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118 records – page 3 of 12.

Date
n.d.
Material
fibre; plastic; leather; paper
Catalogue Number
103.04.1071
Description
A navy blue flat-topped cap with a black, plastic, peak/visor. The crown has “C.P.R.” embroidered in gold braid on the front top crown portion and “Checker” embroidered on the lower black portion. Above the visor there is a piece of gold embroidered flat braid sewn on and also between “CPR” and “…
  1 image  
Title
Cpr Checker Cap
Date
n.d.
Material
fibre; plastic; leather; paper
Dimensions
11.0 x 18.0 x 25.5 cm
Description
A navy blue flat-topped cap with a black, plastic, peak/visor. The crown has “C.P.R.” embroidered in gold braid on the front top crown portion and “Checker” embroidered on the lower black portion. Above the visor there is a piece of gold embroidered flat braid sewn on and also between “CPR” and “Checker”. There are two air holes surrounded by black plastic for ventilation on each side of the seam. On the inside there is a leather sweatband, red satin lining and plastic lining the top part of the crown to keep the hat waterproof; also, a white paper size tag “4-Wm. SCULLY - MTL. SIZE 7 1/4 OPR. UNION MAKE” and on the opposite side the number “560”.
Subject
industrial
CPR Railway
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
103.04.1071
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
n.d.
Material
ceramic;paint
Catalogue Number
104.20.1146 a,b
Description
(a) One round, white ceramic dinner plate (24.5cm diameter) bordered with one wide green line in the middle, flanked by one narrow line on each side. The green lines around the rim are broken by the elaborate monogrammed script “CPR . Au verso a green crown, under that, green printing “GRINDLEY HOT…
  1 image  
Title
Cpr Plate
Date
n.d.
Material
ceramic;paint
Dimensions
in description cm
Description
(a) One round, white ceramic dinner plate (24.5cm diameter) bordered with one wide green line in the middle, flanked by one narrow line on each side. The green lines around the rim are broken by the elaborate monogrammed script “CPR . Au verso a green crown, under that, green printing “GRINDLEY HOTEL WARE ENGLAND VITRIFIED”, and a number “B-2.29”.(b) An oval side plate (22.0 wide cm diameter) with three (one thick flanked by one narrow on each side) green lines around the rim broken by the elaborate monogrammed script “CPR” . Au verso a green crown, under that green printing “GRINDLEY HOTEL WARE ENGLAND VITRIFIED”.
Subject
hotels
CPR
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
104.20.1146 a,b
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
n.d.
Material
ceramic; paint
Catalogue Number
104.20.1147
Description
One round, white ceramic dinner plate with one thick line in the middle, flanked by a narrow one on each side. The Kelly green lines around the rim are broken by the elaborate monogrammed script “CPR”. Au verso, a green crown, under that green printing “RIDGEWAYS VITRIF ED(sic) ENLGAND”, painted o…
  1 image  
Title
Cpr Plate
Date
n.d.
Material
ceramic; paint
Description
One round, white ceramic dinner plate with one thick line in the middle, flanked by a narrow one on each side. The Kelly green lines around the rim are broken by the elaborate monogrammed script “CPR”. Au verso, a green crown, under that green printing “RIDGEWAYS VITRIF ED(sic) ENLGAND”, painted on “1/1”. There is “2 10 VITRIFIED” stamped on before the glaze was applied and fired.
Subject
hotels
CPR
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
104.20.1147
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Cpr Stationmaster Cap

https://archives.whyte.org/en/permalink/artifact103.04.1070
Date
n.d.
Material
fabric; plastic; leather; paper; metal
Catalogue Number
103.04.1070
Description
A dark maroon and black flat-topped cap with a black plastic peak/visor (inside portion of visor is green plastic and the lining is black cotton). The crown has “C.P.R.” embroidered in gold braid on the maroon portion and “STATION MASTER” embroidered on the black portion. Above the visor there is …
  1 image  
Title
Cpr Stationmaster Cap
Date
n.d.
Material
fabric; plastic; leather; paper; metal
Dimensions
11.0 x 19.5 x 24.0 cm
Description
A dark maroon and black flat-topped cap with a black plastic peak/visor (inside portion of visor is green plastic and the lining is black cotton). The crown has “C.P.R.” embroidered in gold braid on the maroon portion and “STATION MASTER” embroidered on the black portion. Above the visor there is a piece of gold braided cord looped around brass CPR buttons, one on each side of the hat. The buttons are embossed with “CANADIAN”, an image of a beaver in the middle, and “PACIFIC” below. There are two air holes surrounded by black plastic for ventilation on each side. On the inside there is a leather sweatband and a white paper size tag “4-SCULLY 7 4- MONTREAL”.
Subject
industrial
CPR Railway
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
103.04.1070
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
n.d.
