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Revision and resistance : mistiko^siwak (Wooden Boat People) at The Metropolitan Museum of Art
https://archives.whyte.org/en/permalink/catalogue25281
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Monkman, Kent
- Publisher
- Toronto, ON : Art Canada Institute
- Call Number
- 06.1 M74r
1 website
- Author
- Monkman, Kent
- Responsibility
- Kent Monkman
- Publisher
- Toronto, ON : Art Canada Institute
- Published Date
- 2020
- Physical Description
- 127 pages (2 folded) : illustrations (chiefly color)
- Abstract
- This book explores mistikôsiwak (Wooden Boat People) by the internationally renowned artist Kent Monkman. Commissioned by The Metropolitan Museum of Art, the epic diptych exhibited in The Met’s Great Hall revisits iconic works of art, notably the famed painting Washington Crossing the Delaware by Emanuel Leutze. Monkman—featured in mistikôsiwak (Wooden Boat People) as his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle—reverses the colonial gaze of American and European art history through an Indigenous lens to present a powerful vision for the future. Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art is the definitive documentation on Monkman, his practice, and two of the most important paintings of our times. (From publisher's website)
- Contents
- Introduction from the Met / by Randall Griffey -- Introduction from ACI / by Sara Angel -- Introducing Miss Chief Eagle Testickle / by Shirley Madill -- Inside Kent Monkman's Studio / by Jami Powell -- Revisioning History: An Index, Part I / by Ruth Phillips & Mark Phillips -- Welcoming the Newcomers by Ruth Phillips & Mark Phillips -- Revisioning History: An Index, Part II / by Sasha Suda -- Resurgence of the People / by Sasha Suda -- Waves of History / by Nick Estes.
- ISBN
- 9781487102258
- Call Number
- 06.1 M74r
- Collection
- Archives Library
- URL Notes
- Publisher's website
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Hearts of our people : Native women artists
https://archives.whyte.org/en/permalink/catalogue24946
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2019
- Author
- Ahlberg Yohe, Jill and Teri Greeves
- Publisher
- Minneapolis, Minnesota : Minneapolis Institute of Art in association with the University of Washington Press
- Call Number
- 06.1 A1h O.S.
1 website
- Responsibility
- Jill Ahlberg Yohe (author)
- Teri Greeves (author)
- Laura Silver (editor)
- Publisher
- Minneapolis, Minnesota : Minneapolis Institute of Art in association with the University of Washington Press
- Published Date
- 2019
- Physical Description
- 343 pages : illustrations (chiefly color), portraits (some color), maps
- Subjects
- Art
- Women
- North America
- First Nations
- Catalogues
- Exhibitions
- Abstract
- Women have long been the creative force behind Native art. Presented in close cooperation with top Native women artists and scholars, this first major exhibition of artwork by Native women honors the achievements of over 115 artists from the United States and Canada spanning over 1,000 years. Their triumphs—from pottery, textiles, and painting, to photographic portraits, to a gleaming El Camino—show astonishing innovation and technical mastery. (from website)
- Contents
- Introduction -- In Focus: Mi'kmaw Chair / Dakota Hoska -- In Focus: St. Lawrence Iroquoian Pot / Moira McCaffrey -- Making Our World: Thoughts on Native Feminine Aesthetics / heather ahtone -- "Encircles Everything": A Transformative History of Native Women's Arts / Janet Catherine Berlo and Ruth B. Phillips -- Legacy. Those Naranjo Women: Daughters of the Earth / Tessie Naranjo -- In Focus: 'Maria', Rose, Empowerment, and Indigenous Women Rollin' Hard / Dyani White Hawk -- "Carrying On": Gender and Innovation in Historic Pueblo Pottery Nampeyo, Maria Martinez, and Arroh-A-Och / Lea S. McChesney -- In Focus: Edmonia Lewis: 'The Old Arrow Maker' / America Meredith -- The Women Were Busy Abstracting the World / Teri Greeves -- Mary Sully: Ahead of Her Time / Jill Ahlberg Yohe -- In Focus: Christi Belcourt: 'The Wisdom of the Universe' / Dakota Hoska -- The Unsuccessful Indigenous Erasure: A Conversation with Delina White and Juanita Espinosa / Graci Horne -- In Focus: Jennie Ross Cobb: 'Cherokee Female Seminary Graduating Class, 1902' / America Meredith -- The Scientist and the Polymath: Tlingit Weavers Teri Rofkar and Clarissa Rizal / Aldona Jonaitis -- In Focus: Shelley Niro: 'Thinking Caps' / Ruth B. Phillips -- In Focus: Poemeo: 'It Was Cloudy' / Heid E. Erdrich -- Generations of Odawa Quill Art / Adriana Greci Green -- Early Native American Women Painters of Oklahoma / America Meredith -- In Focus: The Elk-tooth dress / Wendy Red Star -- In Focus: Lakota Young Man's Vest / Jessa Rae Growing Thunder -- Native Culture Endures: Basketry of the Columbia Plateau / Pat Courtney Gold and Bridget Johnson -- Relationships. In Focus: Dakota Cradleboard / Alexandra Kahsenni:io Nahwegahbow -- Mohawk Women of Kahnawake / Carla Hemlock -- Art as a Container for Culture / Nadia Jackinsky-Sethi -- In Focus: Slavey (Dene´) Dog Blanket / Heather Everheart -- In Focus: The Story of the Two Miniature Pomo Beaded Baskets / Susan Billy -- Animate Matters: Thoughts on Native American Art Theory, Curation, and Practice / Jill Ahlberg