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- Artists for Conservation 1
- Ashevak, Kenojuak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik 1
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Annie Pootoogook: cutting ice
https://archives.whyte.org/en/permalink/catalogue19837
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Campbell, Nancy
- Publisher
- Fredericton, NB : Goose Lane Editions ; Kleinburg, ON : McMichael Canadian Art Collection
- Call Number
- 06.1 C14a
1 website
- Author
- Campbell, Nancy
- Responsibility
- Nancy Campbell
- Publisher
- Fredericton, NB : Goose Lane Editions ; Kleinburg, ON : McMichael Canadian Art Collection
- Published Date
- 2017
- Physical Description
- 173 pages : illustrations (chiefly color) : 27 cm
- Subjects
- Art
- First Nations
- Inuit
- Canadian art
- Subjects
- Art
- First nations - Artists
- Abstract
- This exhibition celebrates the strength and contemporaneity of Pootoogook’s work but also uncovers how it has influenced her peers. Alongside works by Pootoogook, this exhibition will include works of art by Shuvinai Ashoona, Itee Pootoogook, Jutai Toonoo, Ohotaq Mikkigak and Siassie Kenneally, showing how Annie Pootoogook made it possible to begin a different conversation that celebrates Inuit art in new ways in Canada and the world. Bringing these artists’ works and words together in the Cutting Ice exhibition, will celebrate Annie Pootoogook as an important creative catalyst in contemporary art. (Taken from McMichael: Canadian Art Collection)
- Contents
- Director's foreword / Ian A.C. Dejardin -- West Baffin Eskimo Co-operative President's foreword / Pingwartok Ottokie -- West Baffin Eskimo Co-operative: a short history / Nancy Campbell, in consultation with West Baffin Eskimo Cooperative -- Dear Annie... / Nancy Campbel.
- ISBN
- 9781773100692
- Accession Number
- 2019.46
- Call Number
- 06.1 C14a
- Collection
- Archives Library
- URL Notes
- The URL pertains to the site in which the information for the abstract was drawn from
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Anthropocene : Burtynsky, Baichwal, de Pencier
https://archives.whyte.org/en/permalink/catalogue19825
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator)
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.4 H11a
1 website
- Responsibility
- Curated by Sophie Hackett, Andrea Kunard, Urs Stahel
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 251 pages : illustrations (chiefly color) ; 24 cm
- Subjects
- Photographers
- Photography
- Photography, Aerial
- Art
- Exhibitions
- Exhibition catalogue
- Environment
- Subjects
- Art - Exhibitions
- Art and photography
- Art and society
- Artists
- Color photography
- Design, Industrial - Pictoral works
- Education
- Photographers
- Photographs - Catalogues
- Photography
- Photography - Collections
- Photography - Exhibitions
- Photography - Landscapes
- Photography, Documentary
- Recycling (Waste), etc.
- Video art - Exhibitions
- Abstract
- "A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
- Contents
- Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.4 H11a
- Collection
- Art Library
- URL Notes
- Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
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Art inspired by the Canadian Rockies, Purcell Mountains and Selkirk Mountains 1809-2012
https://archives.whyte.org/en/permalink/catalogue20143
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2012
- Author
- Townshend, Nancy
- Publisher
- Calgary : Bayeux Arts
- Call Number
- N T69 A78
1 website
- Author
- Townshend, Nancy
- Responsibility
- Nancy Townshend
- Publisher
- Calgary : Bayeux Arts
- Published Date
- 2012
- Physical Description
- vi, 136p, 40 plates : ill., maps
- Subjects
- Art
- Artists
- O'Brien, Lucius
- Notman, William & Son
- Thompson, David
