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Luxton family fonds
https://archives.whyte.org/en/permalink/descriptions588
- Part Of
- Luxton family fonds
- Scope & Content
- Fonds consists of textual, visual and sound materials pertaining to Norman Luxton, Eleanor Luxton and their family members and friends (including Georgina Luxton, Norman's parents and siblings, and members of the Ross, Graham and McDougall families). Includes correspondence, personal and profession…
- Date Range
- [ca.1860]-1995
- Reference Code
- LUX
- Description Level
- 1 / Fonds
- GMD
- Photograph
- Cabinet card
- Framed print
- Negative
- Sound recording
- Cassette
- Textual record
- Corporate record
- Private record
- Published record
- Scrapbook
1 Electronic Resource
- Part Of
- Luxton family fonds
- Description Level
- 1 / Fonds
- Fonds Number
- LUX
- Sous-Fonds
- LUX
- Accession Number
- Lux1 - EL estate, 1996
- Lux2 - Whyte Museum, 2000
- Lux3 - Glenbow Archives, 2001
- Reference Code
- LUX
- GMD
- Photograph
- Cabinet card
- Framed print
- Negative
- Sound recording
- Cassette
- Textual record
- Corporate record
- Private record
- Published record
- Scrapbook
- Other Title Info
- Also known as the Eleanor Luxton archives
- Date Range
- [ca.1860]-1995
- Physical Description
- ca.32.1 m of textual records (29.3 m textual records, 47 scrapbooks) -- ca.7290 photographs (ca.5300 b&w and col. prints, ca.1915 negatives, 75 transparencies, 2 tintypes) -- 17 albums -- ca.74 cm sound recordings (29 CDs, 45 audio cassettes, 17 R120 DAT tapes, 1 VHS, 8 voicewriter discs)
- History / Biographical
- The Norman Luxton family was a prominent family in Banff, Alberta, Canada from 1904 until 1962. Daughter Eleanor Luxton maintained the family's position in the town until her death in 1995.
- Publisher and businessman Norman K. Luxton, 1876-1962, was the son of Winnipeg Free Press co-founder William Luxton. After working for the Winnipeg Free Press, Norman Luxton travelled, then joined the Calgary Herald for eight years. In 1901, he journeyed 10,000 miles on the Pacific in the dug-out canoe Tilikum. After becoming ill, Luxton abandoned the trip in Fiji and came to Banff to recuperate. The around-the-world trip was subsequently completed by his sailing partner, Capt. John Voss.
- Luxton bought Banff's Crag and Canyon newspaper in 1902 and remained as publisher until 1951. Also in 1902, he established the Sign of the Goat Curio store which specialized in Stoney Indian handicrafts and taxidermy specimens. Other significant Luxton businesses were the King Edward Hotel and Livery, Luxton Bros. insurance (with brother Louis Luxton) and the Lux Block, which included a hotel, the Lux Theatre and retail stores.
- In 1904, Norman Luxton married Georgina (Georgie) Elizabeth McDougall, 1870-1965, of the pioneer missionary McDougall family of Morley, Alberta. In addition to her McDougall connections, Georgie Luxton was related by marriage to Senator George Ross. Norman and Georgie Luxton had one child, Eleanor Georgina, born in Banff in 1908.
- The Luxtons were important Banff "boosters" with involvement in numerous local organizations and events. Norman Luxton managed the Banff Indian Days from 1909 to 1950, was a founder of Banff Winter Carnival and was involved with native events at the Calgary Stampede for 25 years. In 1953, Norman established a museum to house his native artifacts. The Luxton Museum was built in co-operation with Eric Harvie of the Glenbow Foundation of Calgary. After Luxton's death, the museum continued to be managed by the Glenbow until 1992.
- Eleanor Luxton, 1908-1995, was a writer, historian, researcher, engineer, teacher and business woman. After graduating from high school in Banff in 1926, she attended the University of Alberta from 1926 until 1939, receiving degrees in history (BA '30, MA'33), a Diploma in Education (1931) and subsequent education, biology and natural history courses during the summers.