Yohe -- In Focus: Cheyenne Pipe Bag / Heather Levi -- Memory Threads / Anita Fields -- In Focus: Hupa Girl's Dance Skirt / Susan Billy -- In Focus: Stepping Out: A Jingle Dress Moves Out in the World / Dakota Hoska -- In Focus: Blackfoot Man's Shirt / Jessa Rae Growing Thunder -- Nellie Two Bear Gates: Chronicling History through Beadwork / Susan Power -- In Focus: Weaving Materials, Cedar and Spruce Root / Lisa Telford -- Descendants of This Moment: From Paint to Beads / Teri Greeves -- In Focus: Kiowa Cradleboard / Teri Greeves -- In Focus: Faye HeavyShiled: 'Aapaskaiyaawa (They Are Dancing)' / Heather Everhart -- In Focus: Mary Anne Barkhouse: 'Sovereign' / Heather Everhart -- Beadwork Conversations: Dyani White Hawk and Graci Horne / Teri Greeves -- In Focus: Ramona Sakiestewa: 'Nebula 22 & 23' / Lea S. McChesney -- Literary Arts: Native American Women Writers / Heid E. Erdrich -- Power. In Focus: Otiianehshon Ronwatiiatanhirats (The Women Raise Them Up): Women's Nomination Belt / Iakonikohnrio Tonia Loran-Gablan -- A Native Feminist Ethics in Contemporary Indigenous Art / Jennifer McLerran -- In Focus: Carla Hemlock: 'Walking Through Time' / Jennifer McLerran -- In Focus: Stacks of Generational Wisdom: Marie Watt / Dyani White Hawk -- In Focus: The Mystery Surrounding a Lakho´ta Dress / Dakota Hoska -- In Focus: Armor against the Enemy: An Otoe Faw Faw Coat / Christina E. Burke -- Acknowledging Women in Navajo Society: Leaders and Weavers / D. Y. Begay -- In Focus: D. Y. Begay: 'Na´hooko sji´ Hai (Winter in the North)/Biboon Giiwedinong (It Is Winter in the North) / Jennifer McLerran -- In Focus: Mary Kawennatakie Adams: "Pope Basket" / Carla Hemlock -- In Focus: Child's Ribbon Work Blankets / Anita Fields -- In Focus: Qingi: Robe of Wealth / Evelyn Vanderhoop -- Working to Change the Tide: Women Artists on the Northwest Coast / Kathryn Bunn-Marcuse and Megan A. Smetzer -- In Focus: 'Nacarrluk': Beaded Headdress / Nadia Jackinsky-Sethi -- In Focus: Mrs. Toussaint: Cox Leggings / Adriana Greci Green -- Seneca-style Beaded Women's Clothing / Wahsontiio Cross -- Two Early Masters / Adriana Greci Greene -- In Focus: Beaded Diplomacy: Houston-Jackson Bandolier Bag / America Meredith -- In Focus: Rosalie Favell: 'The Collector/The Artist in Her Museum' / Ruth B. Phillips -- Seven Sisters: Native Women Painters Connected through Time by Medium / Dakota Hoska -- In Focus: Light, Memory, and Belonging: Some Thoughts on the Recent Landscapes of Emma Whitehorse / Iris Colburn -- In Focus: Joan Hill: 'Women's Voices at the Council' / America Meredith -- Sustaining Traditions / Cherish Parrish and Kelly Church -- In Focus: Maria Tallchief: The Star that Danced over the Earth / Welana A. Queton -- Tuscarora Raised Beadwork and Raised Consciousness / Jolene Rickard -- Bearing Witness / Teri Greeves -- In Focus: Bax'w´ana'tsi: the Container for Souls / Marianne Nicolson. Contributors (with biographical sketches on pages 333-336): Jill Ahlberg Yohe -- heather ahtone -- D.Y. Begay -- Janet Catherine Berlo -- Susan Billy -- Kathryn Bunn-Marcuse -- Christina E. Burke -- Kelly Church -- Iris Colburn -- Pat Courtney Gold -- Wahsontiio Cross -- Heid E. Erdrich -- Heather Everhart -- Anita Fields -- Adriana Greci Green -- Teri Greeves -- Jessa Rae Growing Thunder -- Carla Hemlock -- Hapistinna -- Dakota Hoska -- Nadia Jackinsky-Sethi -- Bridget Johnson -- Aldona Jonaitis -- Heather Levi -- lakonikohnrio Tonia Loran-Galban -- Moira McCaffrey -- Lea S. McChesney -- Jennifer McLerran -- America Meredith -- Alexandra Kahsenni:io Nahwegahbow -- Tessie Naranjo -- Marianne Nicolson -- Cherish Parrish -- Ruth B. Phillips -- Susan Power -- Welana Queton -- Wendy Red Star -- Jolene Rickard -- Megan A. Smetzer -- Lisa Telford -- Evelyn Vanderhoop -- Dyani White Hawk. Contemporary women artists in Hearts of Our People exhibition, list provided by the Minneapolis Institute of Art: Keri Ataumbi, Kiowa/Comanche, born 1971 -- Mary Anne Barkhouse, Nimpkish band of Kwakiutl First Nation, born 1961 -- D.Y. Begay, Navajo, born 1953 -- Christi Belcourt, Michif, born 1966 -- Rebecca Belmore, Anishinaabe, born 1960 -- Susan Billy, Hopland Band of Pomo Indians, born 1951 -- Julie Buffalohead, Ponca, born 1972 -- Andrea Carlson, Ojibwe, born 1979 -- Kelly Church, Odawa and Pottawatomi, born 1967 -- Dana Claxton, Hunkpapa Lakota, Canadian, born 1959 -- Heid Erdrich, Ojibwe, Turtle Mountain, born 1963 -- Rosalie Favell, Me´tis (Cree/English), born 1958 -- Anita Fields, Osage, born 1951 -- Jody Folwell, Santa Clara Pueblo, born 1942 -- Pat Courtney Gold, Wasco, born 1939 -- Shan Goshorn, Cherokee, 1957-2018 -- Dorothy Grant, Haida, born 1955 -- Jessa Rae Growing Thunder, Dakota/Nakoda, born 1989 -- Joyce Growing Thunder Fogarty, Dakota/Nakoda, born 1950 -- Juanita Growing Thunder Fogarty, Dakota/Nakoda, born 1969 -- Faye HeavyShield, Ka´i´nawa (Blood) Nation of the Blackfoot Confederacy, Canadian, born 1953 -- Carla Hemlock, Kanienkeha´ka, born 1961 -- Joan Hill, Muskogee Creek and Cherokee, born 1930 -- Sonya Kelliher-Combs, In~upiaq/Athabaskan, born 1969 -- Yvonne Walker Keshick (Binaakwiikwe, Falling Leaves Woman), Anishinaabe/Little Traverse Bay Bands of Odawa Indians of Michigan, born 1946 -- Heather Levi, Southern Cheyenne/Kiowa, born 1971 -- Iakonikohnrio