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69 records – page 3 of 7.

Date
c. 1900
Material
skin; glass; fibre
Catalogue Number
103.03.1022 a,b
Description
Blackfoot, white beaded toe, green ankle cuff, Rocky Mountain style cut in one piece, entirely beaded toe, small geometric designs (band around edge of brown/ochre/green stepped triangles, 3 horizontal red bars, 3 blue/red/yellow feather motifs hanging from each on toe) faded green wool cuff trimm…
  1 image  
Title
Beaded Moccasins
Date
c. 1900
Material
skin; glass; fibre
Dimensions
20.2 x 12.0 x 25.5 cm
Description
Blackfoot, white beaded toe, green ankle cuff, Rocky Mountain style cut in one piece, entirely beaded toe, small geometric designs (band around edge of brown/ochre/green stepped triangles, 3 horizontal red bars, 3 blue/red/yellow feather motifs hanging from each on toe) faded green wool cuff trimmed in white beadwork pattern, high ankle flap above cuff, long rectangular cuff, long buckskin laces, stitched 3.0 cm slash right sole.
Subject
Indigenous, Blackfoot
footwear
beadwork
regalia
Credit
Gift of Pearl Evelyn Moore, Banff, 1969
Catalogue Number
103.03.1022 a,b
Images
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Date
1900 – 1920
Material
skin; glass
Catalogue Number
103.03.0019 a,b
Description
A pair of soft soled moccasins, shaped to the foot, with a flap at the ankle and leather thongs to tie. Beadwork on the instep is in the shape of a rectangle and small triangle with white, pink and dark blue beads.
  1 image  
Title
Beaded Moccasins
Date
1900 – 1920
Material
skin; glass
Dimensions
25.0 cm
Description
A pair of soft soled moccasins, shaped to the foot, with a flap at the ankle and leather thongs to tie. Beadwork on the instep is in the shape of a rectangle and small triangle with white, pink and dark blue beads.
Subject
Indigenous
Blackfoot
Siksika
Blood
decorative
regalia
beadwork
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.03.0019 a,b
Images
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Date
1930 – 1950
Material
skin, deer; glass
Catalogue Number
103.05.1050
Description
long, white buckskin, bead strips, long fringes, front and back single hide each, in irregular shape of animal, long arms sewn on, beadstrips ca 105.0 wide, sewn on over shoulder ca 101.0 long, same design beadstrips ca. 55.0 long sewn on arms, white background with open geometric designs: 2 sets h…
  1 image  
Title
Beaded Shirt
Date
1930 – 1950
Material
skin, deer; glass
Dimensions
60.0 x 115.0 cm
Description
long, white buckskin, bead strips, long fringes, front and back single hide each, in irregular shape of animal, long arms sewn on, beadstrips ca 105.0 wide, sewn on over shoulder ca 101.0 long, same design beadstrips ca. 55.0 long sewn on arms, white background with open geometric designs: 2 sets handing diamonds from bars, stepped pyramid over 2 bars at bottom, long fringes ca. 65.0 sewn on arms, shorter on shoulder, neck and bottom of bead strips, arm openings have large ca. 3.5 wide strips cut into buckskin, bottom of shirt serrated edge, sides tied together with thongs laced into all sides, serrated neck trim, remnants of green wool.
Subject
Indigenous
beadwork
Phillip Moore
Blackfoot
Credit
Gift of Charles C. Reid, Banff, Alberta, 1986
Catalogue Number
103.05.1050
Images
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Date
1880 – 1890
Material
skin, elk; skin, ermine; hair, sheep; feather; glass; fibre
Catalogue Number
103.05.0008
Description
A fringed man's elkskin shirt that has ermine tails attached to the fringe along the sides and sleeves. The shirt is decorated with wide strips of white beadwork with a blue, light blue and gold pattern along the tops of the sleeves and over each shoulder, extending down the front and back of the …
  1 image  
Title
Beaded Shirt
Date
1880 – 1890
Material
skin, elk; skin, ermine; hair, sheep; feather; glass; fibre
Dimensions
55.0 (shoulders) x 70.0 cm
Description
A fringed man's elkskin shirt that has ermine tails attached to the fringe along the sides and sleeves. The shirt is decorated with wide strips of white beadwork with a blue, light blue and gold pattern along the tops of the sleeves and over each shoulder, extending down the front and back of the shirt, and connected at the bottom with another beaded panel. The back of the shirt has a square beadwork patch surrounded with fringe between the shoulders.
