Skip header and navigation

Narrow Results By

5 records – page 1 of 1.

Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate

https://archives.whyte.org/en/permalink/catalogue25155
Medium
Library - Periodical
Published Date
2020
Author
Reid, Mark Collin
Call Number
P
  1 website  
Author
Reid, Mark Collin
Responsibility
Mark Collin Read
Published Date
2020
Physical Description
p.28 - 35
Medium
Library - Periodical
Subjects
Art
Art Canadian 20th century-Exhibitions
Art galleries
Artists
Group of Seven
Abstract
Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
Notes
In Canada's History, Vol. 100, No.3 (June-July)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Brushes with climate change - Rockies Repeat project explores the intersection between conservation, art, history, and culture

https://archives.whyte.org/en/permalink/catalogue25227
Medium
Library - Periodical
Published Date
2020
Author
Campbell, Brooke
Call Number
P
  1 website  
Author
Campbell, Brooke
Responsibility
Brooke Campbell
Published Date
2020
Physical Description
p. 12 - 13
Medium
Library - Periodical
Subjects
Art
Art galleries
Artists
Women
First Nations
Climate
Climate change
Photography
Abstract
Pertains to the Rockies Repeat Project which involves a group of women travelling to specific locations and re-creating the paintings of Peter Whyte and Catharine Robb Whyte with the end result of creating a documentary, exhibition and digital storytelling capsule
Notes
In Canada's History, Vol. 101, No.2 (April-May)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Indigenous media arts in Canada : making, caring, sharing

https://archives.whyte.org/en/permalink/catalogue25729
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2023
Publisher
Waterloo, Ontario : Wilfrid Laurier University Press
Call Number
07.2 C54m
Responsibility
Edited by Dana Claxton and Ezra Winton
Publisher
Waterloo, Ontario : Wilfrid Laurier University Press
Published Date
2023
Physical Description
437 pages
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous Art
Indigenous
Indigenous Artists
Indigenous Culture
Indigenous Peoples
Media
Abstract
A timely and crucial collection of essays and conversations focused on Indigenous-settler cultural politics and the ethics of Indigenous representation in Canada’s media arts that explores issues of narrative sovereignty, cultural identity, cultural resistance and decolonizing creative practices. -- Provided by publisher.
ISBN
9781771125413
Accession Number
P2023.15
Call Number
07.2 C54m
Collection
Archives Library
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Revision and resistance : mistiko^siwak (Wooden Boat People) at The Metropolitan Museum of Art

https://archives.whyte.org/en/permalink/catalogue25281
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Author
Monkman, Kent
Publisher
Toronto, ON : Art Canada Institute
Call Number
06.1 M74r
  1 website  
Author
Monkman, Kent
Responsibility
Kent Monkman
Publisher
Toronto, ON : Art Canada Institute
Published Date
2020
Physical Description
127 pages (2 folded) : illustrations (chiefly color)
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Art galleries
Artists
First Nations
Exhibition catalogue
Exhibitions
Abstract
This book explores mistikôsiwak (Wooden Boat People) by the internationally renowned artist Kent Monkman. Commissioned by The Metropolitan Museum of Art, the epic diptych exhibited in The Met’s Great Hall revisits iconic works of art, notably the famed painting Washington Crossing the Delaware by Emanuel Leutze. Monkman—featured in mistikôsiwak (Wooden Boat People) as his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle—reverses the colonial gaze of American and European art history through an Indigenous lens to present a powerful vision for the future. Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art is the definitive documentation on Monkman, his practice, and two of the most important paintings of our times. (From publisher's website)
Contents
Introduction from the Met / by Randall Griffey -- Introduction from ACI / by Sara Angel -- Introducing Miss Chief Eagle Testickle / by Shirley Madill -- Inside Kent Monkman's Studio / by Jami Powell -- Revisioning History: An Index, Part I / by Ruth Phillips & Mark Phillips -- Welcoming the Newcomers by Ruth Phillips & Mark Phillips -- Revisioning History: An Index, Part II / by Sasha Suda -- Resurgence of the People / by Sasha Suda -- Waves of History / by Nick Estes.
ISBN
9781487102258
Call Number
06.1 M74r
Collection
Archives Library
URL Notes
Publisher's website
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Upholding Indigenous economic relationships : nehiyawak narratives

https://archives.whyte.org/en/permalink/catalogue25716
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2023
Author
Wuttunee Jobin, Shalene
Publisher
Vancouver ; Toronto : UBC Press
Call Number
07.2 W96u
Author
Wuttunee Jobin, Shalene
Publisher
Vancouver ; Toronto : UBC Press
Published Date
2023
Physical Description
xv, 255 pages : illustrations ; 24 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous Peoples
Indigenous Culture
Indigenous Artists
Indigenous Art
culture
Cree
Abstract
Upholding Indigenous Economic Relationships explains settler colonialism through the lens of economic exploitation, using Indigenous methodologies and critical approaches. What is the relationship between economic progress in the land now called Canada and the exploitation of Indigenous peoples? And what gifts embedded within Indigenous world views speak to miyo-pimâtisiwin, the good life, and specifically to good economic relations? Shalene Wuttunee Jobin draws on the knowledge systems of the nehiyawak (Plains Cree people) - whose distinctive principles and practices shape their economic behaviour - to make two central arguments. The first is that economic exploitation was the initial and most enduring relationship between newcomers and Indigenous peoples. The second is that Indigenous economic relationships are constitutive: connections to the land, water, and other human and nonhuman beings form who we are as individuals and as peoples. This groundbreaking study employs Cree narratives that draw from the past and move into the present to reveal previously overlooked Indigenous economic theories and relationships, and provides contemporary examples of nehiyawak renewing these relationships in resurgent ways. In the process, Upholding Indigenous Economic Relationships offers tools that enable us to reimagine how we can aspire to the good life with all our relations. -- Provided by publisher
Contents
1. Grounding methods -- 2. Grounding economic relationships -- 3. nehiyawak peoplehood and relationality -- 4. Canada's genisis story -- 5. Warnings of insatiable greed -- 6. Indigenous women's lands and bodies -- 7. Theorizing Cree economic and governing relationships -- 8. Colonial dissonance -- 9. Principles guiding Cree economic relationships -- 10. Renewed relationships through resurgent practices --11. Upholding relations.
ISBN
9780774865104
Accession Number
P2023.11
Call Number
07.2 W96u
Location
Reading Room
Collection
Archives Library
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Back to Top