- Between 1937 and 1956, Eleanor received further degrees and certificates from studies at Garbutt Business College (Calgary), St. Stephen's College (Edmonton), Ottawa Technical High School, Havergal Ladies College (Ontario), St. George Williams College (Montreal), McGill University (Montreal) and the Banff School of Fine Arts. Subjects studied included office practices, shorthand, machine draughting, English, civil engineering (BSc '46), German, broadcast writing, management, commerce, accounting and commercial law.
- Eleanor Luxton's extensive education overlapped and preceded a long and varied professional career. Her teaching career extended from high school teacher in Alberta (Banff and Sexsmith), 1933-1940, to university lecturer in Montreal in the 1950s. During the 1940s, she worked in locomotive design for the CPR in Montreal. Beginning in 1956 and continuing until 1965, when she returned to Banff to care for her mother, Eleanor worked throughout southern Alberta as a field researcher for Calgary's Glenbow Foundation. From 1965 until her death in 1995, Eleanor remained in Banff in her family home and pursued an active career in writing and research.
- Scope & Content
- Fonds consists of textual, visual and sound materials pertaining to Norman Luxton, Eleanor Luxton and their family members and friends (including Georgina Luxton, Norman's parents and siblings, and members of the Ross, Graham and McDougall families). Includes correspondence, personal and professional records, financial documents, organization and volunteer records, business and property records, scrapbooks and albums, research materials, candid and professional portraits, various collected materials, and other related content.
- Notes
- Fonds consists of three sous-fonds:
- I. Norman Luxton sous-fonds, [ca.1880]-1962, ca. 7.5 m. of textual records and photographs in four series: A. Correspondence, B. Business, financial and legal, C. Personal, D. Personal and professional, E. Collected materials.
- II. Eleanor Luxton sous-fonds, [ca.1890]-1995, ca. 15 m. of textual records, sound recordings and photographs in six series: A. Correspondence, B. Professional, C. Personal, D. Business, financial and legal, E. Travel and events, F. Collected materials.
- III. Luxton family sous-fonds, 1836-1972, ca.6.5 m. of textual records and photographs in four series: A. Norman Luxton family series, [ca.1900-ca.1970]; B. Georgina Luxton series, [ca.1890]-1967; C. Related family series, [ca.1890]-1972; D. Other material series, 1836-1970; E. Luxton family home records [1996].
- Name Access
- Luxton, Eleanor
- Luxton, Georgina
- Luxton, Norman
- Subject Access
- Arts
- Commerce and industry
- Education
- Exploration, discovery and travel
- Family and personal life
- First Nations
- Professional and Personal Life
- Sports, recreation and leisure
- Research
- Access Restrictions
- Some restriction/s on access
- Copyright, privacy, commercial use and other restrictions may apply
- Reproduction Restrictions
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Finding Aid
- Finding aids and reference tools: electronic finding aid for processed material
- box list for unprocessed material
- Category
- Arts
- Commerce and industry
- Education
- Exploration, discovery and travel
- Family and personal life
- First nations
- Sports, recreation and leisure
- Title Source
- Title based on contents of fonds
- Processing Status
- Processed
Electronic Resources
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Peter and Catharine Whyte fonds
https://archives.whyte.org/en/permalink/descriptions36
- Part Of
- Peter and Catharine Whyte fonds
- Scope & Content
- Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse …
- Date Range
- 1856-1980
- Reference Code
- M36 / S37 / V683
- Description Level
- 1 / Fonds
- GMD
- Drawing
- Motion picture
- Film
- Photograph
- Album
- Ambrotype
- Cased photograph
- Daguerreotype
- Negative
- Photograph print
- Postcard
- Tintype
- Transparency
- Sound recording
- Cassette
- Reel to reel
- Textual record
- Plan
- Poster
- Private record
- Published record
1 Electronic Resource
- Part Of
- Peter and Catharine Whyte fonds
- Description Level
- 1 / Fonds
- Fonds Number
- M36 / V683 / S37
- Sous-Fonds
- TBD
- Accession Number
- 3069 and various
- Reference Code
- M36 / S37 / V683
- GMD
- Drawing
- Motion picture
- Film
- Photograph
- Album
- Ambrotype
- Cased photograph
- Daguerreotype
- Negative
- Photograph print
- Postcard
- Tintype
- Transparency
- Sound recording
- Cassette
- Reel to reel
- Textual record
- Plan
- Poster
- Private record
- Published record
- Other Title Info
- Also known as the Whyte family fonds
- Date Range
- 1856-1980
- Physical Description
