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- Ahlberg Yohe, Jill and Teri Greeves 1
- Ashevak, Kenojuak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik 1
- Bingeman, Shannon 1
- Boutilier, Alicia and Tobi Bruce 1
- Canadian Photography Institute 1
- Fenton, Terry 1
- Gerber, Peter R. and Vanina Katz-Lahaigue 1
- Goldfarb, Hilliard T. 1
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator) 1
- Hill, Greg. A 1
- Houle, Robert 1
- Kawai, Masatomo (editor) 1
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2016
- Author
- Hill, Greg. A
- Publisher
- Ottawa: National Gallery of Canada
- Call Number
- 06.1 H55a
1 website
- Author
- Hill, Greg. A
- Responsibility
- Greg A. Hill
- Publisher
- Ottawa: National Gallery of Canada
- Published Date
- 2016
- Physical Description
- 202 pages : colour illustrations ; 28 cm
- Subjects
- Art
- First Nations
- Abstract
- Pertains to the artwork and art history of Alex Janvier, an Indigenous man from the Cold Lake First Nations, Treaty 6 Territory. While reflecting his strong Indigenous culture, his art combines both Indigenous and Canadian stylistic elements. His art is deeply representative of his connection to nature, as well as the struggles imposed upon Indigenous Peoples through colonial relations. Parallels can be drawn when considering the effects of colonial relations on Indigenous Peoples and communities, such as those who resided in and around the Canadian Rocky Mountains.
- Contents
- Foreword -- Where the land begins / Greg A. Hill -- The landlord / Lee-Ann Martin -- The narrative murals of Alex Janvier : Abstraction, representation and oral history / Chris Dueker -- Plates -- Chronology : The life and work of Alex Janvier / Jaime Koebel -- List of works -- Exhibitions -- Further references.
- ISBN
- 9780888849427
- Accession Number
- 2019.46
- Call Number
- 06.1 H55a
- Collection
- Archives Library
- URL Notes
- An online resource dedicated to Alex Janvier, offering insight into the history of both himself and his art work.
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Anthropocene : Burtynsky, Baichwal, de Pencier
https://archives.whyte.org/en/permalink/catalogue19825
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator)
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.4 H11a
1 website
- Responsibility
- Curated by Sophie Hackett, Andrea Kunard, Urs Stahel
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 251 pages : illustrations (chiefly color) ; 24 cm
- Subjects
- Photographers
- Photography
- Photography, Aerial
- Art
- Exhibitions
- Exhibition catalogue
- Environment
- Subjects
- Art - Exhibitions
- Art and photography
- Art and society
- Artists
- Color photography
- Design, Industrial - Pictoral works
- Education
- Photographers
- Photographs - Catalogues
- Photography
- Photography - Collections
- Photography - Exhibitions
- Photography - Landscapes
- Photography, Documentary
- Recycling (Waste), etc.
- Video art - Exhibitions
- Abstract
- "A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
- Contents
- Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.4 H11a
- Collection
- Art Library
- URL Notes
- Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
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The artist herself : self-portraits by Canadian historical women artists
https://archives.whyte.org/en/permalink/catalogue19841
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2015
- Author
- Boutilier, Alicia and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Call Number
- 06.1 B66t
1 website
- Variant Title
- L'artiste elle-me^me : autoportraits de femmes artistes au Canada
- Responsibility
- Alicia Boutilier and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Published Date
- 2015
- Physical Description
- 173 pages : illustrations (some colour) ; 31 cm
- Subjects
- Art
- Subjects
- Artists - Canada
- Exhibitions
- Art
- Women artists
- Abstract
