Narrow Results By
- Peter and Catharine Whyte fonds 7085
- Byron Harmon fonds 6574
- Bruno Engler fonds 4837
- Nicholas Morant fonds 4031
- George Noble fonds 3580
- Vaux family fonds 3051
- Bill Gibbons fonds 2240
- Alpine Club of Canada fonds 2107
- Mary Schaffer fonds 1605
- Luxton family fonds 1501
- Moore family fonds 1130
- Dave White family fonds 1125
- Part Of
- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 851. J’aime la corsetiere, 1990—subject: nonsense poem 852. Exploration, 1990—subject: nonsense poem 853. A vision, 1990—subject: goddess at shrine 854. On futile beauty, 1990—subject: beautiful lady 855. Father’s lament, 1990—subject: nonsense poem 856. What if, …
- Date Range
- 1990
- Reference Code
- M196 / I / 18
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 18
- Date Range
- 1990
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 851. J’aime la corsetiere, 1990—subject: nonsense poem 852. Exploration, 1990—subject: nonsense poem 853. A vision, 1990—subject: goddess at shrine 854. On futile beauty, 1990—subject: beautiful lady 855. Father’s lament, 1990—subject: nonsense poem 856. What if, 1990—subject: Mt. Aconcagua 857. Reality once more, 1990—subject: semi-nonsense poem 858. Not for them, 1990—subject: semi-nonsense poem 859. Cordillera, 1990—subject: a prophet 860. Poor life, 1990—subject: Plato 861. Albemarle Avenue, 1990—subject: nonsense poem 862. Exhortation before sleep, 1990—subject: life 863. Vestibule, 1990—subject: surrealist poem 864. Halcyon times, 1990—subject: nonsense poem; original and revision present 865. Worship, 1990—subject: semi-nonsense poem 866. Lithostrotionella, 1990—subject: fossil Mississippian coral; name of fossil now changed 867. Muskrat Street, 1990—subject: semi-nonsense poem 868. Cascade Mountain, 1990—subject: Cascade Mountain 869. Upper Bankhead, 1990—subject: nonsense poem 870. Sunday evening, 1990—subject: nonsense poem 871. Icarus and the Eucharist, 1990—subject: nonsense poem 872. He grows old, 1990—subject: semi-nonsense poem 873. Ode to Zedroe Gingeroid, 1990—subject: semi-surrealist poem 874. The Human condition, 1911, 1990—subject: loneliness 875. That proffered vision, 1990—subject: based on Banff Springs Hotel 876. For Lydia, 1990—subject: lost love 877. The reckoning, 1990—subject: death 878. Rainfall advisory, 1990—subject: nonsense poem 879. Labour of love, 1990—subject: surrealist poem; original and revision present 880. The way of all flesh, 1990—subject: surrealist poem 881. Challenge, 1990—subject: mountain climbing 882. I found peace, 1990—subject: nature musings 883. Cocktail party, 1990—subject: nonsense poem 884. Tradition, 1990—subject: surrealist poem 885. Adolescence, 1990—subject: looking toward Fairholme Range 886. Johnson’s Lake musings, 1990—subject: semi-nonsense poem 887. On reading Eric Hoffer, 1990—subject: Eric Hoffer, American thinker (1898-1983) 888. On April roads, 1990—subject: musings in April 889. Friday blues, 1990—subject: surrealist poem based on peak at head of Mosquito Creek 890. April, 1990—subject: surrealist poem; original and revision present 891. For Albemarle Runstead, 1990—subject: surrealist poem 892. The Edwardian pension, 1990—subject: Edwardian pension 893. On the sacred road, 1990—subject: seaside musings 894. For Emily Cratchloe, 1990—subject: nonsense poem 895. Free to dream, 1990—subject: nonsense poem 896. The search, 1990—subject: a horseman 897. Attica, 1990—subject: Plato 898. Once upon a time, 1990—subject: ancient battle 899. The choice, 1990—subject: Plato 900. The castle, 1990—subject: based on Banff Springs Hotel
- Subject Access
- Poetry
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- Gordon Burles fonds
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- File contains the following poems: 901. Avalanches, 1990—subject: avalanches in spring, probably on Fairholme Range 902. Tropic cairns for Wally, 1990—subject: nonsense poem 903. Poem for Irmgard, 1990—subject: nonsense poem 904. Orion, 1990—subject: constellation Orion 905. Nineteen ten, 1990—subj…
- Date Range
- 1990
- Reference Code
- M196 / I / 19
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 19
- Date Range
- 1990
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 901. Avalanches, 1990—subject: avalanches in spring, probably on Fairholme Range 902. Tropic cairns for Wally, 1990—subject: nonsense poem 903. Poem for Irmgard, 1990—subject: nonsense poem 904. Orion, 1990—subject: constellation Orion 905. Nineteen ten, 1990—subject: Edwardian Lake Louise 906. Vision for Kathleen, 1990—subject: semi-surrealist poem 907. Poem for Nicole, 1990—subject: semi-nonsense poem; original and revsision present 908. December idyll, 1990—subject: Christmas 909. Flirtation, 1990—subject: rejection 910. Never on Tuesday, 1990—subject: semi-nonsense poem; revision only, from 1994 911. Jasper dream, 1990—subject: Mt. Robson area 912. For Sundance Canyon, 1990—subject: semi-nonsense poem 913. Bereavement, 1990—subject: nonsense poem 914. Victorian street, 1990—subject: loneliness 915. In the pine forest, 1990—subject: philosophical musings 916. Metaphysics for Margaret, 1990—subject: nonsense poem 917. June epiphany, 1990—subject: Lydia’s tombstone 918. For Natalie, 1990—subject: nonsense poem; original and revision present 919. The crisis, 1990—subject: Cemetery Tea-Garden 920. Lysias remembers, 1990—subject: ancient Greece 921. For Jody and her ilk, 1990—subject: nonsense poem 922. For Amy De Nilderoid, 1990—subject: nonsense poem 923. Life-road, 1990—subject: rhyming nonsense poem 924. Poem for Mrs. Post, 1990—subject: semi-nonsense poem 925. Alley musings, 1990—subject: semi-nonsense poem 926. Post-Yeatsian carnival, 1990—subject: semi-absurdist poem; original and revision present 927. Latinius, 1990—subject: ancient Rome 928. Near Mt. Norquay, 1990—subject: semi-nonsense poem 929. Inglismaldie autumn, 1990—subject: Mt. Inglismaldie 930. On the world’s carousel, 1990—subject: semi-nonsense poem 931. For the golf course horse, 1990—subject: nonsense poem 932. Poem for George Leander, 1990—subject: nonsense poem 933. In the desert, 1990—subject: Plotinus 934. Egypt, 1990—subject: Plotinus 935. Life in three-quarter time, 1990—subject: nonsense poem; original and revision present 936. Summer vision, 1990—subject: semi-nonsense poem 937. In the summertime, 1990—subject: semi-nonsense poem 938. Asia and her gang, 1990—subject: absurdist poem with Cemetery Tea House characters 939. Summer musings, 1990—subject: semi-nonsense poem 940. Lines for Mumsy Pushcart, 1990—subject: nonsense poem 941. Letter to Lydia, 1990—subject: nonsense poem 942. Liturgy for Lydia, 1990—subject: nonsense poem 943. The shopping trip, 1990—subject: based on divorce 944. Reality, 1990—subject: nonsense poem 945. Chelmsford Forest, 1990—subject: semi-nonsense poem 946. Lady, 1990—subject: nonsense poem 947. Day off, 1990—subject: Lake Louise 948. World’s end, 1990—subject: dusk 949. Cascade Gardens, 1990—subject: remembering Cascade Garden in 1950s 950. Thursday liturgy, 1990—subject: nonsense poem
- Subject Access
- Poetry
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- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 951. Bankhead vision, 1990—subject: nonsense poem 952. Poem for Mad Vinnie, 1990—subject: loneliness 953. For Salvador Dali, 1990—subject: surrealist poem 954. Corinth, 1990—subject: surrealist poem 955. The auburn book, 1990—subject: nonsense poem 956. Fairholme …
- Date Range
- 1990
- Reference Code
- M196 / I / 20
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 20
- Date Range
- 1990
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 951. Bankhead vision, 1990—subject: nonsense poem 952. Poem for Mad Vinnie, 1990—subject: loneliness 953. For Salvador Dali, 1990—subject: surrealist poem 954. Corinth, 1990—subject: surrealist poem 955. The auburn book, 1990—subject: nonsense poem 956. Fairholme dream, 1990—subject: nonsense poem 957. Not in my parable, Freddie, 1990—subject: nonsense poem 958. Upon awakening, 1990—subject: semi-nonsense poem 959. Parable, 1990—subject: semi-nonsense poem 960. Vision before sleep, 1990—subject: semi-nonsense poem 961. Weekend, 1990—subject: nonsense poem 962. Geometry lesson, 1990—subject: nonsense poem 963. Bitterness, 1990—subject: semi-nonsense poem about Lydia 964. Advice for Helen, 1990—subject: semi-nonsense poem 965. Inchoate on Sunday, 1990—subject: nonsense poem 966. To Lydia, 1990—subject: a forest 967. He mourns Nadia, 1990—subject: Nature 968. The great, 1990—subject: ancient conqueror 969. Renaissance, 1990—subject: nonsense poem 970. Autumn, 1990—subject: Plotinus 971. Plotinus, 1990—subject: Plotinus 972. The search, 1990—subject: Plotinus (ancient philosopher) 973. South Millway, 1990—subject: nonsense poem 974. The reckoning, 1990—subject: nonsense poem 975. Century boogie, 1990—subject: nonsense poem 976. White armour, 1990—subject: nonsense poem 977. Boredom’s chant, 1990—subject: nonsense poem 978. Night song, 1990—subject: nonsense poem 979. L’aube, 1990—subject: semi-nonsense poem based on Chateau Lake Louise 980. Truth, 1990—subject: nonsense poem 981. The funeral, 1990—subject: semi-nonsense poem 982. The old cemetery, 1990—subject: semi-nonsense poem 983. End of a day’s work, 1990—subject: semi-nonsense poem; original and 2 copies of revision present 984. Poem A, 1990—subject: character called Bag-head 985. Poem B, 1990—subject: Bag-head poem; nonsense poem 986. Poem C, 1990—subject: Bag-head poem 987. Poem D, 1990—subject: Bag-head poem 988. Poem E, 1990—subject: Bag-head poem 989. Poem F, 1990—subject: Bag-head poem, semi-nonsense 990. Poem G, 1990—subject: Bag-head poem, semi-nonsense 991. Poem H, 1990—subject: Bag-head poem, semi-nonsense 992. Lines for Nadia Burncastle, 1990—subject: nonsense poem 993. The road, 1990—subject: a town avenue 994. Metropolis, 1990—subject: late afternoon in the city 995. Near Castle Mountain, 1990—subject: based on Rockbound Lake 996. Mt. Girouard, 1990—subject: fossilhunting on Mt. Girouard 997. By a dry streambed, 1990—subject: semi-nonsense poem; original and revision present 998. Daisy, 1990—subject: semi-nonsense poem 999. A day’s work, 1990—subject: cemetery 1000. The way it is, 1990—subject: nonsense poem
