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70 records – page 1 of 7.

Artist
Anne Rebeyka
Date
1971
Medium
watercolour on ordinary hen's eggs
Catalogue Number
ReA.22.02
Description
3 ordinary hen's eggs decorated in the Ukrainian tradition.
Artist
Anne Rebeyka
Title
3 Decorated Eggs
Date
1971
Medium
watercolour on ordinary hen's eggs
Dimensions
6.0 x 4.3 cm
Description
3 ordinary hen's eggs decorated in the Ukrainian tradition.
Subject
Religious
Easter
Ukranian
Credit
Gift of Unknown, 1968
Catalogue Number
ReA.22.02
Less detail
Artist
Anne Rebeyka
Date
1971
Medium
watercolour on ordinary hen's eggs
Catalogue Number
ReA.22.03
Description
3 ordinary hen's eggs decorated in the Ukrainian tradition.
Artist
Anne Rebeyka
Title
3 Decorated Eggs
Date
1971
Medium
watercolour on ordinary hen's eggs
Dimensions
6.0 x 4.3 cm
Description
3 ordinary hen's eggs decorated in the Ukrainian tradition.
Subject
Religious
Easter
Ukranian
Credit
Gift of Unknown, 1968
Catalogue Number
ReA.22.03
Less detail
Artist
Anne Rebeyka
Date
1971
Medium
watercolour on ordinary hen's eggs
Catalogue Number
ReA.22.01
Description
3 ordinary hen's eggs decorated in the Ukrainian tradition.
Artist
Anne Rebeyka
Title
3 Decorated Eggs
Date
1971
Medium
watercolour on ordinary hen's eggs
Dimensions
6.0 x 4.3 cm
Description
3 ordinary hen's eggs decorated in the Ukrainian tradition.
Subject
Religious
Easter
Ukranian
Credit
Gift of Unknown, 1968
Catalogue Number
ReA.22.01
Less detail
Date
1955 – 1965
Material
mineral, onyx; fibre
Catalogue Number
103.09.0018 a,b
Description
A smoothly polished flat onyx stone (a) in a red velour carrying case (b) lined with satin. The stone has a finger depression carved into one side. Inside of the box the satin is marked with “Calmulet” in gold writing. The stone is also accompanied by a small pamphlet, which fits inside the box,…
  1 image  
Title
Amulet
Date
1955 – 1965
Material
mineral, onyx; fibre
Dimensions
0.8 (a); 3.0 (b) x 3.5 (a); 7.0 (b) x 5.8 (a); 8.5 (b) cm
Description
A smoothly polished flat onyx stone (a) in a red velour carrying case (b) lined with satin. The stone has a finger depression carved into one side. Inside of the box the satin is marked with “Calmulet” in gold writing. The stone is also accompanied by a small pamphlet, which fits inside the box, and explains how the stone is used. The pamphlet reads:“As the ancient Chinese pondered the weighty problems of their time, or contemplated deep philosphies, it was their practice to stroke the smooth polished surface of valuable jade, a habit they found soothing to tired minds and tense nerves.The Egyptians and Greeks of long ago wore amulets, usually suspended from the neck, as a protection from the evil eye. It was a recognized good luck charm. Even the very religious Moslums believed in the power of the amulet.Now the amulet is once more being sought as a potential calmer of jangled nerves. The CALMULET is designed for this purpose. Hold it in the palm of your hand . . . it is especially shaped to nestle there, inviting nervous fingers to gently rub it’s smooth satiny surface.CALMULET a finely cut lustrous onyx will become your personal talisman.”
Subject
medicinal
religious
superstitions
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.09.0018 a,b
Images
Less detail
Date
1968 – 1971
Material
skin; fibre; glass
Catalogue Number
103.09.0085
Description
Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside…
  1 image  
Title
Amulet Charm
Date
1968 – 1971
Material
skin; fibre; glass
Dimensions
13.0 x 30.0 cm
Description
Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside of pouch beaded on canvas and front side beaded on buckskin. Fringe tassels of silver beads on lower two thirds of pouch edge.
Subject
Indigenous
lore
religious
Eliza Hunter
ceremonial
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.09.0085
Images
Less detail
Artist
Unknown
Date
c. 1780
Medium
tempera on wood
Catalogue Number
UnK.14.01
Description
Wooden icon showing a painted winged figure [St. Michael?] on a winged horse in the centre with another figure looking on from upper left corner.
  1 image  
Artist
Unknown
Title
Archangel Michael
Date
c. 1780
Medium
tempera on wood
Dimensions
318 x 1.3 x 24.0 cm
Description
Wooden icon showing a painted winged figure [St. Michael?] on a winged horse in the centre with another figure looking on from upper left corner.
Subject
religious
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
UnK.14.01
Images
Less detail
Date
