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George Noble fonds
https://archives.whyte.org/en/permalink/descriptions299
- Part Of
- George Noble fonds
- Scope & Content
- Fonds consists of a broad-ranging commercial negative collection. Includes four series. I. Scenic and documentary views, 2839 items; includes film and glass negatives in sizes up to 8 X 10 inches. Pertains to Banff and area buildings, facilities, activities, events, such as Banff Winter Carnival a…
- Date Range
- [ca.1912]-1958
- Reference Code
- M533 / V469
- Description Level
- 1 / Fonds
- GMD
- Photograph
- Negative
- Photograph print
- Transparency
- Textual record
- Corporate record
- Part Of
- George Noble fonds
- Description Level
- 1 / Fonds
- Fonds Number
- M 533
- V 469
- Sous-Fonds
- M 533
- V 469
- Accession Number
- 82, 168, 275, 940, 1157, 1992, 2020, 3513, 5281, 6753, 6841, 7135
- Reference Code
- M533 / V469
- Date Range
- [ca.1912]-1958
- Physical Description
- ca.8500 photographs : negatives. -- 36 transparencies : stereo, colour. -- 2 textual records
- History / Biographical
- George Noble, 1879-1965, was a professional photographer at Banff, Alberta, Canada. Noble was born in Woolwich, England where he apprenticed as a photographer. He came to Banff in 1909 to operate a photographic business for his uncles, George and Bill Fear, who owned a curio business. In 1919, Noble bought the photographic business and, in 1932, acquired the remainder of the Fear Brothers business. He built a new studio and shop, which offered portraiture, photo- finishing and framing services and sold photographic supplies, camera equipment and English china. In addition to portraiture, George Noble and employees, such as photographer Bill Jamieson, produced a wide range of documentary, scenic and commercial views. Noble's shop offered black and white and hand-coloured prints of local events and Rocky Mountain views. George Noble was an active member of the community, serving on both the Banff School Board and the Banff Board of Trade for many years. Upon his retirement in 1957, his business was acquired by a group of investors which included Bill Jamieson, lab-technician and photographer for the Noble business from 1936 to 1957
- Scope & Content
- Fonds consists of a broad-ranging commercial negative collection. Includes four series.
- I. Scenic and documentary views, 2839 items; includes film and glass negatives in sizes up to 8 X 10 inches. Pertains to Banff and area buildings, facilities, activities, events, such as Banff Winter Carnival and Banff Indian Days; Indigenous; scenic views of Banff and area and other Rocky Mountains locations.
- II. Commercial views, 765 items; includes buildings, businesses, facilities, sports events, organizations, conventions, group portraits, displays and presentations.
- III. Mixed views, 242 items; includes scenic, documentary and commercial views similar to material in previous series. Also includes some views know to have been produced by Fred Armbrister, a professional photographer who operated out of Lake Louise, Alberta, ca.1930.
- IV. Portraits, ca.4600. This series contains four groups: A. 1920s-1950s, most unidentified; B. 1930s and 1940s, arranged alphabetically, many unidentified; C. 1950s, arranged alphabetically, most identified, many with proofs (prints); D. 1950s, arranged chronologically by job number.
- V. Other, ca.50 items. Includes 36 colour stereo transparencies, ca.1955, re Administration Building and gardens, Banff-Jasper Highway scenics, mountain sheep, autumn colour, Banff Avenue, George Noble and staff. Also includes small number of commercial prints produced by Noble, including several large hand-painted views.
- Fonds is accompanied by business record books, 1950-1958, 2 v. (M533)
- Name Access
- Noble, George
- Subject Access
- Arts
- Buildings and facilities
- Commerce and industry
- Community life
- Environment
- Sports, recreation and leisure
- Transportation
- Access Restrictions
- Some restrictions on access to originals
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Finding Aid
- Finding aids and reference tools: arrangement outline
- file description and index
- electronic finding aid
- selected modern reference prints
- Related Material
- Related commercial photographs made by Bill Jamieson in the employ of George Noble are located in the Ron Duke fonds (V180 / II.A.i. - V180 / II.A.vi.; V180 / III.A.)
- Portrait camera and electric 3D viewer reside in Heritage collections, Whyte Museum
- Creator
- Noble, George
- Title Source
- Title based on accession records and contents of fonds
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Simon Fraser and Banff Springs Hotel prints
https://archives.whyte.org/en/permalink/descriptions54368
- Scope & Content
- File consists of 2 photograph print copies: one of an original painted portrait of Simon Fraser, and one of an early photograph of the Banff Springs Hotel [predating a fire in 1926, after which it was rebuilt]. Items are later copies of original portrait and photograph [see "Notes"].
- Date Range
- [ca. 1880]
- [ca. 1910 - ca. 1925]
- Reference Code
- V635 / III / PA - 486 and 487
- Description Level
- 5 / File
- GMD
- Photograph
- Photograph print
- Description Level
- 5 / File
- Fonds Number
- M545 / V635
- Series
- V635 / III : Published records
- Sous-Fonds
- V635
- Accession Number
- 5757
- Reference Code
- V635 / III / PA - 486 and 487
- Responsibility
- One item attributed to Photo Engravers and Electrotypers Ltd.
- Date Range
- [ca. 1880]
- [ca. 1910 - ca. 1925]
- Physical Description
- 2 photographs : b&w prints ; 20.5 x 25 cm and 18 x 12.5 cm
- History / Biographical
- Simon Fraser (1776-1862) was an explorer who was involved extensively with the fur trade in Western Canada during the early 19th century. Fraser began his career in 1793 as a clerk and in 1801 he became a trading partner with the Northwest Company. While working for the company, Fraser participated in expeditions throughout the Canadian Rockies to establish trade relationships with local Indigenous populations. In 1808, Fraser and 23 men completed a 36-day expedition following what was mistakenly believed to be the Columbia River, which ended at Musqueam. The river was later named "Fraser River" in his honour by David Thompson. Following the conflict leading up to the Seven Oaks Massacre, Fraser moved to St. Andrews West to live with family, where he met and married his wife Catherine. The couple had 9 children together. In 1838, Fraser fought in the Upper Canada Rebellion, resulting in a knee injury which left him permanently disabled. Fraser died at the age of 86 in 1862, and was buried in St. Andrews West with his wife who died the following day.
- Scope & Content
- File consists of 2 photograph print copies: one of an original painted portrait of Simon Fraser, and one of an early photograph of the Banff Springs Hotel [predating a fire in 1926, after which it was rebuilt]. Items are later copies of original portrait and photograph [see "Notes"].
- Notes
- Dates given are based on likely dates of original portrait and photograph. Dates of copies held by the Whyte Museum are likely between 1940 - 1970 [no exact date given].
- Simon Fraser portrait annotated on reverse side with cropping instructions and label for "Photo Engravers Electrotypers Ltd.", as well as stamp crediting B.C. Provincial Archives in Victoria
- Portrait print of Simon Fraser was possibly published or used in Bulletin/newsletter by TRCR; unknown if photograph of Banff Springs Hotel published as well, no annotations
- Name Access
- Fraser, Simon
- Subject Access
- Portrait
- Hotel
- Banff Springs Hotel
- Tourism
- Travel
- Geographic Access
- Canada
- Alberta
- Banff
- Access Restrictions
- Restrictions may apply
- Reproduction Restrictions
- Restrictions may apply
- Language
- English
- Biographical Source Notes
- https://www.sfu.ca/archives/archives-program/outreach/simon_fraser.html
- Title Source
- Title based on contents of file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.