- Subject Access
- Poetry
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- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 1001. A vision, 1990—subject: based on Chateau Lake Louise 1002. Words of the dying, 1990—subject: nonsense poem 1003. That kingly vision, 1990—subject: based on Chateau Lake Louise 1004. In Arthur’s day, 1990—subject: semi-nonsense poem 1005. Musings for Vera, 19…
- Date Range
- 1990 - 1991
- Reference Code
- M196 / I / 21
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 21
- Date Range
- 1990 - 1991
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1001. A vision, 1990—subject: based on Chateau Lake Louise 1002. Words of the dying, 1990—subject: nonsense poem 1003. That kingly vision, 1990—subject: based on Chateau Lake Louise 1004. In Arthur’s day, 1990—subject: semi-nonsense poem 1005. Musings for Vera, 1990—subject: nonsense poem 1006. Allan’s story, 1990—subject: nonsense poem 1007. Experience, 1990—subject: supernatural 1008. For John Lethbridge, 1990—subject: nonsense poem 1009. Kathleen, 1990—subject: based on author’s mother 1010. Catherine, 1990—subject: semi-nonsense poem 1011. Fairholme, 1990—subject: imagining Fairholme Ranch 1012. Antaeus explained, 1990—subject: absurdist poem 1013. Wartime story, 1990—subject: absurdist poem about Lacerta 1014. The old days, 1990—subject: absurdist poem about the titanothere 1015. Reading paleontology, 1990—subject: author’s poetry 1016. Boarding out, 1990—subject: absurdist poem 1017. From an old photograph, 1990—subject: old photograph of people at Lake Louise 1018. Westward in sleep, 1990—subject: nonsense poem; original and revision present 1019. The final answer, 1990—subject: semi-nonsense poem 1020. Vision for Tristan, 1990—subject: nonsense poem 1021. The New Academy, 1990—subject: imagining a university 1022. Symposium, 1990—subject: nonsense poem 1023. Basilica, 1990—subject: nonsense poem 1024. Fragments, 1990—subject: semi-nonsense poem 1025. Ganglion, 1991—subject: nonsense poem 1026. Beth, 1991—subject: cancer 1027. For Lynx Street, 1991—subject: Edwardian Lynx Street 1028. Homage to wonderment, 1991—subject: nonsense poem 1029. Homage to Muskrat Street, 1991—subject: surrealist poem 1030. The Night Council, 1991—subject: based on Plato’s Nocturnal Council 1031. Homage to distance, 1991—subject: semi-nonsense poem 1032. Were I well-to-do, 1991—subject: front yard 1033. Lines for Bill Dawngrapple, 1991—subject: nonsense poem 1034. Broaching the facts, 1991—subject: semi-nonsense poem 1035. Lines for Emery Nodwell, 1991—subject: semi-nonsense poem 1036. Late-night reading, 1991—subject: nonsense poem 1037. Truth for everyone, 1991—subject: semi-nonsense poem 1038. Too arcane for me, 1991—subject: semi-nonsense poem 1039. Vision for Torolf, 1991—subject: nonsense poem; Torolf Brattland was author’s friend 1040. Homage, 1991—subject: Lydia 1041. Along Muskrat Street, 1991—subject: old house at NE corner of Muskrat and Buffalo Streets 1042. Letter to Trygve Dewlap, 1991—subject: nonsense poem 1043. Vision in Charleswood, 1991—subject: semi-surrealist poem 1044. Too late for farewells, 1991—subject: semi-nonsense poem 1045. Wigmore dream, 1991—subject: semi-nonsense poem 1046. The climber, 1913, 1991—subject: based on old photograph 1047. High summer, 1991—subject: semi-nonsense poem 1048. Mr. Painter’s moment, 1991—subject: surrealist poem 1049. Vision for Yone, 1991—subject: surrealist poem 1050. After long absence, 1991—subject: Lydia; semi-nonsense poem
- Subject Access
- Poetry
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- Gordon Burles fonds
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- File contains the following poems: 1051. An April morning, 1991—subject: semi-nonsense poem 1052. April holiday, 1991—subject: semi-nonsense poem 1053. Along the survey line, 1991—subject: nonsense poem 1054. Tribute, 1991—subject: Lydia 1055. Vision for Meridith, 1991—subject: nonsense poem 1056.…
- Date Range
- 1990 - 1991
- Reference Code
- M196 / I / 22
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 22
- Date Range
- 1990 - 1991
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1051. An April morning, 1991—subject: semi-nonsense poem 1052. April holiday, 1991—subject: semi-nonsense poem 1053. Along the survey line, 1991—subject: nonsense poem 1054. Tribute, 1991—subject: Lydia 1055. Vision for Meridith, 1991—subject: nonsense poem 1056. Vision from a photograph, 1991—subject: based on old photo taken at Aylmer Pass 1057. Italy, 1991—subject: semi-nonsense poem 1058. Vision for Lee, 1991—subject: semi-nonsense poem 1059. Edwardian days, 1991—subject: based on Corkscrew Drive on Tunnel Mt. 1060. Letter to Andrew, 1991—subject: semi-nonsense poem 1061. Kudos for Saturn, 1991—subject: nonsense poem 1062. Afternoon, 1991—subject: semi-nonsense poem 1063. The second voice, 1991—subject: the other self 1064. The waitress, 1991—subject: a waitress 1065. Liberty, 1991—subject: Plotinus 1066. Valuable forage, 1991—subject: nonsense poem 1067. Imperatives for Sudsy, 1991—subject: surrealist poem 1068. Beyond the hive, 1991—subject: semi-nonsense poem 1069. Vision for Astrid Lomax, 1991—subject: nonsense poem 1070. No abbreviated attire, 1991—subject: semi-nonsense poem 1071. Imperative for Katy, 1991—subject: nonsense poem 1072. Dunrovia, 1991—subject: nonsense poem 1073. The trumpet, 1991—subject: semi-nonsense poem 1074. Hexalonic madrigal, 1991—subject: semi-surrealist poem 1075. Girl, 1991—subject: surrealist poem 1076. Edwardiana, 1991—subject: Edwardian vision 1077. Herodotus remembers, 1991—subject: ancient Greece 1078. Must be Saturday, 1991—subject: collage of visions 1079. Memo for Lyllia, 1991—subject: surrealist poem 1080. Importunity, 1991—subject: nonsense poem 1081. The lynx, 1991—subject: based on Banff Springs Hotel 1082. A school for the heart, 1991—subject: semi-nonsense poem 1083. Ordeal, 1991—subject: Mt. Eon tragedy in 1921 1084. Wigmore Creek, 1991—subject: based on ram’s skull suspended next to Cascade Fire Road near Wigmore Creek 1085. Canyon, 1991—subject: semi-surrealist poem 1086. A father’s view, 1991—subject: father and son 1087. Yak Meadows, evening, 1991—subject: semi-surrealist poem 1088. Vision for Hector Lonecastle, 1991—subject: nonsense poem 1089. Autumn, 1991—subject: nonsense poem inspired by Mt. Inglismaldie 1090. At Fairholme, 1991—subject: based on Fairholme Ranch 1091. Metaphysics for Andrea, 1991—subject: nonsense poem 1092. Vision for Woroby Otton, 1991—subject: surrealist poem 1093. After, 1991—subject: after the fete 1094. That sunny September, 1991—subject: inspired by larches on Panorama Ridge 1095. Letter to Evelyn Sanchez, 1991—subject: semi-nonsense poem 1096. At early Lake Louise, 1991—subject: vision of 1920s Lake Louise 1097. That storied vision, 1991—subject: ancient Greece 1098. Homage to Nell Noble, 1991—subject: Nell Noble was Bill Noble’s wife; she lived on the corner of Grizzly St. and Wolf St. in the 1960s; she was a relative of the author’s 1099. Confession for Zyna, 1991—subject: semi-surrealist poem 1100. Finality, 1991—subject: probably first mention of Reverend Jellicoe; semi-nonsense poem
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- Poetry
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- Gordon Burles fonds
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- File contains the following poems: 1101. Lydia alone, 1991—subject: loneliness 1102. 1903,1991—subject: collage of Banff images 1103. Memo to Virgilia, 1991—subject: semi-nonsense poem 1104. Londoners in Banff, 1903—subject: semi-nonsense poem 1105. Augustina, 1991—subject: medieval vision 1106. A…
- Date Range
- 1991 - 1992
- Reference Code
- M196 / I / 23
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 23
- Date Range
- 1991 - 1992
