Skip header and navigation

Narrow Results By

30 records – page 1 of 2.

Blondie and Friend Icefields Parkway 1991

https://archives.whyte.org/en/permalink/artifactenm.12.05
Artist
Maureen Enns (1949 – , Canadian)
Date
1991
Medium
acrylic; charcoal on canvas
Catalogue Number
EnM.12.05
Description
Two bears done in charcoal and outlined in red paint walk in front of mountains that are in the background. The mountain range is outlined in white paint.
  1 image  
Artist
Maureen Enns (1949 – , Canadian)
Title
Blondie and Friend Icefields Parkway 1991
Date
1991
Medium
acrylic; charcoal on canvas
Dimensions
43.0 x 73.0 cm
Description
Two bears done in charcoal and outlined in red paint walk in front of mountains that are in the background. The mountain range is outlined in white paint.
Subject
mountains
animal, bears
Maureen Enns
Credit
Gift of Maureen Enns, Cochrane, 2010
Catalogue Number
EnM.12.05
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1885
Medium
graphite on paper
Catalogue Number
CoJ.03.289
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Boats in Harbour
Date
c. 1885
Medium
graphite on paper
Dimensions
8 x 19 cm
Subject
landscape
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.289
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on board
Catalogue Number
CoJ.03.516
Description
Drawing of a building in the background, framed by trees in the foreground.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Building and Tree
Date
c. 1890
Medium
graphite on board
Dimensions
28.0 x 38.0 cm
Description
Drawing of a building in the background, framed by trees in the foreground.
Subject
building
trees
foliage
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.516
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.292
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Cider Pound
Date
c. 1890
Medium
graphite on paper
Dimensions
26 x 20 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.292
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Maureen Enns (1949 – , Canadian)
Date
1992
Medium
collage on paper
Catalogue Number
EnM.13.01
Description
A black, white and red, abstracted collage. Background is painted red with black streaks. The dominant part of the piece is a photo of a bear that has been cut out and placed on top of a mountain landscape that has been drawn using charcoal. Framing the charcoal landscape is a black and white strip…
  1 image  
Artist
Maureen Enns (1949 – , Canadian)
Title
Exit - Divide Pass
Date
1992
Medium
collage on paper
Dimensions
32.7 x 38.0 cm
Description
A black, white and red, abstracted collage. Background is painted red with black streaks. The dominant part of the piece is a photo of a bear that has been cut out and placed on top of a mountain landscape that has been drawn using charcoal. Framing the charcoal landscape is a black and white striped border. There is a red outline around the bear and the bear’s shadow is painted in black at its feet. The shadow drops out of frame just right of centre at bottom of artwork. At the bottom left, extending across the image, is a block of black and white stripes. The artist signature is in the bottom rhc written in pencil, “Maureen Enns” and on the bottom lhc is the title of the work, also written in pencil, “Exit - Divide Pass”.
Subject
bear
Maureen Enns
Credit
Gift of Maureen Enns, Cochrane, 2010
Catalogue Number
EnM.13.01
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Maureen Enns (1949 – , Canadian)
Date
1993
Medium
acrylic; charcoal; paper; glue on canvas
Catalogue Number
EnM.12.03
Description
Predominant colours are black, dark blue, grey and white. There is an outline of one large grizzly bear on the top two-thirds (viewer’s left) of the painting, side view, painted black, and the back part is flat background painted dark blue; this extends to the bottom left. The right side is backgro…
  1 image  
Artist
Maureen Enns (1949 – , Canadian)
Title
Flint’s Park
Date
1993
Medium
acrylic; charcoal; paper; glue on canvas
Dimensions
104.0 x 104.0 cm
Description
Predominant colours are black, dark blue, grey and white. There is an outline of one large grizzly bear on the top two-thirds (viewer’s left) of the painting, side view, painted black, and the back part is flat background painted dark blue; this extends to the bottom left. The right side is background and is painted white from top to the paw (viewer’s right) to the bottom of the painting. Overlapping this a large cutout of a bear, grey, white, and black charcoal, dominates the painting. Across the top of his body is a stencilled sign: “FLINTS PARK CABIN”, below this the outline of a Bighorn sheep’s head, and below this “WARDEN SERVICE” “BANFF NATIONAL PARK” is stencilled across his legs. Under this bear, to the viewer’s right, is the cutout of a grizzly bear’s head, painted black, and his left paw which is clutching a wire. The painting is signed in the brc “Enns ‘93”. On the unpainted part of the paper llhc: “Flint’s Park - B.N.P.” and lrhc: “Maureen Enns 1993”.
Subject
wildlife, grizzly bears
Banff National Park
Maureen Enns
warden
Credit
Gift of Masters Gallery ltd., Calgary, 2010
Catalogue Number
EnM.12.03
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Grizzlies#2, Icefield Parkway

