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Dorothy Wardle fonds

https://archives.whyte.org/en/permalink/descriptions398
Part Of
Dorothy Wardle fonds
Scope & Content
Fonds consists of two sous-fonds: M521 and V75. M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including cor…
Date Range
ca.1870-2002
Reference Code
M521 / V75
Description Level
1 / Fonds
GMD
Photograph
Album
Negative
Photograph print
Postcard
Transparency
Textual record
Private record
Published record
Part Of
Dorothy Wardle fonds
Description Level
1 / Fonds
Fonds Number
M521
V75
Sous-Fonds
M521
V75
Accession Number
5296, 5391, 7504
Reference Code
M521 / V75
GMD
Photograph
Album
Negative
Photograph print
Postcard
Transparency
Textual record
Private record
Published record
Date Range
ca.1870-2002
Physical Description
154 cm of textual records. -- 1304 photographs (1190 prints, 95 negatives, 19 transparencies). -- 6 photograph albums.
History / Biographical
The Wardle family was comprised of husband and wife, James Morey Wardle (June 26,1888 - May 18,1971) and Maud Leette (Roney) Wardle (May 24,1889 - December 1,1969), and their one child, Dorothy Hope Wardle (May 23,1919 - July 20,2003). James Wardle, born in Chiliwack, British Columbia, was a civil engineer and public servant. He was the Superintendent of Banff National Park from 1918-1921, Chief Engineer for Parks Canada from 1921-1935, and Deputy Minister of the Interior from 1935-1936. He is primarily known as a highway design engineer, particularly for building the Banff-Windermere, Banff-Lake Louise, and Banff-Jasper highways. He was a councillor for the Municipality of Rockcliffe Park in Ontario and he was the President of the Trail Riders of the Canadian Rockies in Banff from 1925-1929. Mount Wardle in Vermillion was named after him in 1921. James married Leette on November 4, 1913, with whom he had one child, Dorothy. Born in Calgary, Alberta, Dorothy (also known as Dot and Dorie) grew up in Banff, Alberta and Ottawa, Ontario, due to her father's position with the federal government. She was educated at the Mountain School in Banff and at the Elmwood School in Ottawa. All three family members were graduates of Queen's University in Kingston, Ontario. James graduated in 1912 with a Bachelor of Science in Engineering, Leette graduated with a Bachelor's degree, and in 1942, Dorothy also earned a Bachelor's degree. Dorothy was prominent in student life and active in athletics. In 1941, Dorothy became the first woman elected as President of the Alma Mater Society and during her academic career, Dorothy was a member of the Levana Intercollegiate Debative, University Centenary Committee, and Queen’s War Aid Commission. Dorothy spent her career as a freelance writer however, upon graduation she served as the first Secretary-In-Charge of Records at Carleton College (now Carleton University) from 1942-1944 in Ottawa and in the mid-1950s worked as a secretary for the Glenbow Foundation in Calgary. Dorothy pursued a lifelong interest in traveling, art, and antiques. Although she was fiercely proud and protective of Banff and the Park, and remained a volunteer and patron of the Whyte Museum of the Canadian Rockies, Dorothy eventually settled in Sidney, British Columbia and shared an apartment with Sheila Iris Ritchie, with whom Dorothy travelled extensively. After her death in 2003, Dorothy, "Dorie," was laid to rest alongside her parents in the Old Banff Cemetery.
Scope & Content
Fonds consists of two sous-fonds: M521 and V75.
M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including correspondence with Carl Rungius and Mrs. Helen Brett, and Christmas and other greeting cards from Peter and Catharine Whyte). Series III: Queen's University, 7.5 cm, 1911-1980 (including graduation certificates for each family member and records pertaining to Dorothy's participation on the Alma Mater Society). Series IV: Travel, 44.5 cm, ca.1950-1988 (includes hand-written notebooks meticulously detailing their travels).