- Harmon, Byron
- Harris, Lawren
- MacDonald, J.E.H
- Sargent, John Singer
- Whyte, Peter
- Whyte, Catharine Robb
- Rocky Mountains
- Purcell Mountains
- Selkirk Mountains
- Abstract
- Nancy Townshend's book on art inspired by the Canadian Rockies, Purcell Mountains, and Selkirk Mountains presents these mountains' justifiable prominence in world art. For over two centuries, Canadian artists have admired their magnitude and grandeur, their endlessly changing light and atmospheric conditions, their four distinct seasons, and myriad other aspects. The book is organized chronologically into three eras: traditional (1809 –1899), Modern (1900–1973) and contemporary (1974–2012). From David Thompson's watercolours in the early nineteenth century (c. 1809) of the East Kootenays to Jan Kabatoff's multimedia art of the early twenty-first century that addresses the impact of global warming on glaciers, Townshend's book presents a whole gamut of Canadian art inspired by these great mountains. Featuring three comprehensive overviews and thirteen chapters on both central and western Canadian artists, as well as a chapter on American artist John Singer Sargent, the book offers insights into their art and inspirations. What did two centuries of artistic exploration in the infinitely facetted Canadian Rockies, Purcells and Selkirks yield? How did the resulting works of art serve to build a unique western Canadian identity? How does the West inform Canadians about themselves, about their own place in the world at this critical time in world history? Townshend answers these questions in this significant reference book for decades to come. Over the past two hundred years, a shift from the exploitative view of Canada's mountain West during the traditional era to the contemporary creative genesis of this area has occurred. Because of the contemporary artists' commitment to wildlife conservation and environmental issues, the contemporary era is more outward looking and expansive, concerned about the world's future. Townshend's all-encompassing text and selected stunning images confirm John Ruskin's observation that mountains are "the beginning and end of all natural scenery." That Canada's mountain West is indeed a place to be revered, a place from which we can learn about ourselves now and in the future. (from author's website)
- Contents
- Preface
- Introduction to the Traditional Era (1809-1899):
- Chapter One - Lucius O'Brien (1832-1899)
- Chapter Two - William McFarlane Notman (1857-1913)
- Chapter Three - Frederic Bell-Smith (1846-1923)
- Chapter Four - David Thompson (1770-1857)
- Chapter Five - Richard Henery Trueman (1856-1911)
- Chapter Six - Byron Harmon (1976-1942)
- Introduction to the Modern Era (1900-1971):
- Chapter Seven - Lawren Stewart Harris (1885-1970)
- Chapter Eight - J.E.H. MacDonald (1873-1932)
- Chapter Nine - John Singer Sargent (1856-1925)
- Chapter Ten - Peter Whyte (1905-1966)
- Chapter Eleven - Catharine Robb Whyte (1906-1979)
- Introduction to the Contemporary Era (1972-2012):
- Chapter Twelve - Kent Monkman (1965-)
- Chapter Thirteen - Jin-Me Yoon (1960-)
- Chapter Fourteen - Jan Kabatoff (1948-)
- Conclusion
- Index
- Notes
- Signed by author
- ISBN
- 978-1-897411-37-7
- Accession Number
- AC637
- Call Number
- N T69 A78
- Collection
- Alpine Club of Canada Library
- URL Notes
- Author's website
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- Date
- 1880 – 1939
- Material
- metal; wood
- Catalogue Number
- 104.39.1003
- Description
- A small black japanned tin with a wooden handle. The tin contains a wooden palette along with brushes and oil paint tubes.
1 image
- Title
- Artist Box
- Date
- 1880 – 1939
- Material
- metal; wood
- Description
- A small black japanned tin with a wooden handle. The tin contains a wooden palette along with brushes and oil paint tubes.