- Drawing upon our fascination with self-portraits, The Artist Herself expands the genre’s definition by moving beyond the human face to propose other forms of self-representation, from both settler and Indigenous perspectives. The result is a thought-provoking selection of 55 works by 42 women artists in a range of media, including paintings, textiles, photographs and film. Both renowned and lesser-known artists are featured: Pitseolak Ashoona, Simone Mary Bouchard, Emily Carr, Paraskeva Clark, Martha Eetak, Artis Lane, Caroline Gros Louis, Alice Egan Hagen, Frances Anne Hopkins, E. Pauline Johnson, Maud Lewis, Pegi Nicol MacLeod, Hannah Maynard, Daphne Odjig, Princess Louise, Mary Hiester Reid and Marian Dale Scott. From Johnson’s performance costumes representing her dual Mohawk and Euro-Canadian identity to Carr’s painting of herself from the back at her easel, from Maynard’s playful photographs of her multiple selves to Ashoona’s sly comment on her participation in the Inuit art market, these works open up new avenues of inquiry and new understandings of the realities and perspectives of women in Canadian society before 1970. Most important, the exhibition reveals the ways in which women artists have given profound expression to their identities
- Contents
- Foreword / Avant-propos -- Lenders / Pre^teurs -- Acknowledgements / Remerciements -- The artist herself = L'artiste elle-me^me / Alicia Boutilier & Tobi Bruce -- Cree dolls / Sherry Farrell Racette -- Elizabeth Simcoe / Erin Wall -- Katherine Jane Ellice / Arlene Gehmacher -- Shanawdithit / Fiona Polack -- Mary Ann Scrimes & Elizabeth Jane Turner / Janice Helland -- Lady Belleau & Lady Glover / Andrea Kunard -- Frances Anne Hopkins & Princess Louise / Kristina Huneault -- E. Pauline Johnson / Carla Taunton -- E. Pauline Johnson / Paula Whitlow -- Hannah Maynard / Jennifer Salahub -- Maud Darling / Jennifer Salahub -- Bertha May Ingle / Mary Thompson & David Beattie -- Mattie Gunterman / Susan Close -- Caroline Gros Louis / Annette de Stecher -- Emily Carr / Lisa Baldiserra -- Martha (Muqyunnik) Eetak / Maureen Matthews -- Marion Long / Janice Anderson -- Margaret Watkins / Mary O'Connor -- Dorothea Mitchell / Kelly Saxberg -- Sylvia Daoust / Joyce Millar -- Paraskeva Clark / Panya Clark -- Pegi Nicol MacLeod / Laura Brandon -- Simone Mary Bouchard / Laurier Lacroix -- Marian Dale Scott / Esther Tre´panier -- Maud Lewis / Erin Morton -- Elizabeth Harrison / Dorothy Farr -- Suzanne Duquet / Miche`le Grandbois -- Artis Lane / Artis Lane -- Molly Lamb Bobak / Amber Lloydlangston -- Cecil Buller / Sandra Dyck -- Jessie Oonark & Inuit Doll / Heather Igloliorte -- Kenojuak Ashevak / Kenojuak Ashevak -- Christiane Pflug / Georgiana Uhlyarik -- Daphne Odjig / Greg Hill -- Margaret Frank & Marion Wilson / Andy Everson -- Pitseolak Ashoona / Norman Vorano -- Exhibition list = Liste des œuvres -- Contributors = Contributeurs.
- Notes
- Some of the essays are in English, while others are in French
- ISBN
- 9781553394075
- Accession Number
- 2019.46
- Call Number
- 06.1 B66t
- Collection
- Archives Library
- URL Notes
- The URL pertains to the website in which the abstract was drawn from
Websites
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Barbara Spohr : apparent reasons = raisons apparentes.
https://archives.whyte.org/en/permalink/catalogue25144
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1995
- Author
- Spohr, Barbara
- Publisher
- Banff, Alb. : Whyte Museum of the Canadian Rockies
- Call Number
- 06.4 Sp6a
1 website
- Author
- Spohr, Barbara
- Responsibility
- Barbara Spohr
- Publisher
- Banff, Alb. : Whyte Museum of the Canadian Rockies
- Published Date
- 1995
- Physical Description
- 81 pages : illustrations, portraits
- Abstract
- Exhibition catalogue for the 1995 exhibit of Barbara Spohr's show 'Apparent Reasons' at the Whyte Museum of the Canadian Rockies
- Contents
- Introduction
- Road trip
- From where she stood
- Barbara Spohr's border crossings
- ISBN
- 0920608418
- Accession Number
- 2021.23
- Call Number
- 06.4 Sp6a
- Collection
- Archives Library
- URL Notes
- Link to Banff Centre's Barbara Spohr Memorial Award page - includes biographical information
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Beyond "the artist's wife": women, artist-couple marriage and the exhibition experience in postwar Canada
https://archives.whyte.org/en/permalink/catalogue19806
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2013
- Author
- Mastin, Catharine Margaret
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Call Number
- 06.1 Ma37b
1 website
- Author
- Mastin, Catharine Margaret
- Responsibility
- Catharine Margaret Mastin
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Published Date
