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Alice Saltiel-Marshall fonds
https://archives.whyte.org/en/permalink/descriptions338
- Part Of
- Alice Saltiel-Marshall fonds
- Scope & Content
- Fonds pertains to the opening of the Cave and Basin, June 15, 1985; the opening of the Whyte Museum of the Canadian Rockies, June 16, 1985; and the Canada Day Parade at Banff, July 1, 1985. Materials donated in 2022 pertain to Alice Saltiel-Marshall and her career as an artist, ca.1970-2010, includ…
- Date Range
- [1970-2010]
- 1985
- Reference Code
- M591 / V672
- Description Level
- 1 / Fonds
- GMD
- Photograph
- Photograph print
- Part Of
- Alice Saltiel-Marshall fonds
- Description Level
- 1 / Fonds
- Fonds Number
- V672
- M591
- Sous-Fonds
- M591
- V672
- Accession Number
- 6420
- 2022.18
- Reference Code
- M591 / V672
- Date Range
- [1970-2010]
- 1985
- Physical Description
- 31 photographs : prints; col. -- 8 journals -- 3 sketchbooks -- 1 certificae -- 1 CD with digital image files -- ca.25 cm textual records
- History / Biographical
- (Mary) Alice Saltiel-Marshall (1948-2019) was an artist based in Canmore, Alberta, Canada. Alice operated the company Art by Saltiel and had her work displayed and sold at various locations in the Bow Valley, including the Whyte Museum, the Banff Centre, and Avens Gallery.
- Scope & Content
- Fonds pertains to the opening of the Cave and Basin, June 15, 1985; the opening of the Whyte Museum of the Canadian Rockies, June 16, 1985; and the Canada Day Parade at Banff, July 1, 1985. Materials donated in 2022 pertain to Alice Saltiel-Marshall and her career as an artist, ca.1970-2010, including personal journals, sketchbooks, and a certificate naming Alice as a member of the Canmore Art Guild.
- Name Access
- Saltiel-Marshall, Alice
- Access Restrictions
- No restrictions on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Creator
- Saltiel-Marshall, Alice
- Category
- Sports, recreation and leisure
- Biographical Source Notes
- https://artbysaltiel.blogspot.com/
- Title Source
- Title based on accession record
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
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Robert J. McGuinness fonds
https://archives.whyte.org/en/permalink/descriptions276
- Part Of
- Robert J. McGuinness fonds
- Scope & Content
- Fonds consists of two series: I. St. Mary's Parish, ca.1945-1983, 0.16 cm, and contains two sub-series: A. Architecture, ca.1945-1983 (architectural plans, general information); B. Correspondence and Newspaper Clippings (pertaining to Father McGuinness and St. Mary's Parish), 1950-1978. II. McGuinn…
- Date Range
- 1940-1950
- 1954
- 1955
- 1960
- 1977
- 1978
- 1980-1983
- Reference Code
- M460
- Description Level
- 1 / Fonds
- GMD
- Textual record
- Plan
- Postcard
- Private record
- Part Of
- Robert J. McGuinness fonds
- Description Level
- 1 / Fonds
- Fonds Number
- M 460
- Sous-Fonds
- M 460
- Accession Number
- 960
- 3707
- 2018.9000
- Reference Code
- M460
- Date Range
- 1940-1950
- 1954
- 1955
- 1960
- 1977
- 1978
- 1980-1983
- Physical Description
- 1.11 cm of textual records (34 pages : 29 x 42 cm or smaller) -- 9 architectural drawings : annotations ; 89 x 58 cm or smaller
- History / Biographical
- Originally from ancient Iveagh, which is now County Down, Ireland, the McGuinness family eventually migrated to Liverpool at an unknown time. The McGuinness family were provision merchants in Liverpool, but found supplies limited so they emigrated to Canada. Born on June 20, 1886 in Liverpool, Father Robert James McGuinness moved to Belleville, Ontario, Canada with his family in 1890. He had 7 brothers and sisters, including Oswald A. McGuinness, who settled in Invermere, British Columbia. Robert attended St. Lawrence College in Ampleforth, Yorkshire, and completed his studies at St. Servan in Rhiems, France, qualifying as an engineer. He held a position with the federal government upon his return to Canada, however when World War I broke out Robert served in the 29th Battalion of CRTS building pontoons behind European battle lines. After returning to Canada, Robert worked for the Canadian Pacific Railway as an architectural engineer, which brought him west to Banff, Alberta. Robert was the resident architectural engineer overlooking the construction of the Banff Springs Hotel expansion in the 1920's. In the late 1920's, Robert traveled to Rome to enter the seminary and four years later he was ordained as a priest. After serving as priest in Calgary, Robert was appointed Catholic priest in Banff in 1936, where he lived and worked until his death in 1961. To fulfill a personal dream, Robert designed and supervised the construction of the new church building and grounds for St. Mary's Parish (St. Mary's of the Assumption) which was completed in 1951. During his years in Europe, Robert visited ancient churches and cathedrals which influenced the design of the church, primarily the Norman Chateau architectural style. Robert was also a talented artist. Some of his work can be seen in galleries in New York and in Banff. His work has been reproduced for Canadian Pacific Railway tourism material, including the Spiral Tunnels postcard included in this fonds. Robert died in Calgary on June 17, 1961, just shy of his 75th birthday, after being ill for a few months.
