Narrow Results By
- Les Graff (1936 – , Canadian) 99
- Charles John Collings (1848 – 1931, British) 48
- Robert William Sinclair (1939 – , Canadian) 44
- Bradford Washburn (1910 – , American) 10
- Phil Michaud (1935 – 2010, Canadian) 5
- Bern Smith (1928 – 2009, Canadian) 4
- George Webber 4
- Michael Cameron (1955 – , Canadian) 4
- Frederic Marlett Bell-Smith, R. C. A. (1846 – 1923, Canadian) 3
- Kobayashi Kiyochika (1847 – 1915, Japanese) 3
- Steven Dixon 3
- Thomas Mower Martin, R. C. A. (1838 – 1934, Canadian) 3
- Date
- 2003
- Material
- paper; plastic
- Catalogue Number
- 104.20.1140 a-c
- Description
- Three double-sided, plastic-covered scenic placemats with: (a) having one coloured photographic reproduction of Bow Lake on one side and a black-and-white photographic reproduction of Crowfoot Glacier on the other; (b,c) Alberta’s wildflowers on one side of both; (b) a colour photograph reproductio…
1 image
- Title
- Placemat
- Date
- 2003
- Material
- paper; plastic
- Dimensions
- 29.0 x 44.2 cm
- Description
- Three double-sided, plastic-covered scenic placemats with: (a) having one coloured photographic reproduction of Bow Lake on one side and a black-and-white photographic reproduction of Crowfoot Glacier on the other; (b,c) Alberta’s wildflowers on one side of both; (b) a colour photograph reproduction of Lake Louise; (c) a colour photographic reproduction of Moraine Lake. (a) The lower half of the photograph is the lake and shoreline and the top half is mountains and sky. The foreground of the lake’s shore is in the shade and mostly dark, except for a bit of green vegetation in the viewer’s extreme left-hand corner and some green bushes bunched together in the lower middle. Some sunlight hits part of the brown-coloured vegetation and logs. There are parts of dark branches of a spruce tree from top to bottom on the viewer’s left; mid-centre the shore juts out and further down, a log with some branches. On the viewer’s right there are heavy green branches, the bottom part in the shade, that form part of a spruce tree from top to bottom. The lake is sunlit from the left with reflections of the mountains in the shimmering water. The shore beyond is lined with trees and the grey mountains, with some snow on the peaks, above and further to the viewer’s right, a glimpse of a glacier. On the viewer’s far right some green vegetation and than a rust-coloured moraine, leading up to a mountain barely discernable through the spruce tree branches. The sky is blue with white, puffy clouds. On the white border, printed in black script, in viewer’s left-hand bottom corner “Bow Lake, Banff National Park, Alberta, Canada”; on the white border, printed in black italics, in viewer’s right-hand bottom corner “Photo Don Harmon” and underneath it “Distributed b Byron Harmon Photos, P.O. Box 490, Banff, Alberta”. On the opposite side of the placemat is a copy of a black-and-white photograph by Byron Harmon of Crowfoot Glacier in 1917. The foreground is branches, vegetation and one large spruce tree, on the viewer’s far right, that rises almost to the top of the photograph. Mid-centre, four packhorses, carrying their diamond-hitch loads, are grazing near two spruce trees. A bank of trees behind the horses rises steadily to the viewer’s right and the giant Crowfoot Glacier, with three complete ‘toes’, to the viewer’s right and one incomplete ‘toe’ on the left, makes up the top-half, except for a bit of sky, mid-to-far left. On the white border, in viewer’s left-hand bottom corner, printed in black lettering, is “Crowfoot Glacier 1917” and on the right-hand bottom corner “Photo B. Harmon”.(b) and (c): on one side, in the middle of the placemats is a large rectangle with a white background and “Wild Flowers of the Canadian Rockies” printed in script-style, in dark pink ink. A pink wild rose, open, a bulb without petals, and two stems with leaves, are mid-centre to viewer’s left. “Wild Rose” is printed in black script to the the left and “Alberta’s Floral Emblem” is printed, to the right of the rose, in light blue script. The outside edge of the placemat has 16 brown-framed boxes with pictures and the printed name of the following flowers: starting from viewer’s left top, clockwise: “Blue Flax”, “Yellow Vetch”, “Indian Paintbrush”, ”Pink Pussy Toes”, “Buffalo Berry”, “Heart-Leaf Arnica”, “Hare Bells”, “Tiger Lily”, “Sagebrush