Subject
Indigenous, Blackfoot
regalia
decorative
beadwork
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.05.0008
Images
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Date
1875 – 1890
Material
skin, deer; skin, ermine; hair, sheep; glass
Catalogue Number
103.05.0011
Description
A man's deerskin shirt with fringe at the ends of the sleeves. The shirt has strips of beadwork at the shoulders that extend down both the front and back of the garment with a fringe of ermine tails along the length of the outside edge. The background of the beadwork is white with an x-shaped pa…
  1 image  
Title
Beaded Shirt
Date
1875 – 1890
Material
skin, deer; skin, ermine; hair, sheep; glass
Dimensions
53.0 (shoulder) x 81.0 cm
Description
A man's deerskin shirt with fringe at the ends of the sleeves. The shirt has strips of beadwork at the shoulders that extend down both the front and back of the garment with a fringe of ermine tails along the length of the outside edge. The background of the beadwork is white with an x-shaped pattern of blue, yellow and red. There is a medallion of beadwork in the centre of both the front and back of the shirt, with an ermine tail hanging from the centre of each medallion.
Subject
Indigenous
Stoney
Blackfoot
Siksika
regalia
beadwork
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.05.0011
Images
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Date
1880 – 1930
Material
skin; glass
Catalogue Number
103.01.0029
Description
A strip of beadwork sewn together in rows completely covering a hide strip. The design features a medium blue background with a yellow square in the middle, outlined with dark blue, and three long pointed shapes at either side. A small red square at the centre of the yellow square is surrounded by…
  1 image  
Title
Beaded Trim
Date
1880 – 1930
Material
skin; glass
Dimensions
8.5 x 46.0 cm
Description
A strip of beadwork sewn together in rows completely covering a hide strip. The design features a medium blue background with a yellow square in the middle, outlined with dark blue, and three long pointed shapes at either side. A small red square at the centre of the yellow square is surrounded by four green squares and then eight dark blue squares. One end of the strip has a white and dark blue scalloped band.
Subject
Indigenous
beadwork
regalia
decorative
Blackfoot
Assiniboine
Mandan
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.01.0029
Images
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Ben Calf Robe, Blackfoot

https://archives.whyte.org/en/permalink/descriptions51721
Part Of
Peter and Catharine Whyte fonds
Scope & Content
Image of Ben Calf Robe dressed in regalia standing beside his horse in front of a tepee.
Date Range
[ca. 1950]
Reference Code
V683 / III / A / 6 / PA - 56
Description Level
6 / Item
GMD
Photograph
  1 image  
Part Of
Peter and Catharine Whyte fonds
Description Level
6 / Item
Fonds Number
M36 / V683 / S37
Series
V683 / III / A / 6 : Peter and Catharine Whyte: Local Indigenous people and Banff Indian Days
Sous-Fonds
V683
Accession Number
.
Reference Code
V683 / III / A / 6 / PA - 56
GMD
Photograph
Date Range
[ca. 1950]
Physical Description
Photograph: 1 print; b&w.
Scope & Content
Image of Ben Calf Robe dressed in regalia standing beside his horse in front of a tepee.
Name Access
Calf Robe, Ben
Subject Access
Banff Indian Days
First Nations
Indigenous Peoples
Recognizing relations
Blackfoot
Geographic Access
Alberta
Language
English
Related Material
Recognizing Relations number RR 405
Title Source
Title based on item
Processing Status
Processed
Images
thumbnail
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Blackfoot ways of knowing : the worldview of the Siksikaitsitapi

https://archives.whyte.org/en/permalink/catalogue26211
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2023
Author
Bastien, Betty
Publisher
Calgary : University of Calgary Press
Edition
9th printing
Call Number
07.2 B29b
Author
Bastien, Betty
Responsibility
Ju¨rgen W. Kremer, editor ; Duane Mistaken Chief, language consultant.