- Scope & Content
- Fonds consists of two series:
- I. St. Mary's Parish, ca.1945-1983, 0.16 cm, and contains two sub-series: A. Architecture, ca.1945-1983 (architectural plans, general information); B. Correspondence and Newspaper Clippings (pertaining to Father McGuinness and St. Mary's Parish), 1950-1978.
- II. McGuinness Family, 1953-1977, 1 cm (private records, including handwritten notes, a memoir, and a postcard).
- Notes
- . IYounger brother Oswald was a surveyor who built the road from Invermere to Calgary
- There is some indication that Robert had a role in the construction of the Bow River Bridge or the collection of the stones used for the bridge, but this is unconfirmed
- Name Access
- McGuinness, Robert J.
- Subject Access
- Architecture
- Art
- Banff
- Buildings
- Churches
- Fairmont Banff Springs Hotel
- Family and personal life
- Professional and Personal Life
- Religions
- St. Mary's of the Assumption Catholic Church
- Geographic Access
- Alberta
- Banff
- Banff National Park
- Canada
- Ontario
- Access Restrictions
- No restrictions on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Related Material
- 08.3 / Si 3m / Pam
- 08.3 / B22 stm / Pam
- 08.3 / Sa 2 / Pam
- Creator
- McGuinness, Robert J.
- Category
- Family and personal life
- Religions
- Biographical Source Notes
- Based on contents of the fonds
- https://www.genealogy.com/ftm/g/o/g/Laurie-Goggin/WEBSITE-0001/UHP-0444.html
- "St. Mary's of the Assumption" pamphlet printed by the Crag and Canyon in Banff (08.3/Sa 2/Pam)
- http://www.stmarysparishbanff.ca/history/
- Title Source
- Title based on accession records
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
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Anthropocene : Burtynsky, Baichwal, de Pencier
https://archives.whyte.org/en/permalink/catalogue19825
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator)
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.4 H11a
1 website
- Responsibility
- Curated by Sophie Hackett, Andrea Kunard, Urs Stahel
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 251 pages : illustrations (chiefly color) ; 24 cm
- Subjects
- Photographers
- Photography
- Photography, Aerial
- Art
- Exhibitions
- Exhibition catalogue
- Environment
- Subjects
- Art - Exhibitions
- Art and photography
- Art and society
- Artists
- Color photography
- Design, Industrial - Pictoral works
- Education
- Photographers
- Photographs - Catalogues
- Photography
- Photography - Collections
- Photography - Exhibitions
- Photography - Landscapes
- Photography, Documentary
- Recycling (Waste), etc.
- Video art - Exhibitions
- Abstract
- "A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
- Contents
- Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.4 H11a
- Collection
- Art Library
- URL Notes
- Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
Websites
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For the time being: 2017 Alberta biennial of contemporary art
https://archives.whyte.org/en/permalink/catalogue19843
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Rake, Peta and Kristy Trinier
- Publisher
- Art Gallery of Alberta
- Call Number
- 06.1 P44f
- Responsibility
- Peta Rake and Kristy Trinier
- Publisher
- Art Gallery of Alberta
- Published Date
- 2017
- Physical Description
- [94] pages
- Subjects
- Art
- Banff Centre for Mountain Culture
- Subjects
- Art
- Art History
- Art - Canada - Exhibitions
- Abstract
- Pertains to the biographies and artwork of many young, Canadian artists. The work was created in conjunction with the Banff Centre for Arts and Creativity, located in the heart of the Canadian Rocky Mountains.
