Narrow Results By
Banff Lantern Slides
https://archives.whyte.org/en/permalink/descriptions21760
- Part Of
- Archives General File Collection
- Scope & Content
- Series consists of 4 lantern slides. Slides are views of the Banff Hot Springs, Banff Avenue with Cascade Mountain, Devil's Lake, and the city of Calgary.
- Date Range
- [c. 1890]
- Reference Code
- V8 / 7919 / PS - 1 to PS - 4
- Description Level
- 3 / Series
- GMD
- Transparency
- Lantern slide
4 images
- Part Of
- Archives General File Collection
- Description Level
- 3 / Series
- Fonds Number
- M8 / V8 / S8
- Series
- Accession Number : 7919
- Sous-Fonds
- V8
- Accession Number
- 7919
- Reference Code
- V8 / 7919 / PS - 1 to PS - 4
- Date Range
- [c. 1890]
- Physical Description
- 4 photographs : b&w slides ; 8.2 x 8.2 cm
- Scope & Content
- Series consists of 4 lantern slides. Slides are views of the Banff Hot Springs, Banff Avenue with Cascade Mountain, Devil's Lake, and the city of Calgary.
- Subject Access
- Lantern slide
- Tourism
- Geographic Access
- Banff
- Calgary
- Alberta
- Canada
- Language
- English
- Conservation
- All slides were cleaned prior to scanning.
- Title Source
- Title based on contents of series
- Processing Status
- Processed
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Archives General File collection
https://archives.whyte.org/en/permalink/descriptions451
- Part Of
- Archives General File Collection
- Scope & Content
- The Archives General File is an artificial collection of accessions which do not constitute separate fonds or collections or cannot be placed within existing fonds or collections. Included in the collection are textual records of many types, such as manuscripts, reports, letters, diaries, speeches…
- Date Range
- [after 1890]
- Reference Code
- M8 / S8 / V8
- Description Level
- 1 / Fonds
- GMD
- Motion picture
- Film
- Video
- Photograph
- Album
- Framed print
- Negative
- Photograph print
- Postcard
- Transparency
- Sound recording
- Cassette
- Reel to reel
- Textual record
- Diary
- Plan
- Private record
- Published record
- Part Of
- Archives General File Collection
- Description Level
- 1 / Fonds
- Fonds Number
- M 8
- S 8
- V 8
- Sous-Fonds
- M8 / S8 / V8
- Accession Number
- Numerous. Access to material via accession number is available through the online database
- Reference Code
- M8 / S8 / V8
- GMD
- Motion picture
- Film
- Video
- Photograph
- Album
- Framed print
- Negative
- Photograph print
- Postcard
- Transparency
- Sound recording
- Cassette
- Reel to reel
- Textual record
- Diary
- Plan
- Private record
- Published record
- Date Range
- [after 1890]
- Physical Description
- 57 cm textual records. -- 50 cm of photographs : prints. -- 189 photographs (15 framed prints, 51 transparencies, 79 negatives; 44 copy negatives). -- 3 photograph albums (139 prints). -- 6 motion pictures. -- 9 sound recordings
- Scope & Content
- The Archives General File is an artificial collection of accessions which do not constitute separate fonds or collections or cannot be placed within existing fonds or collections. Included in the collection are textual records of many types, such as manuscripts, reports, letters, diaries, speeches, poetry, plans and others; photographs in the form of prints, negatives, transparencies, albums, postcards, etc.; sound recorded interviews and programmes; and motion pictures. Material pertains broadly to the Banff area and many other areas within the Archives collecting mandate.
- Notable items include: Walter Wilcox letter; George Kinney report; interviews with Bill Round and Edward Feuz; original copy of Treaty Number Seven; Mary Schaffer material, including letters, notes, photograph and report; reports on the Nakimu Caves; film pertaining to Banff Winter Carnival; Georgia Engelhard letters and photos; plans for buildings and structures; George Noble photograph; W. S. Park photograph.
