Search Results - Research Collections - Whyte Museum of the Canadian Rockies

Approach of Night

https://archives.whyte.org/en/permalink/artifactcoj.05.11

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1900

Medium: watercolour on paper board

Catalogue Number: CoJ.05.11

Description: Landscape watercolour scene with horizontal coloured washes from the bottom up a green to blue to red to a blue/green yellow.

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Approach of Night

Date: c. 1900

Medium: watercolour on paper board

Dimensions: 11 x 21.5 cm

Description: Landscape watercolour scene with horizontal coloured washes from the bottom up a green to blue to red to a blue/green yellow.

Subject: landscape

Credit: Gift of John Rivette, Seymour Arm, 1982

Catalogue Number: CoJ.05.11

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Bow of Sailing Ship

https://archives.whyte.org/en/permalink/artifactcoj.03.274

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1895

Medium: graphite on paper

Catalogue Number: CoJ.03.274

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Bow of Sailing Ship

Date: c. 1895

Medium: graphite on paper

Dimensions: 26 x 20 cm

Subject: landscape

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.03.274

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Brimsley [Brinsley?] Rough (Tree scene on back)

https://archives.whyte.org/en/permalink/artifactcoj.03.317

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1900

Medium: graphite on paper

Catalogue Number: CoJ.03.317

Description: Front: a rather dark image of trees on the left and buildings on the left. Water runs between the two. brc: Brimsley [Brinsley?] RoughBack: a small dark drawing of a forest with a water or a path running through it.There is some indecipherable writing.

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Brimsley [Brinsley?] Rough (Tree scene on back)

Date: c. 1900

Medium: graphite on paper

Dimensions: 26.0 x 17.0 cm

Description: Front: a rather dark image of trees on the left and buildings on the left. Water runs between the two. brc: Brimsley [Brinsley?] RoughBack: a small dark drawing of a forest with a water or a path running through it.There is some indecipherable writing.

Subject: landscape

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.03.317

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Castle Mountain Siding

https://archives.whyte.org/en/permalink/artifactzoc.13.01

Artist: C. Zollern

Date: 1895

Medium: watercolour; photograph on paper

Catalogue Number: ZoC.13.01

Description: Colour: green, yellow. Three frames inside one. Top picture is a painting of a group of wooden buildings left of center with a flag pole (flag is flying) and antlers on the roof. In front are railway tracks with a team of four workers going along on a cart. Behind is a river with a man fishing in i…

1 image

Artist: C. Zollern

Title: Castle Mountain Siding

Date: 1895

Medium: watercolour; photograph on paper

Dimensions: 34.8 x 47.5 cm

Description: Colour: green, yellow. Three frames inside one. Top picture is a painting of a group of wooden buildings left of center with a flag pole (flag is flying) and antlers on the roof. In front are railway tracks with a team of four workers going along on a cart. Behind is a river with a man fishing in it on the right. On both sides of the river are trees and in the distance are mountains. Sky fills the top. The lower two pictures are photographs. The left is of the first Banff Springs Hotel and Rundle Mountain. The right is looking down the main street of Banff in 1895.

Subject: landscape; Canadian Rockies; mountain; architecture; rura;

Credit: Gift of Catharine Robb Whyte, O. C., Banff, 1974

Catalogue Number: ZoC.13.01

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Cattle Roundup near Village

https://archives.whyte.org/en/permalink/artifactcoj.05.57

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1897

Medium: watercolour on paper

Catalogue Number: CoJ.05.57

Description: A figure on a horse moves from the left side of the image. A town sits in the centre background. The foreground is a grassy field and the upper half of the image is a cloudy sky.

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Cattle Roundup near Village

Date: c. 1897

Medium: watercolour on paper

Dimensions: 18.5 x 27 cm

Description: A figure on a horse moves from the left side of the image. A town sits in the centre background. The foreground is a grassy field and the upper half of the image is a cloudy sky.