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1101. Lydia alone, 1991—subject: loneliness 1102. 1903,1991—subject: collage of Banff images 1103. Memo to Virgilia, 1991—subject: semi-nonsense poem 1104. Londoners in Banff, 1903—subject: semi-nonsense poem 1105. Augustina, 1991—subject: medieval vision 1106. Aylmer Park, 1991—subject: inspired by area which was known as Aylmer Park 1107. Prologue for Beryl Wotypka, 1991—subject: nonsense poem 1108. Hike in November, 1991—subject: autumn in the mountains 1109. Northerly vision, 1991—subject: Zeus 1110. Close to Mt. Norquay, 1991—subject: cutbank on Mt. Norquay Road 1111. That townbred vision, 1991—subject: semi-nonsense poem 1112. Vision near Banff, 1991—subject: nonsense poem 1113. Vision for Leander, 1991—subject: nonsense poem 1114. Nineteen hundred seven, 1991—subject: Edwardian city 1115. Museum, 1991—subject: written while author was working in Banff Park Museum 1116. Crucible, 1991—subject: surrealist poem 1117. Nineteen hundred nine, 1991—subject: Edwardian surrealist poem 1118. Flying reptile, 1991—subject: pterosaur; surrealist poem 1119. Aratheum, 1991—subject: nonsense poem 1120. Wolf Street vision, 1991—subject: semi-nonsense poem 1121. Kensington, 1991—subject: based on Calgary suburb 1122. Triangle, 1991—subject: surrealist poem 1123. In the Rundle Lounge, 1991—subject: semi-nonsense poem based on Banff Springs Hotel lounge 1124. Devolution, 1991—subject: surrealist poem 1125. Erstwhile Christmas, 1991—subject: semi-surrealist poem 1126. Advice for Wallsy, 1992—subject: surrealist poem 1127. A picnic, 1910, 1992—subject: based on old photo of picnic 1128. Homage to Omar Bellaskan, 1992—subject: semi-nonsense poem 1129. Last testament, 1992—subject: nonsense poem 1130. Castleguard, 1992—subject: based on horsetrip to Castleguard Meadows 1131. Near Johnson’s Lake, 1992—subject: elk in winter 1132. Letter from Ammon, 1992—subject: surrealist poem 1133. Vision for Nigel Watridge, 1992—subject: nonsense poem 1134. Early Banff, 1992—subject: based on old photo of Cave and Basin 1135. Reverence, 1992—subject: dark forest 1136. Voyage in summer, 1992—subject: pterosaur (flying reptile) 1137. Levant, 1992—subject: ancient Rome 1138. Letter to Huay Tsin, 1992—subject: nonsense poem 1139. February, 1992—subject: nonsense poem 1140. More like Magnolias, 1992—subject: flying reptile 1141. Montage for Ruthie, 1992—subject: surrealist poem 1142. Vision for Huay Tsin, 1992—subject: surrealist poem 1143. Pensees for Lyllia, 1992—subject: fleshly desires 1144. Lydia, 1992—subject: Bankhead 1145. Wednesday, 1992—subject: nonsense poem 1146. Afterwards, 1992—subject: nonsense poem 1147. Curator, 1992—subject: probably based on Norman Sanson 1148. Bachelors, 1992—subject: semi-surrealist poem 1149. Imperatives for Yone, 1992—subject: surrealist poem 1150. After her marriage, 1992—subject: Chinatown
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- Poetry
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- File contains the following poems: 1151. Vision for Carolyn, 1992—subject: semi-surrealist poem 1152. Tuesday’s vision, 1992—subject: surrealist poem 1153. Saturday morning, 1992—subject: nonsense poem 1154. For a Victorian lady, 1992—subject: semi-nonsense poems 1155. That obstreperous vision, 19…
- Date Range
- 1992
- Reference Code
- M196 / I / 24
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 24
- Date Range
- 1992
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1151. Vision for Carolyn, 1992—subject: semi-surrealist poem 1152. Tuesday’s vision, 1992—subject: surrealist poem 1153. Saturday morning, 1992—subject: nonsense poem 1154. For a Victorian lady, 1992—subject: semi-nonsense poems 1155. That obstreperous vision, 1992—subject: nonsense poem 1156. Bestwick, 1992—subject: nonsense poem; English garden 1157. Brodwen Valley, 1992—subject: vision of England 1158. Letter to Norma, 1992—subject: nonsense poem 1159. Hotel, 1992—subject: surrealist poem 1160. The “Titanic”, 1992—subject: the Titanic 1161. As it happened, 1992—subject: cancer 1162. Riverside Trail, 1992—subject: based on horsetrip along trail from Golf Course to Canmore along Bow River 1163. 1930, 1992—subject: old man at mine in mountains 1164. Leisure hours, 1992—subject: semi-nonsense poem 1165. The greatness, 1992—subject: based on hike on Marsh Trail near Cave and Basin 1166. To her, 1992—subject: after divorce 1167. Katherine Mansfield, 1992—subject: Katherine Mansfield, New Zealand-born author 1168. Calgary Dinosaur Park, 1962, 1992—subject: dinosaur park at Calgary zoo 1169. When you gotta go, 1962—subject: nonsense poem 1170. Wolf Street, 1992—subject: soldier coming home 1171. A clear day, 1992—subject: horseback riding in autumn 1172. Family outing, 1992—subject: end of a family outing 1173. Before dawn, 1992—subject: author’s artistry 1174. Kallisthenes, 1992—subject: fate of friend of Alexander the Great 1175. Nineteen hundred eight, 1992—subject: based on old photograph 1176. On Ponsonby Ridge, 1992—subject: fictional ridge 1177. St. Martin’s, 1992—subject: fictional church 1178. Ode to Devon Lakes, 1992—subject: nonsense poem 1179. Homage to Adama Lassiter, 1992—subject: nonsense poem 1180. Vision for Ellesmere Rinehart, 1992—subject: nonsense poem 1181. Melancholy, 1992—subject: semi-nonsense poem 1182. Homage to Mr. Walls, 1992—subject: nonsense poem; author’s friend was Gordon Walls 1183. Vision for Laurel, 1992—subject: nonsense poem 1184. Story for Boris Latimer, 1992—subject: nonsense poem 1185. Wartime, 1992—subject: Chinese lady in war 1186. World without end, 1992—subject: semi-surrealist poem 1187. Spring, 1992—subject: nonsense poem 1188. That fretful vision, 1992—subject: nonsense poem 1189. The stabbery in thought, 1992—subject: nonsense poem 1190. Letter to Lydia, 1992—subject: nonsense poem 1191. June happenstance, 1992—subject: semi-nonsense poem 1192. Those mortal days, 1992—subject: Cemetery Tea House poem 1193. Mountview, 1992—subject: based on Mountainview Cemetery 1194. July, 1992—subject: nonsense poem 1195. A vision of town, 1992—subject: nonsense poem 1196. Spring journey, 1992—subject: surreal journey 1197. Solitude, 1992—subject: Mary Jellicoe 1198. Homage to Jane Lodowich, 1992—subject: nonsense poem 1199. The adventure, 1992—subject: surrealist poem 1200. For John Lethbridge, 1992—subject: nonsense poem
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- Poetry
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- Gordon Burles fonds
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- File contains the following poems: 1151. 1201. The way it is, 1992—subject: nonsense poem 1202. The funeral, 1992—subject: Bag-head poem 1203. April, 1992—subject: Mary Jellicoe; semi-nonsense poem 1204. Mortal days, 1992—subject: Bag-head poem 1205. Summertime, 1992—subject: nonsense poem 1206. T…
- Date Range
- 1992
- Reference Code
- M196 / I / 25
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 25
- Date Range
- 1992
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1151. 1201. The way it is, 1992—subject: nonsense poem 1202. The funeral, 1992—subject: Bag-head poem 1203. April, 1992—subject: Mary Jellicoe; semi-nonsense poem 1204. Mortal days, 1992—subject: Bag-head poem 1205. Summertime, 1992—subject: nonsense poem 1206. The chateau, 1992—subject: based on Chateau Lake Louise 1207. Worship, 1992—subject: nonsense poem 1208. Such as it is, 1992—subject: nonsense poem 1209. January, 1992—subject: winter at Banff Springs Hotel 1210. Source, 1992—subject: water 1211. At the house, 1992—subject: semi-nonsense poem 1212. For Oakum Cadomene, 1992—subject: humorous poem 1213. Ode to Oozy Oinotson, 1992—subject: semi-nonsense poem; original and revision present 1214. Home life, 1992—subject: Zeno; semi-nonsense poem 1215. Merely yesterday, 1992—subject: first major Cemetery Tea House poem, written in Vancouver; original and 2nd revision present 1216. Prairies, 1992—subject: inspired by childhood visit to lady east of Edmonton; original and revision present 1217. A day in August, 1992—subject: Cemetery Dream-Garden poem; first appearance of Lady Blackaway 1218. August portrait, 1992—subject: Edwardian scene 1219. Summer life, 1992—subject: Cemetery Dream-Garden poem 1220. An evening in August, 1992—subject: Cemetery Tea House poem; original and revision present 1221. Evening at the Tea-House, 1992—subject: semi-nonsense poem 1222. Walking home with friends, 1992—subject: semi-nonsense poem 1223. Westward, something like the truth, 1992—subject: semi-surrealist poem 1224. Near Mt. Cascade, 1992—subject: rhyming nature poem 1225. November it was, 1992—subject: Cemetery Tea House-like poem 1226. That erstwhile November, 1992—subject: Cemetery Tea House-like poem 1227. Walter Phillips’ last dream, 1992—subject: Walter Phillips, the artist 1228. November wanderings, 1992—subject: autumn woods 1229. A day in late August, 1992—subject: Cemetery Tea House poem 1230. Musings along a trail, 1992—subject: inspired by Numa Creek trail 1231. A day in youth, 1992—subject: author’s youth; original and revision present 1232. Out Tottenham way, 1992—subject: domestic spat 1233. Requiem for a summer, 1992—subject: nonsense poem 1234. End of empire, 1992—subject: ancient Rome 1235. Late in November, 1992—subject: Cemetery Tea House poem; original and revision present 1236. Noctuary in late summer, 1992—subject: Lady Blackaway; original and revision present 1237. Those arch-lesions of thought, 1992—subject: semi-nonsense poem 1238. Dream voyage, 1992—subject: vision of a long-ago village 1239. Man of nature, 1992—subject: nature poem 1240. A morning in November, 1992—subject: Cemetery Tea House poem; original and revision present 1241. Afterwards, 1992—subject: Lady Blackaway dead; original and 2 revisions present 1242. Christmas Eve, 1992—subject: Lady Blackaway at Christmas 1243. When there was empire, 1992—subject: Bill Peyto 1244. What is, is, 1992—subject: love of life 1245. Homage to Andrew Westlake, 1992—subject: surrealist poem 1246. Farewell for Anne, 1992—subject: nonsense poem 1247. Meditation for Alexandra, 1992—subject: nonsense poem 1248. Vision for Eleanora, 1992—subject: Edwardian vision; original and revision present 1249. Walking with her, 1992—subject: walking in the rain 1250. Precepts for Edward, 1992—subject: nonsense poem
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- Poetry
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- Gordon Burles fonds
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- File contains the following poems: 1251. October, 1992—subject: Cemetery Tea House poem 1252. Youth, 1992—subject: inspired by Mt. Odaray 1253. Melody for Huay-Tsin, 1992—subject: semi-nonsense poem; Huay-Tsin was author’s wife 1254. Vision at midnight, 1992—subject: nonsense poem 1255. An October…