- 2013
- Physical Description
- 358 pages ; PDF format
- Subjects
- Women
- Artists
- Exhibitions
- Thesis
- Abstract
- When art critic Lucy Lippard named "the artist's wife" to be a socially-assigned identity for female artists in the early 1970s, she understood some of the significance of women's companionship status. This dissertation considers how "the artist's wife" was a diverse and hierarchical problem for six female artists during their efforts to access Canada's postwar exhibition market. Joyce Wieland of Toronto, Ontario, Marion Nicoll of Calgary, Alberta, Mary Pratt of St. John's, Newfoundland, and Kenojuak Ashevak of Cape Dorset, Nunavut all experienced this social phenomenon differently. Because the two studios of Wieland and Pratt were combined with domestic life they were also dubbed "kitchen artists." As Marion Nicoll learned, it took much conviction to pursue an art practice focused on abstract painting in traditional institutional and marital contexts. The category "Eskimo" added racial difference to Kenojuak's creative and marital identities. Frances Loring and Florence Wyle of Toronto were persistently called "the Girls," an identity that underscored their non-compliance with heterosexual marriage. Using feminist theories of sexual difference and representation, and intersecting the traditionally distinct fields of history and art history, this study illuminates that the female artist's companionship status mattered much more than has been historically understood. These artists' experiences provide opportunity to reflect on curatorial practice and subject representation and expose that the solo exhibition cannot be fully separated from the artist-couple exhibition when studying the female artist's exhibition history. Their experiences also make visible that gender and female artist identities, including the category "woman artist," are important when studying the female artist in postwar North American art and marriage histories if the social conditions of women's art production are to be fully understood.
- Contents
- Abstract
- Acknowledgements
- List of figures
- List of abbreviations
- Chapter One : introduction : beyond "the artist's wife"
- Chapter Two : socializing women to marriage : the five artist-couple marraiges of Marion Nicholl, Joyce Wieland, Mary Pratt, Frances Loring, Florence Wyle and Kenojuak Ashevak
- Chapter Three : two women's "one-man exhibitions" : the experience of abstract painting and the artist-couple marriages of Marion Nicholl and Joyce Wieland, 1959 - 1963
- Chapter Four : two women's "one-man exhibitions" : Joyce Wieland, Mary Pratt and the identity "kitchen artist" 1963 - 1973
- Chapter Five : two more women's "two-man" artist-couple exhibitions : the social emergence of Frances Loring and Florence Wyle as "the girls"
- Chapter Six : one women's "two-man" exhibitions : Kenojuak Ashevak's artist-couple exhibitions with Johnniebo Ashevak, 1967 - 1970
- Chapter Seven : conclusion
- Bibliography
- Appendix 1
- Copyright permissions
- ISBN
- 978-0-494-89628-0
- Accession Number
- p2019-26
- Call Number
- 06.1 Ma37b
- Collection
- Archives Library
- URL Notes
- Available online through University of Alberta
Websites
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Dorothy Knowles : paintings, 1964-1982
https://archives.whyte.org/en/permalink/catalogue19943
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1983
- Author
- Fenton, Terry
- Publisher
- Edmonton : The Gallery
- Call Number
- 06.1 F35d
1 website
- Author
- Fenton, Terry
- Responsibility
- Terry Fenton
- Publisher
- Edmonton : The Gallery
- Published Date
- 1983
- Physical Description
- 35 pages : illustrations (some color) ; 21 x 26 cm
- Subjects
- Exhibition catalogue
- Exhibitions
- Abstract
- Pertains to the Dorothy Knowles exhibition catalogue, organized by Terry Fenton from the Edmonton Art Gallery. While the catalogue was never meant to capture the entirety of Knowles’ artist career, Terry Fenton organizes a thorough exhibition covering the last two decades of her work. It was in part due to Knowles enrollment at the Banff School that she was able to achieve a greater level of confidence in her artist skill. Through both essay and art work, Terry Fenton has been able to share the legacy of Dorothy Knowles.