- Name Access
- Archives General File
- Subject Access
- Exploration, discovery and travel
- Family and personal life
- First Nations
- Sports, recreation and leisure
- Access Restrictions
- No restrictions on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Finding Aid
- Finding aids and reference tools: electronic database
- Category
- Exploration, discovery and travel
- Family and personal life
- First nations
- Sports, recreation and leisure
- Title Source
- Title describes nature of collection. Individual titles in accession-level inventory have generally been assigned.
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Children's Coloured Lantern Slides
https://archives.whyte.org/en/permalink/descriptions54644
- Part Of
- Archives General File Collection
- Scope & Content
- Series contains 35 children's magic lantern slides done in colour, machine-printed rather than hand-painted. There are 4 distinct grouping of the slides: 2019.88-1-12 depict the story "The Transvaal War" [manufactured in 1895?]. Each slide has 3 seperate images with black borders and are numbered s…
- Date Range
- [c.1895]
- Reference Code
- V8 / 2019.88 / PS - 1 to PS - 35
- Description Level
- 3 / Series
- GMD
- Transparency
- Lantern slide
35 images
- Part Of
- Archives General File Collection
- Description Level
- 3 / Series
- Fonds Number
- M8 / V8 / S8
- Series
- Accession Number : 2019.88
- Sous-Fonds
- V8
- Accession Number
- 2019.88
- Reference Code
- V8 / 2019.88 / PS - 1 to PS - 35
- Date Range
- [c.1895]
- Physical Description
- 35 photographs : col. slides ; 6.5 x 22.5 cm
- History / Biographical
- The Ernst Plank Company (EP) was located in Nerumberg, Germany and operated from 1866 until 1930. The company was known for their production of copper and tin toys, specifically stationary and locomotive toy steam engines and carriages, they also produced a variety of magic lanterns and lantern slides. When they first began producing lantern slides, the standard shape of a slide was a square piece of glass about 8cm x 8cm and, depending on the style of magic lantern being used, may have a wooden frame built around the glass. Styles changed as methods for printing slides and lantern designs advanced – by the 1880’s the wooden frame was removed entirely from the slides and replaced with thin strips of coloured binding tape that protected fingers from the glass edges. Originally, hand painted black silhouette images on glass or wax paper were used to create projected pictures, followed closely by the use of colour paints to create entire scenes. Printed images soon replaced hand-painted slides, allowing for cheaper production and more widespread use. A popular format for commercially manufactured lantern slides was a long piece of glass (usually no more than 23cm long) on which multiple images could be printed in order to tell a smoother story. This allowed for two different kinds of display. The first display has smaller pictures printed in circular or square frames with a solid black border and shown as independent images of a larger narrative with pauses in between. The second display option for these slides is as a panoramic scene with the entire area coloured in (or just with figures displayed like on a stage) so they could seamlessly slide from one side to the other. This long thin kind of slide was ideal for home use and could be easily handled by children. Ernst Plank also produced a toy magic lantern out of lightweight tin that could be lit with a small oil lamp specifically for use by children. Slides meant for that kind of lantern were printed on celluloid or on a single plane of glass with a thin layer of transparent lacquer to protect the image. This created a thinner, more lightweight and less delicate slide ideal for small hands. When a toy magic lantern was purchased it came with 1 or 2 sets (each set consisting of 12 slides) in the lantern’s box, additional sets of a particular theme could be purchased independently. Magic lanterns varied greatly in design and material depending on the use. Professional showmen would have multi-lens lanterns lit by powerful chemicals or high-voltage lightbulbs that would allow them to project clear images onto a large screen for a theater audience. There were also simpler lanterns that could be powered by oil lamps, multi-wick candles, gas lighting, or electricity in the home. One of the most popular themes for slide shows where images from international travel, but domestic scenes, Christmas, and famous historic battles were also very common.