- Date Range
- 1992 - 1993
- Reference Code
- M196 / I / 26
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Fonds Number
- M196
- Series
- I : Poetry Manuscripts
- Sous-Fonds
- M196
- Reference Code
- M196 / I / 26
- Date Range
- 1992 - 1993
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1251. October, 1992—subject: Cemetery Tea House poem 1252. Youth, 1992—subject: inspired by Mt. Odaray 1253. Melody for Huay-Tsin, 1992—subject: semi-nonsense poem; Huay-Tsin was author’s wife 1254. Vision at midnight, 1992—subject: nonsense poem 1255. An October afternoon, 1992—subject: Cemetery Tea House poem 1256. The last adventure, 1992—subject: Cemetery Tea House poem 1257. Lacerate mine Tuesday, 1992—subject: Cemetery Dream-Garden poem 1258. Homage to Izzy Lederheim, 1992—subject: nonsense poem; original and revision present 1259. Noctuary for Amanda Westburn, 1992—subject: nonsense poem 1260. November diary, 1992—subject: surrealist poem 1261. A London day, 1992—subject: nonsense poem 1262. To poetry, 1992—subject: semi-nonsense poem 1263. Upon waking, 1992—subject: dreams 1264. Dream lady, 1992—subject: nonsense poem 1265. Zebroid reflections, 1992—subject: based on Cave and Basin and Chinese market gardens at Anthracite 1266. Vernal dream, 1992—subject: spring 1267. Hellenistic days, 1992—subject: Plotinus 1268. Late in September, 1992—subject: Cemetery Tea House poem 1269. The summer universe, 1992—subject: a zoo; later revised 1270. Exorcism for Sandra, 1992—subject: nonsense poem 1271. This must be life, 1992—subject: surrealist poem 1272. Lydia’s last dream, 1992—subject: Lydia’s dream 1273. Letter to Invermere Foxton, 1992—subject: surrealist poem 1274. Thesis for Mirjam, 1992—subject: nonsense poem 1275. Nineteen hundred four, 1992—subject: Edwardian Lydia 1276. It was only love, 1992—subject: Lydia 1277. Lattermath, 1992—subject: semi-surrealist poem 1278. Victorian nocturne, 1992—subject: Victorian scene 1279. Vision for Audrey Semple, 1992—subject: semi-surrealist poem 1280. Hellenistic vision, 1992—subject: Plotinus 1281. Homage to Adelaide Luckmore, 1993—subject: surrealist poem 1282. Banff, 1993—subject: Banff vision 1283. Calgary, 1962, 1993—subject: dinosaur park at Calgary Zoo 1284. Terminus, 1993—subject: pterosaur 1285. Investiture, 1993—subject: first appearance of Kezia 1286. The mountaineer, 1913, 1993—subject: based on photo of Conrad Kain 1287. Homage to Casimire Oliphant, 1993—subject: surrealist poem 1288. All that could be done, 1993—subject: semi-nonsense poem 1289. Vision for Abner Westwand, 1993—subject: surrealist poem 1290. Sunday evening, 1993—subject: pterosaur poem 1291. Snow and rock, 1993—subject: based on road on back of Mt. Stoney Squaw 1292. Crepuscule, 1993—subject: pterosaur poem 1293. Easter afternoon, 1993—subject: pterosaur poem 1294. Vision for Mabel Delavega, 1993—subject: Reverend Jellicoe poem 1295. Diary for Vladimir Horrock, 1993—subject: Reverend Jellicoe poem 1296. Back when times were good, 1993—subject: pterosaur poem 1297. Noctuary for Kathleen, 1993—subject: Reverend Jellicoe poem 1298. Vision for Lydia Etherspear, 1993—subject: centurion and pterosaur 1299. Everloving Sunday, 1993—subject: a vicar 1300. Vision for a Sunday, 1993—subject: a mansion in sunlight
- Notes
- This material is presented as originally created, it contains outdated cultural descriptions and potentially offensive content. Materials in historical collections reflect the attitudes, ideas, and norms of the era and culture in which they were created or collected. Offensive or harmful terms are retained for historical accuracy or to document the issues and social context of a specific time and the attitudes and opinions of the people who created the material.
- Subject Access
- Poetry
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- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
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- Gordon Burles fonds
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- File contains the following poems: 1303. Dream for Mary Lathom, 1993—subject: surrealist poem 1302. Friday, Friday, 1993—subject: Reverend Jellicoe poem 1303. Chanson pour l’ame, 1993—subject: centurion 1304. Memoir for Latimer Hoebig, 1993—subject: first Tea House of the Ram poem 1305. Memoir for…
- Date Range
- 1993
- Reference Code
- M196 / I / 27
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 27
- Date Range
- 1993
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1303. Dream for Mary Lathom, 1993—subject: surrealist poem 1302. Friday, Friday, 1993—subject: Reverend Jellicoe poem 1303. Chanson pour l’ame, 1993—subject: centurion 1304. Memoir for Latimer Hoebig, 1993—subject: first Tea House of the Ram poem 1305. Memoir for Kezia Westmount, 1993—Tea House of the Ram 1306. Ode to fate, 1993—subject: lonely man; revised later 1307. Edwardian August, 1993—subject: pterosaur poem 1308. Vision for a null Sunday, 1993—subject: pterosaur-Dirk Jellicoe poem 1309. Stanley, 1993—subject: based on Banff oldtimer at Banff Centre 1310. Letter to Anatole Munson, 1993—subject: surrealist poem 1311. Redearth Creek, 1993—subject: Redearth Creek, west of Banff 1312. Address to the court, 1993—subject: a moose 1313. The boulder, 1993—subject: quartzite boulder 1314. Palliser Range, 1993—subject: Palliser Range, east of Banff 1315. The old uncle, 1993—subject: story told to author by poet, Mac Moir 1316. Sentimental, 1993—subject: stream of being 1317. Summertime, 1993—subject: surrealist poem 1318. Vision from years ago, 1993—subject: pterosaur poem 1319. For Lydia in spring, 1993—subject: Lydia 1320. Vision for Nigel Bellechasse, 1993—subject: surrealist poem; original and second revision present 1321. Vision for Natalie Coltrane, 1993—subject: surrealist poem; first barograph poem 1322. For the golfing horse, 1993—subject: surrealist poem 1323. Lines for Mumsy Pushcart, 1993—subject: surrealist poem 1324. April revelation, 1993—subject: Cemetery Tea House poem 1325. Travelling, 1993—subject: newlyweds travelling 1326. Cathedral, 1993—subject: based on St. George’s Anglican Church in Banff 1327. Suppertime, 1993—subject: based on Banff lady 1328. Awakening, 1993—subject: author’s fantasy 1329. Letter to her, 1993—subject: love poem 1330. Elizabeth, 1993—subject: deceased lady 1331. Vision for Astrid Glenham, 1993—subject: semi-nonsense poem 1332. Vision near Banff, 1993—subject: barograph poem, based on view east from Banff train station 1333. On destiny, 1993—subject: outside looks at love 1334. Lear at the Odeon, 1993—subject: inspired by author’s trip to Calgary to see Paul Scofield as King Lear (movie) 1335. Reverie for Nadine Sommerveldt, 1993—subject: nonsense poem 1336. The author, 1993—subject: semi-nonsense poem 1337. Adventure in April, 1993—subject: dead poet 1338. Narrative for Lionel Crestwick, 1993—subject: nonsense poem 1339. Orion, 1993—subject: constellation Orion 1340. Uptown, 1993—subject: love poem 1341. Autumn, 1993—subject: based on autumn on Panorama Ridge, just north of Taylor Lake 1342. Seahorses, 1993—subject: a dream 1343. The tent camp, 1993—subject: based on author’s father finding old tent camp 1344. Aftermath, 1993—subject: divorce 1345. The neighbor, 1993—subject: based on author’s mother 1346. The lookout, 1993—subject: mountain viewpoint 1347. Boundaries, 1993—subject: autumn in Banff, being able to see Goat Mountain 1348. The owl, 1993—subject: based on encounter with owl near Johnson’s Lake 1349. Vision for a spring day, 1993—subject: nonsense poem 1350. Vision for Estelle Upton, 1993—subject: nonsense poem
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- Poetry
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- File contains the following poems: 1351. Urban Sunday, 1993—subject: Reverend Jellicoe poem; original and revision present 1352. After the holiday, 1993—subject: Cemtery Tea House poem 1353. Mortality, 1993—subject: based on incident in Banff 1354. Love story, 1993—subject: nonsense poem 1355. Sun…
- Date Range
- 1993
- Reference Code
- M196 / I / 28
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 28
- Date Range
- 1993
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1351. Urban Sunday, 1993—subject: Reverend Jellicoe poem; original and revision present 1352. After the holiday, 1993—subject: Cemtery Tea House poem 1353. Mortality, 1993—subject: based on incident in Banff 1354. Love story, 1993—subject: nonsense poem 1355. Sunday evening, 1993—subject: based on Old Banff Cemetery 1356. Otter Street, 1993—subject: Otter Street at night 1357. Eventide, 1993—subject: Lydia 1358. Mrs. Hyde’s funeral, 1993—subject: Lydia 1359. Vision for Pelly Von Osterreich, 1993—subject: mountain teahouse 1360. Vision for Alexa, 1993—subject: semi-surrealist poem 1361. Anniversary vision, 1993—subject: surrealist poem; original and revision present 1362. Memory for Lydia, 1993—subject: Cemetery Tea House poem 1363. Wee hours. 