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Upholding Indigenous economic relationships : nehiyawak narratives
https://archives.whyte.org/en/permalink/catalogue25716
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2023
- Author
- Wuttunee Jobin, Shalene
- Publisher
- Vancouver ; Toronto : UBC Press
- Call Number
- 07.2 W96u
- Author
- Wuttunee Jobin, Shalene
- Publisher
- Vancouver ; Toronto : UBC Press
- Published Date
- 2023
- Physical Description
- xv, 255 pages : illustrations ; 24 cm
- Abstract
- Upholding Indigenous Economic Relationships explains settler colonialism through the lens of economic exploitation, using Indigenous methodologies and critical approaches. What is the relationship between economic progress in the land now called Canada and the exploitation of Indigenous peoples? And what gifts embedded within Indigenous world views speak to miyo-pimâtisiwin, the good life, and specifically to good economic relations? Shalene Wuttunee Jobin draws on the knowledge systems of the nehiyawak (Plains Cree people) - whose distinctive principles and practices shape their economic behaviour - to make two central arguments. The first is that economic exploitation was the initial and most enduring relationship between newcomers and Indigenous peoples. The second is that Indigenous economic relationships are constitutive: connections to the land, water, and other human and nonhuman beings form who we are as individuals and as peoples. This groundbreaking study employs Cree narratives that draw from the past and move into the present to reveal previously overlooked Indigenous economic theories and relationships, and provides contemporary examples of nehiyawak renewing these relationships in resurgent ways. In the process, Upholding Indigenous Economic Relationships offers tools that enable us to reimagine how we can aspire to the good life with all our relations. -- Provided by publisher
- Contents
- 1. Grounding methods -- 2. Grounding economic relationships -- 3. nehiyawak peoplehood and relationality -- 4. Canada's genisis story -- 5. Warnings of insatiable greed -- 6. Indigenous women's lands and bodies -- 7. Theorizing Cree economic and governing relationships -- 8. Colonial dissonance -- 9. Principles guiding Cree economic relationships -- 10. Renewed relationships through resurgent practices --11. Upholding relations.
- ISBN
- 9780774865104
- Accession Number
- P2023.11
- Call Number
- 07.2 W96u
- Location
- Reading Room
- Collection
- Archives Library
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Indigenous media arts in Canada : making, caring, sharing
https://archives.whyte.org/en/permalink/catalogue25729
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2023
- Publisher
- Waterloo, Ontario : Wilfrid Laurier University Press
- Call Number
- 07.2 C54m
- Responsibility
- Edited by Dana Claxton and Ezra Winton
- Publisher
- Waterloo, Ontario : Wilfrid Laurier University Press
- Published Date
- 2023
- Physical Description
- 437 pages
- Abstract
- A timely and crucial collection of essays and conversations focused on Indigenous-settler cultural politics and the ethics of Indigenous representation in Canada’s media arts that explores issues of narrative sovereignty, cultural identity, cultural resistance and decolonizing creative practices. -- Provided by publisher.