Buttercup”, “Wood Violet”, “Crocus”, “American Vetch” , “Strawberry”, “Yellow Columbine” , and “Fire Weed”. On the other other side of (b) (30.0x44.20cm wide), the photo is dominated by a summer view of Lake Louise, the Victoria Glacier behind, and the front lawn and swimming pool of Chateau Lake Louise. The foreground is made up, on viewer’s left, of: lawn and walkway, fence and lake walkway, three people walking, one person standing, one person sitting at a table, three spruce trees, three horses with riders, and red, yellow and white poppies. In the foreground, on viewer’s middle and right, are two more horses with riders, three people on the walkway, two people sitting on chairs at a table, more poppies, spruce trees and a white roofless structure, with openings all around, that surrounds a swimming pool with people, one diving in midair. The middle of the scene is the turquoise-blue waters of Lake Louise, with the reflection of Victoria Glacier, and a canoe with two people in it. The rest of the scene is mountains in shade on the viewer’s left, the sunlit Victoria Glacier in the middle, and wooded mountains to the right. The sky is a deep blue. On the white border, viewer’s left, printed in black ink “Distributed by United News (wholesalers) Ltd., Calgary, Alberta, Canada”; in the middle, printed in black, “LAKE LOUISE” and underneath, “BANFF NATIONAL PARK, ALBERTA, CANADA”. On the white border, viewer’s right-hand bottom corner, printed in black ink, “A Traveltime Canada Placemat / PMS-6218” and underneath, “printed in Canada by lawson graphics pacific limited vancouver, british columbia”. The other side of (c) (30.3x44.4cm wide) is a summer image of Moraine Lake with six of the mountain peaks behind it. The foreground is spruce trees, rocks and the blue waters of Moraine Lake. To the viewer’s left is the top of a spruce tree extending to the grey moraine above, then two more spruce trees, grey rocks, a brown rocky path leading to the viewer’s right, a small coniferous tree, and at viewer’s far right, a large spruce tree reaching the top of the image. In the viewer’s right-hand bottom corner, the words “DON HARMON” is printed in yellow. Water can seen through the trees and the reflection of the mountains and trees is discernible. Above the moraine and trees on the viewer’s far left is a shaded tree-covered slope reaching the top of the image. Coniferous trees line the lake shore, above which moraine and snow move from the five mountain peaks, toward the lake. The sky is bright blue above the grey, granite mountains, that have some snow on them. On the white border, viewer’s left-hand bottom corner, printed in black ink “Distributed by United News (wholesalers) Ltd., Calgary, Alberta, Canada” and underneath “Photo by Don Harmon”; in the middle, in black ink “MORAINE LAKE” and underneath “BANFF NATIONAL PARK, ALBERTA, CANADA”; in the viewer’s right-hand bottom corner, printed in black ink, “A Traveltime Canada Placemat / PMS-6218” and underneath, “printed in Canada by lawson graphics pacific limited vancouver, british columbia”.
- Credit
- Gift of Ursula Welford, Thorold, 2003
- Catalogue Number
- 104.20.1140 a-c
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- Date
- 2009
- Medium
- watercolour on paper
- Catalogue Number
- SmB.05.03
- Description
- Painting is dominated by Mt. Temple and one spruce tree on the viewer’s left that reaches almost out of the painting. Dominant colours are green, blue, grey, white, and black. Snow, some water and the bank is visible in the immediate lower foreground and the spruce tree rising out of snow to the le…
1 image
- Title
- Mt. Temple
- Date
- 2009
- Medium
- watercolour on paper
- Dimensions
- 27.0 x 40.5 cm
- Description
- Painting is dominated by Mt. Temple and one spruce tree on the viewer’s left that reaches almost out of the painting. Dominant colours are green, blue, grey, white, and black. Snow, some water and the bank is visible in the immediate lower foreground and the spruce tree rising out of snow to the left. A bank of coniferous trees begin on the viewer’s left at the spruce tree and rise steadily to the viewer’s right. Two-thirds of the painting is a snow and ice-covered blue and grey Mt. Temple. The sky is grey and cloudy obscuring the mountain peak. A vestige of blue sky behind the mountain shows through on viewer’s middle right.
