Narrow Results By
David B. Milne : sight and site : location and the work of David B. Milne
https://archives.whyte.org/en/permalink/catalogue20036
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1997?
- Author
- Guest curated by Peter Savage and Lynda Snider.
- Publisher
- Calgary, Alberta : The Nickle Arts Museum
- Call Number
- 06.1 Sa9s
- Publisher
- Calgary, Alberta : The Nickle Arts Museum
- Published Date
- 1997?
- Subjects
- Exhibition catalogue
- Canadian art
- Abstract
- Pertains to the Sight and Site project which in part revealed the richness of Calgary’s cultural community. The intent of the publication was to explore the artistic works of David B. Milne, a notable Canadian landscapist. The curators, Peter Savage and Lynda Snider explored the ways in which Milne’s style changed overtime, as well as other relevant and interesting details regarding his artistic career.
- Contents
- Foreword - Dr. Ann Davis (pg. 3)
- Sight and Site: Location and the works of David B. Milne - Peter Savage and Lynda Snider (pg. 4)
- Works in Exhibition - Quyen Hoang (pg. 7)
- The Colophon print - Peter Savage (pg. 49)
- Credits (pg. 55)
- Accession Number
- 2019.61
- Call Number
- 06.1 Sa9s
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
David Milne (1992-1953) : retrospective exhibition, September 15-29, 2001
https://archives.whyte.org/en/permalink/catalogue20035
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- May, 2001
- Author
- Kozinska, Dorota
- Publisher
- Montreal, Quebec : Walter Klinkhoff Gallery
- Call Number
- 06.1 K79d
- Author
- Kozinska, Dorota
- Responsibility
- Dorota Kozinska
- Publisher
- Montreal, Quebec : Walter Klinkhoff Gallery
- Published Date
- May, 2001
- Subjects
- Exhibition catalogue
- Art
- Canadian art
- Subjects
- Milne, David
- Abstract
- Pertains to an exhibition aimed at sharing the extraordinary artistic talent of Canadian artist, David Milne. While certainly not the largest exhibition of its kind, the hope was to share some forty watercolor art pieces in an intimate manor, in an effort to expose the breadth of Milne’s artistic achievements. The publication shares a brief history pertaining to Milne’s artistic career, as well as captures some of his art work.
- Notes
- Foreword by Eric and Alan Klinkhoff
- Written in both French and English
- Accession Number
- 2019.61
- Call Number
- 06.1 K79d
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Photography in Canada 1960-2000
https://archives.whyte.org/en/permalink/catalogue24959
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Canadian Photography Institute
- Publisher
- Ottawa, Ontario : Canadian Photography Insitute : National Gallery of Canada
- Call Number
- 06.4 C16ph
1 website
- Responsibility
- Andrea Kunard
- National Gallery of Canada
- Publisher
- Ottawa, Ontario : Canadian Photography Insitute : National Gallery of Canada
- Published Date
- 2017
- Physical Description
- 175 pages : illustrations (some color), portraits
- Subjects
- Canada
- Canada - After 1914
- Canadian art
- Photography
- Exhibition catalogue
- Exhibitions
- Collection
- Abstract
- This fifth and final volume in the series dedicated to the National Gallery of Canada's immense photography collection documents the emergence of the medium as a recognized artistic discipline in Canada. The creation and growth of this unique collection reflects the enormous development in the practice, collection and display of photography over the latter half of the 20th century. Prior to this time, government institutions, commercial establishments and the legal, medical and journalism professions prized it for its documentary value. As a result, photographs rarely entered the collections of major institutions. This changed in the 1960s when art became more vigorous and dynamic. Photography especially articulated probing, contentious ideas of art, the artist, identity, sexuality and community. Art institutions, themselves undergoing radical transformation, acted as an interface between artist and public, and attempted to articulate movements and trends in art and photography. With dozens of full-page plates each accompanied by an individual abstract, the publication offers a scholarly essay providing artistic, cultural and historical context. Artists featured include those at the forefront of the changes in the 1960s and 1970s, as well as more contemporary figures who continue to push at the limits of the definition of the medium. They include Roy Arden, Raymonde April, Ed Burtnysky, Carol Conde´ and Karl Beveridge, Evergon, General Idea, Rodney Graham, Angela Grauerholz, Geoffrey James, Suzy Lake, Ken Lum, Gabor Szilasi, N.E. Thing Co, Ian Wallace and Jin-me Yoon.
- Contents
- Foreword -- Acknowledgements -- Photography in Canada, 1960-2000: a selection from the Canadian Museum of Contemporary Photography and National Gallery of Canada Collections -- Catalogue -- Note.
- Notes
- Features photographs by Jin-me Yoon taken in Banff National Park
- Features photographs by Edward Burtynsky - Whyte Museum has Burtynsky's in art collection
- ISBN
- 9780888849489
- Accession Number
- 2019.95
- Call Number
- 06.4 C16ph
- Collection
- Archives Library
- URL Notes
- National Gallery of Canada website for publication
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Through Canadian eyes : trends and influences in Canadian art, 1815-1965
https://archives.whyte.org/en/permalink/catalogue20043
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1976
- Author
- Williamson, Moncrieff and Glenbow-Alberta Institute
- Publisher
- [Calgary] : Glenbow-Alberta Institute
- Call Number
- 06.1 W67t
- Responsibility
- Moncrieff Williamson and Glenbow-Alberta Institute
- Publisher
- [Calgary] : Glenbow-Alberta Institute
- Published Date
- 1976
- Physical Description
- 88 unnumbered pages : illustrations (some color) ; 22 x 28 cm
- Subjects
- Exhibition catalogue
- Canadian art
- Glenbow
- Abstract
- Pertains to an exhibition catalogue featuring art from 1815 through to 1965. Dr. Moncrieff Williamson selected the artwork, in addition to a more demanding task – identifying the unique qualities that separate Canadian art from the mainstream art scene. The publication offers the reader insight into the ways Canadian art has changed, and the qualities that diversifies it. The publication is divided between Eastern Canada and Western Canada as both have their own unique forms of creative expression.
- Accession Number
- 3069 a
- Call Number
- 06.1 W67t
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.