objectType:"Library - Book (including soft-cover and pamphlets)" found 1 record - Research Collections

Abstract: As Canada took shape in the nineteenth and early-twentieth centuries, the camera was there throughout as both a witness to the colonialism, capitalism, and gendered and racialized social organization, and as a protagonist. And women across the country, whether residents or visitors, photographed people and places that were entirely new to the lens. Rare Merit examines how they did so, why their images look the way they do, and the meanings their work carries. Studio portraitists, travel documentarians, photojournalists, fine artists, hobbyists, and photographic printers make up the assembly, beginning with the arrival in Nova Scotia of North America’s first professional woman photographer, the American daguerreotypist Mrs. Fletcher. Colleen Skidmore surveys the professional lives and photographs of nearly eighty women who followed her, from Lucy Maude Montgomery on Prince Edward Island to Élise Livernois in Quebec City, and from Margaret Bourke-White in the Arctic to Hannah Maynard on Vancouver Island. Why women? Why not women? Presenting the exceptional range of their work, Rare Merit proves that women’s practices and images--knowingly omitted from founding narratives of photographic history--were diverse, compelling, widespread, and influential. Whenever and wherever women photographers lived, travelled, and worked, their impact undermined the status quo. -- Provided by publisher

Contents: The Daguerreans, 1841-61 ; The Livernois Studio, 1854-74 ; Notman's Printing Room, 1860-80 ; The Maynard Studio, 1862-1912 ; The Moodie Studio, 1895-1905 ; Travel, Photography, and Photojournalism, 1872-1940 ; Commercial Studio Photographers,1860-1940 ; Artists and Amateurs, 1890-1940

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