Tonia Loran-Galban, Mohawk, Bear clan Akwesasne, born 1965 -- Maxine Matilpi, Kwakwa_ka_'wakw, born 1956 -- Christine McHorse, Navajo, born 1948 -- America Meredith, Cherokee, born 1972 -- Nora Naranjo Morse, Santa Clara Pueblo, born 1953 -- Lou-ann Neel, Kwakwa_ka_'wakw, born 1963 -- Marianne Nicolson, Kwakwa_ka_'wakw, Dzawada_'enux_w First Nations, born 1969 -- Shelley Niro, Bay of Quinte Mohawk, Six Nations Turtle clan, born 1954 -- Jamie Okuma, Luisen~o/Shoshone-Bannock, born 1977 -- Cherish Parrish, Odawa and Pottawatomi, born 1989 -- Wendy Red Star, Apsa´alooke (Crow), born 1981 -- Jolene Rickard, Tuscarora, born 1956 -- Cara Romero, Chemehuevi, born 1977 -- Ramona Sakiestewa, Hopi, born 1948 -- Tanis S'eiltin, Tlingit, born 1951 -- Rose B. Simpson, Santa Clara Pueblo, born 1983 -- Jaune Quick-to-See Smith, Salish and Kootenai Tribes of the Flathead Indian Nation, born 1940 -- C. Maxx Stevens, Seminole/Muscogee Nation of Oklahoma, born 1951 -- Roxanne Swentzell, Santa Clara Pueblo, born 1962 -- Lisa Telford, Haida, born 1957 -- Hulleah J. Tsinhnahjinnie, Taskigi, Bear clan/Dine´, Tsinajinnie clan, born 1954 -- Zoe Urness, Tlingit, born 1984 -- Evelyn Vanderhoop (Kujuuhl), Haida, Gawaa Git'ans Gitanee of Massett, British Columbia, born 1953 -- Kay WalkingStick, Cherokee, born 1935 -- Marie Watt, Seneca Nation of Indians, born 1967 -- Delina White, Leech Lake Anishinaabe, born 1964 -- Dyani White Hawk, Sic ha´ gu Lakho´ta (Brule´), born 1976 -- Emmi Whitehorse, Navajo, born 1957 -- Amelia Winger-Bearskin, Haudenosaunee (Iroquois) of the Seneca-Cayuga Nation of Oklahoma, Deer Clan, born 1979. Historic women artists in Hearts of Our People exhibition, list provided by the Minneapolis Institute of Art: Mary Kawennatakie Adams, Akwesasne Mohawk, Wolf clan, 1917-1999 -- Elsie Allen, Pomo, 1899-1990 -- Arroh-a-och, Laguna Pueblo, c. 1830-1900 -- Susie Santiago Billy, Pomo, 1884-1968 -- Mrs. Tall Woman (Hanska Winyan) Charging Thunder, Sihasapa (Blackfeet) Lakota, 1844-? -- Jennie Ross Cobb, Cherokee, 1881-1959 -- Mrs. Touissant Cox, Delaware, 19th century; Clara Darden, Chitimacha, 1828-1910, Louisiana -- Angel De Cora, Ho Chunk/Winnebago, 1871-1919 -- Freda Diesing, Haida, 1925-2003 -- Isabella Edenshaw, Haida, 1858-1926 -- Nellie Two Bear Gates (Mahpiya Boga Win, Gathering of Clouds Woman), Iha´ kthu wa na Dakho´ta, Standing Rock Reservation, 1854-? -- Elizabeth Hickox, Wiyot, 1872-1947; Louisa Keyser ("Dat so la lee"), Washoe, 1829-1925 -- Earth Woman, Mrs. Kipp, Mandan, c. 1810-1910 -- Edmonia Lewis, Mississauga and African American, c. 1844-1907 -- Lucy Martin Lewis, Acoma Pueblo, 1890-1992 -- Maria Martinez, San Ildefonso Pueblo, 1887-1980 -- Nampeyo, Hopi/Tewa, 1859-1942 -- Ellen Neel, Kwakwa_ka_'wakw, 1916-1966 -- Daphne Odjig, Odawa/Pottawatomi, 1919-2016 -- Jessie Oonark, Inuit, 1906-1985 -- Gahano, Caroline Parker Mt. Pleasant, Tonawanda Seneca, 1824-1892 -- Mary Sully (Susan Deloria), Dakota, 1896-1963 -- Maria Tallchief, Osage, 1925-2013.
- ISBN
- 9780295745794
- Accession Number
- P2019-29
- Call Number
- 06.1 A1h O.S.
- Collection
- Archives Library
- URL Notes
- Hearts of Our People - Native Women Artists website via Minneapolis Institute of Art
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The life of animals in Japanese art
https://archives.whyte.org/en/permalink/catalogue24998
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2019
- Author
- Singer, Robert T. (editor)
- Kawai, Masatomo (editor)
- Publisher
- Washington, District of Columbia : National Gallery of Art ; Tokyo, Japan : The Japan Foundation ; [Los Angeles, California] : Los Angeles County Museum of Art ; Princeton, New Jersey : In association with Princeton University Press,
- Call Number
- 06.1 Si6t O.S.
1 website
- Responsibility
- Robert T. Singer
- Masatomo Kawai
- Publisher
- Washington, District of Columbia : National Gallery of Art ; Tokyo, Japan : The Japan Foundation ; [Los Angeles, California] : Los Angeles County Museum of Art ; Princeton, New Jersey : In association with Princeton University Press,
- Published Date
- 2019
- Physical Description
- xix, 323 pages : illustrations (chiefly color), portraits
- Subjects
- Japan
- Japanese
- Exhibitions
- Art
- History
- Abstract
- A sweeping exploration of animals in Japanese art and culture across sixteen centuries. Few countries have devoted as much artistic energy to the depiction of animal life as Japan. Drawing upon the country's unique spiritual heritage, rich literary traditions, and currents in popular culture, Japanese artists have long expressed admiration for animals in sculpture, painting, lacquerwork, ceramics, metalwork, textiles, and woodblock prints. Real and fantastic creatures are meticulously and beautifully rendered, often with humor and whimsy. This beautiful book celebrates this diverse range of work, from ancient fifth-century clay sculpture to contemporary pieces. The catalog is organized into themes, including the twelve animals of the Japanese zodiac; animals in Shinto and Buddhism; animals and samurai; land animals, winged creatures, and creatures of the river and sea; and animals in works of humor and parody. Exhibition: National Gallery of Art, Washington, DC, USA (05.05.-28.07.2019) / Los Angeles County Museum of Art, USA (08.09.-08.12.2019).