- Subject
- landscape
- mountain
- Canadian Rockies
- Mt. Temple
- Credit
- Purchased from Brett Smith, 108 Mile Ranch, 2009
- Catalogue Number
- SmB.05.03
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Mosquito Creek
https://archives.whyte.org/en/permalink/artifactsmb.05.04
- Date
- 2009
- Medium
- watercolour on paper
- Catalogue Number
- SmB.05.04
- Description
- A winter scene with dominant colours of white, green, blue, grey, and black. The foreground, which is more than half the painting, is comprised of snow, ice, shadows, two sections of the creek starting from viewer’s left, with one bush and one coniferous tree to viewer’s far middle right. The dark …
1 image
- Title
- Mosquito Creek
- Date
- 2009
- Medium
- watercolour on paper
- Dimensions
- 30.0 x 36.7 cm
- Description
- A winter scene with dominant colours of white, green, blue, grey, and black. The foreground, which is more than half the painting, is comprised of snow, ice, shadows, two sections of the creek starting from viewer’s left, with one bush and one coniferous tree to viewer’s far middle right. The dark water of the creek is visible from the bush at the right, flows under the ice and snow, and then reappears at the left-hand centre of the painting and flows to the viewer’s left hand corner of the painting. The top-third of the painting is a bank of coniferous trees, sparsely painted on the left, becoming larger and darker towards middle and then lighter on the right as the trees further back rise to the mountain range in the background. Snow and clouds obscure the mountain tops. The sky is light grey and white.
- Credit
- Purchased from Brett Smith, 108 Mile Ranch, 2009
- Catalogue Number
- SmB.05.04
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- Date
- 2009
- Medium
- painting on paper
- Catalogue Number
- SmB.05.05
- Description
- A summer scene dominated by Mt. Rundle and the trees that flank Vermilion’s first lake. The dominant colours are light and dark green, black, blue, brown and grey. The foreground is green and brown low vegetation, out of which a line of lodgepole pines, some dead and still standing, rise to two-thi…
1 image
- Title
- Rundle
- Date
- 2009
- Medium
- painting on paper
- Dimensions
- 29.0 x 38.5 cm
- Description
- A summer scene dominated by Mt. Rundle and the trees that flank Vermilion’s first lake. The dominant colours are light and dark green, black, blue, brown and grey. The foreground is green and brown low vegetation, out of which a line of lodgepole pines, some dead and still standing, rise to two-thirds of the painting. Starting at the viewer’s far left, at mid-point, the branches of an aspen with green leaves fills the top far left of the painting. Vermilion’s first lake is visible though the lodgepoles and directly behind that, are the dark trees that line its opposite bank. Above the lake the lower slope of Tunnel Mountain is visible to the viewer’s left. The painting is dominated by majestic Mount Rundle, its lower slopes covered with muted green coniferous trees and its sheer rock face in varying shades of grey, blue, and brown. The deep blue sky has a few wisps of white showing through and some light grey clouds to the viewer’s right, above the peaks of the Rundle Range.