- ISBN
- 9781771125413
- Accession Number
- P2023.15
- Call Number
- 07.2 C54m
- Collection
- Archives Library
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Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate
https://archives.whyte.org/en/permalink/catalogue25155
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Reid, Mark Collin
- Call Number
- P
1 website
- Author
- Reid, Mark Collin
- Responsibility
- Mark Collin Read
- Published Date
- 2020
- Physical Description
- p.28 - 35
- Medium
- Library - Periodical
- Abstract
- Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
- Notes
- In Canada's History, Vol. 100, No.3 (June-July)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
Websites
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Brushes with climate change - Rockies Repeat project explores the intersection between conservation, art, history, and culture
https://archives.whyte.org/en/permalink/catalogue25227
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Campbell, Brooke
- Call Number
- P
1 website
- Author
- Campbell, Brooke
- Responsibility
- Brooke Campbell
- Published Date
- 2020
- Physical Description
- p. 12 - 13
- Medium
- Library - Periodical
- Abstract
- Pertains to the Rockies Repeat Project which involves a group of women travelling to specific locations and re-creating the paintings of Peter Whyte and Catharine Robb Whyte with the end result of creating a documentary, exhibition and digital storytelling capsule
- Notes
- In Canada's History, Vol. 101, No.2 (April-May)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
Websites
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Revision and resistance : mistiko^siwak (Wooden Boat People) at The Metropolitan Museum of Art
https://archives.whyte.org/en/permalink/catalogue25281
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Monkman, Kent
- Publisher
- Toronto, ON : Art Canada Institute
- Call Number
- 06.1 M74r
1 website
- Author
- Monkman, Kent
- Responsibility
- Kent Monkman
- Publisher
- Toronto, ON : Art Canada Institute
- Published Date
- 2020
- Physical Description
- 127 pages (2 folded) : illustrations (chiefly color)
- Abstract
- This book explores mistikôsiwak (Wooden Boat People) by the internationally renowned artist Kent Monkman. Commissioned by The Metropolitan Museum of Art, the epic diptych exhibited in The Met’s Great Hall revisits iconic works of art, notably the famed painting Washington Crossing the Delaware by Emanuel Leutze. Monkman—featured in mistikôsiwak (Wooden Boat People) as his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle—reverses the colonial gaze of American and European art history through an Indigenous lens to present a powerful vision for the future. Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art is the definitive documentation on Monkman, his practice, and two of the most important paintings of our times. (From publisher's website)
- Contents
- Introduction from the Met / by Randall Griffey -- Introduction from ACI / by Sara Angel -- Introducing Miss Chief Eagle Testickle / by Shirley Madill -- Inside Kent Monkman's Studio / by Jami Powell -- Revisioning History: An Index, Part I / by Ruth Phillips & Mark Phillips -- Welcoming the Newcomers by Ruth Phillips & Mark Phillips -- Revisioning History: An Index, Part II / by Sasha Suda -- Resurgence of the People / by Sasha Suda -- Waves of History / by Nick Estes.
- ISBN
- 9781487102258
- Call Number
- 06.1 M74r
- Collection
- Archives Library
- URL Notes
- Publisher's website
Websites
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The frame job
https://archives.whyte.org/en/permalink/catalogue25109
- Medium
- Library - Periodical
- Published Date
- June 8, 2018
- Author
- Mykytyshyn, Brent
- Publisher
- Calgary Herald
- Call Number
- P
1 website
- Author
- Mykytyshyn, Brent
- Publisher
- Calgary Herald
- Published Date
- June 8, 2018
- Physical Description
- p.20-25
- Medium
- Library - Periodical
- Abstract
- Pertains to how the Whyte Museum of the Canadian Rockies contracted Jarvis Hall of Jarvis Hall Gallery in Calgary, Alberta to make 35 frames in the style of Peter Whyte's original frames for the 50th anniversary of the Whyte Museum of the Canadian Rockies exhibition Artistry Revealed
- Notes
- In Swerve, June 18, 2010
- Accession Number
- TBD
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Website for Jarvis Hall Gallery
Websites
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Anthropocene : Burtynsky, Baichwal, de Pencier
https://archives.whyte.org/en/permalink/catalogue19825
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator)
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.4 H11a
1 website
- Responsibility
- Curated by Sophie Hackett, Andrea Kunard, Urs Stahel
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 251 pages : illustrations (chiefly color) ; 24 cm
- Subjects
- Photographers
- Photography
- Photography, Aerial
- Art
- Exhibitions
- Exhibition catalogue
- Environment
- Subjects
- Art - Exhibitions
- Art and photography
- Art and society
- Artists
- Color photography
- Design, Industrial - Pictoral works
- Education
- Photographers
- Photographs - Catalogues
- Photography
- Photography - Collections
- Photography - Exhibitions
- Photography - Landscapes
- Photography, Documentary
- Recycling (Waste), etc.
- Video art - Exhibitions
- Abstract
- "A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
- Contents
- Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.4 H11a
- Collection
- Art Library
- URL Notes
- Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
Websites
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Facing the monumental : Rebecca Belmore
https://archives.whyte.org/en/permalink/catalogue19826
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Nanibush, Wanda (editor)
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.1 N11f
1 website
- Author
- Nanibush, Wanda (editor)
- Responsibility
- Edited by Wanda Nanibush
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 132 pages : illustrations (color)
- Subjects
- Art
- Artists
- Exhibition catalogue
- Exhibitions
- Abstract
- Catalogue of an exhibition held at the Art Gallery of Ontario from July 12 to October 21, 2018.