1993—subject: nighttime 1364. Vision for Amanda Lethbridge, 1993—subject: vision of earthloader 1365. Letter to Christine Gilbert, 1993—subject: Cemetery Tea House poem 1366. Memoir for Clawson Blackaway, 1993—subject: surrealist poem 1367. Wee-hour wonderings, 1993—subject: semi-nonsense poem 1368. A dream of mountains, 1993—subject: a dream 1369. Letter to Aubry Cawthorne, 1993—subject: Natalie’s Catacomb 1370. Hillsdale dream, 1993—subject: semi-surrealist poem 1371. Vision on a June evening, 1993—subject: surrealist poem 1372. Vision for Sibylla, 1993—subject: surrealist poem 1373. Never Septuagesima, 1993—subject: surrealist poem; original and revision present; revised later 1374. Vision for Alison Dahlbert, 1993—subject: Cemetery Tea House poem 1375. That’s Quinquagesima, Darling!, 1993—subject: surrealist poem 1376. A night in June, 1993—subject: surrealist Cemetery Tea House poem 1377. Midsummer, 1993—subject: Cemetery Tea House poem; original and 2 revisions present 1378. Vision for Lionel Ottomore, 1993—subject: semi-surrealist poem; original and revision present 1379. Summertime vision, 1993—subject: twilight 1380. Memorandum for Joan, 1993—subject: surrealist poem 1381. Conversation, 1993—subject: semi-nonsense poem 1382. Nineteen Hundred Six, 1993—subject: based on photo of Chinese man standing by Banff railyard in 1906 1383. Midsummer longings, 1993—subject: semi-nonsense poem; original and revision present 1384. Vision in midsummer, 1993—subject: Cemetery Tea House poem; original and revision present 1385. Edwardian noctuary, 1993—subject: based on Norman Sanson 1386. Bankhead reverie, 1993—subject: semi-surrealist poem; original and revision present 1387. Encounter in August, 1993—subject: semi-surrealist poem 1388. The things that are no more, 1993—subject: based on house on Otter Street; revised later 1389. Vision for Astrid von Einhorn, 1993—subject: Cemetery Tea House poem; original and two revisions present 1390. Banff vision, 1993—subject: collage-like poem 1391. Summer’s end, 1993—subject: Cemetery Tea House-type poem 1392. Those days of late August, 1993—subject: Cemetery Tea House poem 1393. Vision for Natalie Broadhurst, 1993; subject: inspired by Okanagan Valley 1394. October story, 1993—subject: Cemetery Tea House-type poem 1395. Letter to Stimson Dawe-Westermere, 1993—subject: semi-surrealist poem; original and revision present 1396. October adventure, 1993—subject: semi-surrealist poem; original and revision present 1397. Vision in late October, 1993—subject: Cemetery Tea House-like poem 1398. Letter to Abigail Greenlace, 1993—subject: funeral 1399. There may well be flowers, 1993—subject: Cemetery Tea House-like poem 1400. For old times’ sake, 1993—subject: semi-nonsense poem
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- Poetry
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- File contains the following poems: 1401. Good intentions, 1993—subject: Mt. Inglismaldie 1402. Salutation, 1993—subject: surrealist poem 1403. That integral vision, 1993—subject: author’s own mind 1404. Vision for Aldergrove Hewlett, 1993—subject: semi-surrealist Reverend Jellicoe poem 1405. Avala…
- Date Range
- 1993 - 1994
- Reference Code
- M196 / I / 29
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 29
- Date Range
- 1993 - 1994
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1401. Good intentions, 1993—subject: Mt. Inglismaldie 1402. Salutation, 1993—subject: surrealist poem 1403. That integral vision, 1993—subject: author’s own mind 1404. Vision for Aldergrove Hewlett, 1993—subject: semi-surrealist Reverend Jellicoe poem 1405. Avalanches, 1993—subject: inspired by Fairholme Range 1406. Vernal days, 1993—subject: surrealist poem 1407. Rainfall advisories, 1993—subject: surrealist poem 1408. The reckoning, 1993—subject: Lydia 1409. Ode to Zedroe Gingeroid, 1993—subject: surrealist poem 1410. Upper Bankhead, 1993—subject: surrealist poem 1411. Monday, 1993—subject: death 1412. Life’s like that, 1993—subject: absurdist poem 1413. Egypt, 1993—subject: ruins in Egypt; original and revision present 1414. My story, 1993—subject: surrealist poem 1415. Reflection, 1993—subject: mountains 1416. In the vale of dreams, 1993—subject: surrealist poem 1417. Long ago, 1993—subject: idyllic summer 1418. Tunnel Mountain, 1993—subject: fossil coral 1419. Simpson Pass, 1993—subject: based on hike in 1973 to Egypt Lake from Sunshine 1420. Vision for Kezia Scopes-Turner, 1993—subject: semi-surrealist poem 1421. November reckoning, 1993—subject: Cemetery Tea House-like poem 1422. Recompense, 1993—subject: author’s creativity 1423. The wife, 1993—subject: Kezia 1424. Homage to Todd Clerihew, 1993—subject: surrealist poem 1425. Summer Holiday, 1993—subject: based on Skyline Hiker’s camp at Egypt Lake in 1973 1426. Outburst for a gray December, 1993—subject: nonsense poem 1427. If you could understand Saturdays, 1993—subject: semi-nonsense poem 1428. The struggle, 1993—subject: war 1429. The winter adventure, 1993—subject: Cemetery Tea House poem 1430. Epiphany in late June, 1993—subject: Cemetery Tea House poem 1431. An evening in winter, 1994—subject: winter night; original and revision present 1432. Vision for Bertrand Clerihew-Guggenheim, 1994—subject: surrealist poem based on author’s dream of Hillsdale Meadows 1433. Adventure in August, 1994—subject: Lydia 1434. Broodings for a gray Saturday, 1994—subject: surrealist Cemetery Tea House poem 1435. The January forest, 1994—subject: semi-surrealist poem 1436. Adventure in late August, 1994—subject: Cemetery Tea House poem 1437. Devolution, or last testament, 1994—subject: semi-surrealist poem 1438. After the concert, 1994—subject: nighttime 1439. Mountain camp, 1994—subject: inspired by Skyline Hikers camp at Sunset Pass in summer of 1982 where author saw meteor flash through aurora 1440. Seeing Mt. Cascade, 1994—subject: Mt. Cascade 1441. Daybreak, 1994—subject: dawn 1442. Beatrice, 1994—subject: based on visit to house of Bea Lefroy on Buffalo Street in 1983; she died many years later and is buried in the Old Banff Cemetery (she did die young) 1443. Plato dying, 1994—subject: Plato 1444. The hermit, 1994—subject: based on Billy Carver, the hermit of Johnson’s Lake 1445. Some kind of Saturday, 1994—subject: surrealist poem 1446. Narrative for Saturday, 1994—subject: surrealist poem 1447. It’s always something, 1994—subject: surrealist poem 1448. Noctuary for Dawson von Krokheim, 1994—subject: surrealist poem 1449. On Chloe’s demise, 1994—subject: based on Heraclitus’ philosophy 1450. Denouement in February, 1994—subject: based on Conrad O’brien-ffrench at Fairhome Ranch
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- Poetry
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- Gordon Burles fonds
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- File contains the following poems: 1451. Vision for late February, 1994—subject: surrealist poem 1452. A dream for no season, 1994—subject: based on the Cave and Basin 1453. Cemetery Tea-House days, 1994—subject: Cemetery Tea House poem 1454. The lattermath, 1994—subject: Cemetery Tea House poem (…
- Date Range
- 1994
- Reference Code
- M196 / I / 30
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 30
- Date Range
- 1994
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1451. Vision for late February, 1994—subject: surrealist poem 1452. A dream for no season, 1994—subject: based on the Cave and Basin 1453. Cemetery Tea-House days, 1994—subject: Cemetery Tea House poem 1454. The lattermath, 1994—subject: Cemetery Tea House poem (mad Natalie) 1455. Vision in spring for Aldous Westlock, 1994—subject: Cemetery Tea House poem 1456. Lament in March, 1994—subject: surrealist poem 1457. Vision for Elsie Ward, 1994—subject: Cemetery Tea House poem 1458. Letter to Martin Saddington, 1994—subject: Cemetery Tea House poem 1459. Diary for a Sunday in August, 1994—subject: Tea House of the Ram, a teahouse in the wilderness; original and revision present 1460. Epiphany in late August, 1994—subject: Cemetery Tea House poem; original and 3 revisions present 1461. Denouement on the Sabbath, 1994—subject: pterosaur poem 1462. Noctuary for Hermione Fenton, 1994—subject: Cemetery Tea House poem; original and revision present 1463. Hillsdale vision, 1994—subject: based on Hillsdale Meadows, 18 km. west of Banff 1464. Regular breakfast at the Tea-House, 1994—subject: Cemetery Tea House poem; original and revision present 1465. Broodings for Annalee Polska, 1994—subject: nighttime 1466. Dear Natalie’s funeral, 1994—subject: Cemetery Tea House poem 1467. Funeral rites in April, 1994—subject: Cemetery Tea House poem; original and revision present 1468. Vision for Hladislaw Upton, 1994—subject: Cemetery Tea House poem; original and revision present 1469. Noctuary for Jacqueline, 1994—subject: Cemetery Tea House poem; original and revision present 1470. Tragedy in April, 1994—subject: based on boy being killed by drunk driver in Calgary 1471. October diary, 1994—subject: surrealist poem 1472. Metropolis, 1994—subject: city late in afternoon 1473. Day off, 1994—subject: based on visit to the lake at Lake Louise 1474. Memory for Fay, 1994—subject: based on visit to Costco in Calgary with wife 1475. Narrative for Luxton Heath-Beaumont, 1994—subject: Cemetery Tea House poem 1476. Along the Spray, 1994—subject: based on rock quarries along Spray River 1477. What will be, will be, 1994—subject: Cemetery Tea House poem; original and revision present 1478. Narrative for Heseltine Veaudry, 1994—subject: Cemetery Tea House poem 1479. That dreaded epiphany, 1994—subject: surrealist poem 1480. Recollection for Buxton Westmore, 1994—subject: Cemetery Tea House poem 1481. A morning in July, 1994—subject: Cemetery Tea House poem 1482. A mad ransom for ecstasy, 1994—subject: Cemetery Tea House poem 1483. Morning at the Cemetery Tea-House, 1994—subject: Cemetery Tea House poem; original and revision present 1484. Entreaty to Kezia, 1994—subject: Cemetery Dream Garden poem 1485. Entreaty to Natalie, 1994—subject: surrealist poem 1486. Twilight notes, 1994—subject: Cemetery Tea House poem 1487. The autumn crisis, 1994—subject: Cemetery Tea House poem; original and revision present 1488. Creed for Kezia, 1994—subject: surrealist poem 1489. Narrative for Elmer Blake-Hoolihan, 1994—subject: Cemetery Tea House poem; original and revision present 1490. Solstice adventure, 1994—subject: surrealist poem; original and revision present 1491. Incident for Amanda Northrup, 1994—subject: surrealist poem 1492. Narrative for Kezia Westhaven, 1994—subject: pterosaur poem 1493. Noctuary for Lydia Turnbull, 1994—subject: Cemetery Tea House poem 1494. Epiphany in spring, 1994—subject: Cemetery Tea House poem 1495. Sunday vision, 1994—subject: surrealist poem 1496. Dream for Kezia, 1994—subject: based on Banff Springs Hotel 1497. A midsummer epiphany, 1994—subject: Cemetery Tea House poem; original and revision present 1498. What I saw, 1994—subject: based on burial of Winnifred Cartlidge about 1984 1499. Vision at Carrot Creek, 1994—subject: surrealist poem 1500. Wisdom for the jeweler, 1994—subject: surrealist poem
