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3 records – page 1 of 1.

Part Of
Mabel Aubin fonds
Scope & Content
Fonds consists of ration books; ephemera pertaining to Banff musical and variety productions; Christmas cards from the Beil family, the de Grandmaison family, Peter and Catharine Whyte and the Christofferson family; Alberta Hotel menu, 1913; and photographs pertaining to the Stenton family, ca.1888…
Date Range
[ca.1888]-1980
Reference Code
M166 / V34
Description Level
1 / Fonds
GMD
Photograph
Photograph print
Textual record
Private record
Published record
  4 images  
Part Of
Mabel Aubin fonds
Description Level
1 / Fonds
Fonds Number
M 166
V 34
Sous-Fonds
M 166
V 34
Accession Number
550, 1002, 1101, 2029, 3541, 3833, 5173
Reference Code
M166 / V34
GMD
Photograph
Photograph print
Textual record
Private record
Published record
Date Range
[ca.1888]-1980
Physical Description
4 cm of textual records. -- 32 photographs : prints
History / Biographical
Mabel Sarah Aubin, 1905-1990, was a life-long resident of Banff, Alberta, Canada. Mabel Aubin's parents, the Stenton family, ran the Alberta Hotel beginning ca.1908.
Scope & Content
Fonds consists of ration books; ephemera pertaining to Banff musical and variety productions; Christmas cards from the Beil family, the de Grandmaison family, Peter and Catharine Whyte and the Christofferson family; Alberta Hotel menu, 1913; and photographs pertaining to the Stenton family, ca.1888-ca.1950, and 1918 Banff Peace Day parade (First World War), which shows citizens wearing masks in response to the influenza pandemic of 1918-1919
Name Access
Aubin, Mabel
Subject Access
Family and personal life
Access Restrictions
No restrictions on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: basic description
Creator
Aubin, Mabel
Category
Family and personal life
Title Source
Title based on accession records
Processing Status
Processed
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Browne family fonds

https://archives.whyte.org/en/permalink/descriptions115
Part Of
Browne family fonds
Scope & Content
Fonds consists mainly of diary excerpts and transcripts, 1912-1913, 1921-1954; also includes a guest book, 1924-1956, posters, ca.1942, publications relating the story of Belmore Browne Peak, 1992-1993, and photographs, ca.1930, ca.1955, 1991-1992. Diaries are mainly trip diaries pertaining to summ…
Date Range
1912-1993, predominant 1921-1954
Reference Code
M473 / V39
Description Level
1 / Fonds
GMD
Photograph
Negative
Photograph print
Transparency
Textual record
Diary
Poster
Private record
Published record
  1 image  
Part Of
Browne family fonds
Description Level
1 / Fonds
Fonds Number
M 473
V 39
Sous-Fonds
M 473
V 39
Accession Number
3429, 3813, 3863, 3873, 3892, 3901, 3975, 3995, 4007, 4021, 4037, 4039, 5075, 5149, 5220, 6382, 6596, 6741, 6742, 6774
Reference Code
M473 / V39
GMD
Photograph
Negative
Photograph print
Transparency
Textual record
Diary
Poster
Private record
Published record
Date Range
1912-1993, predominant 1921-1954
Physical Description
24 cm of textual records. -- 108 photographs : prints, copy negatives, transparencies
History / Biographical
Belmore Browne, d.1954, was a well-known artist who lived and worked at Banff and Seebe, Alberta, Canada and in the United States. Browne and Agnes Evelyn Sibley, 1882-1976, were married in 1913. In 1921, they bought property in Banff for a summer home and with their children, George, 1918-1958, and Evelyn, 1915-1994, travelled extensively throughout the 1920s and 1930s in pursuit of subjects for Belmore Browne's paintings. In 1946, the Brownes built a home near Seebe. Agnes Browne was a diarist for the family and much of her extensive writing centres around the career of Belmore Browne. Her daughter Evelyn consolidated the diaries in the 1980s. George Browne was also an artist.
Scope & Content
Fonds consists mainly of diary excerpts and transcripts, 1912-1913, 1921-1954; also includes a guest book, 1924-1956, posters, ca.1942, publications relating the story of Belmore Browne Peak, 1992-1993, and photographs, ca.1930, ca.1955, 1991-1992.
Diaries are mainly trip diaries pertaining to summer travels and family life in the Canadian Rockies, 1921-1933. Included are trips to Red Earth Creek, Skoki, Mystic Lake, Sawback Lake, Red Deer Valley, Hector Lake, Bow Lake, Kananaskis Valley, Cascade and Panther rivers, Elbow Pass, and other locations. Other diaries cover the years 1943 to 1954, years partly spent at Seebe until Belmore Browne's death. Diary copies and typescripts have been annotated by Evelyn Browne.
Posters on alpine and wilderness survival, ca.1942, were done by Belmore Browne for the American military's Arctic Training Program.
Photographs are mainly photographic copies of paintings by Belmore and George Browne produced by Peter A. Juley & Son, Photographers of Fine Arts, New York, ca.1955, 79 items. Other photographs pertain to Belmore Browne and the Browne family, their Banff home and painting activities, ca.1930; the site of Belmore Browne plaque on Browne Peak, rediscovered and photographed by Tony and Gillean Daffern in September 1991, and dedication of the Belmore Browne plaque, 1992.
Official correspondence pertaining to the naming of Belmore Browne Peak, 1989-1993, is available in document file.
Name Access
Browne, Belmore
Browne, George
Subject Access
Arts
Exploration, discovery and travel
Family and personal life
Access Restrictions
Reference use only
Other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: arrangement outline
file list and index
Creator
Browne, Belmore
Category
Arts
Exploration, discovery and travel
Family and personal life
Title Source
Title based on contents of fonds
Processing Status
Processed
Images
thumbnail
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Eddie Hunter fonds

