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Browne family fonds

https://archives.whyte.org/en/permalink/descriptions115
Part Of
Browne family fonds
Scope & Content
Fonds consists mainly of diary excerpts and transcripts, 1912-1913, 1921-1954; also includes a guest book, 1924-1956, posters, ca.1942, publications relating the story of Belmore Browne Peak, 1992-1993, and photographs, ca.1930, ca.1955, 1991-1992. Diaries are mainly trip diaries pertaining to summ…
Date Range
1912-1993, predominant 1921-1954
Reference Code
M473 / V39
Description Level
1 / Fonds
GMD
Photograph
Negative
Photograph print
Transparency
Textual record
Diary
Poster
Private record
Published record
  1 image  
Part Of
Browne family fonds
Description Level
1 / Fonds
Fonds Number
M 473
V 39
Sous-Fonds
M 473
V 39
Accession Number
3429, 3813, 3863, 3873, 3892, 3901, 3975, 3995, 4007, 4021, 4037, 4039, 5075, 5149, 5220, 6382, 6596, 6741, 6742, 6774
Reference Code
M473 / V39
GMD
Photograph
Negative
Photograph print
Transparency
Textual record
Diary
Poster
Private record
Published record
Date Range
1912-1993, predominant 1921-1954
Physical Description
24 cm of textual records. -- 108 photographs : prints, copy negatives, transparencies
History / Biographical
Belmore Browne, d.1954, was a well-known artist who lived and worked at Banff and Seebe, Alberta, Canada and in the United States. Browne and Agnes Evelyn Sibley, 1882-1976, were married in 1913. In 1921, they bought property in Banff for a summer home and with their children, George, 1918-1958, and Evelyn, 1915-1994, travelled extensively throughout the 1920s and 1930s in pursuit of subjects for Belmore Browne's paintings. In 1946, the Brownes built a home near Seebe. Agnes Browne was a diarist for the family and much of her extensive writing centres around the career of Belmore Browne. Her daughter Evelyn consolidated the diaries in the 1980s. George Browne was also an artist.
Scope & Content
Fonds consists mainly of diary excerpts and transcripts, 1912-1913, 1921-1954; also includes a guest book, 1924-1956, posters, ca.1942, publications relating the story of Belmore Browne Peak, 1992-1993, and photographs, ca.1930, ca.1955, 1991-1992.
Diaries are mainly trip diaries pertaining to summer travels and family life in the Canadian Rockies, 1921-1933. Included are trips to Red Earth Creek, Skoki, Mystic Lake, Sawback Lake, Red Deer Valley, Hector Lake, Bow Lake, Kananaskis Valley, Cascade and Panther rivers, Elbow Pass, and other locations. Other diaries cover the years 1943 to 1954, years partly spent at Seebe until Belmore Browne's death. Diary copies and typescripts have been annotated by Evelyn Browne.
Posters on alpine and wilderness survival, ca.1942, were done by Belmore Browne for the American military's Arctic Training Program.
Photographs are mainly photographic copies of paintings by Belmore and George Browne produced by Peter A. Juley & Son, Photographers of Fine Arts, New York, ca.1955, 79 items. Other photographs pertain to Belmore Browne and the Browne family, their Banff home and painting activities, ca.1930; the site of Belmore Browne plaque on Browne Peak, rediscovered and photographed by Tony and Gillean Daffern in September 1991, and dedication of the Belmore Browne plaque, 1992.
Official correspondence pertaining to the naming of Belmore Browne Peak, 1989-1993, is available in document file.