1890 – 1910
Material
hair, sheep; glass; fibre
Catalogue Number
103.08.0012
Description
A black velvet pouch with a looped bead fringe along the edges. The bag has a twisted, faded red wool cord at the neck with wool pom-poms at each end. The bag is decoarated with multicoloured beadwork on the front with a tulip-like flower with other flowers on a vine extending from the tulip-like…
  1 image  
Title
Beaded Bag
Date
1890 – 1910
Material
hair, sheep; glass; fibre
Dimensions
11.0 x 16.0 cm
Description
A black velvet pouch with a looped bead fringe along the edges. The bag has a twisted, faded red wool cord at the neck with wool pom-poms at each end. The bag is decoarated with multicoloured beadwork on the front with a tulip-like flower with other flowers on a vine extending from the tulip-like flower.
Subject
Indigenous, Athapaskan
tourism
religious
regalia
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.08.0012
Images
Less detail
Date
1900 – 1950
Material
hoof; glass; skin
Catalogue Number
103.09.1001
Description
Stuffed, light blue beaded bag with long strap. Large red, orange, yellow and black checked diamond,m four small crosses around in each corner, other side, red diamond flanked by red and yellow chevron, outlined in dark blue each side, long narrow buckskin strap adorned with 2 long brass bead-like…
  1 image  
Title
Beaded Talisman
Date
1900 – 1950
Material
hoof; glass; skin
Dimensions
9.0 x 3.5 x 14.5 cm
Description
Stuffed, light blue beaded bag with long strap. Large red, orange, yellow and black checked diamond,m four small crosses around in each corner, other side, red diamond flanked by red and yellow chevron, outlined in dark blue each side, long narrow buckskin strap adorned with 2 long brass bead-like pull chains extending down sides of bag (silver on side) 4 short tassels at bottom composed of 2 large beads, deer hoof at end.
Subject
Indigenous
beadwork
lore
religious
ceremonial
Credit
Gift of Unknown, 1968
Catalogue Number
103.09.1001
Images
Less detail
Date
1920 – 1940
Material
fibre; metal
Catalogue Number
103.07.0173
Description
A soft belt of red violet velvet with large silver buckle. Velvet is sewn into long tube and gathered slightly at end where attached to buckle. Two part buckle hooks together with large hook and eye on back. Cast buckle shaped like two pointed cinquefoils butting together at the flat side, each co…
  1 image  
Title
Belt
Date
1920 – 1940
Material
fibre; metal
Dimensions
8.5 x 93.5 cm
Description
A soft belt of red violet velvet with large silver buckle. Velvet is sewn into long tube and gathered slightly at end where attached to buckle. Two part buckle hooks together with large hook and eye on back. Cast buckle shaped like two pointed cinquefoils butting together at the flat side, each containing a female dancing figure in very high relief. Figure has firm breasts and tiny waist, and is wearing draped bloomers and tall headdress. Scrolls and flowers form garland around figure. Smooth border around pebbly background surface, follows shape of buckle each side of buckle has bar soldered across back to attach belt. Velvet attached one side only with loose basting stitches around bar.
Subject
households
figure
female
religious
Hinduism
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.07.0173
Images
Less detail
Artist
Dale Auger (1958 – , Canadian)
Date
1998
Medium
acrylic on canvas
Catalogue Number
AuD.12.01
Description
A large painting of an Indigenous dressed as a bear. The man’s face is visible through the mouth of the bear fur that covers him. The man’s eyes are hidden by shadows. Yellow and black paint is on the rest of his face. In the claws, the man holds a wand-like stick, at the tip of which are four …
  1 image  
Artist
Dale Auger (1958 – , Canadian)
Title
Big Bear Medicine
Date
1998
Medium
acrylic on canvas
Dimensions
92.5 x 92.5 cm
Description
A large painting of an Indigenous dressed as a bear. The man’s face is visible through the mouth of the bear fur that covers him. The man’s eyes are hidden by shadows. Yellow and black paint is on the rest of his face. In the claws, the man holds a wand-like stick, at the tip of which are four feathers. These are in the blc of the image. On either side of the bear’s head are patches of aquamarine.
Subject
religious
Indigenous
animal
bear
Credit
Purchased from Bernie Makokis, St. Paul, 2001
Catalogue Number
AuD.12.01
Images
Less detail

70 records – page 1 of 7.

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