- 25 m of textual records. -- ca.46,000 photographs : prints, albums, postcards, cased photographs, transparencies, negatives. -- 178 sound recordings : audio tape reels, audio tape cassettes. -- 6 motion pictures (and film strips)
- History / Biographical
- Peter and Catharine Whyte were artists, photographers, outdoor enthusiasts, travelers, philanthropists and cultural workers at Banff, Alberta, Canada. Peter Whyte, 1905-1966, was born at Banff in 1905 to pioneer merchant Dave White and Annie (Curren) White. He was an accomplished skier and ski jumper and one of the region's first native-born painters with an intimate knowledge of the mountains and was an active photographer from ca.1920 until the 1950s. Peter Whyte studied art at the Otis Art Institute, Los Angeles, 1923-1924, and at the School of the Museum of Fine Arts at Boston, 1925, where he met Catharine Robb. Catharine Robb Whyte, 1906-1979, was born in 1906 at Concord, Massachusetts and grew up amongst the wealth and creativity of the Robb and Morse families. She studied at the School of the Museum of Fine Arts at Boston, 1925-1929.
- Following their marriage in 1930, the Whytes pursued a life of painting, photography, hiking, skiing and travelling. Their log home and studio in Banff became a focal point for their artist friends, Stoney Indians and local pioneers. Catharine shared Pete's involvement in skiing and hiking organizations and together they managed Skoki Lodge from 1932-1934. In following years, the Whytes travelled extensively. During the Second World War, Peter served in the reserve army, with the Royal Canadian Air Force as a photographer and, briefly, as an official war artist. Catharine continued to paint and maintain their home and, when possible, accompanied Pete to his military postings. In civilian life, Pete resumed his art career, explored new photographic techniques and sculpted.
- Throughout the 1950s and 1960s, the Whytes formulated plans for a foundation to preserve the art and history of the Canadian Rockies. Plans for a building to house an archives, public library and gallery were in preparation when Pete died in 1966. The Peter Whyte Foundation was named in his honour. Catharine immersed herself in the development of what is now the Whyte Museum of the Canadian Rockies, in the cultural community, painting, outdoor activity, travel and work with the Stoney First Nations. She became a more active photographer, recording her travels and outdoor pursuits. She served in an official capacity with numerous cultural and charitable organizations, was a patron to individuals studying art and music, and supported numerous causes relating to the Stoney First Nations. Catharine also supported causes related to multiculturalism, regional culture and recreation, and cancer research. Despite her modesty and often anonymous patronage of causes, Catharine was recognized with numerous awards and honours, including the Order of Canada in 1978. She died in Banff in 1979.
- Scope & Content
- Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse families, Series III: White and Curren families. Within Series I, there are four Sub-series: Series: A. Catharine Robb Whyte papers; B. Peter Whyte papers; C. Peter and Catharine Whyte papers accessioned after 2017; D. Peter and Catharine Whyte sound recordings.
- Name Access
- Whyte, Peter
- Whyte, Catharine
- Subject Access
- Arts
- Communications
- Environment
- Exploration, discovery and travel
- Family and personal life
- First nations
- Sports, recreation and leisure
- Access Restrictions
- Some restriction/s on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Finding Aid
- Finding aids and reference tools: arrangement outline
- sous-fonds, series and file description for textual
- sub-series and group description for photographs
- item description, subject/proper name index, and summaries for sound recordings
- reference copies for sound recordings
- Creator
- Whyte, Peter
- Whyte, Catharine
- Category
- Arts
- Communications
- Environment
- Exploration, discovery and travel
- Family and personal life
- First nations
- Sports, recreation and leisure
- Title Source
- Title based on contents of fonds
- Processing Status
- Processed
Electronic Resources
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Indigenous family photographs
https://archives.whyte.org/en/permalink/descriptions55517
- Part Of
- Luxton family fonds
- Scope & Content
- Frame contains three photographs depicting unidentified Indigenous people. Images (left to right) depict: a man in a decorated shawl standing in a snowy area; a family of three women and one man; and a woman in a dress and apron with a second woman visible in the background.
