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- Wilkinson, Todd 2
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42 Russian Antique Salon : No 2 (15) 2016
https://archives.whyte.org/en/permalink/catalogue19809
- Medium
- Library - Periodical
- Published Date
- 2016
- Publisher
- Russian Antique Salon
- Call Number
- 06.1 Ru91r PAM
1 website
- Publisher
- Russian Antique Salon
- Published Date
- 2016
- Physical Description
- 112 pages ; colour illustrations
- Medium
- Library - Periodical
- Series
- No 2 (15) 2016
- Abstract
- Publication associated with the Russian Antique Salon , pertains to Nicholas de Grandmaison and includes images from the Whyte Museum of the Canadian Rockies archive and art collections.
- Notes
- Publication is in Russian using Cyrillic script with partial, separate, typed translation to English
- Accession Number
- 2019.28
- Call Number
- 06.1 Ru91r PAM
- Collection
- Archives Library
Websites
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- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2016
- Author
- Hill, Greg. A
- Publisher
- Ottawa: National Gallery of Canada
- Call Number
- 06.1 H55a
1 website
- Author
- Hill, Greg. A
- Responsibility
- Greg A. Hill
- Publisher
- Ottawa: National Gallery of Canada
- Published Date
- 2016
- Physical Description
- 202 pages : colour illustrations ; 28 cm
- Subjects
- Art
- First Nations
- Abstract
- Pertains to the artwork and art history of Alex Janvier, an Indigenous man from the Cold Lake First Nations, Treaty 6 Territory. While reflecting his strong Indigenous culture, his art combines both Indigenous and Canadian stylistic elements. His art is deeply representative of his connection to nature, as well as the struggles imposed upon Indigenous Peoples through colonial relations. Parallels can be drawn when considering the effects of colonial relations on Indigenous Peoples and communities, such as those who resided in and around the Canadian Rocky Mountains.
- Contents
- Foreword -- Where the land begins / Greg A. Hill -- The landlord / Lee-Ann Martin -- The narrative murals of Alex Janvier : Abstraction, representation and oral history / Chris Dueker -- Plates -- Chronology : The life and work of Alex Janvier / Jaime Koebel -- List of works -- Exhibitions -- Further references.
- ISBN
- 9780888849427
- Accession Number
- 2019.46
- Call Number
- 06.1 H55a
- Collection
- Archives Library
- URL Notes
- An online resource dedicated to Alex Janvier, offering insight into the history of both himself and his art work.
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Anthropocene : Burtynsky, Baichwal, de Pencier
https://archives.whyte.org/en/permalink/catalogue19825
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2018
- Author
- Hackett, Sophie (curator), Andrea Kunard (curator), Urs Stahel (curator)
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Call Number
- 06.4 H11a
1 website
- Responsibility
- Curated by Sophie Hackett, Andrea Kunard, Urs Stahel
- Publisher
- Toronto : Art Gallery of Ontario ; Fredericton, New Brunswick : Goose Lane Editions
- Published Date
- 2018
- Physical Description
- 251 pages : illustrations (chiefly color) ; 24 cm
- Subjects
- Photographers
- Photography
- Photography, Aerial
- Art
- Exhibitions
- Exhibition catalogue
- Environment
- Subjects
- Art - Exhibitions
- Art and photography
- Art and society
- Artists
- Color photography
- Design, Industrial - Pictoral works
- Education
- Photographers
- Photographs - Catalogues
- Photography
- Photography - Collections
- Photography - Exhibitions
- Photography - Landscapes
- Photography, Documentary
- Recycling (Waste), etc.