https://archives.whyte.org/en/permalink/artifactenm.12.02
Artist
Maureen Enns (1949 – , Canadian)
Date
1991
Medium
acrylic; charcoal; paper; glue on paper
Catalogue Number
EnM.12.02
Description
Predominant colours are red, black, white, teal blue, pink, green and yellow. In the foreground, beginning at the viewer’s left, wildflowers, that appear to be Indian Paintbrush, are painted in shades of pink and red with green and yellow leaves, and black stems. They are on a background of teal bl…
  1 image  
Artist
Maureen Enns (1949 – , Canadian)
Title
Grizzlies#2, Icefield Parkway
Date
1991
Medium
acrylic; charcoal; paper; glue on paper
Description
Predominant colours are red, black, white, teal blue, pink, green and yellow. In the foreground, beginning at the viewer’s left, wildflowers, that appear to be Indian Paintbrush, are painted in shades of pink and red with green and yellow leaves, and black stems. They are on a background of teal blue and black and white diagonal stripes. There are also strips of paper cut in diagonals that are glued on and painted over. The stripes and flowers grow steadily larger as they progress to the viewer’s right. On the viewer’s left, above the flowers, on the white background is a hint of a blue and green rectangle, white space, and then a long red rectangular shape that progresses into the flowers. Mid-centre is a charcoal drawing of a mountain range on the Icefield Parkway road. Trees starting at the viewer’s left continue across the valley rising to the scree slopes of one mountain’s lower slopes on the viewer’s right. Above the trees is a range of mountains with a glacier below (it could be part of the Crowfoot Glacier). The top one-third of the painting has two grizzly bears drawn with charcoal and outlined in white, on a red background. The bears appear to be on a slope; the bottom bear is feeding, his nose to the black ground and the bear above is looking at the viewer. There are the colourful wildflowers on the blue background left of the bears, white space, the bears, another larger white space, and then the wildflowers again to the viewer’s extreme right.The painting is signed in the brc “Enns ‘91”.
Subject
landscape
Canadian Rockies
animal, grizzly bear
Credit
Gift of Maureen Heffring, 2006
Catalogue Number
EnM.12.02
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
watercolour on paper
Catalogue Number
CoJ.05.61
Description
A road runs up through the right side of the work. A small section of trees sit in the centre, and a house sits on the upper left. The image is dominated by green tones.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Hazy Morn
Date
c. 1890
Medium
watercolour on paper
Description
A road runs up through the right side of the work. A small section of trees sit in the centre, and a house sits on the upper left. The image is dominated by green tones.
Subject
landscape
building
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.05.61
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Inside Cider Factory