- Date Range
- [ca.1900-1920]
- Reference Code
- LUX / II / F2 / PC - 2
- Description Level
- 6 / Item
- GMD
- Photograph
- Framed print
- Part Of
- Luxton family fonds
- Description Level
- 6 / Item
- Fonds Number
- LUX
- Series
- LUX / II / F : Collected material
- Sous-Fonds
- LUX / II : Eleanor Luxton sous-fonds
- Sub-Series
- LUX / II / F2: Photographs
- Accession Number
- LUX
- Reference Code
- LUX / II / F2 / PC - 2
- Date Range
- [ca.1900-1920]
- Physical Description
- 3 photographs : b&w framed prints ; 32.5 x 18.5 cm
- Scope & Content
- Frame contains three photographs depicting unidentified Indigenous people. Images (left to right) depict: a man in a decorated shawl standing in a snowy area; a family of three women and one man; and a woman in a dress and apron with a second woman visible in the background.
- Material Details
- Simple wooden frame with string fastened to back with nails for hanging. Three photographs in frame with grey paper border covering edges
- Subject Access
- Family and personal life
- Indigenous Peoples
- First Nations
- Family
- Portrait
- Photography
- Language
- N/A
- Title Source
- Title based on contents of file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Indigenous portrait given to Norman Luxton by W. Langdon Kihn
https://archives.whyte.org/en/permalink/descriptions55610
- Part Of
- Luxton family fonds
- Scope & Content
- File consists of one signed copy of a portrait of an unidentified Indigenous man by artist W. Langdon Kihn. Portrait was gifted to Norman Luxton by Kihn in 1922.
- Date Range
- 1922
- Reference Code
- LUX / I / D1 / 17
- Description Level
- 5 / File
- GMD
- Drawing
1 image
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / I / D : Personal and professional
- Sous-Fonds
- LUX / I : Norman Luxton sous-fonds
- Sub-Series
- LUX / I / D1 : Personal and family life
- Accession Number
- LUX
- Reference Code
- LUX / I / D1 / 17
- GMD
- Drawing
- Responsibility
- Produced by W. Langdon Kihn
- Date Range
- 1922
- Physical Description
- 1 drawing : portrait, pencil and ink ; 29 x 37.5 cm
- History / Biographical
- Wilfred Langdon Kihn (1898-1957) was an American artist born in Brooklyn, New York. Kihn was best known for his illustrated portraits of American and Canadian Indigenous people, including members of the Blackfoot, Navajo, Pueblo and Tsimshian communities. The individuals in Kihn's portraits were most often depicted wearing traditional and ceremonial clothing rather than their typical clothes. Kihn's art career began in 1919 when he travelled to Montana and created some of his earliest portraits while visiting the Blackfeet Reservation. Throughout the 1920s, Kihn travelled extensively in Canada and the United States, creating portraits of individuals from a diverse range of Indigenous communities. Many of these portraits were put on display as part of a travelling exhibition organized by the Brooklyn Museum. In 1935, Kihn was commissioned by National Geographic to produce Indigenous portraits for publications; this ultimately led to a two-decade career with National Geographic.
- Scope & Content
- File consists of one signed copy of a portrait of an unidentified Indigenous man by artist W. Langdon Kihn. Portrait was gifted to Norman Luxton by Kihn in 1922.