- Subject
- Mary Schaffer
- artists
- painting
- Credit
- Gift of Charles C. Reid, Banff, Alberta, 1978
- Catalogue Number
- 104.39.1003
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The artist herself : self-portraits by Canadian historical women artists
https://archives.whyte.org/en/permalink/catalogue19841
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2015
- Author
- Boutilier, Alicia and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Call Number
- 06.1 B66t
1 website
- Variant Title
- L'artiste elle-me^me : autoportraits de femmes artistes au Canada
- Responsibility
- Alicia Boutilier and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Published Date
- 2015
- Physical Description
- 173 pages : illustrations (some colour) ; 31 cm
- Subjects
- Art
- Subjects
- Artists - Canada
- Exhibitions
- Art
- Women artists
- Abstract
- Drawing upon our fascination with self-portraits, The Artist Herself expands the genre’s definition by moving beyond the human face to propose other forms of self-representation, from both settler and Indigenous perspectives. The result is a thought-provoking selection of 55 works by 42 women artists in a range of media, including paintings, textiles, photographs and film. Both renowned and lesser-known artists are featured: Pitseolak Ashoona, Simone Mary Bouchard, Emily Carr, Paraskeva Clark, Martha Eetak, Artis Lane, Caroline Gros Louis, Alice Egan Hagen, Frances Anne Hopkins, E. Pauline Johnson, Maud Lewis, Pegi Nicol MacLeod, Hannah Maynard, Daphne Odjig, Princess Louise, Mary Hiester Reid and Marian Dale Scott. From Johnson’s performance costumes representing her dual Mohawk and Euro-Canadian identity to Carr’s painting of herself from the back at her easel, from Maynard’s playful photographs of her multiple selves to Ashoona’s sly comment on her participation in the Inuit art market, these works open up new avenues of inquiry and new understandings of the realities and perspectives of women in Canadian society before 1970. Most important, the exhibition reveals the ways in which women artists have given profound expression to their identities
- Contents
- Foreword / Avant-propos -- Lenders / Pre^teurs -- Acknowledgements / Remerciements -- The artist herself = L'artiste elle-me^me / Alicia Boutilier & Tobi Bruce -- Cree dolls / Sherry Farrell Racette -- Elizabeth Simcoe / Erin Wall -- Katherine Jane Ellice / Arlene Gehmacher -- Shanawdithit / Fiona Polack -- Mary Ann Scrimes & Elizabeth Jane Turner / Janice Helland -- Lady Belleau & Lady Glover / Andrea Kunard -- Frances Anne Hopkins & Princess Louise / Kristina Huneault -- E. Pauline Johnson / Carla Taunton -- E. Pauline Johnson / Paula Whitlow -- Hannah Maynard / Jennifer Salahub -- Maud Darling / Jennifer Salahub -- Bertha May Ingle / Mary Thompson & David Beattie -- Mattie Gunterman / Susan Close -- Caroline Gros Louis / Annette de Stecher -- Emily Carr / Lisa Baldiserra -- Martha (Muqyunnik) Eetak / Maureen Matthews -- Marion Long / Janice Anderson -- Margaret Watkins / Mary O'Connor -- Dorothea Mitchell / Kelly Saxberg -- Sylvia Daoust / Joyce Millar -- Paraskeva Clark / Panya Clark -- Pegi Nicol MacLeod / Laura Brandon -- Simone Mary Bouchard / Laurier Lacroix -- Marian Dale Scott / Esther Tre´panier -- Maud Lewis / Erin Morton -- Elizabeth Harrison / Dorothy Farr -- Suzanne Duquet / Miche`le Grandbois -- Artis Lane / Artis Lane -- Molly Lamb Bobak / Amber Lloydlangston -- Cecil Buller / Sandra Dyck -- Jessie Oonark & Inuit Doll / Heather Igloliorte -- Kenojuak Ashevak / Kenojuak Ashevak -- Christiane Pflug / Georgiana Uhlyarik -- Daphne Odjig / Greg Hill -- Margaret Frank & Marion Wilson / Andy Everson -- Pitseolak Ashoona / Norman Vorano -- Exhibition list = Liste des œuvres -- Contributors = Contributeurs.
- Notes
- Some of the essays are in English, while others are in French
- ISBN
- 9781553394075
- Accession Number
- 2019.46
- Call Number
- 06.1 B66t
- Collection
- Archives Library
- URL Notes
- The URL pertains to the website in which the abstract was drawn from
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Artistry revealed : Peter Whyte, Catharine Robb Whyte and their contemporaries
https://archives.whyte.org/en/permalink/catalogue3243
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Ewen, Anne and Monique Westra and Lisa Christensen
- Publisher
- Banff, Alberta, Canada : Whyte Museum of the Canadian Rockies
- Call Number
- 06.1 Ew3a copy 1
- 06.1 Ew3a copy 2
- 06.1 Ew3a copy 3
- Responsibility
- essays by Anne Ewen, Monique Westra and Lisa Christensen
- Publisher
- Banff, Alberta, Canada : Whyte Museum of the Canadian Rockies
- Published Date
- 2018
- Physical Description
- 192 pages : illustrations (chiefly colour) ; 25 x 28 cm.