Subject: landscape; horse; figure; grass; cloud

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.05.57

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Chandelier and Pillar, Savoy Hotel

https://archives.whyte.org/en/permalink/artifactcoj.03.270

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1895

Medium: graphite on paper

Catalogue Number: CoJ.03.270

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Chandelier and Pillar, Savoy Hotel

Date: c. 1895

Medium: graphite on paper

Dimensions: 26 x 20 cm

Subject: landscape; architecture

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.03.270

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Coastal Village (sailboats in anchor on back)

https://archives.whyte.org/en/permalink/artifactcoj.03.312

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1900

Medium: graphite on paper

Catalogue Number: CoJ.03.312

Description: Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Coastal Village (sailboats in anchor on back)

Date: c. 1900

Medium: graphite on paper

Dimensions: 20.0 x 26.0 cm

Description: Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme

Subject: landscape; water

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.03.312

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Couple By Seashore

https://archives.whyte.org/en/permalink/artifactcoj.05.59

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1900

Medium: watercolour on paper

Catalogue Number: CoJ.05.59

Description: Two figures walk closely together on a path which leads to the ocean in the upper right side of the image. On both sides the couple is centred by grass and hill landscape.

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Couple By Seashore

Date: c. 1900

Medium: watercolour on paper

Description: Two figures walk closely together on a path which leads to the ocean in the upper right side of the image. On both sides the couple is centred by grass and hill landscape.

Subject: landscape; couple; figure; ocean; grass

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.05.59

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Courtyard of Banff Springs Hotel; Hector Crawler (Wachegiye) (Prayer Giver), Peter Wesley (Ta Otha) (Moose Hunter), unknown, unknown

https://archives.whyte.org/en/permalink/descriptions39510

Part Of: Moore family fonds

Scope & Content: Item consists of group in regalia on horseback in the courtyard of th Banff Springs Hotel, on left is Hector Crawler (Wachegiye) (Prayer Giver) and Peter Wesley (Ta Otha) (Moose Hunter) next to him.

Date Range: 1899 - 1927

Reference Code: V439 / PS - 336

Description Level: 6 / Item

GMD: Photograph; Lantern slide; Transparency

1 image

Part Of: Moore family fonds

Description Level: 6 / Item

Fonds Number: V439

Series: I. Philip Moore series

Sous-Fonds: V439

Sub-Series: B. Professional papers and photographs 2. Research, writing and lecturing d. Photographs i. Lantern slides (transparencies)

Reference Code: V439 / PS - 336

GMD: Photograph; Lantern slide; Transparency

Date Range: 1899 - 1927

Physical Description: 1 transparency : lantern slide

Scope & Content: Item consists of group in regalia on horseback in the courtyard of th Banff Springs Hotel, on left is Hector Crawler (Wachegiye) (Prayer Giver) and Peter Wesley (Ta Otha) (Moose Hunter) next to him.

Subject Access: Stoney Nakoda; Indigenous Peoples; Buildings and memorials; Discovery and exploration; Environment and Nature; First Nations; Transportation

Geographic Access: Alberta

Title Source: Title is based on contents of item

Processing Status: Processed

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Decorative Pillars, Savoy Hotel, London

https://archives.whyte.org/en/permalink/artifactcoj.03.269

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1895

Medium: graphite on paper

Catalogue Number: CoJ.03.269

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Decorative Pillars, Savoy Hotel, London

Date: c. 1895

Medium: graphite on paper

Dimensions: 26 x 20 cm

Subject: landscape; architecture

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.03.269

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Display photographs

https://archives.whyte.org/en/permalink/descriptions1041

Part Of: Alpine Club of Canada fonds

Scope & Content: Display photographs consists of photographs selected and numbered by the ACC for display in clubhouses, huts and other locations. Photographic subjects include mountain peaks, landscapes and scenery, both regional and international; mountaineering and alpine recreation; camps and expeditions; flor…