- Contents
- Prefaces / Robert T. Singer, Kawai Masatomo -- A place for animals in Japanese letters : beasts and beasties - pests, partners, and pets / Tom Hare -- Cultivating compassion and accruing merit : animal release rites during the Edo period / Barbara R. Ambros -- All creatures great and small : Tokugawa Japan and its animals / Federico Marcon -- Plates -- Checklist of works exhibited in Los Angeles.
- Notes
- Published on the occasion of the exhibition "The Life of Animals in Japanese Art" held at the National Gallery of Art, Washington, D.C., May 5-July 28, 2019, and the exhibition "Every Living Thing: Animals in Japanese Art" held at the Los Angeles County Museum of Art, Los Angeles, California, September 8-December 8, 2019.
- ISBN
- 9780691191164
- Accession Number
- P2019-32
- Call Number
- 06.1 Si6t O.S.
- Collection
- Archives Library
- URL Notes
- Website of exhibition at National Gallery of Art
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Nature on the page : the print and manuscript culture of Victorian natural history
https://archives.whyte.org/en/permalink/catalogue25230
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2019
- Author
- Zytaruk, Maria
- Publisher
- Toronto : The Thomas Fisher Rare Book Library, University of Toronto
- Call Number
- 04 Z1n
1 website
- Author
- Zytaruk, Maria
- Responsibility
- Maria Zytaruk
- Publisher
- Toronto : The Thomas Fisher Rare Book Library, University of Toronto
- Published Date
- 2019
- Physical Description
- 158 pages : illustrations (chiefly color)
- Subjects
- Botany
- Birds
- Art
- History
- Exhibition catalogue
- Exhibitions
- Abstract
- This is the catalogue to an exhibition that will showcase both the collecting and manuscript practices of Victorian naturalists and how books, in some instances, encased the specimens themselves. A special focus here is women practitioners of natural history--as authors of and contributors to published works, and as artists and collectors (From publisher's website)
- Contents
- Foreward
- Introduction
- Chapter 1: Plans and the matter of the Victorian book
- Chapter 2: Paper birds
- Chapter 3: Containing nature
- Chapter 4: Women in the world of Victorian botany
- Chapter 5: Orchids for the few
- Epilogue
- Appendix: List of itmes in the exhibition
- ISBN
- 9780772761262
- Accession Number
- 2021.07
- Call Number
- 04 Z1n
- Collection
- Archives Library
- URL Notes
- Publishers website
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The frame job
https://archives.whyte.org/en/permalink/catalogue25109
- Medium
- Library - Periodical
- Published Date
- June 8, 2018
- Author
- Mykytyshyn, Brent
- Publisher
- Calgary Herald
- Call Number
- P
1 website
- Author
- Mykytyshyn, Brent
- Publisher
- Calgary Herald
- Published Date
- June 8, 2018
- Physical Description
- p.20-25
- Medium
- Library - Periodical
- Abstract
- Pertains to how the Whyte Museum of the Canadian Rockies contracted Jarvis Hall of Jarvis Hall Gallery in Calgary, Alberta to make 35 frames in the style of Peter Whyte's original frames for the 50th anniversary of the Whyte Museum of the Canadian Rockies exhibition Artistry Revealed
- Notes
- In Swerve, June 18, 2010
- Accession Number
- TBD
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Website for Jarvis Hall Gallery
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Anthropocene : Burtynsky, Baichwal, de Pencier
https://archives.whyte.org/en/permalink/catalogue19825
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator)
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.4 H11a
1 website
- Responsibility
- Curated by Sophie Hackett, Andrea Kunard, Urs Stahel
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 251 pages : illustrations (chiefly color) ; 24 cm
- Subjects
- Photographers
- Photography
- Photography, Aerial
- Art
- Exhibitions
- Exhibition catalogue
- Environment
- Subjects
- Art - Exhibitions
- Art and photography
- Art and society
- Artists
- Color photography
- Design, Industrial - Pictoral works
- Education
- Photographers
- Photographs - Catalogues
- Photography
- Photography - Collections
- Photography - Exhibitions
- Photography - Landscapes
- Photography, Documentary
- Recycling (Waste), etc.
- Video art - Exhibitions
- Abstract
- "A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
- Contents
- Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.4 H11a
- Collection
- Art Library
- URL Notes
- Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
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Facing the monumental : Rebecca Belmore
https://archives.whyte.org/en/permalink/catalogue19826
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Nanibush, Wanda (editor)
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.1 N11f
1 website
- Author
- Nanibush, Wanda (editor)
- Responsibility
- Edited by Wanda Nanibush
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 132 pages : illustrations (color)
- Subjects
- Art
- Artists
- Exhibition catalogue
- Exhibitions
- Abstract
- Catalogue of an exhibition held at the Art Gallery of Ontario from July 12 to October 21, 2018.
- Contents
- Directors Forward
- Facing the Monumental
- Works:
- artist (No.2)
- 1181
- The Named and Unnamed
- Fringe
- March 5, 1819
- Black Cloud
- blood on the snow
- X mark
- Mixed Blessing
- Thin Red Line
- Quote, Misquote, Fact
- A Pelican Falls
- sister
- State of Grace
- To Rest and to Dream
- Biinjiya'iing Onji (From Inside)
- Wave Sound
- Fountain
- Rising to the Occasion
- Performace:
- Creaton or Death: We Will Win
- Bury My Heart
- Indian Factory
- A Simple Truth
- Tent City
- Victorious
- Making Always War
- X
- Clay on Stone
- Work in Progress:
- Tower and tarpaulin
- Nibi
- Notes
- One of the cast aluminum sculptures that was a part of the LandMarks 2017 Wave Sound installation is located on the shore of Lake Minnewanka in Banff National Park - refer to pages 84 - 94 - https://www.rebeccabelmore.com/wave-sound/
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.1 N11f
- Collection
- Art Library
- URL Notes
- Artist's website
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Tunirrusiangit : Kenojuak Ashevak and Tim Pitsiulak
https://archives.whyte.org/en/permalink/catalogue19827
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Ashevak, Kenojuak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.1 As3t
1 website
- Responsibility
- Kenojuak Ashevak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 154 pages : illustrations (chiefly color), portraits (some color) ; 27 cm
- Subjects
- Art
- Artists
- Exhibition catalogue
- Exhibitions
- Subjects
- Art
- Kenojauk, 1927-
- Exhibitions
- Abstract
- "Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding 'grandmother of Inuit art,' famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, 'their gifts' or 'what they gave' in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, Tunirrusiangit features more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity" -- Provided by publisher.