- Abstract
- Artistry Revealed celebrates Peter and Catharine Whyte whose work reflected their connection to the mountain landscapes of the Canadian Rockies and their love of the Bow Valley community. The book commemorates the 50th anniversary of the Whyte Museum of the Canadian Rockies, founded by Peter and Catharine. Bursting with stunning reproductions of Peter’s and Catharine’s paintings and sketches, the publication includes essays in which Anne Ewen, Lisa Christensen and Monique Westra discuss the couple’s creative talent, accomplishments and legacy.
- Contents
- Foreword / by Vincent J. Varga -- Introduction /essay by Anne Ewen -- Looking closely at the art of Peter and Catharine Whyte / essay by Monique Westra -- Paint and philanthropy: the artistic legacy of Peter and Catharine Whyte / essay by Lisa Christensen. Pre´face / par Vincent J. Varga -- Introduction / essai par Anne Ewen -- Profond regard sur les oeuvres de Peter et Catharine Whyte / essai par Monique Westra -- Peinture et philanthropie: le legs artistique de Peter et Catharine Whyte / essai par Lisa Christensen.
- Notes
- Copy 1 (hardcover)
- Copy 2 (hardcover)
- Copy 3 (softcover)
- ISBN
- 978-0-920608-62-3
- Accession Number
- 2019.14
- Call Number
- 06.1 Ew3a copy 1
- 06.1 Ew3a copy 2
- 06.1 Ew3a copy 3
- Collection
- Archives Library
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Artists, architects & artisans : Canadian art 1890-1918
https://archives.whyte.org/en/permalink/catalogue14599
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2013
- Publisher
- Ottawa : National Gallery of Canada
- Call Number
- 06 Ar8a
- Responsibility
- general editor, Charles C. Hill ; with essays by Christine Boyanoski, Andrea Kunard, Laurier Lacroix, Rosalind Pepall, Bruce Russell, Geoffrey SimminsCanadian art 1890-1918
- Publisher
- Ottawa : National Gallery of Canada
- Published Date
- 2013
- Physical Description
- 339 pages : colour illustrations ; 31 cm
- Notes
- Exhibition catalogue
- Issued also in French under title: Artistes, architectes & artisans, l'art canadien 1890-1918
- "Published in conjunction with the exhibition Artists, Architects and Artisans: Canadian Art 1890-1918, organized by the National Gallery of Canada and presented in Ottawa from 8 November 2013 to 2 February 2014"--Title page verso
- Includes bibliographical references and an index
- Introduction / Charles C. Hill -- The pursuit of art and the flourishing of aestheticism amidst the everyday affairs of mankind / Laurier Lacroix -- Arts and crafts traditions in the Canadian domestic interior / Rosalind Pepall -- Artists, architects and artisans at home / Christine Boyanoski -- Art's 'renewed nearness to life': reflections on the unity of the arts in Canada / Geoffrey Simmins -- Ecclesiastical patronage in Canada: from the Gothic Revival to the arts and crafts movement / Bruce Russell -- For an integration of the arts / Charles C. Hill -- A harmony of the arts: the diverse expressions of pictorialism / Andrea Kunard -- Competing visions for redesigning the Canadian city: architecture, urban planning, and landscape architecture, 1893-1918 / Geoffrey Simmins
- ISBN
- 9780888849151
- Accession Number
- 2015.8517
- Call Number
- 06 Ar8a
- Collection
- Archives Library
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Artists for conservation : 2013 international exhibit of nature in art
https://archives.whyte.org/en/permalink/catalogue15453
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2013
- Author
- Artists for Conservation
- Publisher
- Clayton, Ontario : Artists for Conservation Foundation Inc
- Call Number
- 06.1 Ar1c
- Author
- Artists for Conservation
- Responsibility
- Introduction by Jeffrey Whiting
- Publisher
- Clayton, Ontario : Artists for Conservation Foundation Inc
- Published Date
- 2013
- Physical Description
- 234 p. : ill
- Subjects
- Art
- Art galleries
- Artists
- Exhibitions
- Photography
- Notes
- From back titlepage: "Artists for Conservation's annual exhibit celebrates artistic excellence in the depiction of nature, raises awareness of important conservation issues and directly supports organizations dedicated to addressing them."