Date Range: 1890-1958

Reference Code: V14 / AC 00P / 001-444

Description Level: 5 / File

GMD: Photograph; Photograph print; Print

16 images

Part Of: Alpine Club of Canada fonds

Description Level: 5 / File

Fonds Number: M200 / S6 / V14

Series: I.A.1 Administration: series I, predom. dates 1906-1949

Sous-Fonds: V14

Sub-Series: j.ii. Photography : Display photographs

Accession Number: 5200

Reference Code: V14 / AC 00P / 001-444

GMD: Photograph; Photograph print; Print

Date Range: 1890-1958

Physical Description: ca.400 photographs : prints

History / Biographical: See fonds level description.

Scope & Content: Display photographs consists of photographs selected and numbered by the ACC for display in clubhouses, huts and other locations. Photographic subjects include mountain peaks, landscapes and scenery, both regional and international; mountaineering and alpine recreation; camps and expeditions; flora and fauna; clubhouse views; and portraits of mountaineers, alpine club members, executive officers and prominent personalities. Also includes a group photograph of the 1906 founding meeting of the Alpine Club of Canada in Winnipeg (ACOOP/77); Included are ca.180 photographs which were submitted to the ACC though various photographic competitions (AC 00P / 11, 21, 29, 30, 32, 36, 41, 55 - 57, 63, 76, 109, 111, 202, 223, 230, 240, 244, 284 - 443).