- Contents
- Director's foreword / Stephan Jost -- Gracious acceptance of their gifts / Jocelyn Piirainen -- Tunirrusiangit: the gift of collaboration / Anna Hudson and Georgiana Uhlyarik -- I am the light of happiness / Laakkuluk Williamson Bathory -- Kenojuak Ashevak: works -- Hunting as culture / Koomuatuk Curley -- Tim Pitsiulak: works -- Kuujjuatuqaq ; after an argument ; two poems: the cuban, the canadian / Taqralik Partridge.
- ISBN
- 978-1-77310-091-3
- Accession Number
- 2019.36
- Call Number
- 06.1 As3t
- Collection
- Art Library
- URL Notes
- Exhibition website
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Photography in Canada 1960-2000
https://archives.whyte.org/en/permalink/catalogue24959
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Canadian Photography Institute
- Publisher
- Ottawa, Ontario : Canadian Photography Insitute : National Gallery of Canada
- Call Number
- 06.4 C16ph
1 website
- Responsibility
- Andrea Kunard
- National Gallery of Canada
- Publisher
- Ottawa, Ontario : Canadian Photography Insitute : National Gallery of Canada
- Published Date
- 2017
- Physical Description
- 175 pages : illustrations (some color), portraits
- Subjects
- Canada
- Canada - After 1914
- Canadian art
- Photography
- Exhibition catalogue
- Exhibitions
- Collection
- Abstract
- This fifth and final volume in the series dedicated to the National Gallery of Canada's immense photography collection documents the emergence of the medium as a recognized artistic discipline in Canada. The creation and growth of this unique collection reflects the enormous development in the practice, collection and display of photography over the latter half of the 20th century. Prior to this time, government institutions, commercial establishments and the legal, medical and journalism professions prized it for its documentary value. As a result, photographs rarely entered the collections of major institutions. This changed in the 1960s when art became more vigorous and dynamic. Photography especially articulated probing, contentious ideas of art, the artist, identity, sexuality and community. Art institutions, themselves undergoing radical transformation, acted as an interface between artist and public, and attempted to articulate movements and trends in art and photography. With dozens of full-page plates each accompanied by an individual abstract, the publication offers a scholarly essay providing artistic, cultural and historical context. Artists featured include those at the forefront of the changes in the 1960s and 1970s, as well as more contemporary figures who continue to push at the limits of the definition of the medium. They include Roy Arden, Raymonde April, Ed Burtnysky, Carol Conde´ and Karl Beveridge, Evergon, General Idea, Rodney Graham, Angela Grauerholz, Geoffrey James, Suzy Lake, Ken Lum, Gabor Szilasi, N.E. Thing Co, Ian Wallace and Jin-me Yoon.
- Contents
- Foreword -- Acknowledgements -- Photography in Canada, 1960-2000: a selection from the Canadian Museum of Contemporary Photography and National Gallery of Canada Collections -- Catalogue -- Note.
- Notes
- Features photographs by Jin-me Yoon taken in Banff National Park
- Features photographs by Edward Burtynsky - Whyte Museum has Burtynsky's in art collection
- ISBN
- 9780888849489
- Accession Number
- 2019.95
- Call Number
- 06.4 C16ph
- Collection
- Archives Library
- URL Notes
- National Gallery of Canada website for publication
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Notman : a visionary photographer
https://archives.whyte.org/en/permalink/catalogue25241
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2016
- Author
- Samson, Helene
- Sauvage, Suzanne
- Publisher
- Paris : Hazan ; Montreal : McCord Museum
- Call Number
- 06.4 Sa4n OS
1 website
- Author
- Samson, Helene
- Sauvage, Suzanne
- Responsibility
- Helen Samson
- Suzanne Sauvage
- Nathalie Houle
- Sarah Parsons
- Joan M. Schwartz
- Christian Vachon
- Nora Hague
- Heather McNabb
- Publisher
- Paris : Hazan ; Montreal : McCord Museum
- Published Date
- 2016
- Physical Description
- 239 pages : illustrations (some color), portraits
- Abstract
- This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826-1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes in burgeoning cities and modern transportation by steam and rail, and creating portraits of such notable figures as Mark Twain, Henry Wadsworth Longfellow, Sitting Bull, and Buffalo Bill. By fully exploiting the commercial and aesthetic potential of the rapidly advancing photographic technology, Notman contributed to the establishment of the socio-economic prominence of Montreal and played a key role in the formation of a Canadian national identity. Published and unpublished photographs are paired with texts that explore the photographer's numerous achievements. (from publisher's website)
- Contents
- Foreward - Suzanne Sauvage
- Chronology - Nathalie Houle
- Notman : a visionary photographer - Helene Samson
- Notman's Montreal - photographs
- The art of photography according to Notman - Helene Samson
- Notman's studio as a space of performance - Sarah Parsons
- The creative portrait - photographs
- With word and image : Notman and the photographcially illustrated book - Joan M. Schwartz
- Notman, creator of the first halftone - Christian Vachon
- An imaginative geography - photographs
- Notman's numbers - Nora Hague
- The arrival of the Notman archives at the McCord Museum - Heather McNabb
- Bibliography
- About the authors
- ISBN
- 9780300223675
- Accession Number
- 2021.08
- Call Number
- 06.4 Sa4n OS
- Collection
- Archives Library
- URL Notes
- Exhibition information via McCord Museum
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- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2016
- Author
- Bingeman, Shannon
- Publisher
- Edmonton, AB : The Alberta Foundation for the Arts
- Call Number
- 06.4 Bi47m copy 1
- 06.4 Bi47m copy 2
1 website
- Author
- Bingeman, Shannon
- Responsibility
- Shannon Bingeman
- Publisher
- Edmonton, AB : The Alberta Foundation for the Arts
- Published Date
- 2016
- Physical Description
- 38 pages : illustrations
- Abstract
- Pertains to Bert Riggall and the photographs he created of Waterton National Park with associated instructions on how to hand-tint photographs, create relief cartography and composite panoramas.
