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42 Russian Antique Salon : No 2 (15) 2016
https://archives.whyte.org/en/permalink/catalogue19809
- Medium
- Library - Periodical
- Published Date
- 2016
- Publisher
- Russian Antique Salon
- Call Number
- 06.1 Ru91r PAM
1 website
- Publisher
- Russian Antique Salon
- Published Date
- 2016
- Physical Description
- 112 pages ; colour illustrations
- Medium
- Library - Periodical
- Series
- No 2 (15) 2016
- Abstract
- Publication associated with the Russian Antique Salon , pertains to Nicholas de Grandmaison and includes images from the Whyte Museum of the Canadian Rockies archive and art collections.
- Notes
- Publication is in Russian using Cyrillic script with partial, separate, typed translation to English
- Accession Number
- 2019.28
- Call Number
- 06.1 Ru91r PAM
- Collection
- Archives Library
Websites
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Margaret Shelton, block prints 1936-1984
https://archives.whyte.org/en/permalink/catalogue20013
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1984
- Author
- Ainslie, Patricia
- Publisher
- Calgary : Glenbow Museum
- Call Number
- 06.1 Ai6m
1 website
- Author
- Ainslie, Patricia
- Responsibility
- Patricia Ainslie
- Publisher
- Calgary : Glenbow Museum
- Published Date
- 1984
- Physical Description
- 48 p. : ill. (some col.) ; 21 X 27 cm
- Subjects
- Exhibition catalogue
- Shelton, Margaret
- Subjects
- Water colorists - Canada - Biography
- Abstract
- Pertains to the history and art work of Margaret Shelton, organized by Patricia Anslie. Her artwork explored and revealed the vitality of the Alberta landscape. The publication was produced in an effort to celebrate and commemorate Shelton, as well as her contribution to the Alberta art landscape. Working primarily with watercolor and block prints, she was a prolific artists and contributed greatly to the printmaking industry in Alberta. The publication pertains mostly to the story and history of Margaret Shelton. Additionally, the publication includes some images of her breathtaking artwork.
- Contents
- Acknowledgements (pg. 5)
- Margaret Shelton (pg. 7)
- Technique (pg. 30)
- Notes and Bibliography (pg. 35)
- Chronology (pg. 36)
- Catalogue Raisonne (pg. 39)
- Accession Number
- 2019. 61
- Call Number
- 06.1 Ai6m
- Collection
- Archives Library
- URL Notes
- URL is linked to the official website for Margaret Shelton
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Tunirrusiangit : Kenojuak Ashevak and Tim Pitsiulak
https://archives.whyte.org/en/permalink/catalogue19827
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Ashevak, Kenojuak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.1 As3t
1 website
- Responsibility
- Kenojuak Ashevak, Tim Pitsiulak, Laakkuluk Williamson Bathory, Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik
- Publisher
- Toronto, Ontario : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 154 pages : illustrations (chiefly color), portraits (some color) ; 27 cm
- Subjects
- Art
- Artists
- Exhibition catalogue
- Exhibitions
- Subjects
- Art
- Kenojauk, 1927-
- Exhibitions
- Abstract
- "Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding 'grandmother of Inuit art,' famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, 'their gifts' or 'what they gave' in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, Tunirrusiangit features more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity" -- Provided by publisher.
- Contents
- Director's foreword / Stephan Jost -- Gracious acceptance of their gifts / Jocelyn Piirainen -- Tunirrusiangit: the gift of collaboration / Anna Hudson and Georgiana Uhlyarik -- I am the light of happiness / Laakkuluk Williamson Bathory -- Kenojuak Ashevak: works -- Hunting as culture / Koomuatuk Curley -- Tim Pitsiulak: works -- Kuujjuatuqaq ; after an argument ; two poems: the cuban, the canadian / Taqralik Partridge.