- Contents
- Introduction: Catharine Crowston
- Message from Banff Centre: Janice Price
- the end of the world: a conversation between Peta Rake and Kristy Trinier
- Biennials: Lorenzo Fusi
- Artist's work
- ISBN
- 9781771790239
- Accession Number
- 2019.46
- Call Number
- 06.1 P44f
- Collection
- Archives Library
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Higher states: Lawren Harris and his American contemporaries
https://archives.whyte.org/en/permalink/catalogue19836
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Nasgaard, Roald and Gwendolyn Owens
- Publisher
- Fredericton, New Brunswick, Canada : Goose Lane Editions ; Kleinburg, Ontario, Canada : McMichael Canadian Art Collection.
- Call Number
- 06.1 N17h
1 website
- Responsibility
- Roald Nasgaard and Gwendolyn Owens
- Publisher
- Fredericton, New Brunswick, Canada : Goose Lane Editions ; Kleinburg, Ontario, Canada : McMichael Canadian Art Collection.
- Published Date
- 2017
- Physical Description
- 201 pages : illustrations (chiefly colour), portraits ; 27 cm
- Subjects
- Art
- Subjects
- Art
- Art, Canadian
- Harris, Lawren
- Art History
- Abstract
- Lawren Harris sought greater and greater heights as his career progressed; from mountains to states of mind, he aimed to go higher. This iconic Canadian landscape painter took a seemingly unexpected turn toward abstract art in 1934 – the year in which he moved to the United States, where he remained until 1940. Higher States frames Harris in the larger North American context during his years in New Hampshire and New Mexico, and features an important presentation of his US counterparts, including Georgia O’Keeffe, Arthur Dove, and Marsden Hartley. Guest curators Dr. Roald Nasgaard and Gwendolyn Owens investigate the evolution of Harris’s painting from landscape to abstraction and demonstrate his integral role in cross-border artistic developments. (Taken from McMichael: Canadian Art Collection)
- Contents
- Foreward and forward / Sarah Stanners -- Harris's modernity : the engineering draughtsman's instruments / Roald Nasgaard -- A high sort of seeing : Emerson, Harris, and the American moderns / Gwendolyn Owens -- Notes -- Select bibliography -- List of works -- Artist biographies / Emily Baker & Isabella Mello.
- ISBN
- 9780864929655
- Accession Number
- 2019.46
- Call Number
- 06.1 N17h
- Collection
- Archives Library
- URL Notes
- URL pertains to the website in which the abstract was taken from
Websites
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A timeless legacy: women artists of Galcier National Park
https://archives.whyte.org/en/permalink/catalogue19839
- Medium
- Library - Moving image (includes film and digital video - published)
- Published Date
- 2015
- Author
- Ivy, Tabby, Ed Gillenwater, Denny Kellogg and Elizabeth Moss
- Publisher
- Kalispell, Montana : The Hockaday Museum of Art
- Edition
- Signature edition
- Call Number
- 06.1 Iv9a
- Responsibility
- Tabby Ivy, Ed Gillenwater, Denny Kellogg and Elizabeth Moss
- Edition
- Signature edition
- Publisher
- Kalispell, Montana : The Hockaday Museum of Art
- Published Date
- 2015
- Physical Description
- 1 videodisc (52 min.) : sound, color ; 4 3/4 in
- Subjects
- Montana
- Glacier National Park
- Art
- Subjects
- Women artists
- Art
- Art - U.S.
- Art History
- Abstract
- Pertains to the paintings of Glacier National Park completed by various women. While celebrating the contribution of early settler women, the book also recognizes the work of current women who continue to capture the landscape of Glacier National Park in their art work. Contains both photos and biographies of influential women in both the past, and present who had involvement in Glacier National Park.