- Credit
- Purchased from Brett Smith, 108 Mile Ranch, 2009
- Catalogue Number
- SmB.05.05
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Stormy Mountain Sky
https://archives.whyte.org/en/permalink/artifactsmb.05.06
- Date
- 2009
- Medium
- watercolour on paper
- Catalogue Number
- SmB.05.06
- Description
- A dark, stormy sky, and a large stand of partially burned trees on the viewer’s left, dominate the top two-thirds of the painting. The dominant colours are blue, black, green and brown. In the foreground to the viewer’s right are remnants of stumps and what appears to be fall vegetation, with charr…
1 image
- Title
- Stormy Mountain Sky
- Date
- 2009
- Medium
- watercolour on paper
- Dimensions
- 31.3 x 40.0 cm
- Description
- A dark, stormy sky, and a large stand of partially burned trees on the viewer’s left, dominate the top two-thirds of the painting. The dominant colours are blue, black, green and brown. In the foreground to the viewer’s right are remnants of stumps and what appears to be fall vegetation, with charred tree trunks. To the viewer’s left is a charred stump of a burned tree trunk and above that a large stand of lodgepole pines with charred trunks, but with needles still on the tops of the trees. The stand of trees rise high into the stormy sky. Further away, behind the lodgepole pine trees, is a bank of coniferous trees in various shades of greens, that stretch across the painting. Above that, starting behind and to the right of the lodgepoles, mountains are visible; the first and farthest away, is grey with some snow visible, and then wooded mountains continue to the viewer’s far right to the edge of the painting. The dark, cloudy sky dominates most of the painting.
- Subject
- landscape
- mountain
- Canadian Rockies
- Credit
- Purchased from Brett Smith, 108 Mile Ranch, 2009
- Catalogue Number
- SmB.05.06
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Mount McKinley from the Head of Great Gorge, 1955
https://archives.whyte.org/en/permalink/artifactwbb.18.02
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.02
1 image
- Title
- Mount McKinley from the Head of Great Gorge, 1955
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.02
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Mount Saint Elias from the North West over Malaspina Glacier, 1938
https://archives.whyte.org/en/permalink/artifactwbb.18.03
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.03
1 image
- Title
- Mount Saint Elias from the North West over Malaspina Glacier, 1938
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.03
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Mount McKinley Windstorm, 1942
https://archives.whyte.org/en/permalink/artifactwbb.18.04
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.04
1 image
- Title
- Mount McKinley Windstorm, 1942
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.04
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Bernard Glacier, 1938
https://archives.whyte.org/en/permalink/artifactwbb.18.05
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.05
1 image
- Title
- Bernard Glacier, 1938
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.05
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Mount McKinley & Mount Barille, 1977
https://archives.whyte.org/en/permalink/artifactwbb.18.06
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.06
1 image
- Title
- Mount McKinley & Mount Barille, 1977
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.06
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Peter Pass looking South East, 1964
https://archives.whyte.org/en/permalink/artifactwbb.18.07
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.07
1 image
- Title
- Peter Pass looking South East, 1964
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.07
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Mount McKinley from North East over Muldrow Glacier, 1938
https://archives.whyte.org/en/permalink/artifactwbb.18.08
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.08
1 image
- Title
- Mount McKinley from North East over Muldrow Glacier, 1938
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.08
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Ruth Icefall, 1979
https://archives.whyte.org/en/permalink/artifactwbb.18.09
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.09
1 image
- Title
- Ruth Icefall, 1979
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.09
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Mount Saint Elias from North West
https://archives.whyte.org/en/permalink/artifactwbb.18.10
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.10
1 image
- Title
- Mount Saint Elias from North West
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.10
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Mount Huntington, 1978
https://archives.whyte.org/en/permalink/artifactwbb.18.11
- Date
- 2006
- Medium
- photograph on paper
- Catalogue Number
- WbB.18.11
1 image
- Title
- Mount Huntington, 1978
- Date
- 2006
- Medium
- photograph on paper
- Dimensions
- 43.18 x 50.8 cm
- Credit
- Gift and purchased from Jon Goodman, Williamsburg, 2014
- Catalogue Number
- WbB.18.11
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Castle Mountain Siding
https://archives.whyte.org/en/permalink/artifactzoc.13.01
- Artist
- C. Zollern
- Date
- 1895
- Medium
- watercolour; photograph on paper
- Catalogue Number
- ZoC.13.01
- Description
- Colour: green, yellow. Three frames inside one. Top picture is a painting of a group of wooden buildings left of center with a flag pole (flag is flying) and antlers on the roof. In front are railway tracks with a team of four workers going along on a cart. Behind is a river with a man fishing in i…
1 image
- Artist
- C. Zollern
- Title
- Castle Mountain Siding
- Date
- 1895
- Medium
- watercolour; photograph on paper
- Dimensions
- 34.8 x 47.5 cm
- Description
- Colour: green, yellow. Three frames inside one. Top picture is a painting of a group of wooden buildings left of center with a flag pole (flag is flying) and antlers on the roof. In front are railway tracks with a team of four workers going along on a cart. Behind is a river with a man fishing in it on the right. On both sides of the river are trees and in the distance are mountains. Sky fills the top. The lower two pictures are photographs. The left is of the first Banff Springs Hotel and Rundle Mountain. The right is looking down the main street of Banff in 1895.