Notes: LIST OF PHOTOGRAPHERS :; George Ashley Abraham AC00P/107,209;; Ansel Adams AC00P/119,120,254;; M. Alford AC00P/45-54,59-60;; L. S. Amery AC00P/229,333-337;; Associated Screen News AC00P/206;; Jack Atkinson AC00P/417,434;; M. P. Bridgland AC00P/292,294;; Clair Brown AC00P/44;; H. E. Bulyea AC00P/41,284,291;; Lucy Byrd AC00P/431,432;; Carleton Studio AC00P/89;; J. Norman Collie AC00P/151;; B. Conrad AC00P/42;; Florence Parker Davoll AC00P/368-370,390,391,401,408;; Winnie Dennison AC00P/423;; Mrs. H. B. Dixon AC00P/227;; Mary (Winstone) Enoch AC00P/412,427;; Mary Fallis AC00P/418;; Bob Francis AC00P/106;; Nelly Fraser AC00P/439;; Tom Fyles AC00P/321,322,346-348;; J. M. Garrison AC00P/201;; Gay-Coutlett AC00P/33;; E. Gee AC00P/351;; Herman Genschorek AC00P/63,410,411,413-416;; Lillian Gest AC00P/338-345;; E. R. (Rex) Gibson AC00P/429;; A. Gully AC00P/238,239;; Roy Gunn AC00P/443;; H. S. Hall Jr. AC00P/295;; Byron Harmon AC00P/131;; Jimmie Hendrie AC00P/433;; Julia W. Henshaw AC00P/26,27;; Charles F. Hogeboom Jr. AC00P/293;; Roy Howard AC00P/437;; Mary L. Jobe AC00P/129;; H. F. Lambart AC00P/218;; Miss Lymburn AC00P/313;; F. A. MacFadden AC00P/310-312;; Leonard H. Marvin AC00P/110,116;; A. A. McCoubrey AC00P/11,285-289,330,331;; D. J. M. McGeary AC00P/57;; ?. Mills AC00P/240;; C. H. Mitchell AC00P/249;; Stanley H. Mitchell AC00P/84,235;; Don Munday AC00P/14,352,425;; Phyl Munday AC00P/28,332,350,389,392-395,398,402,403,406,424,426,440-442;; George Noble AC00P/236;; Notman & Son AC00P/86;; Edward C. Porter AC00P/266,267,268,269;; Polly Prescott AC00P/421;; Pringle and Booth AC00P/246;; R.B.R. AC00P/419;; Marguerita Schnellbachen AC00P/65;; W. E. Stone AC00P/30,290;; G. Morris Taylor AC00P/233;; J. Monroe Thorington AC00P/301-303;; Vandyk, London AC00P/222;; M. Von Zuben AC00P/76;; W. A. Wakefield AC00P/305;; Charles Walcott AC00P/270-274;; A. G. Wehrli AC00P/444;; T. O. A. West AC00P/297,304,316;; Jack Whellams AC00P/409;; A. T. Wiebrecht AC00P/223,353-366,373-379,382-387,397,400;; Walter Wilcox AC00P/20,130,136,154,255-257;; A. O. Wheeler AC00P/207,208,212,213;; LIST OF SUBJECTS :; Philip Stanley Abbot AC00P/245;; L. S. Amery AC00P/206,222;; F. C. Bell AC00P/87;; Cora Johnstone Best AC00P/104;; John F. Brett AC00P/96;; A. P. Coleman AC00P/82;; J. H. Cuntz AC00P/116;; Edward VII AC00P/203;; Charles E. Fay AC00P/69;; Sandford Fleming AC00P/250;; W. W. Foster AC00P/76,89;; Rex Gibson AC00P/75,90;; H. A. V. Green AC00P/92;; C. Hasler AC00P/134;; James Hector AC00P/93;; J. W. A. Hickson AC00P/86;; John Hunter AC00P/264;; Judas Hunter AC00P/238;; Enos Hunter AC00P/239;; Stanley L. Jones AC00P/242;; Lino Lacedelli AC00P/268;; Ben Lomond AC00P/411;; C. H. Mitchell AC00P/79;; John Muir AC00P/66;; A. H. MacCarthy AC00P/70,76;; Leonard H. Marvin;; S. H. Mitchell AC00P/84,235;; T. B. Moffat AC00P/83;; Don Munday AC00P/74;; Phyl Munday AC00P/418;; Tenzing Norgay AC00P/72;; James Outram AC00P/80;; J. D. Patterson AC00P/98;; Elfreda Pigou AC00P/418;; H. E. Sampson AC00P/97;; Benjamin Frank Seaver AC00P/110,115?,116,243;; A. S. Sibbald AC00P/95;; W. E. Stone AC00P/73;; W. R. Tweedy AC00P/81;; Sidney R. Vallance AC00P/91;; Frank N. Waterman AC00P/237;; C. G. Wates AC00P/94;; A. O. Wheeler AC00P/206;; E. O. Wheeler AC00P/71,85;; Hector Wheeler AC00P/247;; Edward Whymper AC00P/93,251;; Walter Wilcox AC00P/264;; Tom Wilson AC00P/236,264;; T. Fraser, L.O. Armstrong, Tom Martin, W. H. Bedford, Alex Gordon; Jean Parker, Stanley Wills, Stanley Mitchell, L. Q. Coleman; J. W. Kelly, W. J. Taylor, A. O. Wheeler, Elizabeth Parker, E. A. Haggan, J. C. Herdman, A. P. Coleman, Dean Paget, William Brewster ACOOP/77

Name Access: Alpine Club of Canada

Subject Access: Abbot Pass Hut; Activities; Administration; Advertising; Alpine Club of Canada; Alpine Club House; Cabins; Cabins and shelters; Camps; Club; Competition; Discovery and exploration; Environment; Environment and Nature; Exploration; Guide; Guides; Hiking; Huts; Mountain; Mountain guides; Mountaineering; Mountaineers; Mountains; National parks and reserves; Organizations; Photography; Scenery; Sports and recreation; Summit

Geographic Access: Banff National Park; Jasper National Park; Yoho National Park; Alberta; British Columbia; Canada

Language: English

Related Material: Competition photographs are related to other competition photographs in the ACC fonds.