- Contents
- Dedication (iii)
- Preface (vii)
- Beginnings (pg. 1)
- Since 1964 (pg. 9)
- Exhibitions with art dealers (pg. 32)
- Critical and Curatorial support (pg. 33)
- Catalogue of the exhibition (pg. 34)
- Works on Canvas
- Works on Paper
- Exhibition Itinerary (pg. 35)
- Notes
- Annotated - inside of the front page has been signed by Dorothy Knowles
- Book is written in both French and English
- Exhibition has been organized by Terry Fenton
- ISBN
- 0889500355
- Accession Number
- 2019.71
- Call Number
- 06.1 F35d
- Collection
- Archives Library
- URL Notes
- Terry Fenton is himself an accomplished artist. Some of his work can be found using the URL above.
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Expanding horizons : painting and photography of American and Canadian landscape, 1860-1918
https://archives.whyte.org/en/permalink/catalogue24957
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2009
- Author
- Goldfarb, Hilliard T.
- Publisher
- [Montreal] : Montreal Museum of Fine Arts
- Call Number
- 06.1 G11e O.S.
1 website
- Author
- Goldfarb, Hilliard T.
- Responsibility
- Hilliard T. Goldfarb (editor)
- Publisher
- [Montreal] : Montreal Museum of Fine Arts
- Published Date
- 2009
- Physical Description
- 318 pages : illustrations (some color), maps
- Subjects
- Art
- Landscapes
- Artists
- Photographers
- Photography
- Exhibitions
- Canada
- United States
- North America
- Abstract
- Catalogue of an exhibition first held at the Montreal Museum of Fine Arts from June 18 to Sept. 27, 2009 and then travelling to Vancouver Art Gallery, from Oct. 17, 2009 to Janu. 17, 2010. Issued also in French under title: Grandeur nature : peinture et photographie des paysages ame´ricains et canadiens de 1860 a` 1918.
- Contents
- Endangered horizons / Nathalie Bondil -- Lenders to the exhibition -- Crossed destinies: manifesting the paths of nationhood in the United States and Canada through Landscapes, 1860-1918 / Hilliard T. Goldfarb -- Flexible frontiers: expansion, contraction, regeneration / T.J. Jackson Lears -- Nature transcendent -- The most northerly horizon / Rosalind Pepall -- The forest, Niagara and the sublime / Franc¸ois-Marc Gagnon -- Works -- The stage of history and the theatre of myth -- Looking at landscape in athe age of environmentalism / Lynda Jessup -- Too silent to be real / Richard Hill -- Works -- Man versus nature -- Painting and photography in British Columbia, 1871-1916: some observations / Ian Thom -- Works -- Nature domesticated -- Word and image: North American landscape in nineteenth-century illustrated publications / Brian Foss -- John Singer Sargent's adventurous summer in the Canadian Rockies: the visit to rh Yoho Valley in 1916 / Hilliard T. Goldfarb -- Works -- The urban landscape -- "To pavements and homesteads here" : landscape, photography, and the transcendence of time and space / Philip Brookman -- Works -- The return of nature -- Introduction -- Works.
- ISBN
- 9782891923347
- Accession Number
- 2019.94
- Call Number
- 06.1 G11e O.S.
- Collection
- Archives Library
- URL Notes
- Review and synopsis on Canadian Architect website
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Facing the monumental : Rebecca Belmore
https://archives.whyte.org/en/permalink/catalogue19826
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Nanibush, Wanda (editor)
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.1 N11f
1 website
- Author
- Nanibush, Wanda (editor)
- Responsibility
- Edited by Wanda Nanibush
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 132 pages : illustrations (color)
- Subjects
- Art
- Artists
- Exhibition catalogue
- Exhibitions
- Abstract
- Catalogue of an exhibition held at the Art Gallery of Ontario from July 12 to October 21, 2018.
- Contents
- Directors Forward
- Facing the Monumental
- Works:
- artist (No.2)
- 1181
- The Named and Unnamed
- Fringe
- March 5, 1819
- Black Cloud
- blood on the snow
- X mark
- Mixed Blessing
- Thin Red Line
- Quote, Misquote, Fact
- A Pelican Falls
- sister
- State of Grace
- To Rest and to Dream
- Biinjiya'iing Onji (From Inside)
- Wave Sound
- Fountain
- Rising to the Occasion
- Performace:
- Creaton or Death: We Will Win
- Bury My Heart
- Indian Factory
- A Simple Truth
- Tent City
- Victorious
- Making Always War
- X
- Clay on Stone
- Work in Progress:
- Tower and tarpaulin
- Nibi
- Notes
- One of the cast aluminum sculptures that was a part of the LandMarks 2017 Wave Sound installation is located on the shore of Lake Minnewanka in Banff National Park - refer to pages 84 - 94 - https://www.rebeccabelmore.com/wave-sound/
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.1 N11f
- Collection
- Art Library
- URL Notes
- Artist's website
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Hearts of our people : Native women artists
https://archives.whyte.org/en/permalink/catalogue24946
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2019
- Author
- Ahlberg Yohe, Jill and Teri Greeves
- Publisher
- Minneapolis, Minnesota : Minneapolis Institute of Art in association with the University of Washington Press
- Call Number
- 06.1 A1h O.S.
