Narrow Results By
- Peter Whyte (1905 – 1966, Canadian) 31
- Ernest C. W Lamarque (1879 – 1970, Canadian) 18
- Charles John Collings (1848 – 1931, British)
- Edward Burtynsky (1955 – , Canadian) 7
- Herbert C. Hahn (1907 – , American) 7
- James (Sr.) Simpson (1877 – 1972, Canadian) 7
- Les Graff (1936 – , Canadian) 2
- Annora Brown (1899 – 1987, Canadian) 1
- Bern Smith (1928 – 2009, Canadian) 1
- Catharine Robb Whyte, O. C. (1906 – 1979, Canadian) 1
- Diane Gooderham 1
- George Douglas Pepper (1903 – 1962, Canadian) 1
Boats near Devon
https://archives.whyte.org/en/permalink/artifactcoj.03.085
- Date
- n.d.
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.085
- Description
- Scene with a number of sailboats in the varying distance, and three small fishing boats with figures working on them.“A composition with three small boats in the foreground and twelve larger sailboats beyond, this sketch supports the case for Japanese influence in Collings art.” -- “Charles John…
1 image
- Title
- Boats near Devon
- Date
- n.d.
- Medium
- graphite on paper
- Dimensions
- 11.5 x 25.5 cm
- Description
- Scene with a number of sailboats in the varying distance, and three small fishing boats with figures working on them.“A composition with three small boats in the foreground and twelve larger sailboats beyond, this sketch supports the case for Japanese influence in Collings art.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1984
- Catalogue Number
- CoJ.03.085
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Coastal Village (sailboats in anchor on back)
https://archives.whyte.org/en/permalink/artifactcoj.03.312
- Date
- c. 1900
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.312
- Description
- Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme
1 image
- Title
- Coastal Village (sailboats in anchor on back)
- Date
- c. 1900
- Medium
- graphite on paper
- Dimensions
- 20.0 x 26.0 cm
- Description
- Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.03.312
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Crag at Nipigon
https://archives.whyte.org/en/permalink/artifactcoj.03.527
- Date
- c. 1920
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.527
- Description
- Very faint rendition of a crag or rock face on the horizon with water in the foreground. Writing surrounding drawing denotes colour scheme and details.
1 image
- Title
- Crag at Nipigon
- Date
- c. 1920
- Medium
- graphite on paper
- Dimensions
- 25.0 x 18.5 cm
- Description
- Very faint rendition of a crag or rock face on the horizon with water in the foreground. Writing surrounding drawing denotes colour scheme and details.
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.03.527
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Foothills of the Rockies
https://archives.whyte.org/en/permalink/artifactcoj.05.01
- Date
- 1925
- Medium
- watercolour on paper
- Catalogue Number
- CoJ.05.01
- Description
- Landscape, colourful rolling foothills in the forground. - in the immediate forground at the bl. is a spot of green brown grasses. - past that is a varying green plateau. - then a spot of trees onward to the purple/blue mountains in the distance. - the sky fades into a yellow to green shade.“Collin…
1 image
- Title
- Foothills of the Rockies
- Date
- 1925
- Medium
- watercolour on paper
- Dimensions
- 27.3 x 37 cm
- Description
- Landscape, colourful rolling foothills in the forground. - in the immediate forground at the bl. is a spot of green brown grasses. - past that is a varying green plateau. - then a spot of trees onward to the purple/blue mountains in the distance. - the sky fades into a yellow to green shade.“Collings typically restricted his darkest tones in this late watercolour to minimal accents -- a streak of rich sienna merging with deep blue which works as a ‘base line’ and his the key to colour relationships in the rest of his picture. The overall pastel tones and broad, open river valley view combine to produce an effect of silent and awesome beauty.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1982
- Catalogue Number
- CoJ.05.01
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- Date
- c. 1927
- Medium
- watercolour on paper
- Catalogue Number
- CoJ.05.19
- Description
- Scene of five sailboats at varying distance away sailing on a brisk sea of blue/green water, the sky has a shade of darkening blue/grey.“This view of sailboats, apparently racing, is related in mood and handing to Catalogue entry #187. [Celebration in Remembrance CoJ.05.22] Collings used cold tones…
1 image
- Title
- Heavy Seas
- Date
- c. 1927
- Medium
- watercolour on paper
- Dimensions
- 15 x 31 cm
- Description
- Scene of five sailboats at varying distance away sailing on a brisk sea of blue/green water, the sky has a shade of darkening blue/grey.“This view of sailboats, apparently racing, is related in mood and handing to Catalogue entry #187. [Celebration in Remembrance CoJ.05.22] Collings used cold tones in both and rushing water to create a sense of drama.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1982
- Catalogue Number
- CoJ.05.19
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On the Shuswap Lake
https://archives.whyte.org/en/permalink/artifactcoj.05.53
- Date
- 1912
- Medium
- watercolour on paper
- Catalogue Number
- CoJ.05.53
- Description
- The background of the image is dominated by a mountain range. In the centre a forest is lightly rendered. The foreground is composed of a pool of water that extends from the right of the image, and a triangle of land on the left. The image is primarily rendered in blue and green tones.