- ISBN
- 978-1-77310-091-3
- Accession Number
- 2019.36
- Call Number
- 06.1 As3t
- Collection
- Art Library
- URL Notes
- Exhibition website
Websites
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Manufactured landscapes : the photographs of Edward Burtynsky
https://archives.whyte.org/en/permalink/catalogue13737
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2003
- Author
- Pauli, Lori
- Haworth-Booth, Mark
- Baker, Kenneth
- Torosian, Michael
- Publisher
- Ottawa : National Gallery of Canada
- Edition
- Fifth printing 2006
- Call Number
- 06.4 B95mp copy 1 - Oversize
- 06.4 B95mp copy 2 - Reading Room (Feb 17, 2022)
1 website
- Responsibility
- Lori Pauli
- Mark Haworth-Booth
- Kenneth Baker
- Michael Torosian
- Edition
- Fifth printing 2006
- Publisher
- Ottawa : National Gallery of Canada
- Published Date
- 2003
- Physical Description
- 160 p. : col. ill.
- Abstract
- "....documenting the effect of industrialization on the environment, Burtynsky provokes his viewers to contemplate the world he shoots. Published in conjunction with the first major retrospective of Burtynsky's work, this book requires more than a quick flip through the pages. At first one is dazzled by the color and apparent fluidity in the landscapes that he captures, but on deeper examination one begins to realize that these are quarry mines, oil refining factories, and recycling centers. Not your typical coffee-table book, this comes with a social and environmental message that should not be ignored. Essays by three curator/critics and an interview with the artist complement the 64 large-scale color images. Recommended for academic libraries and large art photo collections." – Sheila Devaney, University of Georgia (from Edward Burtynsky website)
- Contents
- Message from the sponsor
- Foreward
- Author's acknowledgements
- Seeing the big picture - Lori Pauli
- Edward Burtynsky : traditions and affinities - Mark Haworth-Booth
- Form versus porten t: Edward Burtynsky's endangered landscapes - Kenneth Baker
- The essential element : an interview with Edward Burtynsky - Michael Torosian
- Plates
- List of works
- Chronology
- Selected exhibitions
- Public collections
- Selected bibliography
- Notes
- Published as a companion to exhibition of National Gallery of Canada in 2003
- With essays by Mark Haworth-Booth and Kenneth Baker and an interview by Michael Torosian
- ISBN
- 9780300099430
- Accession Number
- 50500
- 2021.08
- Call Number
- 06.4 B95mp copy 1 - Oversize
- 06.4 B95mp copy 2 - Reading Room (Feb 17, 2022)
- Collection
- Archives Library
- URL Notes
- Book on artist's website
Websites
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- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2016
- Author
- Bingeman, Shannon
- Publisher
- Edmonton, AB : The Alberta Foundation for the Arts
- Call Number
- 06.4 Bi47m copy 1
- 06.4 Bi47m copy 2
1 website
- Author
- Bingeman, Shannon
- Responsibility
- Shannon Bingeman
- Publisher
- Edmonton, AB : The Alberta Foundation for the Arts
- Published Date
- 2016
- Physical Description
- 38 pages : illustrations
- Abstract
- Pertains to Bert Riggall and the photographs he created of Waterton National Park with associated instructions on how to hand-tint photographs, create relief cartography and composite panoramas.
- Contents
- about
- mountain man poem
- curatorial statement
- biography
- visual Inventory
- education guide
- discussion questions
- geginner : hand-tinted photogprahs
- intermediate : relief cartography
- advanced : composite panorama
- vocabulary
- bibliography
- acknowledgements
- Accession Number
- 2019.19
- Call Number
- 06.4 Bi47m copy 1
- 06.4 Bi47m copy 2
- Collection
- Archives Library
- URL Notes
- Available online through the Alberta Society of Artists
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Photography in Canada 1960-2000
https://archives.whyte.org/en/permalink/catalogue24959
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Canadian Photography Institute
- Publisher
- Ottawa, Ontario : Canadian Photography Insitute : National Gallery of Canada
- Call Number
- 06.4 C16ph
1 website
- Responsibility
- Andrea Kunard
- National Gallery of Canada
- Publisher
- Ottawa, Ontario : Canadian Photography Insitute : National Gallery of Canada
- Published Date
- 2017
- Physical Description
- 175 pages : illustrations (some color), portraits
- Subjects
- Canada
- Canada - After 1914
- Canadian art
- Photography
- Exhibition catalogue
- Exhibitions
- Collection
- Abstract
- This fifth and final volume in the series dedicated to the National Gallery of Canada's immense photography collection documents the emergence of the medium as a recognized artistic discipline in Canada. The creation and growth of this unique collection reflects the enormous development in the practice, collection and display of photography over the latter half of the 20th century. Prior to this time, government institutions, commercial establishments and the legal, medical and journalism professions prized it for its documentary value. As a result, photographs rarely entered the collections of major institutions. This changed in the 1960s when art became more vigorous and dynamic. Photography especially articulated probing, contentious ideas of art, the artist, identity, sexuality and community. Art institutions, themselves undergoing radical transformation, acted as an interface between artist and public, and attempted to articulate movements and trends in art and photography. With dozens of full-page plates each accompanied by an individual abstract, the publication offers a scholarly essay providing artistic, cultural and historical context. Artists featured include those at the forefront of the changes in the 1960s and 1970s, as well as more contemporary figures who continue to push at the limits of the definition of the medium. They include Roy Arden, Raymonde April, Ed Burtnysky, Carol Conde´ and Karl Beveridge, Evergon, General Idea, Rodney Graham, Angela Grauerholz, Geoffrey James, Suzy Lake, Ken Lum, Gabor Szilasi, N.E. Thing Co, Ian Wallace and Jin-me Yoon.