1 website
- Responsibility
- Jill Ahlberg Yohe (author)
- Teri Greeves (author)
- Laura Silver (editor)
- Publisher
- Minneapolis, Minnesota : Minneapolis Institute of Art in association with the University of Washington Press
- Published Date
- 2019
- Physical Description
- 343 pages : illustrations (chiefly color), portraits (some color), maps
- Subjects
- Art
- Women
- North America
- First Nations
- Catalogues
- Exhibitions
- Abstract
- Women have long been the creative force behind Native art. Presented in close cooperation with top Native women artists and scholars, this first major exhibition of artwork by Native women honors the achievements of over 115 artists from the United States and Canada spanning over 1,000 years. Their triumphs—from pottery, textiles, and painting, to photographic portraits, to a gleaming El Camino—show astonishing innovation and technical mastery. (from website)
- Contents
- Introduction -- In Focus: Mi'kmaw Chair / Dakota Hoska -- In Focus: St. Lawrence Iroquoian Pot / Moira McCaffrey -- Making Our World: Thoughts on Native Feminine Aesthetics / heather ahtone -- "Encircles Everything": A Transformative History of Native Women's Arts / Janet Catherine Berlo and Ruth B. Phillips -- Legacy. Those Naranjo Women: Daughters of the Earth / Tessie Naranjo -- In Focus: 'Maria', Rose, Empowerment, and Indigenous Women Rollin' Hard / Dyani White Hawk -- "Carrying On": Gender and Innovation in Historic Pueblo Pottery Nampeyo, Maria Martinez, and Arroh-A-Och / Lea S. McChesney -- In Focus: Edmonia Lewis: 'The Old Arrow Maker' / America Meredith -- The Women Were Busy Abstracting the World / Teri Greeves -- Mary Sully: Ahead of Her Time / Jill Ahlberg Yohe -- In Focus: Christi Belcourt: 'The Wisdom of the Universe' / Dakota Hoska -- The Unsuccessful Indigenous Erasure: A Conversation with Delina White and Juanita Espinosa / Graci Horne -- In Focus: Jennie Ross Cobb: 'Cherokee Female Seminary Graduating Class, 1902' / America Meredith -- The Scientist and the Polymath: Tlingit Weavers Teri Rofkar and Clarissa Rizal / Aldona Jonaitis -- In Focus: Shelley Niro: 'Thinking Caps' / Ruth B. Phillips -- In Focus: Poemeo: 'It Was Cloudy' / Heid E. Erdrich -- Generations of Odawa Quill Art / Adriana Greci Green -- Early Native American Women Painters of Oklahoma / America Meredith -- In Focus: The Elk-tooth dress / Wendy Red Star -- In Focus: Lakota Young Man's Vest / Jessa Rae Growing Thunder -- Native Culture Endures: Basketry of the Columbia Plateau / Pat Courtney Gold and Bridget Johnson -- Relationships. In Focus: Dakota Cradleboard / Alexandra Kahsenni:io Nahwegahbow -- Mohawk Women of Kahnawake / Carla Hemlock -- Art as a Container for Culture / Nadia Jackinsky-Sethi -- In Focus: Slavey (Dene´) Dog Blanket / Heather Everheart -- In Focus: The Story of the Two Miniature Pomo Beaded Baskets / Susan Billy -- Animate Matters: Thoughts on Native American Art Theory, Curation, and Practice / Jill Ahlberg Yohe -- In Focus: Cheyenne Pipe Bag / Heather Levi -- Memory Threads / Anita Fields -- In Focus: Hupa Girl's Dance Skirt / Susan Billy -- In Focus: Stepping Out: A Jingle Dress Moves Out in the World / Dakota Hoska -- In Focus: Blackfoot Man's Shirt / Jessa Rae Growing Thunder -- Nellie