- Contents
- about
- mountain man poem
- curatorial statement
- biography
- visual Inventory
- education guide
- discussion questions
- geginner : hand-tinted photogprahs
- intermediate : relief cartography
- advanced : composite panorama
- vocabulary
- bibliography
- acknowledgements
- Accession Number
- 2019.19
- Call Number
- 06.4 Bi47m copy 1
- 06.4 Bi47m copy 2
- Collection
- Archives Library
- URL Notes
- Available online through the Alberta Society of Artists
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42 Russian Antique Salon : No 2 (15) 2016
https://archives.whyte.org/en/permalink/catalogue19809
- Medium
- Library - Periodical
- Published Date
- 2016
- Publisher
- Russian Antique Salon
- Call Number
- 06.1 Ru91r PAM
1 website
- Publisher
- Russian Antique Salon
- Published Date
- 2016
- Physical Description
- 112 pages ; colour illustrations
- Medium
- Library - Periodical
- Series
- No 2 (15) 2016
- Abstract
- Publication associated with the Russian Antique Salon , pertains to Nicholas de Grandmaison and includes images from the Whyte Museum of the Canadian Rockies archive and art collections.
- Notes
- Publication is in Russian using Cyrillic script with partial, separate, typed translation to English
- Accession Number
- 2019.28
- Call Number
- 06.1 Ru91r PAM
- Collection
- Archives Library
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- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2016
- Author
- Hill, Greg. A
- Publisher
- Ottawa: National Gallery of Canada
- Call Number
- 06.1 H55a
1 website
- Author
- Hill, Greg. A
- Responsibility
- Greg A. Hill
- Publisher
- Ottawa: National Gallery of Canada
- Published Date
- 2016
- Physical Description
- 202 pages : colour illustrations ; 28 cm
- Subjects
- Art
- First Nations
- Abstract
- Pertains to the artwork and art history of Alex Janvier, an Indigenous man from the Cold Lake First Nations, Treaty 6 Territory. While reflecting his strong Indigenous culture, his art combines both Indigenous and Canadian stylistic elements. His art is deeply representative of his connection to nature, as well as the struggles imposed upon Indigenous Peoples through colonial relations. Parallels can be drawn when considering the effects of colonial relations on Indigenous Peoples and communities, such as those who resided in and around the Canadian Rocky Mountains.
- Contents
- Foreword -- Where the land begins / Greg A. Hill -- The landlord / Lee-Ann Martin -- The narrative murals of Alex Janvier : Abstraction, representation and oral history / Chris Dueker -- Plates -- Chronology : The life and work of Alex Janvier / Jaime Koebel -- List of works -- Exhibitions -- Further references.
- ISBN
- 9780888849427
- Accession Number
- 2019.46
- Call Number
- 06.1 H55a
- Collection
- Archives Library
- URL Notes
- An online resource dedicated to Alex Janvier, offering insight into the history of both himself and his art work.
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The artist herself : self-portraits by Canadian historical women artists
https://archives.whyte.org/en/permalink/catalogue19841
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2015
- Author
- Boutilier, Alicia and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Call Number
- 06.1 B66t
1 website
- Variant Title
- L'artiste elle-me^me : autoportraits de femmes artistes au Canada
- Responsibility
- Alicia Boutilier and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Published Date
- 2015
- Physical Description
- 173 pages : illustrations (some colour) ; 31 cm
- Subjects
- Art
- Subjects
- Artists - Canada
- Exhibitions
- Art
- Women artists
- Abstract
- Drawing upon our fascination with self-portraits, The Artist Herself expands the genre’s definition by moving beyond the human face to propose other forms of self-representation, from both settler and Indigenous perspectives. The result is a thought-provoking selection of 55 works by 42 women artists in a range of media, including paintings, textiles, photographs and film. Both renowned and lesser-known artists are featured: Pitseolak Ashoona, Simone Mary Bouchard, Emily Carr, Paraskeva Clark, Martha Eetak, Artis Lane, Caroline Gros Louis, Alice Egan Hagen, Frances Anne Hopkins, E. Pauline Johnson, Maud Lewis, Pegi Nicol MacLeod, Hannah Maynard, Daphne Odjig, Princess Louise, Mary Hiester Reid and Marian Dale Scott. From Johnson’s performance costumes representing her dual Mohawk and Euro-Canadian identity to Carr’s painting of herself from the back at her easel, from Maynard’s playful photographs of her multiple selves to Ashoona’s sly comment on her participation in the Inuit art market, these works open up new avenues of inquiry and new understandings of the realities and perspectives of women in Canadian society before 1970. Most important, the exhibition reveals the ways in which women artists have given profound expression to their identities
- Contents
- Foreword / Avant-propos -- Lenders / Pre^teurs -- Acknowledgements / Remerciements -- The artist herself = L'artiste elle-me^me / Alicia Boutilier & Tobi Bruce -- Cree dolls / Sherry Farrell Racette -- Elizabeth Simcoe / Erin Wall -- Katherine Jane Ellice / Arlene Gehmacher -- Shanawdithit / Fiona Polack -- Mary Ann Scrimes & Elizabeth Jane Turner / Janice Helland -- Lady Belleau & Lady Glover / Andrea Kunard -- Frances Anne Hopkins & Princess Louise / Kristina Huneault -- E. Pauline Johnson / Carla Taunton -- E. Pauline Johnson / Paula Whitlow -- Hannah Maynard / Jennifer Salahub -- Maud Darling / Jennifer Salahub -- Bertha May Ingle / Mary Thompson & David Beattie -- Mattie Gunterman / Susan Close -- Caroline Gros Louis / Annette de Stecher -- Emily Carr / Lisa Baldiserra -- Martha (Muqyunnik) Eetak / Maureen Matthews -- Marion Long / Janice Anderson -- Margaret Watkins / Mary O'Connor -- Dorothea Mitchell / Kelly Saxberg -- Sylvia Daoust / Joyce Millar -- Paraskeva Clark / Panya Clark -- Pegi Nicol MacLeod / Laura Brandon -- Simone Mary Bouchard / Laurier Lacroix -- Marian Dale Scott / Esther Tre´panier -- Maud Lewis / Erin Morton -- Elizabeth Harrison / Dorothy Farr -- Suzanne Duquet / Miche`le Grandbois -- Artis Lane / Artis Lane -- Molly Lamb Bobak / Amber Lloydlangston -- Cecil Buller / Sandra Dyck -- Jessie Oonark & Inuit Doll / Heather Igloliorte -- Kenojuak Ashevak / Kenojuak Ashevak -- Christiane Pflug / Georgiana Uhlyarik -- Daphne Odjig / Greg Hill -- Margaret Frank & Marion Wilson / Andy Everson -- Pitseolak Ashoona / Norman Vorano -- Exhibition list = Liste des œuvres -- Contributors = Contributeurs.