https://archives.whyte.org/en/permalink/descriptions450
Part Of
Eddie Hunter fonds
Scope & Content
Fonds consists of motion pictures, sound recordings, textual records and photographs produced by Eddie Hunter. I. Eddie Hunter motion picture footage in four sub-series: A. Red series, predominant 1955-1988, ca.190 motion pictures or segments. Consists of camera originals and finished original fil…
Date Range
[ca.1940]-2005
Reference Code
M346 / S50 / V293
Description Level
1 / Fonds
GMD
Motion picture
Film
Video
Photograph
Photograph print
Photograph, transparency
Sound recording
Reel to reel
Textual record
Private record
Published record
  2 websites  
Part Of
Eddie Hunter fonds
Description Level
1 / Fonds
Fonds Number
M 346
S 50
V 293
Sous-Fonds
M 346
S 50
V 293
Accession Number
549, 6803, 7684 (unproc), 2022.37
Reference Code
M346 / S50 / V293
GMD
Motion picture
Film
Video
Photograph
Photograph print
Photograph, transparency
Sound recording
Reel to reel
Textual record
Private record
Published record
Date Range
[ca.1940]-2005
Physical Description
ca.260 motion pictures (ca.490 reels) : some with audio reels. -- 2 audio reels. -- 18 cm of textual records. --3 sound recordings. -- 21 photographs : prints, transparencies
History / Biographical
Edward (Eddie) Clement Edgar Hunter, b.1926, is a skier, cinematographer, broadcaster, photographer and writer based at Banff, Alberta, Canada. Hunter began skiing in his native Edmonton, Alberta and became an expert ski racer in the mountains. He came to live in Banff with his parents in 1934 and was introduced to the Sunshine Ski area in 1936 by his uncle, Lloyd Hunter, who drove "Sunshine Suzie" for Brewster Transport. Hunter skied extensively in the Canadian Rockies, in Squaw Valley, California (1950) and competitively in Europe starting in 1954.
Hunter worked as a free-lance cameraman during the 1950s and later in early live television in Calgary at CHCT, later CFAC. After working as an official photographer for the 1960 Winter Olympic Games in Squaw Valley, he joined CFCN television. Hunter hosted a children's show, "Head Hunter," and a talk show, "Late Knight," while running a weekend ski program until 1965. Hunter held the photography concession on Sulphur Mountain, producing Polaroid shots for tourists and giving natural history talks.
Hunter worked mainly as a free-lance motion picture cameraman for the next twenty-nine years. His major accomplishments, while working for other companies, involved a cold-war era agriculture documentary in Russia (1959), a documentary about the Superman movies in Calgary and camera work for the official 1988 Winter Olympic Games film. Most of the film footage in this fonds was produced by Hunter during quiet times when he was not hired out to other production companies. Head Hunter Films produced a number of short promotional films for Air Canada, Canadian Mountain Holidays, Sulphur Mountain Gondola, Norquay Ski Area and others. "How the West was Skied" was mainly a compilation of footage Hunter filmed over the years, supplemented with early footage collected from other sources.
Scope & Content
Fonds consists of motion pictures, sound recordings, textual records and photographs produced by Eddie Hunter.
I. Eddie Hunter motion picture footage in four sub-series: A. Red series, predominant 1955-1988, ca.190 motion pictures or segments. Consists of camera originals and finished original films. Mainly unedited footage of skiing, ski racing, celebrities, developments, heli-skiing, disabled skiing, freestyle skiing and humorous skiing in the Canadian Rockies, Bugaboos, Cariboos, Monashees and Coast Range, also the United States and Europe. Features many prominent local and international skiers; Banff, Lake Louise and Jasper and areas; promotional and documentary film footage. B. Blue series, predominant 1960-1985, ca.60 motion pictures and segments, 4 video recordings. Consists of work prints and projection copies. C. Other motion pictures, before 1995, 12 motion pictures, 1 video recording. Consists of motion pictures collected by Hunter. D. Audio reels, between 1970 and 1995, 2 items.
II. Textual records, ca.1945-1991, ca.30 cm. Series consists of film lists, scripts, call sheets, programmes, and other material; files re short films; and historical skiing materials.
III. Sound recordings, ca.1965, 2005, 3 items. Series consists of Eddie Hunter nature talk for use on Sulphur Mountain, ca.1965; Edward VIII abdication speech for Canadian Wax Gallery, Banff, undated; two-part interview with Howard Srigley, March 8 & 14, 2005.
IV. Photographs, 1968, 21 items : prints, transparencies. Series pertains to opening day ceremonies at the Banff Public Library / Archives of the Canadian Rockies.
Notes
This material is presented as originally created, it contains outdated cultural descriptions and potentially offensive content. Materials in historical collections reflect the attitudes, ideas, and norms of the era and culture in which they were created or collected. Offensive or harmful terms are retained for historical accuracy or to document the issues and social context of a specific time and the attitudes and opinions of the people who created the material.
Name Access
Hunter, Eddie
Subject Access
Communications
Environment
Sports, recreation and leisure
Access Restrictions
Some restrictions on access to originals
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools series and file description
film-maker's notes (in case file: descriptions sometimes inaccurate due to editing of the films subsequent to ca.1990 preparation of notes)
Related Material
Accompanied by publications, motion picture camera and equipment, sound recording/playback equipment, skis, ski apparel, etc. transferred to library and heritage collections, Whyte Museum
Creator
Hunter, Eddie
Category
Communications
Environment
Sports, recreation and leisure
Title Source
Title based on contents of file
URL Notes
https://www.whyte.org/digitalvault/fireside-chat-with-eddie-hunter-1
Processing Status
Processed / Unprocessed
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
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