Name Access
Browne, Belmore
Browne, George
Subject Access
Arts
Exploration, discovery and travel
Family and personal life
Access Restrictions
Reference use only
Other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: arrangement outline
file list and index
Creator
Browne, Belmore
Category
Arts
Exploration, discovery and travel
Family and personal life
Title Source
Title based on contents of fonds
Processing Status
Processed
Images
thumbnail
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Part Of
Stan J. Carr fonds
Scope & Content
File consists of 8 colour lantern slides, some captioned. File subjects include an unidentified mountain scene, Mount Assiniboine, horse in unientified mountain scene, man posed in campsite in unidentified location, Lake Louise and Victoria Glacier, Hector Lake and Bow Peak, unidentified man in cam…
Date Range
ca. 1912
Reference Code
V127 / PS - 1 to 8
Description Level
5 / File
GMD
Transparency
Lantern slide
  8 images  
Part Of
Stan J. Carr fonds
Description Level
5 / File
Fonds Number
M 179
V 127
Sous-Fonds
V 127
Accession Number
1072
Reference Code
V127 / PS - 1 to 8
GMD
Transparency
Lantern slide
Date Range
ca. 1912
Physical Description
8 photographs : col. slides ; 10.5 x 14 cm
History / Biographical
Additive Colour Screen Plates, first theorized by James Clerk Maxwell in 1861, were the first forms of colour photography. Maxwell’s original process involved printing the same black and white image through different coloured screens onto transparencies and then projecting them overlapped in order to create a single full-colour image. In 1868 Louis Ducos du Hauron expanded on this method by placing a screen made up of microscopic coloured stripes in front of a light-sensitive emulsion before exposing it to light. During exposure, the colours in the screen attached to the developing picture so when viewed back through the screen in a projector the image appeared fully in colour. Neither of these methods were commercially popular during the 19th century since black and white processes were cheaper and more widely available. In 1907 the Lumiere brothers introduced the Autochrome process to wide commercial success. The Autochrome process involved a mix of tiny potato starch grains dyed green, orange-red, and blue-purple that were mixed thoroughly and applied to a glass slide coated in a sticky varnish that held the grains in an evenly-distributed layer. The grains were laminated into the varnish to make them smaller and more transparent, and then the whole thing was sealed with another layer of waterproof varnish. The entire process could be done by machines, which made the slides cheap to produce, easily available to the public and opened up the process to amateur photographers. Photographs developed on Autochrome plates created soft images with relatively natural colour rendering, making them popular with artists and photojournalists. Autochrome plates (which came to refer to all colour screen plates regardless of manufacturer) created one-of-a-kind positive images and required long exposure times. Once an image was complete, it had to be quickly covered with either a strong coating of varnish or another slide of glass and then sealed along the edges with binding tape. Because silver is an element of the sticky base varnish that holds the dyed grains, if moisture was allowed to access the image the layers of varnish could ripple or tear away from the glass, or the dye could bleed or fade. The silver base is highly sensative to oxygen and if improperly sealed images could begin to "mirror," a process in which the exposed parts of the slide become uniform and shiny, obscuring the image. Because of the random distribution of dyed colour grains throughout the image and the lines created by laminating those grains into the base varnish, Autochrome transparencies are often mistaken for hand-painted coloured slides. Autochrome can be identified by looking closely for small dots of colour in all parts of the image, rather than the solid blots of colour found on hand-painted slides.
Scope & Content
File consists of 8 colour lantern slides, some captioned. File subjects include an unidentified mountain scene, Mount Assiniboine, horse in unientified mountain scene, man posed in campsite in unidentified location, Lake Louise and Victoria Glacier, Hector Lake and Bow Peak, unidentified man in camp.
Name Access
Carr, Stan J.
Subject Access
Exploration
Discovery and travel
Lantern slide
Geographic Access
Mount Assiniboine
Lake Louise
Bow Summit
Banff National Park
Alberta
Canada
Access Restrictions
No restrictions on access
Language
English
Conservation
Re-seal all slides appropriately; keep stored in cool, dry, dark area; refrain from exposing to further damage.
Creator
Carr, Stan J.
Category
Exploration, discovery and travel
Biographical Source Notes
http://www.graphicsatlas.org/identification/?process_id=286#overview
https://psap.library.illinois.edu/collection-id-guide/slide#autochrome
Title Source
Title based on contents of file
Processing Status
Processed
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Mountain view, Tonquin Valley(?)

https://archives.whyte.org/en/permalink/descriptions43243
Part Of
Malcolm Geddes fonds
Scope & Content
Lantern slide depicts view of snow-capped mountains, possibly in Tonquin Valley.
Date Range
[ca.1913-ca.1925]
Reference Code
V756 / III / A / PS - 1
Description Level
6 / Item
GMD
Photograph
Lantern slide
Transparency
  1 image  
Part Of
Malcolm Geddes fonds
Description Level
6 / Item
Fonds Number
M39 / V756
Series
V756 / III : Personal and family records
Sous-Fonds
V756
Accession Number
6504
Reference Code
V756 / III / A / PS - 1
GMD
Photograph
Lantern slide
Transparency
Date Range
[ca.1913-ca.1925]
Physical Description
1 photograph : transparency (lantern slide)
Scope & Content
Lantern slide depicts view of snow-capped mountains, possibly in Tonquin Valley.
Notes
Slide is hand-coloured.