Material
wood; plastic; metal; fabric; tape
Catalogue Number
104.41.1141 a-c
Description
5x7 film holder, which would have held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.”…
  1 image  
Title
Cut-Film Holder
Date
n.d.
Material
wood; plastic; metal; fabric; tape
Dimensions
1.4 x 14.9 x 22.7 cm
Description
5x7 film holder, which would have held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using a sheet film holder, the device is inserted into the camera, often a view camera, and the dark slide is withdrawn, making the film available for exposure. After the exposure has been made, the dark slide is reinserted into the film holder, and the device is removed from the camera for later processing of the exposed film. Film loading using sheet film holders requires a dark space to load and unload the film; typically a changing bag or darkroom would be utilized to avoid compromising the film. However, 5x7 film holders were known for their primary use in the field, suggesting that a changing bag would have been used. (a)The film holder has been designed with the utmost durability and has a welded unibody construction to withstand normal dropping without damage. The holder consists of a metal handle on the darkslides, which make for easy handling and are considered to be more highly regarded as they are known to have a longer life. On the top of the holder’s body there are two black metal clips, which would have locked each sheet into place. Along the top of the holder, on both the front and back, a protruding inscription reads as follows: “5X7 LISCO CUT FILM HOLDER” “MADE IN U.S.A. BY PATS PENO” “LISCO PRODUCTS CO. GLENDALE 4, CALIF.” (b)At the top of the darkslide there is a piece of masking tape that has been attached with the number “80” written in marker.(c)At the top of the other darkslide a green ribbon has been tied.
Subject
photography
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
104.41.1141 a-c
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
n.d.
Material
wood; plastic; metal; fabric; tape
Catalogue Number
104.41.1142 a-c
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using…
  1 image  
Title
Cut-Film Holder
Date
n.d.
Material
wood; plastic; metal; fabric; tape
Dimensions
1.4 x 14.9 x 22.7 cm
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using a sheet film holder, the device is inserted into the camera, often a view camera, and the dark slide is withdrawn, making the film available for exposure. After the exposure has been made, the dark slide is reinserted into the film holder, and the device is removed from the camera for later processing of the exposed film. Film loading using sheet film holders requires a dark space to load and unload the film; typically a changing bag or darkroom would be utilized to avoid compromising the film. However, 5x7 film holders were known for their primary use in the field, suggesting that a changing bag would have been used. (a)The film holder has been designed with the utmost durability and has a welded unibody construction to withstand normal dropping without damage. The holder consists of a metal handle on the darkslides, which make for easy handling and are considered to be more highly regarded as they are known to have a longer life. On the top of the holder’s body there are two black metal clips, which would have locked each sheet into place. Along the top of the holder, on both the front and back, a protruding inscription reads as follows: “5X7 LISCO CUT FILM HOLDER” “MADE IN U.S.A. BY PATS PENO” “LISCO PRODUCTS CO. GLENDALE 4, CALIF.” (b)At the top of the darkslide there is a piece of masking tape that has been attached with the number “74” written in marker. (c)At the top of the other darkslide a green ribbon has been tied.
Subject
photography
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
104.41.1142 a-c
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
n.d.
Material
wood; plastic; metal; fabric; tape
Catalogue Number
104.41.1143 a-c
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using…
  1 image  
Title
Cut-Film Holder
Date
n.d.
Material
wood; plastic; metal; fabric; tape
Dimensions
1.4 x 14.9 x 22.7 cm
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using a sheet film holder, the device is inserted into the camera, often a view camera, and the dark slide is withdrawn, making the film available for exposure. After the exposure has been made, the dark slide is reinserted into the film holder, and the device is removed from the camera for later processing of the exposed film. Film loading using sheet film holders requires a dark space to load and unload the film; typically a changing bag or darkroom would be utilized to avoid compromising the film. However, 5x7 film holders were known for their primary use in the field, suggesting that a changing bag would have been used. (a)The film holder has been designed with the utmost durability and has a welded unibody construction to withstand normal dropping without damage. The holder consists of a metal handle on the darkslides, which make for easy handling and are considered to be more highly regarded as they are known to have a longer life. On the top of the holder’s body there are two black metal clips, which would have locked each sheet into place. Along the top of the holder, on both the front and back, a protruding inscription reads as follows: “5X7 LISCO CUT FILM HOLDER” “MADE IN U.S.A. BY PATS PENO” “LISCO PRODUCTS CO. GLENDALE 4, CALIF.” (b)At the top of the darkslide there is a piece of masking tape that has been attached and the date “APRIL 79” has been written in ink.(c)At the top of the other darkslide a green ribbon has been tied.
Subject
photography
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
104.41.1143 a-c
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
n.d.