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1974
- Catalogue Number
- ZoC.13.01
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Battling Moose
https://archives.whyte.org/en/permalink/artifactruc.11.01
- Date
- prior to 1905
- Medium
- photoengraving on paper
- Catalogue Number
- RuC.11.01
- Description
- Colour: greys as in a black and white photograph. At the waters edge in the center are two bull moose fighting. To the right, half way up in the background is a female moose looking on. Dead logs and grass fill the lower part of the picture.
1 image
- Title
- Battling Moose
- Date
- prior to 1905
- Medium
- photoengraving on paper
- Dimensions
- 30.1 x 50.4 cm
- Description
- Colour: greys as in a black and white photograph. At the waters edge in the center are two bull moose fighting. To the right, half way up in the background is a female moose looking on. Dead logs and grass fill the lower part of the picture.
- Subject
- landscape
- animal, moose
- Credit
- Gift of W. J. Wright, Kamloops, 1969
- Catalogue Number
- RuC.11.01
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A Little Ditty Bird
https://archives.whyte.org/en/permalink/artifactcoj.03.023
- Date
- c. 1895
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.023
- Description
- Drawing of a designed goblet standing fully in the center of the page. The area surrounding the goblet has been completely shaded in. The drawing au verso is a nose, ear, and hand study.“The dark background with the still darker goblet allowed Collings to achieve bright metallic-like highlights on …
1 image
- Title
- A Little Ditty Bird
- Date
- c. 1895
- Medium
- graphite on paper
- Dimensions
- 19 x 12.5 cm
- Description
- Drawing of a designed goblet standing fully in the center of the page. The area surrounding the goblet has been completely shaded in. The drawing au verso is a nose, ear, and hand study.“The dark background with the still darker goblet allowed Collings to achieve bright metallic-like highlights on the embossed goblet. Barely visible, a tiny, whimsical “Ditty” bird peaks over the lip of the cup.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Subject
- landscape
- Credit
- Gift of John Rivette, Seymour Arm, 1984
- Catalogue Number
- CoJ.03.023
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- Date
- 1880
- Medium
- watercolour on paper
- Catalogue Number
- CoJ.05.45
- Description
- Scene of a valley with outcroppings of dark rust/red rocks to the right and forground right, trees to the left middle, and mountains in the distance.
1 image
- Title
- Marble Halls
- Date
- 1880
- Medium
- watercolour on paper
- Dimensions
- 13.5 x 14 cm
- Description
- Scene of a valley with outcroppings of dark rust/red rocks to the right and forground right, trees to the left middle, and mountains in the distance.
- Subject
- landscape
- Credit
- Gift of John Rivette, Seymour Arm, 1986
- Catalogue Number
- CoJ.05.45
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- Date
- c. 1885
- Medium
- graphite on paper board
- Catalogue Number
- CoJ.03.071
- Description
- Drawing of a farming disc, the first few discs are show as the disappear into the piece, and the seat sits high up on the piece.“An unlikely combination of practical entrepreneur and preoccupied artist, Collings was involved with farm machinery sales between 1882 and 1888 in England. A writer who i…
1 image
- Title
- Rusty Disk
- Date
- c. 1885
- Medium
- graphite on paper board
- Dimensions
- 25 x 30 cm
- Description
- Drawing of a farming disc, the first few discs are show as the disappear into the piece, and the seat sits high up on the piece.“An unlikely combination of practical entrepreneur and preoccupied artist, Collings was involved with farm machinery sales between 1882 and 1888 in England. A writer who interviewed the artist in 1924 had the impression that Collings envisaged farm equipment as means for creating an enormous painting-like but three-dimensional “landscape.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1982
- Catalogue Number
- CoJ.03.071
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