V75 consists of two series, 79.5 cm, ca. 1912-2001. Series I: Wardle Family, ca. 1912-1971, 6 albums, 31 cm of photograph prints and negatives (including family trips, trail rides in the Canadian Rocky Mountains, and family gatherings). Series II: Dorothy Wardle, 1972-2001, 34 cm of photograph prints, negatives, and transparencies (including Dorothy's travels in Alberta and British Columbia, overseas, and various outings with friends).
Name Access
Wardle, Dorothy
Wardle, James
Rungius, Carl
Brett, Helen
Keyte, Freeman
Hart, E. J. (Ted)
Harkin, J. B. (James Bernard)
Brewster, Pat
Peyto, Bill
Brett, Robert George
Sanson, Norman
White, Clifford
Drummond-Davies, Nora
Mills, Ike
McLean, George
Walking Buffalo (George McLean)
Kaquitts, Frank
Oxborough, Dorothy
Whyte, Jon
Robinson, Dean
Warren, Mary Schaffer
Simpson, George
Gibbon, John Murray
Whyte, Catharine
Whyte, Peter
Greenham, Margaret
Subject Access
Arts
Environment
Personal and Family Life
Banff
Old Banff Cemetery
Whyte Museum of the Canadian Rockies
Cabins
Travel
Picnics and picnicking
Holidays
Scenery
Christmas
Dogs
Horses
Mountain
Canoes and canoeing
Hiking
Wildlife
War Memorial
Highland Games
Bow River Bridge
Golfing
Anniversary
Horseback riding
Indigenous Peoples
Stoney Nakoda
Education
Snowshoes and snowshoeing
Banff Winter Carnival
Banff Winter Festival
Women
Trails
Trail Riders of the Canadian Rockies
Sports and leisure
Skiing
European travel
Beach
Calgary Herald
Geography
Government
Newspaper
Politics
Research
Banff Public Library
National parks and reserves
Park policy
Parks Canada
Wardens
Ya-Ha-Tinda Ranch
Community life
Mines and mineral resources
History
Immigration and homesteading
Settlement
Organizations
World War II
Biographical
Professional and Personal Life
Grizzly Bears
Fire fighters
Sunshine Village
Teahouses
Banff Indian Days
Regalia
Calgary Stampede
Mountain guides
Mountain School
The Albertan
Crag and Canyon newspaper
Homestead Hotel
Banff Centre
Hot Springs
Superintendents
Automobiles
Natural history
Records
Calendar
Finances
Leases
Legal and Financial
Property
Recreation
Geographic Access
Banff
Banff National Park
Canmore
Alberta
Canada
Canadian Rocky Mountains
Castle Mountain
Bankhead
British Columbia
Glacier National Park
Kootenay National Park
Silver City
Victoria
Scotland
Revelstoke
Yoho National Park
Ottawa
Ontario
Prince Edward Island
Plain of Six Glaciers
Lake Agnes
Lake Louise
Lake Minnewanka
Lake O'Hara
Bow River
Calgary
Sidney
San Francisco
United States
Europe
Germany
Switzerland
France
Spain
Monaco
Italy
Denmark
Austria
Quebec
Windermere
New York
Assiniboine
Ghost River
High River
Quebec City
New Brunswick
Maine
Great Divide
Moraine Lake
Maligne Lake
Columbia Icefield
Washington
Philadelphia
Atlantic City
Larch Valley
Cascade Mountain
Panama
Sulphur Mountain
Field
Emerald Lake
Head Smashed In Buffalo Jump
Takkakaw Falls
Jasper National Park
Athabasca Falls
Okanagan
Kananaskis
Hoodoos
Powell River
Montreal
Access Restrictions
Some restriction/s on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Related Material
Dorothy also donated artwork (by Carl Rungius) to Art and Heritage.
James Morey Wardle fonds (Library and Archives Canada)
Creator
Wardle, Dorothy
Wardle, James M.