- Contents
- Directors Forward
- Facing the Monumental
- Works:
- artist (No.2)
- 1181
- The Named and Unnamed
- Fringe
- March 5, 1819
- Black Cloud
- blood on the snow
- X mark
- Mixed Blessing
- Thin Red Line
- Quote, Misquote, Fact
- A Pelican Falls
- sister
- State of Grace
- To Rest and to Dream
- Biinjiya'iing Onji (From Inside)
- Wave Sound
- Fountain
- Rising to the Occasion
- Performace:
- Creaton or Death: We Will Win
- Bury My Heart
- Indian Factory
- A Simple Truth
- Tent City
- Victorious
- Making Always War
- X
- Clay on Stone
- Work in Progress:
- Tower and tarpaulin
- Nibi
- Notes
- One of the cast aluminum sculptures that was a part of the LandMarks 2017 Wave Sound installation is located on the shore of Lake Minnewanka in Banff National Park - refer to pages 84 - 94 - https://www.rebeccabelmore.com/wave-sound/
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.1 N11f
- Collection
- Art Library
- URL Notes
- Artist's website
Websites
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Tunirrusiangit : Kenojuak Ashevak and Tim Pitsiulak
https://archives.whyte.org/en/permalink/catalogue19827
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Ashevak, Kenojuak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.1 As3t
1 website
- Responsibility
- Kenojuak Ashevak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 154 pages : illustrations (chiefly color), portraits (some color) ; 27 cm
- Subjects
- Art
- Artists
- Exhibition catalogue
- Exhibitions
- Subjects
- Art
- Kenojauk, 1927-
- Exhibitions
- Abstract
- "Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding 'grandmother of Inuit art,' famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, 'their gifts' or 'what they gave' in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, Tunirrusiangit features more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity" -- Provided by publisher.
- Contents
- Director's foreword / Stephan Jost -- Gracious acceptance of their gifts / Jocelyn Piirainen -- Tunirrusiangit: the gift of collaboration / Anna Hudson and Georgiana Uhlyarik -- I am the light of happiness / Laakkuluk Williamson Bathory -- Kenojuak Ashevak: works -- Hunting as culture / Koomuatuk Curley -- Tim Pitsiulak: works -- Kuujjuatuqaq ; after an argument ; two poems: the cuban, the canadian / Taqralik Partridge.
- ISBN
- 978-1-77310-091-3
- Accession Number
- 2019.36
- Call Number
- 06.1 As3t
- Collection
- Art Library
- URL Notes
- Exhibition website
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
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I'm not myself at all: women, art, and subjectivity in Canada
https://archives.whyte.org/en/permalink/catalogue19835
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Huneault, Kristina
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Call Number
- 06.1 H89i
- Author
- Huneault, Kristina
- Responsibility
- Kristina Huneault
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Published Date
- 2018
- Physical Description
- xiv, 381 pages : illustrations (some color) ; 26 cm.
- Subjects
- Art
- Philosophy
- Subjects
- Art
- Women artists - Canada
- Art History
- Abstract
- Pertains to the ways in which race, gender, colonization and social expectations influenced art produced by women. The location of analysis is specific to Canada, and thus pertains to the Rocky Mountains in the sense that many artists resided in and around the area where the external pressures would have likely been present. The book provides a thorough analysis into the history and philosophy surrounding women’s art, and the external factors that shaped its evolution in Canada.
- Contents
- Part One: Identities -- Absence: Henrietta Hamilton, Demasduit, and the settler-colonial encounter -- Displacements: Self and home in the art of Frances Anne Hopkins -- Gaps: lived experience and cultural narrative in Helen McNicoll's impressionist canvases -- Part Two: Forces -- Diversity: Identity, difference, and the botanical encounter -- Inclination: Maternity, reverie, and the art of being-with -- Listening: nature and personhood for Emily Carr and Sewin_chelwet (Sophie Frank)
- ISBN
- 9780773553194
- Accession Number
- 2019.46
- Call Number
- 06.1 H89i
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
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