- Scope & Content
- Series contains 35 children's magic lantern slides done in colour, machine-printed rather than hand-painted. There are 4 distinct grouping of the slides:
- 2019.88-1-12 depict the story "The Transvaal War" [manufactured in 1895?]. Each slide has 3 seperate images with black borders and are numbered sequentially so that the showman could keep track. There is no maker's mark, but according to a note placed in the accompanying lantern slide box, this set was made by the Ernst Plank Company. The slides depict protraits of men in various uniforms, battle scenes, and soldiers in uniform. Each silde is bordered with green paper in good condition.
- 2019.88-13-16 are unrelated EP slides bordered in red paper of varying condition. 13 has 4 travel images seperated with a black border; 14 is a long slide showing 4 boys in play dress as a marching band; 15 is a panoramic sea scape with ships and a harbour. A section of the coloured glass along the top slightly to the left of centre has been chipped off; 16 is a panoramic pastoral Dutch scene set in the springtime. The supporting glass piece has been badly damaged and is missing on the left end of the slide.
- 2019.88-17-28 are all travel scenes with 4 images to a slide seperated with a black border and no maker's mark. The images contain a mixture of people, animals, buildings and temples (mainly made from stone), boats, and landscapes from North America, Africa (with an emphasis on Egypt), and what could be either South America or Eurasia. All slides are bordered in red paper of fair to good condition.
- 2019.88-29-35 are unrelated EP slides of various styles bordered in red paper in fair to good condition. 29 depicts 4 caricature portraits with a black border; 30, 32, 34 are long slides with 4 individuals on each that are not seperated from eachother with borders, but are not part of a larger scene; 31, 33, 35 are all panoramic pastoral Dutch scenes set in both springtime and winter.
- Notes
- Accompanying the slides is what appears to be an original lantern slide box, made of wood and covered in faded purple paper with a steam engine train image on the top and a logo containing the intials "E.P." The logo consists of a 4-spoke wheel with wings on either side and 3 stars above. One short end of the box is missing and the sliding lid is either warped or stuck and does not open. A sticky note placed inside the box states that the green-line lantern slides (2019.88/PS-1 to PS-12) accompanied the box.
- Subject Access
- Lantern slide
- Children
- Education
- Entertainment
- Language
- N/A
- Conservation
- New binding tape, supports for broken glass
- Creator
- Ernst Plank Company
- Biographical Source Notes
- https://www.luikerwaal.com/newframe_uk.htm?/merk_ep1_uk.htm
- https://libraries.psu.edu/findingaids/2328.htm#toc
- Title Source
- Title based on contents of series.
- Processing Status
- Processed
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Peter and Catharine Whyte fonds
https://archives.whyte.org/en/permalink/descriptions36
- Part Of
- Peter and Catharine Whyte fonds
- Scope & Content
- Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse …
- Date Range
- 1856-1980
- Reference Code
- M36 / S37 / V683
- Description Level
- 1 / Fonds
- GMD
- Drawing
- Motion picture
- Film
- Photograph
- Album
- Ambrotype
- Cased photograph
- Daguerreotype
- Negative
- Photograph print
- Postcard
- Tintype
- Transparency
- Sound recording
- Cassette
- Reel to reel
- Textual record
- Plan
- Poster
- Private record
- Published record
1 Electronic Resource
- Part Of
- Peter and Catharine Whyte fonds
- Description Level
- 1 / Fonds
- Fonds Number
- M36 / V683 / S37
- Sous-Fonds
- TBD
- Accession Number
- 3069 and various
- Reference Code
- M36 / S37 / V683
- GMD
- Drawing
- Motion picture
- Film
- Photograph
- Album
- Ambrotype
- Cased photograph
- Daguerreotype
- Negative
- Photograph print
- Postcard
- Tintype
- Transparency
- Sound recording
- Cassette
- Reel to reel
- Textual record
- Plan
- Poster
- Private record
- Published record
- Other Title Info
- Also known as the Whyte family fonds
- Date Range
- 1856-1980
- Physical Description