Two Bear Gates: Chronicling History through Beadwork / Susan Power -- In Focus: Weaving Materials, Cedar and Spruce Root / Lisa Telford -- Descendants of This Moment: From Paint to Beads / Teri Greeves -- In Focus: Kiowa Cradleboard / Teri Greeves -- In Focus: Faye HeavyShiled: 'Aapaskaiyaawa (They Are Dancing)' / Heather Everhart -- In Focus: Mary Anne Barkhouse: 'Sovereign' / Heather Everhart -- Beadwork Conversations: Dyani White Hawk and Graci Horne / Teri Greeves -- In Focus: Ramona Sakiestewa: 'Nebula 22 & 23' / Lea S. McChesney -- Literary Arts: Native American Women Writers / Heid E. Erdrich -- Power. In Focus: Otiianehshon Ronwatiiatanhirats (The Women Raise Them Up): Women's Nomination Belt / Iakonikohnrio Tonia Loran-Gablan -- A Native Feminist Ethics in Contemporary Indigenous Art / Jennifer McLerran -- In Focus: Carla Hemlock: 'Walking Through Time' / Jennifer McLerran -- In Focus: Stacks of Generational Wisdom: Marie Watt / Dyani White Hawk -- In Focus: The Mystery Surrounding a Lakho´ta Dress / Dakota Hoska -- In Focus: Armor against the Enemy: An Otoe Faw Faw Coat / Christina E. Burke -- Acknowledging Women in Navajo Society: Leaders and Weavers / D. Y. Begay -- In Focus: D. Y. Begay: 'Na´hooko sji´ Hai (Winter in the North)/Biboon Giiwedinong (It Is Winter in the North) / Jennifer McLerran -- In Focus: Mary Kawennatakie Adams: "Pope Basket" / Carla Hemlock -- In Focus: Child's Ribbon Work Blankets / Anita Fields -- In Focus: Qingi: Robe of Wealth / Evelyn Vanderhoop -- Working to Change the Tide: Women Artists on the Northwest Coast / Kathryn Bunn-Marcuse and Megan A. Smetzer -- In Focus: 'Nacarrluk': Beaded Headdress / Nadia Jackinsky-Sethi -- In Focus: Mrs. Toussaint: Cox Leggings / Adriana Greci Green -- Seneca-style Beaded Women's Clothing / Wahsontiio Cross -- Two Early Masters / Adriana Greci Greene -- In Focus: Beaded Diplomacy: Houston-Jackson Bandolier Bag / America Meredith -- In Focus: Rosalie Favell: 'The Collector/The Artist in Her Museum' / Ruth B. Phillips -- Seven Sisters: Native Women Painters Connected through Time by Medium / Dakota Hoska -- In Focus: Light, Memory, and Belonging: Some Thoughts on the Recent Landscapes of Emma Whitehorse / Iris Colburn -- In Focus: Joan Hill: 'Women's Voices at the Council' / America Meredith -- Sustaining Traditions / Cherish Parrish and Kelly Church -- In Focus: Maria Tallchief: The Star that Danced over the Earth / Welana A. Queton -- Tuscarora Raised Beadwork and Raised Consciousness / Jolene Rickard -- Bearing Witness / Teri Greeves -- In Focus: Bax'w´ana'tsi: the Container for Souls / Marianne Nicolson. Contributors (with biographical sketches on pages 333-336): Jill Ahlberg Yohe -- heather ahtone -- D.Y. Begay -- Janet Catherine Berlo -- Susan Billy -- Kathryn Bunn-Marcuse -- Christina E. Burke -- Kelly Church -- Iris Colburn -- Pat Courtney Gold -- Wahsontiio Cross -- Heid E. Erdrich -- Heather Everhart -- Anita Fields -- Adriana Greci Green -- Teri Greeves -- Jessa Rae Growing Thunder -- Carla Hemlock -- Hapistinna -- Dakota Hoska -- Nadia Jackinsky-Sethi -- Bridget Johnson -- Aldona Jonaitis -- Heather Levi -- lakonikohnrio Tonia Loran-Galban -- Moira McCaffrey -- Lea S. McChesney -- Jennifer McLerran -- America Meredith -- Alexandra Kahsenni:io Nahwegahbow -- Tessie Naranjo -- Marianne Nicolson -- Cherish Parrish -- Ruth B. Phillips -- Susan Power -- Welana Queton -- Wendy Red Star -- Jolene Rickard -- Megan A. Smetzer -- Lisa Telford -- Evelyn Vanderhoop -- Dyani White Hawk. Contemporary women artists in Hearts of Our People exhibition, list provided by the Minneapolis Institute of Art: Keri Ataumbi, Kiowa/Comanche, born 1971 -- Mary Anne Barkhouse, Nimpkish band of Kwakiutl First Nation, born 1961 -- D.Y. Begay, Navajo, born 1953 -- Christi Belcourt, Michif, born 1966 -- Rebecca Belmore, Anishinaabe, born 1960 -- Susan Billy, Hopland Band of Pomo Indians, born 1951 -- Julie Buffalohead, Ponca, born 1972 -- Andrea Carlson, Ojibwe, born 1979 -- Kelly Church, Odawa and Pottawatomi, born 1967 -- Dana Claxton, Hunkpapa Lakota, Canadian, born 1959 -- Heid Erdrich, Ojibwe, Turtle Mountain, born 1963 -- Rosalie Favell, Me´tis (Cree/English), born 1958 -- Anita Fields, Osage, born 1951 -- Jody Folwell, Santa Clara Pueblo, born 1942 -- Pat Courtney Gold, Wasco, born 1939 -- Shan Goshorn, Cherokee, 1957-2018 -- Dorothy Grant, Haida, born 1955 -- Jessa Rae Growing Thunder, Dakota/Nakoda, born 1989 -- Joyce Growing Thunder Fogarty, Dakota/Nakoda, born 1950 -- Juanita Growing Thunder Fogarty, Dakota/Nakoda, born 1969 -- Faye HeavyShield, Ka´i´nawa (Blood) Nation of the Blackfoot Confederacy, Canadian, born 1953 -- Carla Hemlock, Kanienkeha´ka, born 1961 -- Joan Hill, Muskogee Creek and Cherokee, born 1930 -- Sonya Kelliher-Combs, In~upiaq/Athabaskan, born 1969 -- Yvonne Walker Keshick (Binaakwiikwe, Falling Leaves Woman), Anishinaabe/Little Traverse Bay Bands of Odawa Indians of Michigan, born 1946 -- Heather Levi, Southern Cheyenne/Kiowa, born 1971 -- Iakonikohnrio Tonia Loran-Galban, Mohawk, Bear clan Akwesasne, born 1965 -- Maxine Matilpi, Kwakwa_ka_'wakw, born 1956 -- Christine McHorse, Navajo, born 1948 -- America Meredith, Cherokee, born 1972 -- Nora Naranjo Morse, Santa Clara Pueblo, born 1953 -- Lou-ann Neel, Kwakwa_ka_'wakw, born 1963 -- Marianne Nicolson, Kwakwa_ka_'wakw, Dzawada_'enux_w First Nations, born 1969 -- Shelley Niro, Bay of Quinte Mohawk, Six Nations Turtle clan, born 1954 -- Jamie Okuma, Luisen~o/Shoshone-Bannock, born 1977 -- Cherish Parrish, Odawa and Pottawatomi, born 1989 -- Wendy Red Star, Apsa´alooke (Crow), born 1981 -- Jolene Rickard, Tuscarora, born 1956 -- Cara Romero, Chemehuevi, born 1977 -- Ramona Sakiestewa, Hopi, born 1948 -- Tanis S'eiltin, Tlingit, born 1951 -- Rose B. Simpson, Santa Clara Pueblo, born 1983 -- Jaune Quick-to-See Smith, Salish and Kootenai Tribes of the Flathead Indian Nation, born 1940 -- C. Maxx Stevens, Seminole/Muscogee Nation of Oklahoma, born 1951 -- Roxanne Swentzell, Santa Clara Pueblo, born 1962 -- Lisa Telford, Haida, born 1957 -- Hulleah J. Tsinhnahjinnie, Taskigi, Bear clan/Dine´, Tsinajinnie clan, born 1954 -- Zoe Urness, Tlingit, born 1984 -- Evelyn Vanderhoop (Kujuuhl), Haida, Gawaa Git'ans Gitanee of Massett, British Columbia, born 1953 -- Kay WalkingStick, Cherokee, born 1935 -- Marie Watt, Seneca Nation of Indians, born 1967 -- Delina White, Leech Lake Anishinaabe, born 1964 -- Dyani White Hawk, Sic ha´ gu Lakho´ta (Brule´), born 1976 -- Emmi Whitehorse, Navajo, born 