Material Details
Glass slide includes round white label 93 ; round red label G; round red label G1
Access Restrictions
Fragile- restrictions may apply
Reproduction Restrictions
Fragile- restrictions may apply
Language
N/A
Category
Exploration, discovery and travel
Environment
Title Source
Title based on contents of file
Processing Status
Processed
Images
thumbnail
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Part Of
Charles Reid fonds
Scope & Content
File consists of one photograph album, comprising 183 photographs, H12 x W17.5 cm or smaller. Photographs pertain to Charlie Reid and his family and friends during, predominantly, the 1920's. The first photograph is of a child and man; the child looks like it could be Charlie Reid at around 4 to 5 …
Date Range
ca.1909 - ca.1929
1922
1923
1924
1925
1926
1927
Reference Code
V487 / I / PD - 1
Description Level
5 / File
GMD
Album
Photograph
Photograph print
Private record
  1 image     1 Electronic Resource  
Part Of
Charles Reid fonds
Description Level
5 / File
Fonds Number
M413 / V487
Series
V487 / I : Albums
Sous-Fonds
V487
Accession Number
5248
Reference Code
V487 / I / PD - 1
GMD
Album
Photograph
Photograph print
Private record
Date Range
ca.1909 - ca.1929
1922
1923
1924
1925
1926
1927
Physical Description
1 album (183 photographs : b&w ; 17.5 x 12 cm or smaller)
Scope & Content
File consists of one photograph album, comprising 183 photographs, H12 x W17.5 cm or smaller.
Photographs pertain to Charlie Reid and his family and friends during, predominantly, the 1920's. The first photograph is of a child and man; the child looks like it could be Charlie Reid at around 4 to 5 years old.
Photographs document sports and recreation (races, sledding, skiing, snowshoeing, track, canoeing, golf, camping, horseback riding, fishing), events at the Banff Springs Hotel, Banff Indian Days, Banff Winter Carnival (Festival), Highland gathering, Herald road race, and various activities in and around Banff.
Locations include: Banff, Medicine Hat, University of Alberta (Edmonton), and Lake Louise.
Notes
One of the photographs is a cut-out quote, "a canoo in foolish hands is probably the nation's greatest tipping well"
Album is bound in brown leather with "photographs" written on the cover. Some of the photographs have captions. Not every page is filled.
Name Access
Reid, Charles
Subject Access
Banff
Banff Indian Days
Banff National Park
Banff Winter Carnival
Banff Winter Festival
Bow River Bridge
Camping
Canoes and canoeing
Children
Cross-country skiing
Dogs
Fairmont Banff Springs Hotel
Fishing
Golfing
Hiking
Hockey
Horseback riding
Ice sculpture
Indigenous Peoples
Leisure
Personal and Family Life
Photography
Public events
Recreation
Skating
Snowshoes and snowshoeing
Sports and recreation
Sulphur Mountain lookout
Swimming
Winter sports
Wildlife
Geographic Access
Alberta
Banff
Banff National Park
Canada
Lake Louise
Medicine Hat
Language
English
Category
Family and personal life
Exploration, discovery and travel
Sports, recreation and leisure
Title Source
Title based on contents of file
Processing Status
Processed
Electronic Resources
Images
thumbnail
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Souvenir postcard album, Cuba

https://archives.whyte.org/en/permalink/descriptions54627
Part Of
Luxton family fonds
Scope & Content
File consists of one album of colorized commercial postcards. Content pertains to tourist attractions and communities within Havana and other rural regions of Cuba. Subjects include unidentified local families and individuals, crop harvesting, livestock, boating scenes, market vendors, community ev…
Date Range
[ca. 1900 - ca. 1910]
1909
Reference Code
LUX / II / E / PD - 4
Description Level
5 / File
GMD
Album
Postcard
  102 images     1 Electronic Resource  
Part Of
Luxton family fonds
Description Level
5 / File
Fonds Number
LUX
Series
LUX / II / E : Travel and home records
Sous-Fonds
LUX / II : Eleanor Luxton
Accession Number
LUX
Reference Code
LUX / II / E / PD - 4
GMD
Album
Postcard
Responsibility
Some items produced by Harris Bros. Co., and Curt Teich & Co.
Date Range
[ca. 1900 - ca. 1910]
1909
Physical Description
1 album (101 col. postcards ; 9 x 14 cm)
Scope & Content
File consists of one album of colorized commercial postcards. Content pertains to tourist attractions and communities within Havana and other rural regions of Cuba. Subjects include unidentified local families and individuals, crop harvesting, livestock, boating scenes, market vendors, community events, city views, Cuba's 1909 presidential inauguration, tourist attractions and landmarks in Havana, rural villages, and Cuban landscapes.
Notes
Many items are duplicates of postcards in album LUX / II / E / PD - 3
Subject Access
Tourism
Travel
Farmland
Animals
Churches
Memorial
Buildings
Businesses
Commerce
Community events
Transportation
Garden
Boats
Industry
Natural resources
Family and personal life
Environment
Geographic Access
Cuba
Havana
Reproduction Restrictions
Restrictions may apply
Language
English
Related Material
LUX / II / E / PD - 3
Category
Commerce and industry
Environment
Exploration, discovery and travel
Family and personal life
Transportation
Land, settlement and immigration
Natural resources
Title Source
Title based on contents of file
Processing Status
Processed
Electronic Resources
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Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
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