- Video art - Exhibitions
- Abstract
- "A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
- Contents
- Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
- ISBN
- 978-1-988788-04-3
- Accession Number
- 2019.36
- Call Number
- 06.4 H11a
- Collection
- Art Library
- URL Notes
- Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
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The artist herself : self-portraits by Canadian historical women artists
https://archives.whyte.org/en/permalink/catalogue19841
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2015
- Author
- Boutilier, Alicia and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Call Number
- 06.1 B66t
1 website
- Variant Title
- L'artiste elle-me^me : autoportraits de femmes artistes au Canada
- Responsibility
- Alicia Boutilier and Tobi Bruce
- Publisher
- Kingston, ON : Agnes Etherington Art Centre ; Hamilton, ON : Art Gallery of Hamilton
- Published Date
- 2015
- Physical Description
- 173 pages : illustrations (some colour) ; 31 cm
- Subjects
- Art
- Subjects
- Artists - Canada
- Exhibitions
- Art
- Women artists
- Abstract
- Drawing upon our fascination with self-portraits, The Artist Herself expands the genre’s definition by moving beyond the human face to propose other forms of self-representation, from both settler and Indigenous perspectives. The result is a thought-provoking selection of 55 works by 42 women artists in a range of media, including paintings, textiles, photographs and film. Both renowned and lesser-known artists are featured: Pitseolak Ashoona, Simone Mary Bouchard, Emily Carr, Paraskeva Clark, Martha Eetak, Artis Lane, Caroline Gros Louis, Alice Egan Hagen, Frances Anne Hopkins, E. Pauline Johnson, Maud Lewis, Pegi Nicol MacLeod, Hannah Maynard, Daphne Odjig, Princess Louise, Mary Hiester Reid and Marian Dale Scott. From Johnson’s performance costumes representing her dual Mohawk and Euro-Canadian identity to Carr’s painting of herself from the back at her easel, from Maynard’s playful photographs of her multiple selves to Ashoona’s sly comment on her participation in the Inuit art market, these works open up new avenues of inquiry and new understandings of the realities and perspectives of women in Canadian society before 1970. Most important, the exhibition reveals the ways in which women artists have given profound expression to their identities
- Contents
- Foreword / Avant-propos -- Lenders / Pre^teurs -- Acknowledgements / Remerciements -- The artist herself = L'artiste elle-me^me / Alicia Boutilier & Tobi Bruce -- Cree dolls / Sherry Farrell Racette -- Elizabeth Simcoe / Erin Wall -- Katherine Jane Ellice / Arlene Gehmacher -- Shanawdithit / Fiona Polack -- Mary Ann Scrimes & Elizabeth Jane Turner / Janice Helland -- Lady Belleau & Lady Glover / Andrea Kunard -- Frances Anne Hopkins & Princess Louise / Kristina Huneault -- E. Pauline Johnson / Carla Taunton -- E. Pauline Johnson / Paula Whitlow -- Hannah Maynard / Jennifer Salahub -- Maud Darling / Jennifer Salahub -- Bertha May Ingle / Mary Thompson & David Beattie -- Mattie Gunterman / Susan Close -- Caroline Gros Louis / Annette de Stecher -- Emily Carr / Lisa Baldiserra -- Martha (Muqyunnik) Eetak / Maureen Matthews -- Marion Long / Janice Anderson -- Margaret Watkins / Mary O'Connor -- Dorothea Mitchell / Kelly Saxberg -- Sylvia Daoust / Joyce Millar -- Paraskeva Clark / Panya Clark -- Pegi Nicol MacLeod / Laura Brandon -- Simone Mary Bouchard / Laurier Lacroix -- Marian Dale Scott / Esther Tre´panier -- Maud Lewis / Erin Morton -- Elizabeth Harrison / Dorothy Farr -- Suzanne Duquet / Miche`le Grandbois -- Artis Lane / Artis Lane -- Molly Lamb Bobak / Amber Lloydlangston -- Cecil Buller / Sandra Dyck -- Jessie Oonark & Inuit Doll / Heather Igloliorte -- Kenojuak Ashevak / Kenojuak Ashevak -- Christiane Pflug / Georgiana Uhlyarik -- Daphne Odjig / Greg Hill -- Margaret Frank & Marion Wilson / Andy Everson -- Pitseolak Ashoona / Norman Vorano -- Exhibition list = Liste des œuvres -- Contributors = Contributeurs.
- Notes
- Some of the essays are in English, while others are in French
- ISBN
- 9781553394075
- Accession Number
- 2019.46
- Call Number
- 06.1 B66t
- Collection
- Archives Library
- URL Notes
- The URL pertains to the website in which the abstract was drawn from
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Barbara Spohr : apparent reasons = raisons apparentes.