1957 -- Amelia Winger-Bearskin, Haudenosaunee (Iroquois) of the Seneca-Cayuga Nation of Oklahoma, Deer Clan, born 1979. Historic women artists in Hearts of Our People exhibition, list provided by the Minneapolis Institute of Art: Mary Kawennatakie Adams, Akwesasne Mohawk, Wolf clan, 1917-1999 -- Elsie Allen, Pomo, 1899-1990 -- Arroh-a-och, Laguna Pueblo, c. 1830-1900 -- Susie Santiago Billy, Pomo, 1884-1968 -- Mrs. Tall Woman (Hanska Winyan) Charging Thunder, Sihasapa (Blackfeet) Lakota, 1844-? -- Jennie Ross Cobb, Cherokee, 1881-1959 -- Mrs. Touissant Cox, Delaware, 19th century; Clara Darden, Chitimacha, 1828-1910, Louisiana -- Angel De Cora, Ho Chunk/Winnebago, 1871-1919 -- Freda Diesing, Haida, 1925-2003 -- Isabella Edenshaw, Haida, 1858-1926 -- Nellie Two Bear Gates (Mahpiya Boga Win, Gathering of Clouds Woman), Iha´ kthu wa na Dakho´ta, Standing Rock Reservation, 1854-? -- Elizabeth Hickox, Wiyot, 1872-1947; Louisa Keyser ("Dat so la lee"), Washoe, 1829-1925 -- Earth Woman, Mrs. Kipp, Mandan, c. 1810-1910 -- Edmonia Lewis, Mississauga and African American, c. 1844-1907 -- Lucy Martin Lewis, Acoma Pueblo, 1890-1992 -- Maria Martinez, San Ildefonso Pueblo, 1887-1980 -- Nampeyo, Hopi/Tewa, 1859-1942 -- Ellen Neel, Kwakwa_ka_'wakw, 1916-1966 -- Daphne Odjig, Odawa/Pottawatomi, 1919-2016 -- Jessie Oonark, Inuit, 1906-1985 -- Gahano, Caroline Parker Mt. Pleasant, Tonawanda Seneca, 1824-1892 -- Mary Sully (Susan Deloria), Dakota, 1896-1963 -- Maria Tallchief, Osage, 1925-2013.
- ISBN
- 9780295745794
- Accession Number
- P2019-29
- Call Number
- 06.1 A1h O.S.
- Collection
- Archives Library
- URL Notes
- Hearts of Our People - Native Women Artists website via Minneapolis Institute of Art
Websites
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Land, spirit, power : First Nations at the National Gallery of Canada
https://archives.whyte.org/en/permalink/catalogue25118
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1992
- Author
- Nemiroff, Diana
- Houle, Robert
- Townsend-Gault, Charlotte
- Publisher
- [Ottawa] : The Gallery
- Call Number
- 06.1 N34l
1 website
- Responsibility
- Diana Nemiroff
- Robert Houle
- Charlotte Townsend-Gault
- Publisher
- [Ottawa] : The Gallery
- Published Date
- 1992
- Physical Description
- 231 pages : illustrations
- Abstract
- Pertains to an exhibition held at the National Gallery of Canada that focussed on art by Indigenous Peoples
- Contents
- Foreward
- Acknowledgements
- Land, Spirit, Power
- Modernism, Nationalism, and Beyond - a critical history of exhibitions of First Nations art - Diana Nemiroff
- The Spiritual Legacy of the Ancient Ones - Robert Houle
- Kinds of Knowing - Charlotte Townsend-Gault
- Notes
- Carl Beam
- Rebecca Belmore
- Dempsey Bob
- Domingo Cisneros
- Robert Davidson
- Jimmie Durham
- Dorothy Grant
- Hachivi Edgar Heap of Birds
- Faye HeavyShield
- Alex Janvier
- Zacharias Kunuk
- James Lavadour
- Truman Lowe
- James Luna
- Teresa Marshall
- Alanis Obomsawin
- Kay WalkingStick
- Lawrence Paul Yuxweluptun
- ISBN
- 0888846509
- Accession Number
- P2020-1
- Call Number
- 06.1 N34l
- Collection
- Archives Library
- URL Notes
- National Gallery of Canada information on exhibition
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
