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7 records – page 1 of 1.

Alberta Oil Sands #14

https://archives.whyte.org/en/permalink/artifactbue.18.01
Artist
Edward Burtynsky (1955 – , Canadian)
Date
2007
Medium
photograph on board
Catalogue Number
BuE.18.01
  1 image  
Artist
Edward Burtynsky (1955 – , Canadian)
Title
Alberta Oil Sands #14
Date
2007
Medium
photograph on board
Dimensions
162.56 x 121.92 cm
Subject
oil
water
chromogenic
print
Credit
Gift of Edward Burtynsky, Toronto, 2014
Catalogue Number
BuE.18.01
Images
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Commercial Print Picture

https://archives.whyte.org/en/permalink/artifact107.01.1021
Date
1970
Material
paper; wood; glass; metal
Catalogue Number
107.01.1021
Description
A commercial print done by L.R. Batchelor for Merck Frosst. It is a colour print of a group of gnomes in a cave: the gnomes on the top part are playing games, the gnome on the left is sewing and the gnomes to the right are painting signs; the gnome in the foreground is weaving on a large floor loom…
  1 image  
Title
Commercial Print Picture
Date
1970
Material
paper; wood; glass; metal
Dimensions
34.0 x 25.5 cm
Description
A commercial print done by L.R. Batchelor for Merck Frosst. It is a colour print of a group of gnomes in a cave: the gnomes on the top part are playing games, the gnome on the left is sewing and the gnomes to the right are painting signs; the gnome in the foreground is weaving on a large floor loom, helped by a bug on the left holding the thread from the shuttle.
Subject
households
decorative
commercial print
Merck Frosst
Mary Andrews
Credit
Gift of Mary Garnham Andrews, Banff, 2009
Catalogue Number
107.01.1021
Images
Less detail
Artist
Robert William Sinclair (1939 – , Canadian)
Date
2001
Medium
dry point; embossed print on paper
Catalogue Number
SiR.04.01
Description
Three small images on one piece of white rice paper. Each image is side by side and contains an image of a mountain . the first image is an embossed mountain, the second image is a dry point printing and the third image is debossed . both end images are simple white of the paper. along the bottom o…
  1 image  
Artist
Robert William Sinclair (1939 – , Canadian)
Title
Meeting Point
Date
2001
Medium
dry point; embossed print on paper
Description
Three small images on one piece of white rice paper. Each image is side by side and contains an image of a mountain . the first image is an embossed mountain, the second image is a dry point printing and the third image is debossed . both end images are simple white of the paper. along the bottom of the piece are the title/signature/ artist proof.
Subject
landscape
mountains
print
Credit
Gift of Robert William Sinclair, Edmonton, 2010
Catalogue Number
SiR.04.01
Images
Less detail

One thousand more paint questions answered

https://archives.whyte.org/en/permalink/catalogue21051
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
1909
Author
The Painters Magazine (?)
Publisher
New York
Call Number
TP935 P3
Author
The Painters Magazine (?)
Publisher
New York
Published Date
1909
Physical Description
628p.
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Print materials
Notes
Title page missing
Accession Number
477
Call Number
TP935 P3
Location
Art Library is located in Curatorial Department - Please contact Curatorial Department for access
Collection
Art Library
Less detail
Date
n.d.
Catalogue Number
107.01.1022
Description
A framed commercial print in black ink on off-white paper. “The Reason Why” title followed by the poem: “Not until each loom is silent And shuttles cease to fly, Will God unroll the pattern And explain the reason why The dark threads are as needful, In the Weaver’s skillful hand, As the threads of …
  1 image  
Title
The Reason Why
Date
n.d.
Dimensions
16.2 x 11.2 cm
Description
A framed commercial print in black ink on off-white paper. “The Reason Why” title followed by the poem: “Not until each loom is silent And shuttles cease to fly, Will God unroll the pattern And explain the reason why The dark threads are as needful, In the Weaver’s skillful hand, As the threads of gold and silver for the pattern which He planned.” There are garlands of flowers around the poem and on the viewer’s left a spinning wheel with yarn on the wheel making a ball which is being unravelled and played with by a kitten on viewer’s right.
Subject
households
decorative
weaving
Mary Andrews
Credit
Gift of Mary Garnham Andrews, Banff, 2009
Catalogue Number
107.01.1022
Images
Less detail
Artist
Illingworth Holey Kerr (1905 – 1989, Canadian)
Date
1987
Medium
on paper
Catalogue Number
KeI.04.01
Description
Three horses charge from the left edge to the right. All that the viewer can see are the heads, necks and shoulders of the animals. The two horses in the back are solid black but the front most horse is white. Matted/ framed with an archival mat.
  1 image  
Artist
Illingworth Holey Kerr (1905 – 1989, Canadian)
Title
Untamed #149/300
Date
1987
Medium
on paper
Dimensions
8.89 x 13.97 cm
Description
Three horses charge from the left edge to the right. All that the viewer can see are the heads, necks and shoulders of the animals. The two horses in the back are solid black but the front most horse is white. Matted/ framed with an archival mat.
Subject
horse
print
running
lino
Holey Kerr
black
Credit
Gift of Harold C. Whyte, Penticton, 2017
Catalogue Number
KeI.04.01
Images
Less detail

Young Antelope #149/300

https://archives.whyte.org/en/permalink/artifactkei.04.02
Artist
Illingworth Holey Kerr (1905 – 1989, Canadian)
Date
1987
Medium
on paper
Catalogue Number
KeI.04.02
Description
Red rectangle with white outlines of three young antelope. The one on the right lay sleeping, the left, front, antelope faces the viewer as if confrontational and the back left one peeks out from behind the front one. Matted/framed with an archival mat.
  1 image  
Artist
Illingworth Holey Kerr (1905 – 1989, Canadian)
Title
Young Antelope #149/300
Date
1987
Medium
on paper
Dimensions
12.7 x 17.15 cm
Description
Red rectangle with white outlines of three young antelope. The one on the right lay sleeping, the left, front, antelope faces the viewer as if confrontational and the back left one peeks out from behind the front one. Matted/framed with an archival mat.
Subject
antelope
red
Holey Kerr
print
lino;
Credit
Gift of Harold C. Whyte, Penticton, 2017
Catalogue Number
KeI.04.02
Images
Less detail

7 records – page 1 of 1.

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