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- Poetry
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- File contains the following poems: 1501. Portrait of summer, 1994—subject: Cemetery Tea House poem; original and 2 revisions present 1502. Saturday adventure, 1994—subject: Cemetery Tea House poem; original and revision present 1503. Epiphany in late August, 1994—subject: Cemetery Tea House poem 1…
- Date Range
- 1994 - 1995
- Reference Code
- M196 / I / 31
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 31
- Date Range
- 1994 - 1995
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1501. Portrait of summer, 1994—subject: Cemetery Tea House poem; original and 2 revisions present 1502. Saturday adventure, 1994—subject: Cemetery Tea House poem; original and revision present 1503. Epiphany in late August, 1994—subject: Cemetery Tea House poem 1504. Midsummer story, 1994—subject: Cemetery Tea House poem; original and revision present 1505. Weekender’s vision, 1994—subject: based on bridge over penstock on way to Johnson’s Lake 1506. The twilight adventure, 1994—subject: Cemetery Tea House poem; original and revision present 1507. The storm in early August, 1994—subject: surrealist poem; original and revision present 1508. Vision near the Fairholme Range, 1994—subject: semi-nonsense poem 1509. Story for a Sunday, 1994—subject: semi-nonsense poem 1510. Incident on Muskrat Street, 1994—subject: based on incident at author’s home 1511. Incident in late August, 1994—subject: Cemetery Tea House poem 1512. Imaginary Sabbath, 1994—subject: semi-surrealist poem 1513. September diary, 1994—subject: semi-surrealist poem 1514. Incident in September, 1994—subject: Cemetery Tea House poem 1515. Letter to Cymbeline Roehurst, 1994—subject: semi-surrealist poem 1516. Meditation a Minuit, 1994—subject: midnight meditation 1517. October meditation, 1994—subject: surrealist poem 1518. November in the suburbs, 1994—subject: city at night 1519. Darling November, 1994—subject: semi-surrealist poem 1520. November lesson, 1994—subject: city in November 1521. Recollection for Kathleen, 1994—subject: based on author’s mother’s memory of a house at the south end of Otter Street which had the name “Passchendaele” on it; a man who lived there had fought in the battle and worked at the Cave and Basin 1522. Portrait of autumn, 1994—subject: Tea House of the Ram 1523. Incident in June, 1994—subject: pterosaur poem 1524. Message for Brian, 1994—subject: based on following old survey lines through the forests around Banff 1525. Endeavour, 1994—subject: adventure in spring 1526. September night out, 1994—subject: Helen Jellicoe; later revised 1527. Letter to Boris Woodruff, 1994—subject: city at night 1528. Vision for Terence Coddlebeck, 1994—subject: road-grader’s adventure 1529. Vision for Orville Saddington, 1995—subject: surrealist poem 1530. Edwardian autumn, 1995—subject: Cemetery Tea House poem 1531. Vision for Helena Richmond, 1995—subject: surrealist poem; Tea House of the Ram mentioned 1532. A day in August, 1995—subject: Cemetery Tea House poem 1533. Memorandum for Joan, 1995—subject: Cemetery Tea House poem 1534. Epiphany for Kasimira, 1995—subject: Tea House of the Ram 1535. Something more for Kazia, 1995—subject: city at night 1536. Prologue for Kasimira, 1995—subject: city at night 1537. Neighbours, 1995—subject: nonsense poem 1538. Incident for Carlotta, 1995—subject: Tea House of the Ram 1539. Narrative for Latimer Oldstone, 1995—subject: Tea House of the Ram 1540. “Happy Birthday, Kazia”, 1995—subject: surrealist poem 1541. Incident for Nathan Guilderkamp, 1995—subject: after the wedding 1542. Daybreak, 1995—subject: Cemetery Tea House poem 1543. Letter to Natalie, 1995—subject: semi-surrealist poem 1544. Lament in March, 1995—subject: semi-nonsense poem 1545. Story for Rollo Dunmadden, 1995—subject: renegade road-grader 1546. The pension in autumn, 1995—subject: Edwardian poem 1547. Being human, 1995—subject: being human 1548. Liturgy for Amanda, 1995—subject: nonsense poem; original and revision present 1549. Incident for Kezia McCreary, 1995—subject: Cemetery Tea House-type poem 1550. Send this, Gilbert, 1995—subject: Tea House of the Ram; original and revision present
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- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 1551. Let’s hear it, Natalie, 1995—subject: surrealist poem 1552. Adventure for midsummer, 1995—subject: city at night; original and 2 revisions present 1553. Dream in April, 1995—subject: mountain village 1554. You’re a genius, Kezia, 1995—subject: Cemetery Tea …
- Date Range
- 1995
- Reference Code
- M196 / I / 32
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 32
- Date Range
- 1995
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1551. Let’s hear it, Natalie, 1995—subject: surrealist poem 1552. Adventure for midsummer, 1995—subject: city at night; original and 2 revisions present 1553. Dream in April, 1995—subject: mountain village 1554. You’re a genius, Kezia, 1995—subject: Cemetery Tea House poem; original and revision present 1555. Narrative for Kathryn, 1995—subject: Cemetery Tea House poem 1556. Portrait for springtime, 1995—subject: surrealist poem 1557. Portrait for Kazia Von Ostmark, 1995—subject: Cemetery Tea House poem; original and revision present 1558. Solitary moment, 1995—subject: Cemetery Tea House poem; original and revision present 1559. Autumnal night, 1995—subject: Cemetery Tea House poem 1560. Narrative for Helga, 1995—subject: surrealist poem 1561. Aubade in spring, 1995—subject: Cemetery Tea House poem 1562. Summer carnival, 1995—subject: after the carnival 1563. That lithophagic frown, 1995—subject: surrealist poem; original and 2 revisions present 1564. Plangent days, no doubt, 1995—subject: surrealist poem 1565. Summertime incident, 1995—subject: Cemetery Tea House poem 1566. Vision of October for Kazia, 1995—subject: Cemetery Tea House poem; original and revision present 1567. Portrait for Victoria Hoebig, 1995—subject: based on Park Museum 1568. Meditation at the end of June, 1995—subject: collage-like poem 1569. Denouement in spring, 1995—subject: Cemetery Tea House poem 1570. Afternoon in summer, 1995—subject: Perpetual Tea Room 1571. Inevitable adventure, 1995—subject: Tea House of the Ram; original and revision present 1572. September adventure, 1995—subject: Tea House of the Ram 1573. Saturday meditation, 1995—subject: surrealist poem 1574. Lydia to her friend, 1995—subject: Cemetery Tea House poem 1575. Narrative for Manyusya, 1995—subject: surrealist poem 1576. Fine weather predicted, 1995—surrealist poem; Perpetual Tea Room 1577. Narrative for midsummer, 1995—subject: Perpetual Tea Room; original and revision present 1578. Exploration, 1995—subject: surrealist poem 1579. Nocturne for Kazimiera, 1995—subject: city at night 1580. World without end, 1995—subject: based on Margaret Greenham 1581. With Huay, 1995—subject: walking with wife 1582. All well and good, Kazia, 1995—subject: nonsense poem 1583. Rhapsody in August, 1995—subject: Cemetery Tea House poem 1584. Kazimiera, 1995—subject: based on acquaintance of author’s 1585. That cherished September, 1995—subject: Tea House of the Ram 1586. Vision for Manyusya, 1995—subject: Cemetery Tea House poem 1587. I’ll call the surveyor tomorrow, 1995—subject: Cemetery Tea House-type poem 1588. Tenant, 1995—subject: nonsense poem 1589. Narrative for Tully Vermeer, 1995—subject: semi-surrealist poem 1590. Narrative for Jacobson Lashuk, 1995—subject: Tea House of the Ram 1591. Wee hours in the city, 1995—subject: surrealist poem 1592. After her funeral, 1995—subject: Cemetery Tea House poem 1593. Homage to Lynx Street, 1995—subject: based on abandoned house on Lynx Street in which author played when he was young 1594. Adventure in August, 1995—subject: Tea House of the Ram 1595. Narrative for Lexington Nethershaw, 1995—subject: Tea House of the Ram 1596. Narrative for Octobra Sommerfeldt, 1995—subject: Lydia 1597. Adventure late in August, 1995—subject: Natalie; original and revision present 1598. Exordium for Halberd Munroe, 1995—subject: Lydia and Dirk 1599. Story for Etherspear Ghently, 1995—subject: Cemetery Tea House poem; original and revision present 1600. Midsummer story, 1995—subject: Cemetery Tea House poem
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- Poetry
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- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 1601. Letter to Singleton Hasborough, 1995—subject: Cemetery Tea House poem 1602. November scenario, 1995—subject: Cemetery Tea House (Dirk and Natalie) 1603. Letter to Kezia, 1995—subject: Tea House of the Ram; original and revision present 1604. Incident for Ho…
- Date Range