Edition
9th printing
Publisher
Calgary : University of Calgary Press
Published Date
2023
Physical Description
xx, 235 pages : illustrations, portraits ; 23 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Blackfoot
Siksikaitsitapi
Indigenous
Indigenous Culture
Indigenous Customs
Indigenous People
Indigenous Traditions
Indigenous Language
Abstract
The worldview of the Siksikaitsitapi is a journey into the heart and soul of Blackfoot culture. In sharing her personal story of coming home to reclaim her identity within that culture, Betty Bastien offers us a gateway into traditional Blackfoot ways of understanding and experiencing the world. As a scholar and researcher, Bastien is also able to place Blackfoot tradition within the context of knowledge building among indigenous peoples generally, and within an historical context of precarious survival amid colonial displacement and cultural genocide. -- From back cover
Contents
Context -- Introduction -- Innahkootaitsinnika'topi -- History of the Blackfoot-speaking tribes -- Introductory remarks -- Iitotasimahpi Iimitaiks -- The era of the dog or the time of the ancestors (Pre-eighteenth century) -- Ao'ta'sao'si Ponokaomita -- the era of the horse (eighteeneth century to 1880) -- Ao'maopao'si -- from when we settled in one place (1880) to today -- Cultural destruction -- policies of ordinary genocide -- Tribal protocol and affirmative inquiry -- Niinohkanistssksinipi -- Speaking personally -- Traditional knowledge in academe -- Cultural affirmation -- Protocol of affirmative inquiry -- Affirmation of indigenous knowledge -- Kakyosin -- traditional knowledge -- Kiitomohpiipotoko -- ontological responsibilities -- Siksikaitsitapi ways of knowing -- epistemology -- Knowledge is coming to know Ihtsipaitapiiyo'pa -- Kakyosin/Mokaksin -- Indigenous learning -- Niisi'powahsinni-language -- Aipommotsspistsi -- transfers -- Kaaahsinnooniksi -- grandparents -- Conclusion: renewal of ancestral responsibilities as antidote to genocide -- Deconstructing the colonized mind -- Eurocentred and Niitsitapi identity -- Reflections and implications.
ISBN
9781552381090
Accession Number
P2023.25
Call Number
07.2 B29b
Collection
Archives Library
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Date
1900 – 1920
Material
skin; glass
Catalogue Number
109.02.1034
Description
Long, beaded and fringed bag, fringe 20.0 long at bottom of bag, beaded panel 1910, white background, both side edges with blue beads, different designs each side. One side 3 red and blue rectangles along edge, centered large stylized 8-pointed flower, dark blue edge, light blue, yellow, red and gr…
  1 image  
Title
Calumet Bag
Date
1900 – 1920
Material
skin; glass
Dimensions
19.0 x 75.0 cm
Description
Long, beaded and fringed bag, fringe 20.0 long at bottom of bag, beaded panel 1910, white background, both side edges with blue beads, different designs each side. One side 3 red and blue rectangles along edge, centered large stylized 8-pointed flower, dark blue edge, light blue, yellow, red and green, other side red, mauve, blue flower, yellow bud. Top of bag buckskin has blue beads on side edges, red on top scalloped edge. One thong looped thought 2 holes near top. [Typical transitional floral patterns with a wide selection of beads, ie. 1870-1920, interesting rectangular pattern on back. Al McClelland 1997]
Subject
Indigenous, Blackfoot
beadwork
Mary Schaffer
ceremonial
Credit
Gift of Charles C. Reid, Banff, Alberta, 1986
Catalogue Number
109.02.1034
Images
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Artist
Joane Cardinal-Schubert (1942 – 2009, Canadian)
Date
1985
Medium
pastel on paper
Catalogue Number
ScJ.03.01
Description
A large wooden rack with multicoloured strips of fabric or hide draped over its rungs. Red background takes up two thirds of painting, brown ground takes up bottom third. The side of another rack is peaking into frame at right. “Drying Rack” and “Cardinal-Schubert ‘85” are written on the rack at le…
  1 image  
Artist
Joane Cardinal-Schubert (1942 – 2009, Canadian)
Title
Drying Rack
Date
1985
Medium
pastel on paper
Dimensions
72.4 x 103.0 cm
Description
A large wooden rack with multicoloured strips of fabric or hide draped over its rungs. Red background takes up two thirds of painting, brown ground takes up bottom third. The side of another rack is peaking into frame at right. “Drying Rack” and “Cardinal-Schubert ‘85” are written on the rack at left and at the upper edge of the ground at right.
Subject
indigenous
households
Kainai
Blackfoot
Credit
Gift of Robert Fulton, Calgary, 2022
Catalogue Number
ScJ.03.01
Images
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69 records – page 3 of 7.

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