- Contents
- Foreword -- Acknowledgements -- Photography in Canada, 1960-2000: a selection from the Canadian Museum of Contemporary Photography and National Gallery of Canada Collections -- Catalogue -- Note.
- Notes
- Features photographs by Jin-me Yoon taken in Banff National Park
- Features photographs by Edward Burtynsky - Whyte Museum has Burtynsky's in art collection
- ISBN
- 9780888849489
- Accession Number
- 2019.95
- Call Number
- 06.4 C16ph
- Collection
- Archives Library
- URL Notes
- National Gallery of Canada website for publication
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Dorothy Knowles : paintings, 1964-1982
https://archives.whyte.org/en/permalink/catalogue19943
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1983
- Author
- Fenton, Terry
- Publisher
- Edmonton : The Gallery
- Call Number
- 06.1 F35d
1 website
- Author
- Fenton, Terry
- Responsibility
- Terry Fenton
- Publisher
- Edmonton : The Gallery
- Published Date
- 1983
- Physical Description
- 35 pages : illustrations (some color) ; 21 x 26 cm
- Subjects
- Exhibition catalogue
- Exhibitions
- Abstract
- Pertains to the Dorothy Knowles exhibition catalogue, organized by Terry Fenton from the Edmonton Art Gallery. While the catalogue was never meant to capture the entirety of Knowles’ artist career, Terry Fenton organizes a thorough exhibition covering the last two decades of her work. It was in part due to Knowles enrollment at the Banff School that she was able to achieve a greater level of confidence in her artist skill. Through both essay and art work, Terry Fenton has been able to share the legacy of Dorothy Knowles.
- Contents
- Dedication (iii)
- Preface (vii)
- Beginnings (pg. 1)
- Since 1964 (pg. 9)
- Exhibitions with art dealers (pg. 32)
- Critical and Curatorial support (pg. 33)
- Catalogue of the exhibition (pg. 34)
- Works on Canvas
- Works on Paper
- Exhibition Itinerary (pg. 35)
- Notes
- Annotated - inside of the front page has been signed by Dorothy Knowles
- Book is written in both French and English
- Exhibition has been organized by Terry Fenton
- ISBN
- 0889500355
- Accession Number
- 2019.71
- Call Number
- 06.1 F35d
- Collection
- Archives Library
- URL Notes
- Terry Fenton is himself an accomplished artist. Some of his work can be found using the URL above.
Websites
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Susan A. Point, Joe David, Lawrence Paul : Native artists from the Northwest Coast
https://archives.whyte.org/en/permalink/catalogue19963
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1989
- Author
- Gerber, Peter R. and Vanina Katz-Lahaigue
- Publisher
- [Zu¨rich] : Vo¨lkerkundemuseum der Universita¨t Zu¨rich
- Call Number
- 06.1 G31s
2 websites
- Variant Title
- Susan A. Point, Joe David, Lawrence Paul : indianische Ku¨nstler der Westku¨ste Kanadas
- Responsibility
- Peter R. Gerber and Vanina Katz-Lahaigue
- Publisher
- [Zu¨rich] : Vo¨lkerkundemuseum der Universita¨t Zu¨rich
- Published Date
- 1989
- Physical Description
- 132 pages : illustrations (some color), maps ; 21 cm
- Abstract
- Pertains to a publication celebrating the art and culture of three Indigenous artists from the Northwest Coast. The authors, Peter R. Gerber and Vanina Katz-Lahaigue, as well as the artists, explain the unique relationship Indigenous Peoples share with the land, but nature more broadly. The publication discusses ceremonial practices, traditional art and other facets of Northwest Coast Indigenous life. Additionally, the publication shares information pertaining specifically to artists Susan A. Point, Joe David and Lawrence Paul. Readers can expect to learn more about Indigenous culture, as well as, more specifically, three Indigenous artists who have contributed to the art scene.
