldfarb -- Flexible frontiers: expansion, contraction, regeneration / T.J. Jackson Lears -- Nature transcendent -- The most northerly horizon / Rosalind Pepall -- The forest, Niagara and the sublime / Franc¸ois-Marc Gagnon -- Works -- The stage of history and the theatre of myth -- Looking at landscape in athe age of environmentalism / Lynda Jessup -- Too silent to be real / Richard Hill -- Works -- Man versus nature -- Painting and photography in British Columbia, 1871-1916: some observations / Ian Thom -- Works -- Nature domesticated -- Word and image: North American landscape in nineteenth-century illustrated publications / Brian Foss -- John Singer Sargent's adventurous summer in the Canadian Rockies: the visit to rh Yoho Valley in 1916 / Hilliard T. Goldfarb -- Works -- The urban landscape -- "To pavements and homesteads here" : landscape, photography, and the transcendence of time and space / Philip Brookman -- Works -- The return of nature -- Introduction -- Works.
- ISBN
- 9782891923347
- Accession Number
- 2019.94
- Call Number
- 06.1 G11e O.S.
- Collection
- Archives Library
- URL Notes
- Review and synopsis on Canadian Architect website
Websites
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Call of the wild - National Museum of Wildlife Art Volume 5, Number 1, 2009
https://archives.whyte.org/en/permalink/catalogue25122
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2009
- Author
- National Museum of Wildlife Art
- Publisher
- National Museum of Wildlife Art
- Call Number
- 06.1 N19c 2009 PAM
1 website
- Publisher
- National Museum of Wildlife Art
- Published Date
- 2009
- Physical Description
- 46 pages ; illus.
- Series
- Volume 5, Number 1
- Subjects
- Wildlife
- Wildlife artists
- Art
- Art galleries
- Artists
- Abstract
- Pertains to wildlife art and wildlife artists at the National Museum of Wildlife Art in Jackson, Wyoming
- Contents
- Patrons without peer: selections from the McCoy Collection
- He speaks for the trees: Dr. Suess and the Lorax
- On the natural world
- Collection spotlight: Dan Ostermiller's "The Emperor"
- Walter Hood to design sculpture trail for museum
- Wildlife in American art
- Community focus committee: engaging the community
- Notes
- Features article on page 18 entitled "Looking at Wildlfe - the maturing Carl Rungius" - the National Museum of Wildlife Art holds the largest collection of Carl Rungius pieces in the United States
- Accession Number
- TBD
- Call Number
- 06.1 N19c 2009 PAM
- Collection
- Archives Library
- URL Notes
- National Museum of Wildlife Art website
Websites
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Land, spirit, power : First Nations at the National Gallery of Canada
https://archives.whyte.org/en/permalink/catalogue25118
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1992
- Author
- Nemiroff, Diana
- Houle, Robert
- Townsend-Gault, Charlotte
- Publisher
- [Ottawa] : The Gallery
- Call Number
- 06.1 N34l
1 website
- Responsibility
- Diana Nemiroff
- Robert Houle
- Charlotte Townsend-Gault
- Publisher
- [Ottawa] : The Gallery
- Published Date
- 1992
- Physical Description
- 231 pages : illustrations
- Abstract
- Pertains to an exhibition held at the National Gallery of Canada that focussed on art by Indigenous Peoples
- Contents
- Foreward
- Acknowledgements
- Land, Spirit, Power
- Modernism, Nationalism, and Beyond - a critical history of exhibitions of First Nations art - Diana Nemiroff
- The Spiritual Legacy of the Ancient Ones - Robert Houle
- Kinds of Knowing - Charlotte Townsend-Gault
- Notes
- Carl Beam
- Rebecca Belmore
- Dempsey Bob
- Domingo Cisneros
- Robert Davidson
- Jimmie Durham
- Dorothy Grant
- Hachivi Edgar Heap of Birds
- Faye HeavyShield
- Alex Janvier
- Zacharias Kunuk
- James Lavadour
- Truman Lowe
- James Luna
- Teresa Marshall
- Alanis Obomsawin
- Kay WalkingStick
- Lawrence Paul Yuxweluptun
- ISBN
- 0888846509
- Accession Number
- P2020-1
- Call Number
- 06.1 N34l
- Collection
- Archives Library
- URL Notes
- National Gallery of Canada information on exhibition
Websites
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Dear Nan : letters of Emily Carr, Nan Cheney, and Humphrey Toms
https://archives.whyte.org/en/permalink/catalogue25081
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1990
- Author
- Walker, Doreen (editor)
- Publisher
- Vancouver : University of British Columbia Press
- Call Number
- 06.1 W14d
1 website
- Author
- Walker, Doreen (editor)
- Responsibility
- Doreen Walker (editor)
- Publisher
- Vancouver : University of British Columbia Press
- Published Date
- 1990
- Physical Description
- xlvi, 436 pages : illustrations (some color)
- Subjects
- Art
- Artists
- Carr, Emily
- Abstract
- This collection includes 150 letters Emily Carr wrote to her friends Nan Cheney and Humphrey Toms, and 100 other letters relating mainly to Emily Carr. The letters date from 1930 to 1945, the most prolific period in Carr’s career as both painter and writer. In them she writes in colourful detail about her everyday activities, and discusses her painting – “the biggest thing in my life.” There are outbursts of exasperation and anger as well as many indications of her caring, her warmth, her wisdom and her wit, and of her impatience with critics and poseurs, and they give insights into her various relationships with, among others, Lawren Harris, Ira Dilworth, Jack Shadbolt, Garnett Sedgewick, Dorothy Livesay, A.Y. Jackson, and Arthur Lismer. Nan Cheney and Humphrey Toms shared Emily Carr’s interest in art. Carr’s relationship with Cheney dated back to 1930 but did not flourish until 1937 when Cheney moved from Ottawa to Vancouver to become the first full-time medical artist at UBC. Humphrey Toms was only twenty years old when he first met Emily Carr, having asked to visit her after seeing some of her paintings, following which a warm friendship developed. The correspondence between Cheney and Toms reveals how Carr was regarded at the time and attests to their mutual interest in the Vancouver art scene. As an active member Cheney relates gossip about the local art community, providing a very personal and often exceedingly critical view of the Vancouver art milieu of the time. Doreen Walker has chosen not to change the original text of the letters and includes Carr’s misspellings and grammatical irregularities, which give a feeling of immediacy to the writing. There are numerous examples of her talent for graphic description, how she felt “rag rug level” when depressed and how she “was sat down with a spank” when ill. Perhaps most significant are the many revelations of her deep commitment to her work and of her industry and perseverance despite her failing health. “Queer how we go on,” she wrote to Cheney, “luck there is so much rubber in human composition.” (from UBC Press website)
- Contents
- Foreward Introduction Note on the text Acknowledgements Abbreviations Colour Plates Chronology Illustrations The Letters Postscript Transcription of the Carr Letters Emily Carr’s “Variations” Index
- ISBN
- 9780774803908
- Accession Number
- TBD
- Call Number
- 06.1 W14d
- Collection
- Archives Library
- URL Notes
- Summary on UBC Press website
Websites
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