Title Source: Title based on original use of the material

Processing Status: Processed

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Evening Mt. Fuji During the Upward Wind

https://archives.whyte.org/en/permalink/artifactchy.04.08%20a-c

Artist: Yoshu Chikanobu (1838 – 1912, Japanese)

Date: 1895

Medium: woodblock on paper

Catalogue Number: ChY.04.08 a-c

Description: This triptych features four women spread across three panels with Mt. Fuji softly in the background. A stretch of bushes separated the women from the background and is mostly grey. The lone Mt. Fuji is the only background with paper tone behind it. In the first panel Mt. Fuji starts and two wome…

1 image

Artist: Yoshu Chikanobu (1838 – 1912, Japanese)

Title: Evening Mt. Fuji During the Upward Wind

Date: 1895

Medium: woodblock on paper

Dimensions: 37 x 72 cm

Description: This triptych features four women spread across three panels with Mt. Fuji softly in the background. A stretch of bushes separated the women from the background and is mostly grey. The lone Mt. Fuji is the only background with paper tone behind it. In the first panel Mt. Fuji starts and two women stand with their bodies facing eachother. The smaller woman is pointing at Mt. Fuji. In the second panel a woman stands in the rc, her body facing right and her head turned back to the left. She has her back to the mountain which is mostly featured in the second panel. In the third panel a woman sits on a bench facing left with her hand by her chest. A lamp is to the left of her bench. The ground the woman are on is mostly paper tone with a light wash.

Subject: figures; woman; landscape; mountain; Mt. Fuji

Credit: Gift of Catharine Robb Whyte, O. C., Banff, 1979

Catalogue Number: ChY.04.08 a-c

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Field, gate and shed (Rough sketch of buildings on back)

https://archives.whyte.org/en/permalink/artifactcoj.03.318

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1900

Medium: graphite on paper

Catalogue Number: CoJ.03.318

Description: Front: a dilapidated building stand on the right, and a fence runs off into the distance. Most of the left of the image is field. There are buildings and trees on the horizon. Some writing details a colour scheme.Back: a very rough sketch of some cottages and buildings.

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Field, gate and shed (Rough sketch of buildings on back)

Date: c. 1900

Medium: graphite on paper

Dimensions: 15.0 x 25.0 cm

Description: Front: a dilapidated building stand on the right, and a fence runs off into the distance. Most of the left of the image is field. There are buildings and trees on the horizon. Some writing details a colour scheme.Back: a very rough sketch of some cottages and buildings.

Subject: landscape

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.03.318

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The Fraser River at Yale BC

https://archives.whyte.org/en/permalink/artifactwac.05.01

Artist: Charles Jones Way (1835 – 1919, British)

Date: c. 1900

Medium: watercolour on paper

Catalogue Number: WaC.05.01

Description: River winding through rocky mountains. River is calm in foreground and rougher in background. 4 figures on beach with two canoes at center right. Another figure with white pack horse on rocky outcrop above. Mountains primarily brown and grey with one snowcapped peak in distance. Trees and other shr…

1 image

Artist: Charles Jones Way (1835 – 1919, British)

Title: The Fraser River at Yale BC

Date: c. 1900

Medium: watercolour on paper

Dimensions: 52.0 x 75.5 cm

Description: River winding through rocky mountains. River is calm in foreground and rougher in background. 4 figures on beach with two canoes at center right. Another figure with white pack horse on rocky outcrop above. Mountains primarily brown and grey with one snowcapped peak in distance. Trees and other shrubbery on rocky outcrop at right and on slopes at left and center distance. “CJ (overlapping) Way YALE BC” in red at lower right. In ornately carved gold painted wood frame with glass. White tag from Masters Gallery Ltd. on back.

Subject: mountains; Fraser River; British Columbia; landscape; canoeing; horses

Credit: Gift of Robyn L Fulton, 2021

Catalogue Number: WaC.05.01

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George McLean (Tatâga Mânî) (Walking Buffalo), Stoney Nakoda

https://archives.whyte.org/en/permalink/descriptions39513

Part Of: Moore family fonds

Scope & Content: Item consists of George McLean (Tatâga Mânî) (Walking Buffalo) dressed in regalia on horseback.