1 image
- Title
- On the Shuswap Lake
- Date
- 1912
- Medium
- watercolour on paper
- Dimensions
- 24.5 x 36.5 cm
- Description
- The background of the image is dominated by a mountain range. In the centre a forest is lightly rendered. The foreground is composed of a pool of water that extends from the right of the image, and a triangle of land on the left. The image is primarily rendered in blue and green tones.
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.05.53
Images
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A Pastoral Between B.C. Mountains
https://archives.whyte.org/en/permalink/artifactcoj.05.54
- Date
- c. 1915
- Medium
- watercolour on paper
- Catalogue Number
- CoJ.05.54
- Description
- This image is composed of grey, orange, and blue tones. The background of the image is composed of mountains on the left, and a dark grey sky. The centre of image is dominated by blue vertical shapes. Two brown sections sit in the centre and right foreground.
1 image
- Title
- A Pastoral Between B.C. Mountains
- Date
- c. 1915
- Medium
- watercolour on paper
- Dimensions
- 14 x 19 cm
- Description
- This image is composed of grey, orange, and blue tones. The background of the image is composed of mountains on the left, and a dark grey sky. The centre of image is dominated by blue vertical shapes. Two brown sections sit in the centre and right foreground.
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.05.54
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Peeps from the 'Briny' Deal
https://archives.whyte.org/en/permalink/artifactcoj.05.67
- Date
- n.d.
- Medium
- watercolour on board
- Catalogue Number
- CoJ.05.67
- Description
- A large anchor in front with a wharf or pier up to the right. Some boats mid-ground at left and a town at top.
1 image
- Title
- Peeps from the 'Briny' Deal
- Date
- n.d.
- Medium
- watercolour on board
- Dimensions
- 51.5 x 39 cm
- Description
- A large anchor in front with a wharf or pier up to the right. Some boats mid-ground at left and a town at top.
- Credit
- Gift of Mark Rivette, Vernon, 2015
- Catalogue Number
- CoJ.05.67
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- Date
- c. 1920
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.491
- Description
- A pencil drawing of a boat launch on the right that descends into water, with boats and a bridge in the distance. To the left, a city boardwalk that runs parallel to the water. There are humans and lamp posts along the edge of the boardwalk, with trees and a spired dome and other buildings in skyli…
1 image
- Title
- Seaside walk
- Date
- c. 1920
- Medium
- graphite on paper
- Dimensions
- 17.5 x 23.0 cm
- Description
- A pencil drawing of a boat launch on the right that descends into water, with boats and a bridge in the distance. To the left, a city boardwalk that runs parallel to the water. There are humans and lamp posts along the edge of the boardwalk, with trees and a spired dome and other buildings in skyline.
- Subject
- street scape
- boardwalk
- boat launch
- river
- dome
- water
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.03.491
Images
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Six Sailboats With Notations
https://archives.whyte.org/en/permalink/artifactcoj.03.278
- Date
- c. 1895
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.278
- Description
- “The ‘oriental’ mood of this ketch derives from the placement of the six sailboats. -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
1 image
- Title
- Six Sailboats With Notations
- Date
- c. 1895
- Medium
- graphite on paper
- Dimensions
- 20 x 26 cm
- Description
- “The ‘oriental’ mood of this ketch derives from the placement of the six sailboats. -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1997
- Catalogue Number
- CoJ.03.278
Images
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St. Ives Harbour
https://archives.whyte.org/en/permalink/artifactcoj.03.063
- Date
- n.d.
- Medium
- graphite on paper
- Catalogue Number
- CoJ.03.063
- Description
- Scene with a stone wall to left and a walkway leading towards the centre of the frame. A building to the right with a chimney.“Collings’ relatively narrow range of subject matter results from his extended exploration of whatever theme intrigued him at the time. Thus, his earliest art revolved about…
1 image
- Title
- St. Ives Harbour
- Date
- n.d.
- Medium
- graphite on paper
- Dimensions
- 23 x 28.5 cm
- Description
- Scene with a stone wall to left and a walkway leading towards the centre of the frame. A building to the right with a chimney.“Collings’ relatively narrow range of subject matter results from his extended exploration of whatever theme intrigued him at the time. Thus, his earliest art revolved about rural life, wheras work produced in his later youth dealt with village harbour scenes such as this sketch.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
- Credit
- Gift of John Rivette, Seymour Arm, 1982
- Catalogue Number
- CoJ.03.063
Images
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