- ISBN
- 9780987748942
- Accession Number
- 2017.8669
- Call Number
- 06.1 Ar1c
- Collection
- Archives Library
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Bears : tracks through time
https://archives.whyte.org/en/permalink/catalogue14123
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2010
- Author
- Lang, Michale
- Publisher
- Victoria B.C. : Rocky Mountain Books; copyright Whyte Museum of the Canadian Rockies
- Call Number
- 04.2 L25b
- Author
- Lang, Michale
- Responsibility
- by Michale Lang
- Publisher
- Victoria B.C. : Rocky Mountain Books; copyright Whyte Museum of the Canadian Rockies
- Published Date
- 2010
- Physical Description
- 127p. : ill
- Series
- The Whyte Museum of the Canadian Rockies presents
- Subjects
- Artists
- Conservation
- National parks
- Wardens
- Notes
- Pertains to behaviour of bears and interactions with human activity, as told by local residents and visitors to the Canadian Rockies. Features archive, library and art from the Whyte Museum of the Canadian Rockies
- ISBN
- 978-1-897522-0
- Accession Number
- gratis - Reference copy
- Call Number
- 04.2 L25b
- Collection
- Archives Library
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Beyond "the artist's wife": women, artist-couple marriage and the exhibition experience in postwar Canada
https://archives.whyte.org/en/permalink/catalogue19806
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2013
- Author
- Mastin, Catharine Margaret
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Call Number
- 06.1 Ma37b
1 website
- Author
- Mastin, Catharine Margaret
- Responsibility
- Catharine Margaret Mastin
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Published Date
- 2013
- Physical Description
- 358 pages ; PDF format
- Subjects
- Women
- Artists
- Exhibitions
- Thesis
- Abstract
- When art critic Lucy Lippard named "the artist's wife" to be a socially-assigned identity for female artists in the early 1970s, she understood some of the significance of women's companionship status. This dissertation considers how "the artist's wife" was a diverse and hierarchical problem for six female artists during their efforts to access Canada's postwar exhibition market. Joyce Wieland of Toronto, Ontario, Marion Nicoll of Calgary, Alberta, Mary Pratt of St. John's, Newfoundland, and Kenojuak Ashevak of Cape Dorset, Nunavut all experienced this social phenomenon differently. Because the two studios of Wieland and Pratt were combined with domestic life they were also dubbed "kitchen artists." As Marion Nicoll learned, it took much conviction to pursue an art practice focused on abstract painting in traditional institutional and marital contexts. The category "Eskimo" added racial difference to Kenojuak's creative and marital identities. Frances Loring and Florence Wyle of Toronto were persistently called "the Girls," an identity that underscored their non-compliance with heterosexual marriage. Using feminist theories of sexual difference and representation, and intersecting the traditionally distinct fields of history and art history, this study illuminates that the female artist's companionship status mattered much more than has been historically understood. These artists' experiences provide opportunity to reflect on curatorial practice and subject representation and expose that the solo exhibition cannot be fully separated from the artist-couple exhibition when studying the female artist's exhibition history. Their experiences also make visible that gender and female artist identities, including the category "woman artist," are important when studying the female artist in postwar North American art and marriage histories if the social conditions of women's art production are to be fully understood.
- Contents
- Abstract
- Acknowledgements
- List of figures
- List of abbreviations
- Chapter One : introduction : beyond "the artist's wife"
- Chapter Two : socializing women to marriage : the five artist-couple marraiges of Marion Nicholl, Joyce Wieland, Mary Pratt, Frances Loring, Florence Wyle and Kenojuak Ashevak
- Chapter Three : two women's "one-man exhibitions" : the experience of abstract painting and the artist-couple marriages of Marion Nicholl and Joyce Wieland, 1959 - 1963
- Chapter Four : two women's "one-man exhibitions" : Joyce Wieland, Mary Pratt and the identity "kitchen artist" 1963 - 1973
- Chapter Five : two more women's "two-man" artist-couple exhibitions : the social emergence of Frances Loring and Florence Wyle as "the girls"
- Chapter Six : one women's "two-man" exhibitions : Kenojuak Ashevak's artist-couple exhibitions with Johnniebo Ashevak, 1967 - 1970
- Chapter Seven : conclusion
- Bibliography
- Appendix 1
- Copyright permissions
- ISBN
- 978-0-494-89628-0
- Accession Number
- p2019-26
- Call Number
- 06.1 Ma37b
- Collection
- Archives Library
- URL Notes
- Available online through University of Alberta
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