- 25 m of textual records. -- ca.46,000 photographs : prints, albums, postcards, cased photographs, transparencies, negatives. -- 178 sound recordings : audio tape reels, audio tape cassettes. -- 6 motion pictures (and film strips)
- History / Biographical
- Peter and Catharine Whyte were artists, photographers, outdoor enthusiasts, travelers, philanthropists and cultural workers at Banff, Alberta, Canada. Peter Whyte, 1905-1966, was born at Banff in 1905 to pioneer merchant Dave White and Annie (Curren) White. He was an accomplished skier and ski jumper and one of the region's first native-born painters with an intimate knowledge of the mountains and was an active photographer from ca.1920 until the 1950s. Peter Whyte studied art at the Otis Art Institute, Los Angeles, 1923-1924, and at the School of the Museum of Fine Arts at Boston, 1925, where he met Catharine Robb. Catharine Robb Whyte, 1906-1979, was born in 1906 at Concord, Massachusetts and grew up amongst the wealth and creativity of the Robb and Morse families. She studied at the School of the Museum of Fine Arts at Boston, 1925-1929.
- Following their marriage in 1930, the Whytes pursued a life of painting, photography, hiking, skiing and travelling. Their log home and studio in Banff became a focal point for their artist friends, Stoney Indians and local pioneers. Catharine shared Pete's involvement in skiing and hiking organizations and together they managed Skoki Lodge from 1932-1934. In following years, the Whytes travelled extensively. During the Second World War, Peter served in the reserve army, with the Royal Canadian Air Force as a photographer and, briefly, as an official war artist. Catharine continued to paint and maintain their home and, when possible, accompanied Pete to his military postings. In civilian life, Pete resumed his art career, explored new photographic techniques and sculpted.
- Throughout the 1950s and 1960s, the Whytes formulated plans for a foundation to preserve the art and history of the Canadian Rockies. Plans for a building to house an archives, public library and gallery were in preparation when Pete died in 1966. The Peter Whyte Foundation was named in his honour. Catharine immersed herself in the development of what is now the Whyte Museum of the Canadian Rockies, in the cultural community, painting, outdoor activity, travel and work with the Stoney First Nations. She became a more active photographer, recording her travels and outdoor pursuits. She served in an official capacity with numerous cultural and charitable organizations, was a patron to individuals studying art and music, and supported numerous causes relating to the Stoney First Nations. Catharine also supported causes related to multiculturalism, regional culture and recreation, and cancer research. Despite her modesty and often anonymous patronage of causes, Catharine was recognized with numerous awards and honours, including the Order of Canada in 1978. She died in Banff in 1979.
- Scope & Content
- Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse families, Series III: White and Curren families. Within Series I, there are four Sub-series: Series: A. Catharine Robb Whyte papers; B. Peter Whyte papers; C. Peter and Catharine Whyte papers accessioned after 2017; D. Peter and Catharine Whyte sound recordings.
- Name Access
- Whyte, Peter
- Whyte, Catharine
- Subject Access
- Arts
- Communications
- Environment
- Exploration, discovery and travel
- Family and personal life
- First nations
- Sports, recreation and leisure
- Access Restrictions
- Some restriction/s on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Finding Aid
- Finding aids and reference tools: arrangement outline
- sous-fonds, series and file description for textual
- sub-series and group description for photographs
- item description, subject/proper name index, and summaries for sound recordings
- reference copies for sound recordings
- Creator
- Whyte, Peter
- Whyte, Catharine
- Category
- Arts
- Communications
- Environment
- Exploration, discovery and travel
- Family and personal life
- First nations
- Sports, recreation and leisure
- Title Source
- Title based on contents of fonds
- Processing Status
- Processed
Electronic Resources
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.