- 1995 - 1996
- Reference Code
- M196 / I / 33
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 33
- Date Range
- 1995 - 1996
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1601. Letter to Singleton Hasborough, 1995—subject: Cemetery Tea House poem 1602. November scenario, 1995—subject: Cemetery Tea House (Dirk and Natalie) 1603. Letter to Kezia, 1995—subject: Tea House of the Ram; original and revision present 1604. Incident for Hortensia, 1995—subject: Lydia 1605. That girl, 1995—subject: author’s ex-wife 1606. An idle moment, 1995—subject: based on old photo 1607. Mt. Lilliput, 1995—subject: Mt. Lilliput (mountain with sentinels along ridge) 1608. At the campground, 1995—subject: imagined family 1609. Tribute, 1995—subject: vision 1610. Testament, 1995—subject: author’s funeral 1611. The new house, 1995—subject: based on Banff carpenter 1612. He, 1995—subject: death of wife 1613. Sculpture, 1995—subject: imagined sculpture 1614. Evening tryst, 1995—subject: Christmas at Chateau Lake Louise 1615. January, 1995—subject: Banff Springs Hotel 1616. November narrative, 1995—subject: Cemetery Tea House poem 1617. That fabled resurrection, 1995—subject: Tea House of the Ram 1618. Destiny, 1995—subject: lonely man 1619. Letter to Flora, 1995—subject: Tea House of the Ram 1620. Recollection, 1995—subject: based on Park Museum 1621. All the company of heaven, 1996—subject: Perpetual Tea Room 1622. Tully’s lament, 1996—subject: semi-nonsense poem 1623. Cave and Basin, 1996—subject: Cave and Basin 1624. Remembrance, 1996—subject: Tea House of the Ram 1625. Ritual, 1996—subject: the land of Narr 1626. Vision for Esther Turnstone, 1996—subject: surrealist poem (Dirk Jellicoe) 1627. Acrid truth, 1996—subject: Kezia (based on lady named Kazimiera) 1628. Kezia, 1996—subject: Kezia (based on lady name Kazimiera) 1629. Late summer adventure, 1996—subject: Tea House of the Ram 1630. Call it Fate, 1996—subject: based on skull of elk with telephone wire wrapped around antlers; this skull was in the warden’s office in Banff; author’s father told him about it. 1631. Natalie, 1996—subject: love for Natalie; rhyming poem 1632. Testament for Kezia, 1996—subject: semi-nonsense poem 1633. Narrative for Twyla Lathom, 1996—subject: Tea House of the Ram 1634. Story for Manyusya, 1996—subject: Reverend Jellicoe and satyrs 1635. Those vernal days, 1996—subject: semi-surrealist poem (Mumsy Pushcart) 1636. Summer story, 1996—subject: Tea House of the Ram 1637. Positively wizard, Pooky, 1996—subject: surrealist poem; original and revision present 1638. Nocturnal adventure, 1996—shalehounds of Narr 1639. Recollection for Tybalt, 1996—subject: Tea House of the Ram 1640. Portrait of April, 1996—subject: Cemetery Tea House poem 1641. Early August incident, 1996—subject: Tea House of the Ram 1642. Epiphany in April, 1996—subject: theodolites of Narr, Mumsy Pushcart; original and revision present 1643. Call it destiny, 1996—subject: Adrian and Lydia 1644. Vernal narrative, 1996—subject: Edwardian theodolites 1645. Summer incident, 1996—subject: Cemetery Tea House poem 1646. Lane Johnson, 1996—subject: Lane Johnson and World War I 1647. The night road, 1996—subject: based on Tunnel Mt. Drive 1648. At Johnson’s Lake, 1996—subject: Johnson’s Lake in autumn 1649. Dusk, 1996—subject: dusk 1650. To his former wife, Fay, 1996—subject: author’s ex-wife, Fay Chu
- Subject Access
- Poetry
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- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 1651. Vision for Hannelore, 1996—subject: semi-surrealist poem 1652. Grandmother, 1996—subject: based on author’s grandmother in hospital about 1963 in Summerland, B.C. 1653. Memorial Drive, 1996—subject: based on house in Calgary 1654. Manor house, 1996—subject:…
- Date Range
- 1996
- Reference Code
- M196 / I / 34
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 34
- Date Range
- 1996
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1651. Vision for Hannelore, 1996—subject: semi-surrealist poem 1652. Grandmother, 1996—subject: based on author’s grandmother in hospital about 1963 in Summerland, B.C. 1653. Memorial Drive, 1996—subject: based on house in Calgary 1654. Manor house, 1996—subject: based on C.M. Walker house on Muskrat Street in Banff 1655. Discovery, 1996—subject: finding a fossil 1656. Immemorial pathways, 1996—subject: old mountain trails 1657. Mount Louis, 1996—subject: Mount Louis, spire close to Banff 1658. When I was six, 1996—subject: going to St. George’s Anglican Church in Banff 1659. Chelsea, 1996—subject: Chelsea, England 1660. Alpine night, 1996—subject: based on attempted ascent of Mt. Brewster (NW of Banff) by author and Herb MacAualay as teenagers 1661. Finality, 1996—subject: death of fox 1662. Lake Louise, 1909,1996—subject: Edwardian Lake Louise 1663. The journey, 1996—subject: based on German tourist’s comment, “We are pedestranians.” (pedestrians) 1664. For Fay, 1996—subject: author’s ex-wife, Fay Chu 1665. Fate of an anarchist, 1996—subject: theodolite (related to poem 1645) 1666. Incident for Kara Weston-Blacklock, 1996—subject: Tea House of the Ram 1667. Vision while waiting for summer, 1996—subject: Andzia in the city 1668. That vernal epiphany, 1996—subject: Tea House of the Ram 1669. Homage to Natalie, 1996—subject: a loved one 1670. Summer judgement, 1996—subject: Cemetery Tea House; original and 2 revisions present 1671. Springtime, 1996—subject: night musings 1672. After Andzia’s funeral, 1996—subject: Andzia’s funeral 1673. Saga for Espen Duddimore, 1996—renegade road-grader 1674. Letter to Kezia, 1996—subject: morning 1675. Saga at midsummer, 1996—subject: Lydia 1676. Letter to Bertrand Von Ostmark, 1996—subject: Tea House of the Ram 1677. Lake Louise, 1996—subject: nonsense poem 1678. Midsummer narrative, 1996—subject: Lydia 1679. Incident in late August, 1996—subject: Kezia 1680. Narrative for St. John Von Lederhaus, 1996—subject: end of the day at the fair; original and revision present 1681. My time away, 1996—subject: staying at a guest ranch 1682. Funeral for a grand lady, 1996—subject: Cemetery Tea House poem 1683. Portrait of spring, 1996—subject: Lydia 1684. Vernal sacrament, 1996—subject: Mumsy Pushcart 1685. Memoir for Jamieson Hoebig, 1996—subject: Tea House of the Ram 1686. Don’t tamper with Thursday, 1996—subject: semi-surrealist poem; original and revision present 1687. Note for Andzia, 1996—subject: semi-surrealist poem 1688. Doctor Jessop, 1996—subject: cancer 1689. Kezia of the snows, 1996—subject: Kezia 1690. Memoir for Latimer Considine, 1996—subject: Tea House of the Ram 1691. Saturday again, 1996—subject: Lydia 1692. Portrait for Beatrix, 1996—subject: surrealist poem 1693. Memoir, 1996—subject: Kezia and cemetery 1694. Mount Cascade, 1996—subject: based on misadventure on Cascade Mountain; Herb MacAulay and the author descended from the summit into the Amphitheatre, not knowing that there were cliffs in their way which could not be seen from above; about 1964 1695. The town poplar, 1996—poplar tree 1696. The caper, 1996—subject: lost love 1697. Contentment, 1996—subject: lady by sea wall 1698. September story, 1996—subject: based on author’s love of Kazimiera 1699. Memoir for Riordan Bekstad, 1996—subject: Kezia; original and revision present 1700. Incident for Theobald, 1996—subject: Perpetual Tea Room
- Subject Access
- Poetry
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- Part Of
- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 1701. Confession for Hidalgo Whipsnade, 1996—subject: Tea House of the Ram 1702. Evening visit, 1996—subject: Edwardian Christmas 1703. Early summer, 1996—subject: Kezia 1704. Mr. Griffith’s place, 1996—subject: based on author’s visit as a child to a ranch where …
- Date Range
- 1996 - 1997
- Reference Code
- M196 / I / 35
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 35
- Date Range
- 1996 - 1997
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1701. Confession for Hidalgo Whipsnade, 1996—subject: Tea House of the Ram 1702. Evening visit, 1996—subject: Edwardian Christmas 1703. Early summer, 1996—subject: Kezia 1704. Mr. Griffith’s place, 1996—subject: based on author’s visit as a child to a ranch where the horses were starving 1705. Portrait of late July, 1996—subject: Cemetery Tea House poem 1706. Lines for Mayuri, 1996—subject: pterosaur poem 1707. Voyage, 1996—subject: Tea House of the Ram 1708. Portrait for November, 1996—subject: Kezia in summer 1709. Memoir for Ludmila, 1996, 1998—final version ; Tea House of the Ram 1710. Portrait for Emmanuel Upton, 1996—subject: Kezia, Tea House of the Ram 1711. Narrative for Wolfgang Herbertson, 1996—subject: Reverend Jellicoe 1712. City—oh, city!, 1996—subject: a city 1713. Narrative for Ludmila Carnegie, 1996—subject: Tea House of the Ram 1714. Musing for Lilia, 1996—subject: dusk 1715. Histoire Pour Lilia, 1996—subject: November in the cemetery 1716. Memoir for Hannelore McCracken, 1996—subject: Tea House of the Ram 1717. Reverend Jellicoe, 1996—subject: Reverend Jellicoe 1718. Afternoon incident, 1997—subject: Reverend Jellicoe, Lydia 1719. Giggle for Hermione, 1997—subject: pterosaurs 1720. Memoir for Hannegan Blackmore, 1997—subject: Tea House of the Ram 1721. Portrait for Hampton Rasporich, 1997—subject: Cemetery Tea House poem 1722. Narrative for Tomoko, 1997—subject: Tea House of the Ram 1723. Incident in November, 1997—subject: Reverend Jellicoe, Lydia 1724. Portrait for Alexandra, 1997—subject: Tea House of the Ram 1725. Incident for Raphael Kentigern, 1997—subject: Kezia, Helen Jellicoe 1726. Memoir for Pattemore Yerxa, 1997—subject: Kezia 