Material
wood; plastic; metal; fabric; tape
Catalogue Number
104.41.1144 a-c
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using…
  1 image  
Title
Cut-Film Holder
Date
n.d.
Material
wood; plastic; metal; fabric; tape
Dimensions
1.4 x 14.9 x 22.7 cm
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using a sheet film holder, the device is inserted into the camera, often a view camera, and the dark slide is withdrawn, making the film available for exposure. After the exposure has been made, the dark slide is reinserted into the film holder, and the device is removed from the camera for later processing of the exposed film. Film loading using sheet film holders requires a dark space to load and unload the film; typically a changing bag or darkroom would be utilized to avoid compromising the film. However, 5x7 film holders were known for their primary use in the field, suggesting that a changing bag would have been used. (a)The film holder has been designed with the utmost durability and has a welded unibody construction to withstand normal dropping without damage. The holder consists of a metal handle on the darkslides, which make for easy handling and are considered to be more highly regarded as they are known to have a longer life. On the top of the holder’s body there are two black metal clips, which would have locked each sheet into place. Along the top of the holder, on both the front and back, a protruding inscription reads as follows: “5X7 LISCO CUT FILM HOLDER” “MADE IN U.S.A. BY PATS PENO” “LISCO PRODUCTS CO. GLENDALE 4, CALIF.”(b)At the top of the darkslide a green ribbon has been tied. (c) At the top of the other darkslide a piece of masking tape has been attached and no information is present.
Subject
photography
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
104.41.1144 a-c
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
n.d.
Material
wood; plastic; metal; fabric
Catalogue Number
104.41.1145 a-c
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using…
  1 image  
Title
Cut-Film Holder
Date
n.d.
Material
wood; plastic; metal; fabric
Dimensions
1.4 x 14.9 x 22.7 cm
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using a sheet film holder, the device is inserted into the camera, often a view camera, and the dark slide is withdrawn, making the film available for exposure. After the exposure has been made, the dark slide is reinserted into the film holder, and the device is removed from the camera for later processing of the exposed film. Film loading using sheet film holders requires a dark space to load and unload the film; typically a changing bag or darkroom would be utilized to avoid compromising the film. However, 5x7 film holders were known for their primary use in the field, suggesting that a changing bag would have been used. (a)The film holder has been designed with the utmost durability and has a welded unibody construction to withstand normal dropping without damage. The holder consists of a metal handle on the darkslides, which make for easy handling and are considered to be more highly regarded as they are known to have a longer life. On the top of the holder’s body there are two black metal clips, which would have locked each sheet into place.Along the top of the holder, on both the front and back, a protruding inscription reads as follows: “5X7 LISCO CUT FILM HOLDER” “MADE IN U.S.A. BY PATS PENO” “LISCO PRODUCTS CO. GLENDALE 4, CALIF.” (b)At the top of the darkslide a red ribbon has been tied. (c)At the top of the other darkslide nothing has been attached to further identify it.
Subject
photography
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
104.41.1145 a-c
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
n.d.
Material
wood; plastic; metal; fabric
Catalogue Number
104.41.1147 a-c
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using…
  1 image  
Title
Cut-Film Holder
Date
n.d.
Material
wood; plastic; metal; fabric
Dimensions
1.4 x 14.9 x 22.7 cm
Description
5x7 film holder, which held double sheets of film for use in large format cameras. The holder takes two sheets of film and fits all press and view cameras with the international spring back. 5x7 formats are among the less common used and are sometimes referred to as “ultra large format.” When using a sheet film holder, the device is inserted into the camera, often a view camera, and the dark slide is withdrawn, making the film available for exposure. After the exposure has been made, the dark slide is reinserted into the film holder, and the device is removed from the camera for later processing of the exposed film. Film loading using sheet film holders requires a dark space to load and unload the film; typically a changing bag or darkroom would be utilized to avoid compromising the film. However, 5x7 film holders were known for their primary use in the field, suggesting that a changing bag would have been used. (a)The film holder has been designed with the utmost durability and has a welded unibody construction to withstand normal dropping without damage. The holder consists of a metal handle on the darkslides, which make for easy handling and are considered to be more highly regarded as they are known to have a longer life. On the top of the holder’s body there are two black metal clips, which would have locked each sheet into place. Along the top of the holder, on both the front and back, a protruding inscription reads as follows: “5X7 LISCO CUT FILM HOLDER” “MADE IN U.S.A. BY PATS PENO” “LISCO PRODUCTS CO. GLENDALE 4, CALIF.” (b)At the top of the darkslide nothing has been attached to further identify it. (c)At the top of the darkslide a red ribbon has been tied.
Subject
photography
Nick Morant
Credit
Gift of Nicholas Morant, Banff, 2006
Catalogue Number
104.41.1147 a-c
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

118 records – page 3 of 12.

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