- Notes
- Portrait is signed in the bottom left corner: "To "Norm" Luxton From his friend W. Langdon Kihn. 1922"
- Name Access
- Luxton, Norman
- Kihn, W. Langdon
- Subject Access
- Portrait
- First Nations
- Indigenous Peoples
- Art
- Artist
- Language
- English
- Category
- Arts
- First nations
- Indigenous Peoples
- Biographical Source Notes
- https://www.nytimes.com/1983/02/20/nyregion/art-indian-portraits-by-kihn-exhibited.html
- https://www.aaa.si.edu/collections/w-langdon-kihn-papers-7081
- Title Source
- Title based on contents of file
- Processing Status
- Processed
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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A Native Heritage
https://archives.whyte.org/en/permalink/descriptions54799
- Part Of
- Luxton family fonds
- Scope & Content
- File consists of one large booklet/portfolio containing biographical information, illustrations, and 10 copies of painted colour portraits all pertaining to Indigenous chiefs. Individuals depicted are: Crowfoot [Southern Blackfoot], Old Sun [Northern Blackfoot], Red Crow [Southern Blood tribe], Bul…
- Date Range
- [1970-1980]
- Reference Code
- LUX / II / F1 / 55
- Description Level
- 5 / File
- GMD
- Textual record
- Published record
- Drawing
- Painting
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / II / F : Collected material
- Sous-Fonds
- LUX / II : Eleanor Luxton sous-fonds
- Sub-Series
- LUX / II / F1 : Textual
- Accession Number
- LUX
- Reference Code
- LUX / II / F1 / 55
- Responsibility
- Art produced by Mort Graham
- Date Range
- [1970-1980]
- Physical Description
- 0.5 cm of textual records (1 volume ; 38 x 48 cm)
- Scope & Content
- File consists of one large booklet/portfolio containing biographical information, illustrations, and 10 copies of painted colour portraits all pertaining to Indigenous chiefs. Individuals depicted are: Crowfoot [Southern Blackfoot], Old Sun [Northern Blackfoot], Red Crow [Southern Blood tribe], Bull Head [Sarcee], Eagle Tail [North Piegans], Poundmaker [Cree], Medicine Calf [Southern Blood tribe], Big Bear [Cree], Big Plume [Sarcee], and Pakan [Wood Cree]. Collection also includes historical information pertaining to Indigenous history in Western Canada written by Dr. James G. MacGregor, and a map depicting Indigenous treaty boundaries in and around the Rocky Mountains.
- Notes
- Date range provided is estimate by Processing Archivist
- Name Access
- Graham, Mort
- MacGregor, James
- Subject Access
- Indigenous Peoples
- History
- Art
- Artist
- Portrait
- Biography
- Geography
- Government
- Geographic Access
- Canada
- United States of America
- Canadian Rocky Mountains
- Rocky Mountains
- Reproduction Restrictions
- Copyright restrictions may apply
- Language
- English
- Category
- Arts
- First nations
- Title Source
- Title based on contents of file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Stony Chiefs Stampede 1912
https://archives.whyte.org/en/permalink/descriptions55529
- Part Of
- Luxton family fonds
- Scope & Content
- Photograph depicts approximately 60 Indigenous men on horses dressed in traditional regalia, including Stoney Nakoda chiefs, gathered at the Calgary Stampede in 1912.
- Date Range
- 1912
- Reference Code
- LUX / II / F2 / PC - 15
- Description Level
- 6 / Item
- GMD
- Photograph
- Framed print
- Part Of
- Luxton family fonds
- Description Level
- 6 / Item
- Fonds Number
- LUX
- Series
- LUX / II / F : Collected material
- Sous-Fonds
- LUX / II : Eleanor Luxton sous-fonds
- Sub-Series
- LUX / II / F2 : Photographs
- Accession Number
- LUX
- Reference Code
- LUX / II / F2 / PC - 15
- Date Range
- 1912
- Physical Description
- 1 photograph : b&w framed print ; 43 x 11.5 cm
- Scope & Content
- Photograph depicts approximately 60 Indigenous men on horses dressed in traditional regalia, including Stoney Nakoda chiefs, gathered at the Calgary Stampede in 1912.
- Notes
- Text on back of frame reads: "Stony[sic] Chiefs Stampede 1912"
- Material Details
- Photograph is in simple black wooden frame with plain beige paper backing and metal hanging wire attached.
- Subject Access
- Indigenous Peoples
- First Nations
- Cultural pluralism
- Horses
- Events
- Public events
- Calgary Stampede
- Regalia
- Geographic Access
- Canada
- Alberta
- Calgary
- Language
- English
- Title Source
- Original title used
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.