- Notes
- Some of the essays are in English, while others are in French
- ISBN
- 9781553394075
- Accession Number
- 2019.46
- Call Number
- 06.1 B66t
- Collection
- Archives Library
- URL Notes
- The URL pertains to the website in which the abstract was drawn from
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Shine a light : CDN biennial 2014
https://archives.whyte.org/en/permalink/catalogue24958
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2014
- Author
- Muse´e des beaux-arts du Canada
- National Gallery of Canada
- Publisher
- Ottawa : National Gallery of Canada = Muse´e des beaux-arts du Canada
- Call Number
- 06.1 N19s
1 website
- Responsibility
- Greg A Hill
- Jose´e Drouin-Brisebois
- Andrea Kunard
- Jonathan Shaughnessy
- Rhiannon Vogl
- Jonathan L Shaughnessy
- Publisher
- Ottawa : National Gallery of Canada = Muse´e des beaux-arts du Canada
- Published Date
- 2014
- Abstract
- "Published in conjunction with the exhibition Shine a Light: Canadian Biennial 2014, organized by the National Gallery of Canada and presented in Ottawa from 17 October 2014 to 8 March 2015." (Exhibition catalogue)
- Contents
- David Armstrong Six -- Shuvinai Ashoona -- Nicolas Baier -- Shary Boyle -- Edward Burtynsky -- Tammi Campbell -- Mario Doucette -- Geoffrey Farmer -- David Hartt -- Isabelle Hayeur -- Philippa Jones -- Ste´phane La Rue -- Rita Letendre -- An Te Liu -- David McMillan -- Damian Moppett -- Luke Parnell -- Vanessa Paschakarnis -- Ed Pien -- Tim Pitsiulak -- Kelly Richardson -- Jeremy Shaw -- Althea Thauberger -- Jutai Toonoo -- Howie Tsui -- Lawrence Paul Yuxweluptun.
- Notes
- Section pertains to Edward Burtynksy - several pieces in Whyte Museum's art collection
- ISBN
- 9780888849298
- Accession Number
- 2019.94
- Call Number
- 06.1 N19s
- Collection
- Archives Library
- URL Notes
- National Gallery of Canada site for 2014 CND Biennial
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Beyond "the artist's wife": women, artist-couple marriage and the exhibition experience in postwar Canada
https://archives.whyte.org/en/permalink/catalogue19806
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2013
- Author
- Mastin, Catharine Margaret
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Call Number
- 06.1 Ma37b
1 website
- Author
- Mastin, Catharine Margaret
- Responsibility
- Catharine Margaret Mastin
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Published Date
- 2013
- Physical Description
- 358 pages ; PDF format
- Subjects
- Women
- Artists
- Exhibitions
- Thesis
- Abstract
- When art critic Lucy Lippard named "the artist's wife" to be a socially-assigned identity for female artists in the early 1970s, she understood some of the significance of women's companionship status. This dissertation considers how "the artist's wife" was a diverse and hierarchical problem for six female artists during their efforts to access Canada's postwar exhibition market. Joyce Wieland of Toronto, Ontario, Marion Nicoll of Calgary, Alberta, Mary Pratt of St. John's, Newfoundland, and Kenojuak Ashevak of Cape Dorset, Nunavut all experienced this social phenomenon differently. Because the two studios of Wieland and Pratt were combined with domestic life they were also dubbed "kitchen artists." As Marion Nicoll learned, it took much conviction to pursue an art practice focused on abstract painting in traditional institutional and marital contexts. The category "Eskimo" added racial difference to Kenojuak's creative and marital identities. Frances Loring and Florence Wyle of Toronto were persistently called "the Girls," an identity that underscored their non-compliance with heterosexual marriage. Using feminist theories of sexual difference and representation, and intersecting the traditionally distinct fields of history and art history, this study illuminates that the female artist's companionship status mattered much more than has been historically understood. These artists' experiences provide opportunity to reflect on curatorial practice and subject representation and expose that the solo exhibition cannot be fully separated from the artist-couple exhibition when studying the female artist's exhibition history. Their experiences also make visible that gender and female artist identities, including the category "woman artist," are important when studying the female artist in postwar North American art and marriage histories if the social conditions of women's art production are to be fully understood.
- Contents
- Abstract
- Acknowledgements
- List of figures
- List of abbreviations
- Chapter One : introduction : beyond "the artist's wife"
- Chapter Two : socializing women to marriage : the five artist-couple marraiges of Marion Nicholl, Joyce Wieland, Mary Pratt, Frances Loring, Florence Wyle and Kenojuak Ashevak
- Chapter Three : two women's "one-man exhibitions" : the experience of abstract painting and the artist-couple marriages of Marion Nicholl and Joyce Wieland, 1959 - 1963
- Chapter Four : two women's "one-man exhibitions" : Joyce Wieland, Mary Pratt and the identity "kitchen artist" 1963 - 1973
- Chapter Five : two more women's "two-man" artist-couple exhibitions : the social emergence of Frances Loring and Florence Wyle as "the girls"
- Chapter Six : one women's "two-man" exhibitions : Kenojuak Ashevak's artist-couple exhibitions with Johnniebo Ashevak, 1967 - 1970
- Chapter Seven : conclusion
- Bibliography
- Appendix 1
- Copyright permissions
- ISBN
- 978-0-494-89628-0
- Accession Number
- p2019-26
- Call Number
- 06.1 Ma37b
- Collection
- Archives Library
- URL Notes
- Available online through University of Alberta
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Untamed heart - Dwayne Harty, Fall Arts Festival poster artist, unveils trove of paintings in "Yellowstone to Yukon : Journey of Wildlife and Art"
https://archives.whyte.org/en/permalink/catalogue25126
- Medium
- Library - Periodical
- Published Date
- 2011
- Author
- Wilkinson, Todd
- Publisher
- Images West
- Call Number
- P - General
1 website
- Author
- Wilkinson, Todd
- Responsibility
- Todd Wilkinson
- Publisher
- Images West
- Published Date
- 2011
- Medium
- Library - Periodical
- Subjects
- Exhibitions
- Art
- Artists
- Wildlife
- Wildlife artists
- Abstract
- Pertains to an exhibit of paintings that were on display at the Whyte Museum of the Canadian Rockies in the summer of 2012 from the National Museum of Wildlife Art entitled "Yellowstone to Yukon : Journey of Wildlife and Art" which featured many artists including Carl Rungius, Thomas Moran, Albert Bierstadt, Thomas Hill, Louis Agassiz Fuertes, Charles M. Russell, Edward Kemeys, A.P. Proctor, Belmore Browne, John Fery, Aiden Lassell Ripley, Bob Kuhn, Tucker Smith, Ken Bunn, Ken Carlson, Michael Coleman, Jim Wilcox, Laney, Frances Yellow, Lanford Monroe, Tim Shinabarger, Nancy Glazier, Ernest Thompson Seton, Clarence Tillenius, Robert Lougheed, Robert Bateman, Charles A. Beil, Richard Loffler, Robert Muskego, Robert Hope, Walter Phillips, Maureen Enns etc.