https://archives.whyte.org/en/permalink/catalogue25144
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1995
- Author
- Spohr, Barbara
- Publisher
- Banff, Alb. : Whyte Museum of the Canadian Rockies
- Call Number
- 06.4 Sp6a
1 website
- Author
- Spohr, Barbara
- Responsibility
- Barbara Spohr
- Publisher
- Banff, Alb. : Whyte Museum of the Canadian Rockies
- Published Date
- 1995
- Physical Description
- 81 pages : illustrations, portraits
- Abstract
- Exhibition catalogue for the 1995 exhibit of Barbara Spohr's show 'Apparent Reasons' at the Whyte Museum of the Canadian Rockies
- Contents
- Introduction
- Road trip
- From where she stood
- Barbara Spohr's border crossings
- ISBN
- 0920608418
- Accession Number
- 2021.23
- Call Number
- 06.4 Sp6a
- Collection
- Archives Library
- URL Notes
- Link to Banff Centre's Barbara Spohr Memorial Award page - includes biographical information
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Beyond "the artist's wife": women, artist-couple marriage and the exhibition experience in postwar Canada
https://archives.whyte.org/en/permalink/catalogue19806
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2013
- Author
- Mastin, Catharine Margaret
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Call Number
- 06.1 Ma37b
1 website
- Author
- Mastin, Catharine Margaret
- Responsibility
- Catharine Margaret Mastin
- Publisher
- Ottawa : Library and Archives Canada = Bibliothe`que et Archives Canada
- Published Date
- 2013
- Physical Description
- 358 pages ; PDF format
- Subjects
- Women
- Artists
- Exhibitions
- Thesis
- Abstract
- When art critic Lucy Lippard named "the artist's wife" to be a socially-assigned identity for female artists in the early 1970s, she understood some of the significance of women's companionship status. This dissertation considers how "the artist's wife" was a diverse and hierarchical problem for six female artists during their efforts to access Canada's postwar exhibition market. Joyce Wieland of Toronto, Ontario, Marion Nicoll of Calgary, Alberta, Mary Pratt of St. John's, Newfoundland, and Kenojuak Ashevak of Cape Dorset, Nunavut all experienced this social phenomenon differently. Because the two studios of Wieland and Pratt were combined with domestic life they were also dubbed "kitchen artists." As Marion Nicoll learned, it took much conviction to pursue an art practice focused on abstract painting in traditional institutional and marital contexts. The category "Eskimo" added racial difference to Kenojuak's creative and marital identities. Frances Loring and Florence Wyle of Toronto were persistently called "the Girls," an identity that underscored their non-compliance with heterosexual marriage. Using feminist theories of sexual difference and representation, and intersecting the traditionally distinct fields of history and art history, this study illuminates that the female artist's companionship status mattered much more than has been historically understood. These artists' experiences provide opportunity to reflect on curatorial practice and subject representation and expose that the solo exhibition cannot be fully separated from the artist-couple exhibition when studying the female artist's exhibition history. Their experiences also make visible that gender and female artist identities, including the category "woman artist," are important when studying the female artist in postwar North American art and marriage histories if the social conditions of women's art production are to be fully understood.
- Contents
- Abstract
- Acknowledgements
- List of figures
- List of abbreviations
- Chapter One : introduction : beyond "the artist's wife"
- Chapter Two : socializing women to marriage : the five artist-couple marraiges of Marion Nicholl, Joyce Wieland, Mary Pratt, Frances Loring, Florence Wyle and Kenojuak Ashevak
- Chapter Three : two women's "one-man exhibitions" : the experience of abstract painting and the artist-couple marriages of Marion Nicholl and Joyce Wieland, 1959 - 1963
- Chapter Four : two women's "one-man exhibitions" : Joyce Wieland, Mary Pratt and the identity "kitchen artist" 1963 - 1973
- Chapter Five : two more women's "two-man" artist-couple exhibitions : the social emergence of Frances Loring and Florence Wyle as "the girls"
- Chapter Six : one women's "two-man" exhibitions : Kenojuak Ashevak's artist-couple exhibitions with Johnniebo Ashevak, 1967 - 1970
- Chapter Seven : conclusion
- Bibliography
- Appendix 1
- Copyright permissions
- ISBN
- 978-0-494-89628-0
- Accession Number
- p2019-26
- Call Number
- 06.1 Ma37b
- Collection
- Archives Library
- URL Notes
- Available online through University of Alberta
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Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate
https://archives.whyte.org/en/permalink/catalogue25155
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Reid, Mark Collin
- Call Number
- P
1 website
- Author
- Reid, Mark Collin
- Responsibility
- Mark Collin Read
- Published Date
- 2020
- Physical Description
- p.28 - 35
- Medium
- Library - Periodical
- Abstract
- Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
- Notes
- In Canada's History, Vol. 100, No.3 (June-July)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
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Dorothy Knowles : paintings, 1964-1982
https://archives.whyte.org/en/permalink/catalogue19943
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1983
- Author
- Fenton, Terry
- Publisher
- Edmonton : The Gallery
- Call Number
- 06.1 F35d
1 website
- Author
- Fenton, Terry
- Responsibility
- Terry Fenton
- Publisher
- Edmonton : The Gallery
- Published Date
- 1983
- Physical Description
- 35 pages : illustrations (some color) ; 21 x 26 cm
- Subjects
- Exhibition catalogue
- Exhibitions
- Abstract
- Pertains to the Dorothy Knowles exhibition catalogue, organized by Terry Fenton from the Edmonton Art Gallery. While the catalogue was never meant to capture the entirety of Knowles’ artist career, Terry Fenton organizes a thorough exhibition covering the last two decades of her work. It was in part due to Knowles enrollment at the Banff School that she was able to achieve a greater level of confidence in her artist skill. Through both essay and art work, Terry Fenton has been able to share the legacy of Dorothy Knowles.