- Contents
- Full length documentary with artist biographies (52 min.) -- Bonus content (30 min.) -- Glacier stories -- A painter's journal -- On being a professional artist -- A timeless legacy- the exhibition
- Notes
- Book avaliable with DVD
- Accession Number
- 2019.46
- Call Number
- 06.1 Iv9a
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
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Annie Pootoogook: cutting ice
https://archives.whyte.org/en/permalink/catalogue19837
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Campbell, Nancy
- Publisher
- Fredericton, NB : Goose Lane Editions ; Kleinburg, ON : McMichael Canadian Art Collection
- Call Number
- 06.1 C14a
1 website
- Author
- Campbell, Nancy
- Responsibility
- Nancy Campbell
- Publisher
- Fredericton, NB : Goose Lane Editions ; Kleinburg, ON : McMichael Canadian Art Collection
- Published Date
- 2017
- Physical Description
- 173 pages : illustrations (chiefly color) : 27 cm
- Subjects
- Art
- First Nations
- Inuit
- Canadian art
- Subjects
- Art
- First nations - Artists
- Abstract
- This exhibition celebrates the strength and contemporaneity of Pootoogook’s work but also uncovers how it has influenced her peers. Alongside works by Pootoogook, this exhibition will include works of art by Shuvinai Ashoona, Itee Pootoogook, Jutai Toonoo, Ohotaq Mikkigak and Siassie Kenneally, showing how Annie Pootoogook made it possible to begin a different conversation that celebrates Inuit art in new ways in Canada and the world. Bringing these artists’ works and words together in the Cutting Ice exhibition, will celebrate Annie Pootoogook as an important creative catalyst in contemporary art. (Taken from McMichael: Canadian Art Collection)
- Contents
- Director's foreword / Ian A.C. Dejardin -- West Baffin Eskimo Co-operative President's foreword / Pingwartok Ottokie -- West Baffin Eskimo Co-operative: a short history / Nancy Campbell, in consultation with West Baffin Eskimo Cooperative -- Dear Annie... / Nancy Campbel.
- ISBN
- 9781773100692
- Accession Number
- 2019.46
- Call Number
- 06.1 C14a
- Collection
- Archives Library
- URL Notes
- The URL pertains to the site in which the information for the abstract was drawn from
Websites
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I'm not myself at all: women, art, and subjectivity in Canada
https://archives.whyte.org/en/permalink/catalogue19835
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Huneault, Kristina
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Call Number
- 06.1 H89i
- Author
- Huneault, Kristina
- Responsibility
- Kristina Huneault
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Published Date
- 2018
- Physical Description
- xiv, 381 pages : illustrations (some color) ; 26 cm.
- Subjects
- Art
- Philosophy
- Subjects
- Art
- Women artists - Canada
- Art History
- Abstract
- Pertains to the ways in which race, gender, colonization and social expectations influenced art produced by women. The location of analysis is specific to Canada, and thus pertains to the Rocky Mountains in the sense that many artists resided in and around the area where the external pressures would have likely been present. The book provides a thorough analysis into the history and philosophy surrounding women’s art, and the external factors that shaped its evolution in Canada.
- Contents
- Part One: Identities -- Absence: Henrietta Hamilton, Demasduit, and the settler-colonial encounter -- Displacements: Self and home in the art of Frances Anne Hopkins -- Gaps: lived experience and cultural narrative in Helen McNicoll's impressionist canvases -- Part Two: Forces -- Diversity: Identity, difference, and the botanical encounter -- Inclination: Maternity, reverie, and the art of being-with -- Listening: nature and personhood for Emily Carr and Sewin_chelwet (Sophie Frank)
- ISBN
- 9780773553194
- Accession Number
- 2019.46
- Call Number
- 06.1 H89i
- Collection
- Archives Library
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Passion over reason: Tom Thompson and Joyce Wieland
https://archives.whyte.org/en/permalink/catalogue19844
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Stanners, Sarah
- Publisher
- McMichael Canadian Art Collection
- Call Number
- 06.1 St1p
1 website
- Author
- Stanners, Sarah
- Responsibility
- Sarah Stanners
- Publisher
- McMichael Canadian Art Collection
- Published Date
- 2017
- Physical Description
- [163] pages including illustrations
- Subjects
- Art
- Thomson, Tom
- Canadian art
- Subjects
- Thomson, Tom
- Wieland, Joyce
- Art
- Abstract