- Notes
- In Images West, 2011, p. 20-24
- Call Number
- P - General
- Collection
- Archives Library
- URL Notes
- Images West website
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Dwayne Harty captures Yellowstone to Yukon
https://archives.whyte.org/en/permalink/catalogue25127
- Medium
- Library - Periodical
- Published Date
- 2011
- Author
- Wilkinson, Todd
- Publisher
- Big Sky Journal
- Call Number
- P - General
1 website
- Author
- Wilkinson, Todd
- Responsibility
- Todd Wilkinson
- Publisher
- Big Sky Journal
- Published Date
- 2011
- Medium
- Library - Periodical
- Subjects
- Exhibitions
- Art
- Artists
- Wildlife
- Wildlife artists
- Abstract
- Pertains to an exhibit of paintings that were on display at the Whyte Museum of the Canadian Rockies in the summer of 2012 from the National Museum of Wildlife Art entitled "Yellowstone to Yukon : Journey of Wildlife and Art" which featured many artists including Carl Rungius, Thomas Moran, Albert Bierstadt, Thomas Hill, Louis Agassiz Fuertes, Charles M. Russell, Edward Kemeys, A.P. Proctor, Belmore Browne, John Fery, Aiden Lassell Ripley, Bob Kuhn, Tucker Smith, Ken Bunn, Ken Carlson, Michael Coleman, Jim Wilcox, Laney, Frances Yellow, Lanford Monroe, Tim Shinabarger, Nancy Glazier, Ernest Thompson Seton, Clarence Tillenius, Robert Lougheed, Robert Bateman, Charles A. Beil, Richard Loffler, Robert Muskego, Robert Hope, Walter Phillips, Maureen Enns etc.
- Notes
- In Big Sky Journal, Volume XVII, Number 3, Art 2011, p. 74-77
- Call Number
- P - General
- Collection
- Archives Library
- URL Notes
- Big Sky Journal webpage for magazines
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Expanding horizons : painting and photography of American and Canadian landscape, 1860-1918
https://archives.whyte.org/en/permalink/catalogue24957
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2009
- Author
- Goldfarb, Hilliard T.
- Publisher
- [Montreal] : Montreal Museum of Fine Arts
- Call Number
- 06.1 G11e O.S.
1 website
- Author
- Goldfarb, Hilliard T.
- Responsibility
- Hilliard T. Goldfarb (editor)
- Publisher
- [Montreal] : Montreal Museum of Fine Arts
- Published Date
- 2009
- Physical Description
- 318 pages : illustrations (some color), maps
- Subjects
- Art
- Landscapes
- Artists
- Photographers
- Photography
- Exhibitions
- Canada
- United States
- North America
- Abstract
- Catalogue of an exhibition first held at the Montreal Museum of Fine Arts from June 18 to Sept. 27, 2009 and then travelling to Vancouver Art Gallery, from Oct. 17, 2009 to Janu. 17, 2010. Issued also in French under title: Grandeur nature : peinture et photographie des paysages ame´ricains et canadiens de 1860 a` 1918.
- Contents
- Endangered horizons / Nathalie Bondil -- Lenders to the exhibition -- Crossed destinies: manifesting the paths of nationhood in the United States and Canada through Landscapes, 1860-1918 / Hilliard T. Goldfarb -- Flexible frontiers: expansion, contraction, regeneration / T.J. Jackson Lears -- Nature transcendent -- The most northerly horizon / Rosalind Pepall -- The forest, Niagara and the sublime / Franc¸ois-Marc Gagnon -- Works -- The stage of history and the theatre of myth -- Looking at landscape in athe age of environmentalism / Lynda Jessup -- Too silent to be real / Richard Hill -- Works -- Man versus nature -- Painting and photography in British Columbia, 1871-1916: some observations / Ian Thom -- Works -- Nature domesticated -- Word and image: North American landscape in nineteenth-century illustrated publications / Brian Foss -- John Singer Sargent's adventurous summer in the Canadian Rockies: the visit to rh Yoho Valley in 1916 / Hilliard T. Goldfarb -- Works -- The urban landscape -- "To pavements and homesteads here" : landscape, photography, and the transcendence of time and space / Philip Brookman -- Works -- The return of nature -- Introduction -- Works.
- ISBN
- 9782891923347
- Accession Number
- 2019.94
- Call Number
- 06.1 G11e O.S.
- Collection
- Archives Library
- URL Notes
- Review and synopsis on Canadian Architect website
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Barbara Spohr : apparent reasons = raisons apparentes.
https://archives.whyte.org/en/permalink/catalogue25144
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1995
- Author
- Spohr, Barbara
- Publisher
- Banff, Alb. : Whyte Museum of the Canadian Rockies
- Call Number
- 06.4 Sp6a
1 website
- Author
- Spohr, Barbara
- Responsibility
- Barbara Spohr
- Publisher
- Banff, Alb. : Whyte Museum of the Canadian Rockies
- Published Date
- 1995
- Physical Description
- 81 pages : illustrations, portraits
- Abstract
- Exhibition catalogue for the 1995 exhibit of Barbara Spohr's show 'Apparent Reasons' at the Whyte Museum of the Canadian Rockies
- Contents
- Introduction
- Road trip
- From where she stood
- Barbara Spohr's border crossings
- ISBN
- 0920608418
- Accession Number
- 2021.23
- Call Number
- 06.4 Sp6a
- Collection
- Archives Library
- URL Notes
- Link to Banff Centre's Barbara Spohr Memorial Award page - includes biographical information
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