https://archives.whyte.org/en/permalink/artifactcoj.03.296
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.296
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Inside Cider Factory
Date
c. 1890
Medium
graphite on paper
Dimensions
26 x 20 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.296
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Maureen Enns (1949 – , Canadian)
Date
1993
Medium
oil; acrylic on canvas
Catalogue Number
EnM.12.01
Description
The center of the painting is a bear turned so it is looking to the left and out of the image frame. Behind the bear is a mountain range with some snow and ice throughout. In the bottom left corner there is a skull from a bighorn sheep. The lower right hand corner has bear foot prints in black with…
  1 image  
Artist
Maureen Enns (1949 – , Canadian)
Title
King of the Rockies
Date
1993
Medium
oil; acrylic on canvas
Dimensions
213.3 x 152.4 cm
Description
The center of the painting is a bear turned so it is looking to the left and out of the image frame. Behind the bear is a mountain range with some snow and ice throughout. In the bottom left corner there is a skull from a bighorn sheep. The lower right hand corner has bear foot prints in black with red around them. The bear has a brown colour fur and the ground that it is standing on is blue green. The sky is also a green colour while the mountains have green shadows and white highlights. Located directly behind the bear are two black lines that crisscross as they get higher to the top of the painting.
Subject
landscape
Canadian Rockies
animal
bear
Credit
Gift of Maureen Enns, Cochrane, 1996
Catalogue Number
EnM.12.01
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.294
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Man and Vats
Date
c. 1890
Medium
graphite on paper
Dimensions
26 x 20 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.294
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.293
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Man Carrying Barrel
Date
c. 1890
Medium
graphite on paper
Dimensions
26 x 20 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.293
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.300
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Man Turing Press
Date
c. 1890
Medium
graphite on paper
Dimensions
25 x 11.5 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.300
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.295
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Man With Oak Barrel
Date
c. 1890
Medium
graphite on paper
Dimensions
26 x 20 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.295
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
1880
Medium
watercolour on paper
Catalogue Number
CoJ.05.45
Description
Scene of a valley with outcroppings of dark rust/red rocks to the right and forground right, trees to the left middle, and mountains in the distance.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Marble Halls
Date
1880
Medium
watercolour on paper
Dimensions
13.5 x 14 cm
Description
Scene of a valley with outcroppings of dark rust/red rocks to the right and forground right, trees to the left middle, and mountains in the distance.
Subject
landscape
Credit
Gift of John Rivette, Seymour Arm, 1986
Catalogue Number
CoJ.05.45
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.097
Description
Profile portrait of the bust of a woman with her head gazing downwards.“The woman’s head is bowed as though she is preoccupied with something in front of her; perhaps it is the artist’s wife, Mellora, playing the piano. The woman’s eyes and mouth, and tendrils of hair at the nape are treated sensit…
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Melora
Date
c. 1890
Medium
graphite on paper
Dimensions
25 x 18 cm
Description
Profile portrait of the bust of a woman with her head gazing downwards.“The woman’s head is bowed as though she is preoccupied with something in front of her; perhaps it is the artist’s wife, Mellora, playing the piano. The woman’s eyes and mouth, and tendrils of hair at the nape are treated sensitively while flowers in the background underscore her femininity.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
Subject
portrait
Mellora Collings
Credit
Gift of John Rivette, Seymour Arm, 1984
Catalogue Number
CoJ.03.097
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Overhead View of Men Turning Press

https://archives.whyte.org/en/permalink/artifactcoj.03.301
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.301
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Overhead View of Men Turning Press
Date
c. 1890
Medium
graphite on paper
Dimensions
25 x 11.5 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.301
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Press, Block and Screw

https://archives.whyte.org/en/permalink/artifactcoj.03.298
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.298
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Press, Block and Screw
Date
c. 1890
Medium
graphite on paper
Dimensions
19.5 x 17 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.298
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
graphite on paper
Catalogue Number
CoJ.03.297
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Roof and Hoists
Date
c. 1890
Medium
graphite on paper
Dimensions
20 x 26 cm
Description
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Subject
men
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.03.297
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Charles John Collings (1848 – 1931, British)
Date
c. 1890
Medium
watercolour on paper
Catalogue Number
CoJ.05.62
Description
A tree sits on the left side, and is circled by a road. A bridge sits on the right side, with trees and a town visible in the centre background.
  1 image  
Artist
Charles John Collings (1848 – 1931, British)
Title
Rural English Scene
Date
c. 1890
Medium
watercolour on paper
Description
A tree sits on the left side, and is circled by a road. A bridge sits on the right side, with trees and a town visible in the centre background.
Subject
landscape
trees
town
bridge
houses
Credit
Gift of John Rivette, Seymour Arm, 1997
Catalogue Number
CoJ.05.62
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

30 records – page 1 of 2.

Back to Top