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Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate

https://archives.whyte.org/en/permalink/catalogue25155
Medium
Library - Periodical
Published Date
2020
Author
Reid, Mark Collin
Call Number
P
  1 website  
Author
Reid, Mark Collin
Responsibility
Mark Collin Read
Published Date
2020
Physical Description
p.28 - 35
Medium
Library - Periodical
Subjects
Art
Art Canadian 20th century-Exhibitions
Art galleries
Artists
Group of Seven
Abstract
Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
Notes
In Canada's History, Vol. 100, No.3 (June-July)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Revision and resistance : mistiko^siwak (Wooden Boat People) at The Metropolitan Museum of Art

https://archives.whyte.org/en/permalink/catalogue25281
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Author
Monkman, Kent
Publisher
Toronto, ON : Art Canada Institute
Call Number
06.1 M74r
  1 website  
Author
Monkman, Kent
Responsibility
Kent Monkman
Publisher
Toronto, ON : Art Canada Institute
Published Date
2020
Physical Description
127 pages (2 folded) : illustrations (chiefly color)
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Art galleries
Artists
First Nations
Exhibition catalogue
Exhibitions
Abstract
This book explores mistikôsiwak (Wooden Boat People) by the internationally renowned artist Kent Monkman. Commissioned by The Metropolitan Museum of Art, the epic diptych exhibited in The Met’s Great Hall revisits iconic works of art, notably the famed painting Washington Crossing the Delaware by Emanuel Leutze. Monkman—featured in mistikôsiwak (Wooden Boat People) as his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle—reverses the colonial gaze of American and European art history through an Indigenous lens to present a powerful vision for the future. Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art is the definitive documentation on Monkman, his practice, and two of the most important paintings of our times. (From publisher's website)
Contents
Introduction from the Met / by Randall Griffey -- Introduction from ACI / by Sara Angel -- Introducing Miss Chief Eagle Testickle / by Shirley Madill -- Inside Kent Monkman's Studio / by Jami Powell -- Revisioning History: An Index, Part I / by Ruth Phillips & Mark Phillips -- Welcoming the Newcomers by Ruth Phillips & Mark Phillips -- Revisioning History: An Index, Part II / by Sasha Suda -- Resurgence of the People / by Sasha Suda -- Waves of History / by Nick Estes.
ISBN
9781487102258
Call Number
06.1 M74r
Collection
Archives Library
URL Notes
Publisher's website
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
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