- Passion Over Reason: Tom Thomson & Joyce Wieland pays tribute to two groundbreaking Ontario-born artists. The title of the exhibition is a deliberate reversal of former Prime Minister Pierre Elliott Trudeau’s oft-quoted personal motto, “Reason over passion”. Consider this exhibition to be a passionate love letter to Tom Thomson and Canada – two subjects at the core of this sesquicentennial year – and a conversation between masterworks by Thomson and by Canada’s feminist art pioneer Joyce Wieland (abstract taken from the McMichael: Canadian Art Collection)
- ISBN
- 9781486804801
- Accession Number
- 2019.46
- Call Number
- 06.1 St1p
- Collection
- Archives Library
- URL Notes
- URL pertains to the McMichael: Canadian Art Collection website in which the abstract was drawn from
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The artist herself : self-portraits by Canadian historical women artists
https://archives.whyte.org/en/permalink/catalogue19841
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2015
- Author
- Boutilier, Alicia and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Call Number
- 06.1 B66t
1 website
- Variant Title
- L'artiste elle-me^me : autoportraits de femmes artistes au Canada
- Responsibility
- Alicia Boutilier and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Published Date
- 2015
- Physical Description
- 173 pages : illustrations (some colour) ; 31 cm
- Subjects
- Art
- Subjects
- Artists - Canada
- Exhibitions
- Art
- Women artists
- Abstract
- Drawing upon our fascination with self-portraits, The Artist Herself expands the genre’s definition by moving beyond the human face to propose other forms of self-representation, from both settler and Indigenous perspectives. The result is a thought-provoking selection of 55 works by 42 women artists in a range of media, including paintings, textiles, photographs and film. Both renowned and lesser-known artists are featured: Pitseolak Ashoona, Simone Mary Bouchard, Emily Carr, Paraskeva Clark, Martha Eetak, Artis Lane, Caroline Gros Louis, Alice Egan Hagen, Frances Anne Hopkins, E. Pauline Johnson, Maud Lewis, Pegi Nicol MacLeod, Hannah Maynard, Daphne Odjig, Princess Louise, Mary Hiester Reid and Marian Dale Scott. From Johnson’s performance costumes representing her dual Mohawk and Euro-Canadian identity to Carr’s painting of herself from the back at her easel, from Maynard’s playful photographs of her multiple selves to Ashoona’s sly comment on her participation in the Inuit art market, these works open up new avenues of inquiry and new understandings of the realities and perspectives of women in Canadian society before 1970. Most important, the exhibition reveals the ways in which women artists have given profound expression to their identities
- Contents
- Foreword / Avant-propos -- Lenders / Pre^teurs -- Acknowledgements / Remerciements -- The artist herself = L'artiste elle-me^me / Alicia Boutilier & Tobi Bruce -- Cree dolls / Sherry Farrell Racette -- Elizabeth Simcoe / Erin Wall -- Katherine Jane Ellice / Arlene Gehmacher -- Shanawdithit / Fiona Polack -- Mary Ann Scrimes & Elizabeth Jane Turner / Janice Helland -- Lady Belleau & Lady Glover / Andrea Kunard -- Frances Anne Hopkins & Princess Louise / Kristina Huneault -- E. Pauline Johnson / Carla Taunton -- E. Pauline Johnson / Paula Whitlow -- Hannah Maynard / Jennifer Salahub -- Maud Darling / Jennifer Salahub -- Bertha May Ingle / Mary Thompson & David Beattie -- Mattie Gunterman / Susan Close -- Caroline Gros Louis / Annette de Stecher -- Emily Carr / Lisa Baldiserra -- Martha (Muqyunnik) Eetak / Maureen Matthews -- Marion Long / Janice Anderson -- Margaret Watkins / Mary O'Connor -- Dorothea Mitchell / Kelly Saxberg -- Sylvia Daoust / Joyce Millar -- Paraskeva Clark / Panya Clark -- Pegi Nicol MacLeod / Laura Brandon -- Simone Mary Bouchard / Laurier Lacroix -- Marian Dale Scott / Esther Tre´panier -- Maud Lewis / Erin Morton -- Elizabeth Harrison / Dorothy Farr -- Suzanne Duquet / Miche`le Grandbois -- Artis Lane / Artis Lane -- Molly Lamb Bobak / Amber Lloydlangston -- Cecil Buller / Sandra Dyck -- Jessie Oonark & Inuit Doll / Heather Igloliorte -- Kenojuak Ashevak / Kenojuak Ashevak -- Christiane Pflug / Georgiana Uhlyarik -- Daphne Odjig / Greg Hill -- Margaret Frank & Marion Wilson / Andy Everson -- Pitseolak Ashoona / Norman Vorano -- Exhibition list = Liste des œuvres -- Contributors = Contributeurs.
- Notes
- Some of the essays are in English, while others are in French
- ISBN
- 9781553394075
- Accession Number
- 2019.46
- Call Number
- 06.1 B66t
- Collection
- Archives Library
- URL Notes
- The URL pertains to the website in which the abstract was drawn from
Websites
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