Date Range: 1899 - 1927

Reference Code: V439 / PS - 339

Description Level: 6 / Item

GMD: Photograph; Lantern slide; Transparency

1 image

Part Of: Moore family fonds

Description Level: 6 / Item

Fonds Number: V439

Series: I. Philip Moore series

Sous-Fonds: V439

Sub-Series: B. Professional papers and photographs 2. Research, writing and lecturing d. Photographs i. Lantern slides (transparencies)

Reference Code: V439 / PS - 339

GMD: Photograph; Lantern slide; Transparency

Date Range: 1899 - 1927

Physical Description: 1 transparency : lantern slide

Scope & Content: Item consists of George McLean (Tatâga Mânî) (Walking Buffalo) dressed in regalia on horseback.

Name Access: McLean, George

Subject Access: Stoney Nakoda; Indigenous Peoples; Environment and Nature; First Nations; Transportation

Geographic Access: Alberta

Creator: [Harry Pollard]

Title Source: Title is based on contents of item

Processing Status: Processed

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Grassy beach by the sea (beach scene on back)

https://archives.whyte.org/en/permalink/artifactcoj.03.313

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1900

Medium: graphite on paper

Catalogue Number: CoJ.03.313

Description: Front: a grassy beach fills the foreground with the sea and some rocks in the background.Back: a sandy beach fills the foreground and runs into the surf. Water starts 1/3 of the way down from top.

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: Grassy beach by the sea (beach scene on back)

Date: c. 1900

Medium: graphite on paper

Dimensions: 20.0 x 26.0 cm

Description: Front: a grassy beach fills the foreground with the sea and some rocks in the background.Back: a sandy beach fills the foreground and runs into the surf. Water starts 1/3 of the way down from top.

Subject: landscape

Credit: Gift of John Rivette, Seymour Arm, 1997

Catalogue Number: CoJ.03.313

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His Haunt

https://archives.whyte.org/en/permalink/artifactcoj.02.03

Artist: Charles John Collings (1848 – 1931, British)

Date: 1893

Medium: oil on canvas

Catalogue Number: CoJ.02.03

Description: Scene in a forest with a stream. Overall green value of the painting, - there is a herring standing in the steam just below center at the narrowest part where the stream seems to drop to a lower level. - dark green shadows across the top of the trees where they appear to canopy the scene. - dark br…

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: His Haunt

Date: 1893

Medium: oil on canvas

Dimensions: 45.5 x 30.5 cm

Description: Scene in a forest with a stream. Overall green value of the painting, - there is a herring standing in the steam just below center at the narrowest part where the stream seems to drop to a lower level. - dark green shadows across the top of the trees where they appear to canopy the scene. - dark brown bank to the left of the steam, and a dark green/yellow to the right of the stream.

Subject: landscape; Canadian Rockies; heron; stream

Credit: Gift of John Rivette, Seymour Arm, 1982

Catalogue Number: CoJ.02.03

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House and Marsh (Field scene on back)

https://archives.whyte.org/en/permalink/artifactcoj.03.315

Artist: Charles John Collings (1848 – 1931, British)

Date: c. 1900

Medium: graphite on board

Catalogue Number: CoJ.03.315

Description: Front: a very dark image of a marsh with grasses to the left and right. A farmhouse sits along the horizon on the left.Back: a very rough rendition of a fence with some houses and trees in the background. The foreground appears to be mostly grass.

1 image

Artist: Charles John Collings (1848 – 1931, British)

Title: House and Marsh (Field scene on back)

Date: c. 1900

Medium: graphite on board

Dimensions: 20.0 x 26.0 cm

Description: Front: a very dark image of a marsh with grasses to the left and right. A farmhouse sits along the horizon on the left.Back: a very rough rendition of a fence with some houses and trees in the background. The foreground appears to be mostly grass.