1727. Narrative for Lilia Westerlove, 1997—subject: Perpetual Tea Room 1728. Final encounter, 1997—Kezia and poet 1729. The dehumanizing sway of fame, 1997—subject: semi-surrealist poem 1730. Memoir for Bessemer Gascoigne, 1997—subject: Andzia 1731. Spring sojourn, 1997—subject: Andzia 1732. Spring solstice, 1997—subject: nonsense poem 1733. Springtime dream, 1997—subject: based on author’s night-dream 1734. Summer epiphany, 1997—subject: based on experience of a friend 1735. Time is no dream, 1997—subject: surrealist poem (Kezia) 1736. Time is real, 1997—subject: Kezia 1737. Letter to Andzia Hawthorne, 1997—subject: pterosaur poem 1738. Portrait for Theodore Lazenby, 1997—subject: Cemetery Tea House poem 1739. Letter to Julian Saxburg, 1997—subject: Kezia 1740. Memoir written in the wee hours, 1997—subject: Kezia 1741. Adventure in the wee hours, 1997—subject: Kezia 1742. Panoply in April, 1997—subject: dusk; revised later 1743. Sermon for a friend, 1997—subject: Lydia 1744. Memoir for Lorimer Shuttleworth, 1997—subject: surrealist poem 1745. Narrative for Ludmila Gainesborough, 1997—subject: satyr 1746. Memoir for Manyusya, 1997—subject: Lydia’s funeral; surrealist; original and revision present 1747. Aftermath, 1997—subject: Lydia’s death 1748. Yesterday was impure, 1997—subject: Lydia’s budgerigar; revised later 1749. Sermon for a lady in spring, 1997—subject: surrealist poem 1750. Portrait for Bronwen, 1997—subject: Cemetery Tea House poem
- Subject Access
- Poetry
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- Gordon Burles fonds
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- File contains the following poems: 1751. “Titanic Survivor”, 1997—subject: Albert Dick, who with his wife survived the sinking and had a weekend house in Banff 1752. Separation, 1997—subject: lost love 1753. Huay-Tsin, 1997—subject: author’s ex-wife 1754. Mortality, 1997—subject: imagining death of…
- Date Range
- 1997
- Reference Code
- M196 / I / 36
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 36
- Date Range
- 1997
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1751. “Titanic Survivor”, 1997—subject: Albert Dick, who with his wife survived the sinking and had a weekend house in Banff 1752. Separation, 1997—subject: lost love 1753. Huay-Tsin, 1997—subject: author’s ex-wife 1754. Mortality, 1997—subject: imagining death of mother 1755. Lovers’ hike, 1997—subject: two birches along Vermilion Lakes Road 1756. A sunny day, 1997—subject: Kezia 1757. Involute being, 1997—subject: surrealist poem 1758. Letter to Kezia, 1997—subject: Cemetery Dream Garden; surrealist 1759. Letter to Angelica, 1997—subject: Cemetery Dream Garden 1760. Sermon for Manyusya, 1997—subject: Cemetery Dream Garden; original and revision present 1761. Letter for Lilia, 1997—subject: collage-like poem 1762. Narrative for Barrymore Nettleshaw, 1997—subject: cemetery hijinx 1763. Narrative for Horace Von Ostmark, 1997—subject: Cemetery Tea House poem 1764. Portrait of a summer morning, 1997—subject: Tea House of the Ram 1765. Afternoon visit, 1997—subject: Kezia 1766. A Sunday in March, 1997—subject: semi-surrealist poem 1767. Summer wooing, 1997—subject: wooing Kezia (Kazimiera) 1768. The mason’s narrative, 1997—surrealist poem 1769. Elizabeth, 1997—subject: cancer 1770. Discourse for Ludmila Harwich, 1997—subject: Plato 1771. Mount Louis, 1997—subject: Mount Louis, near Banff 1772. Reflection, 1997—subject: dusk musings 1773. Episode in August, 1997—subject: Cemetery Tea House 1774. Portrait for Eleanor, 1997—subject: Kezia 1775. Portrait for Manyusya, 1997—subject: the mason and Lydia 1776. Portrait for Bernard Leigh-Windermere, 1997—subject: barograph and mason 1777. Portrait for Augustus Torrington, 1997—subject: barograph and Natalie 1778. Narrative for Liam Walker-Genereux, 1997—subject: Cemetery Tea House poem 1779. Incident in early summer, 1997—subject: barograph and theodolite 1780. Horsemen, 1997—subject: horsemen in the Rockies 1781. Portrait of late summer, 1997—subject: Cemetery Tea House poem; original and revision present 1782. Portrait of early August, 1997—subject: Cemetery Tea House poem; original and revision present 1783. Portrait of early summer, 1997—subject: Cemetery Tea House poem 1784. Homage in August, 1997—subject: surrealist poem 1785. October epiphany, 1997—subject: Cemetery Tea House poem 1786. Portrait for Matheson Eastaway, 1997—subject: Cemetery Tea House poem 1787. Incident for Esperanza, 1997—subject: Cemetery Tea House poem 1788. Portrait of early autumn, 1997—subject: Cemetery Tea House poem 1789. Autumn vision, 1997—subject: Cemetery Tea House poem 1790. Narrative for Jennifer Litchfield, 1997—subject: Reverend Jellicoe; Cemetery Tea House 1791. Portrait, 1997—subject: Kezia 1792. Portrait for Leicestershire Baldwin, 1997—subject: Cemetery Tea House poem 1793. Portrait for Lorimer Giesbrecht, 1997—subect: Cemetery Tea House poem 1794. For Kathleen, 1997—subject: Cemetery Tea House people 1795. September forenoon, 1997—subject: Drucilla 1796. Narrative for Barrymore Hamilton, 1997—subject: Cemetery Tea House poem; original and revision present 1797. Letter to Hailsham Berrigan, 1997—subject: Perpetual Tea Room 1798. Portrait for Augustus Honegger, 1997—subject: Cemetery Tea House poem 1799. Narrative for Bessemer Heseltine, 1997—subject: Kezia 1800. Portrait for Doddsmuir Matheson, 1997—subject: Lydia and Reverend Jellicoe
- Subject Access
- Poetry
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- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 1801. Narrative for Lathom Sandeman, 1997—subject: Helen Jellicoe, pterosaurs 1802. Portrait for Hildegaard Blackaway, 1997—subject: Lydia, Reverend Jellicoe 1803. Portrait of summer for Ethelrydd Laughton, 1997—subject: Cemetery Tea House poem; original and revis…
- Date Range
- 1997 - 1998
- Reference Code
- M196 / I / 37
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 37
- Date Range
- 1997 - 1998
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1801. Narrative for Lathom Sandeman, 1997—subject: Helen Jellicoe, pterosaurs 1802. Portrait for Hildegaard Blackaway, 1997—subject: Lydia, Reverend Jellicoe 1803. Portrait of summer for Ethelrydd Laughton, 1997—subject: Cemetery Tea House poem; original and revision present 1804. Narrative for Annabelle Hoogenboom, 1997—subject: Kezia 1805. October sermon, 1997—subject: Lydia’s orchard 1806. Narrative for Pelagia Sunderland, 1997—subject: theodolite 1807. Portrait for Vanessa Simenon, 1997—subject: Reverend Jellicoe 1808. Portrait for Corinna, 1997—subject: theodolites, Mumsy Pushcart 1809. Afternoon incident for Eva, 1997—subject: Cemetery Tea House poem 1810. Memoir for Nathan, 1997—subject: based on incident in Banff about 1967; lady lived at about 114 Muskrat Street in Banff 1811. Narrative for Balthasar Severnsen, 1997—subject: Lydia, Myrmidon (the peak near the Cemetery Tea House) 1812. Portrait for Nehemiah Gundersen, 1997—subject: Tawdry the pterosaur 1813. Sermon for Lilia, 1997—subject: Kezia 1814. Memoir written in November, 1997—subject: Perpetual Tea Room 1815. Song for Lilia, 1997—subject: rhyming poem; 1816. Portrait for Andalucia Billingsgate, 1997—subject: Cemetery Tea House poem 1817. Words of the mason, 1997—subject: Cemetery Tea House poem 1818. Incident for Adrian Saddington, 1997—subject: Cemetery Tea House poem 1819. Portrait of September, 1997—subject: Cemetery Tea House poem 1820. Portrait for Nehemiah, 1997—subject: Lydia; Cemetery Tea House poem 1821. Not Quinquagesima, Darling!, 1997—subject: barograph 1822. Narrative for Lilia, 1997—subject: pterosaur 1823. September experience, 1998—subject: night city 1824. Narrative for Micah Havelock, 1998—subject: mason 1825. November night out, 1998—subject: surrealist poem; Natalie 1826. October experience, 1998—subject: semi-surrealist poem 1827. Narrative for Salerno Westlock, 1998—subject: surrealist poem; Lydia; original and revision present 1828. Portrait for Nathan Clerkenwell, 1998—subject: night musings 1829. Nathaniel, 1998—subject: based on meeting a young man who could not find his grandparents’ graves because of deep snow 1830. Anything for you, 1998—subject: semi-surrealist poem 1831. Letter to Kezia Von Ostmark, 1998—subject: city at night 1832. Narrative for Leander Hazelmere, 1998—subject: Cemetery Tea House poem 1833. Incident in autumn, 1998—subject: based on author’s encounter with two masons repairing the pony wall in front of the Information Centre 1834. Portrait for Jennifer Dawe-Westermere, 1998—subject: Cemetery Tea House poem 1835. Epiphany in late March, 1998—subject: Kezia; unrequited love 1836. Spring, 1998—subject: Cemetery Tea House poem 1837. Afternoon in late March, 1998—subject: Kezia 1838. Tractatus for Nigel, 1998—subject: surrealist poem 1839. Experience in early September, 1998—subject: Lydia and the mason 1840. Letter to Pelagia, 1998—subject: Kezia 1841. Portrait for Willem Van Galen, 1998—subject: Lydia 1842. Portrait for Nigel Saddington, 1998—subject: barograph 1843. Autumn portrait, 1998—subject: Natalie and pterosaurs 1844. Narrative for Adeline Frere, 1998—subject: Cemetery Tea House poem 1845. Spring’s portrait, 1998—subject: Kezia 1846. Incident for Adrian Lewthwaite, 1998—subject: Cemetery Tea House; Natalie 1847. Portrait of midsummer, 1998—subject: Natalie 1848. Narrative for Lilia Anguelova, 1998—subject: Cemetery Tea House poem; original and revision present 1849. Vernal portrait, 1998—subject: Cemetery Tea House poem 1850. Portrait for Allan Castleridge, 1998—subject: Cemetery Tea House poem
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