- Contents
- Map (pg. 8)
- Culture and Society (pg. 9)
- Traditional Art (pg. 48)
- Contemporary Art (pg. 60)
- Susan A. Point - Biography and Artworks (pg. 86)
- Joe David - Biography and Artworks (pg. 98)
- Lawrence Paul - Biography and Artworks (pg. 110)
- Appendix - (pg. 122)
- Notes
- Publication is printed in both English and German
- Exhibition held in Vo¨lkerkundemuseum der Universita¨t Zu¨rich, 10 May-20 August 1989 and SANDIA, Galerie fu¨r Indianerkunst Nordamerikas, 1 Sept.-31 October 1989
- ISBN
- 3909105092
- Accession Number
- 2019.71
- Call Number
- 06.1 G31s
- Collection
- Archives Library
- URL Notes
- The attached URL links provide access to Lawrence Paul and Susan A. Points official artists pages.
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Anthropocene : Burtynsky, Baichwal, de Pencier
https://archives.whyte.org/en/permalink/catalogue19825
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator)
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.4 H11a
1 website
- Responsibility
- Curated by Sophie Hackett, Andrea Kunard, Urs Stahel
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 251 pages : illustrations (chiefly color) ; 24 cm
- Subjects
- Photographers
- Photography
- Photography, Aerial
- Art
- Exhibitions
- Exhibition catalogue
- Environment
- Subjects
- Art - Exhibitions
- Art and photography
- Art and society
- Artists
- Color photography
- Design, Industrial - Pictoral works
- Education
- Photographers
- Photographs - Catalogues
- Photography
- Photography - Collections
- Photography - Exhibitions
- Photography - Landscapes
- Photography, Documentary
- Recycling (Waste), etc.
- Video art - Exhibitions
- Abstract
- "A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
- Contents
- Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.4 H11a
- Collection
- Art Library
- URL Notes
- Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
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Land, spirit, power : First Nations at the National Gallery of Canada
https://archives.whyte.org/en/permalink/catalogue25118
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1992
- Author
- Nemiroff, Diana
- Houle, Robert
- Townsend-Gault, Charlotte
- Publisher
- [Ottawa] : The Gallery
- Call Number
- 06.1 N34l
1 website
- Responsibility
- Diana Nemiroff
- Robert Houle
- Charlotte Townsend-Gault
- Publisher
- [Ottawa] : The Gallery
- Published Date
- 1992
- Physical Description
- 231 pages : illustrations
- Abstract
- Pertains to an exhibition held at the National Gallery of Canada that focussed on art by Indigenous Peoples
- Contents
- Foreward
- Acknowledgements
- Land, Spirit, Power
- Modernism, Nationalism, and Beyond - a critical history of exhibitions of First Nations art - Diana Nemiroff
- The Spiritual Legacy of the Ancient Ones - Robert Houle
- Kinds of Knowing - Charlotte Townsend-Gault
- Notes
- Carl Beam
- Rebecca Belmore
- Dempsey Bob
- Domingo Cisneros
- Robert Davidson
- Jimmie Durham
- Dorothy Grant
- Hachivi Edgar Heap of Birds
- Faye HeavyShield
- Alex Janvier
- Zacharias Kunuk
- James Lavadour
- Truman Lowe
- James Luna
- Teresa Marshall
- Alanis Obomsawin
- Kay WalkingStick
- Lawrence Paul Yuxweluptun
- ISBN
- 0888846509
- Accession Number
- P2020-1
- Call Number
- 06.1 N34l
- Collection
- Archives Library
- URL Notes
- National Gallery of Canada information on exhibition
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