Wardle, Leette
Category
Arts
Environment
Education
Exploration, discovery and travel
Family and personal life
First nations
Sports, recreation and leisure
Title Source
Title based on accession records and contents of fonds
Processing Status
Processed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1920 – 1940
Material
skin; glass; metal
Catalogue Number
103.05.0082
Description
A man's buckskin shirt cut from a single piece of buckskin and laced at the sides, edged head cutout and fitted sleeves. The laces draw through from the front to the back and then hang down, becoming part of the fringe, bottom edges are pinked. Other parts, beadwork strips on arms, have fringes han…
  1 image  
Title
Beaded Shirt
Date
1920 – 1940
Material
skin; glass; metal
Dimensions
55.0 x 72.0 cm
Description
A man's buckskin shirt cut from a single piece of buckskin and laced at the sides, edged head cutout and fitted sleeves. The laces draw through from the front to the back and then hang down, becoming part of the fringe, bottom edges are pinked. Other parts, beadwork strips on arms, have fringes hanging from them. Two white beadwork bands are sewn to the shirt coming up the chest, across the shoulders and going down the back, and two like bands running the length of the arms. The beadwork is principally white with brass bead diamonds and triangles surrounded by burgundy and blue outlines.
Subject
Indigenous
beadwork
regalia
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.05.0082
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1920 – 1935
Material
skin; glass; fibre
Catalogue Number
103.05.0084
Description
A white buckskin tunic cut from a single hide, the edges of the hide fringed out in twisted fringe, open at sides (no thongs), and the yoke edged for strength, arms inset at shoulders. White ground beadstrips running down chest over shoulders and down back, beaded on canvas, and beadstrips running …
  1 image  
Title
Beaded Shirt
Date
1920 – 1935
Material
skin; glass; fibre
Dimensions
57.0 x 71.0 cm
Description
A white buckskin tunic cut from a single hide, the edges of the hide fringed out in twisted fringe, open at sides (no thongs), and the yoke edged for strength, arms inset at shoulders. White ground beadstrips running down chest over shoulders and down back, beaded on canvas, and beadstrips running down arms. Ermine trims along arms and down back. Beadstrips of white with stepped squares of orange, dusty rose, and alternated with bent crosses (swastikas) in green.
Subject
Indigenous
beadwork
regalia
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.05.0084
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1925 – 1935
Material
skin; glass
Catalogue Number
103.05.0085
Description
A man's shirt, open along the sides, with long sleeves and notched edge at bottom which is longer at the sides than in the middle. Very thin white buckskin with extremely long fringes along length of sleeves. Bead strips along length of sleeves and over shoulders extending half way down front and b…
  1 image  
Title
Beaded Shirt
Date
1925 – 1935
Material
skin; glass
Dimensions
76.0 x 53.0 x 51.0 cm
Description
A man's shirt, open along the sides, with long sleeves and notched edge at bottom which is longer at the sides than in the middle. Very thin white buckskin with extremely long fringes along length of sleeves. Bead strips along length of sleeves and over shoulders extending half way down front and back, plus beaded triangular panel in centre of back and another in front forming flap to cover front slit opening at neck. All beadwork on light blue background, motif on sleeve strip of rectangle outlined in green, then blue, then yellow, then red, and flanked on each end with yellow diamond and green triangles outlined in dark blue. Similar rectangle motif, different colour sequencing outlining rectangle, at each end of shoulder strip, with large green square outlined with blue, then red atop shoulder and green diamond with red square outlined in white at its centre and a blue toothed rake at the other end, hanging on either side of the shoulder. Triangular panels on front and back have red bar at top with three yellow and red diamonds hanging from it, and a red cross with yellow square at centre beneath. Yellow ochre bands set in from edge along sides of triangle are joined by a green band along the shorter, top side. The two long sides of the panel are surrounded by short fringes with very long fringes at the point at the bottom. The front triangular panel ties across the slit opening at the front of the neck with buckskin ties through two holes through the buckskin, the opposite side being sewn to the shirt. The open sides of the shirt tie together with buckskin things.
Subject
Indigenous
beadwork
regalia
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.05.0085
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
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