- Contents
- Dedication (iii)
- Preface (vii)
- Beginnings (pg. 1)
- Since 1964 (pg. 9)
- Exhibitions with art dealers (pg. 32)
- Critical and Curatorial support (pg. 33)
- Catalogue of the exhibition (pg. 34)
- Works on Canvas
- Works on Paper
- Exhibition Itinerary (pg. 35)
- Notes
- Annotated - inside of the front page has been signed by Dorothy Knowles
- Book is written in both French and English
- Exhibition has been organized by Terry Fenton
- ISBN
- 0889500355
- Accession Number
- 2019.71
- Call Number
- 06.1 F35d
- Collection
- Archives Library
- URL Notes
- Terry Fenton is himself an accomplished artist. Some of his work can be found using the URL above.
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Dwayne Harty captures Yellowstone to Yukon
https://archives.whyte.org/en/permalink/catalogue25127
- Medium
- Library - Periodical
- Published Date
- 2011
- Author
- Wilkinson, Todd
- Publisher
- Big Sky Journal
- Call Number
- P - General
1 website
- Author
- Wilkinson, Todd
- Responsibility
- Todd Wilkinson
- Publisher
- Big Sky Journal
- Published Date
- 2011
- Medium
- Library - Periodical
- Subjects
- Exhibitions
- Art
- Artists
- Wildlife
- Wildlife artists
- Abstract
- Pertains to an exhibit of paintings that were on display at the Whyte Museum of the Canadian Rockies in the summer of 2012 from the National Museum of Wildlife Art entitled "Yellowstone to Yukon : Journey of Wildlife and Art" which featured many artists including Carl Rungius, Thomas Moran, Albert Bierstadt, Thomas Hill, Louis Agassiz Fuertes, Charles M. Russell, Edward Kemeys, A.P. Proctor, Belmore Browne, John Fery, Aiden Lassell Ripley, Bob Kuhn, Tucker Smith, Ken Bunn, Ken Carlson, Michael Coleman, Jim Wilcox, Laney, Frances Yellow, Lanford Monroe, Tim Shinabarger, Nancy Glazier, Ernest Thompson Seton, Clarence Tillenius, Robert Lougheed, Robert Bateman, Charles A. Beil, Richard Loffler, Robert Muskego, Robert Hope, Walter Phillips, Maureen Enns etc.
- Notes
- In Big Sky Journal, Volume XVII, Number 3, Art 2011, p. 74-77
- Call Number
- P - General
- Collection
- Archives Library
- URL Notes
- Big Sky Journal webpage for magazines
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Expanding horizons : painting and photography of American and Canadian landscape, 1860-1918
https://archives.whyte.org/en/permalink/catalogue24957
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2009
- Author
- Goldfarb, Hilliard T.
- Publisher
- [Montreal] : Montreal Museum of Fine Arts
- Call Number
- 06.1 G11e O.S.
1 website
- Author
- Goldfarb, Hilliard T.
- Responsibility
- Hilliard T. Goldfarb (editor)
- Publisher
- [Montreal] : Montreal Museum of Fine Arts
- Published Date
- 2009
- Physical Description
- 318 pages : illustrations (some color), maps
- Subjects
- Art
- Landscapes
- Artists
- Photographers
- Photography
- Exhibitions
- Canada
- United States
- North America
- Abstract
- Catalogue of an exhibition first held at the Montreal Museum of Fine Arts from June 18 to Sept. 27, 2009 and then travelling to Vancouver Art Gallery, from Oct. 17, 2009 to Janu. 17, 2010. Issued also in French under title: Grandeur nature : peinture et photographie des paysages ame´ricains et canadiens de 1860 a` 1918.
- Contents
- Endangered horizons / Nathalie Bondil -- Lenders to the exhibition -- Crossed destinies: manifesting the paths of nationhood in the United States and Canada through Landscapes, 1860-1918 / Hilliard T. Goldfarb -- Flexible frontiers: expansion, contraction, regeneration / T.J. Jackson Lears -- Nature transcendent -- The most northerly horizon / Rosalind Pepall -- The forest, Niagara and the sublime / Franc¸ois-Marc Gagnon -- Works -- The stage of history and the theatre of myth -- Looking at landscape in athe age of environmentalism / Lynda Jessup -- Too silent to be real / Richard Hill -- Works -- Man versus nature -- Painting and photography in British Columbia, 1871-1916: some observations / Ian Thom -- Works -- Nature domesticated -- Word and image: North American landscape in nineteenth-century illustrated publications / Brian Foss -- John Singer Sargent's adventurous summer in the Canadian Rockies: the visit to rh Yoho Valley in 1916 / Hilliard T. Goldfarb -- Works -- The urban landscape -- "To pavements and homesteads here" : landscape, photography, and the transcendence of time and space / Philip Brookman -- Works -- The return of nature -- Introduction -- Works.
- ISBN
- 9782891923347
- Accession Number
- 2019.94
- Call Number
- 06.1 G11e O.S.
- Collection
- Archives Library
- URL Notes
- Review and synopsis on Canadian Architect website
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