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Stan J. Carr fonds
https://archives.whyte.org/en/permalink/descriptions129
- Part Of
- Stan J. Carr fonds
- Scope & Content
- Fonds consists of guiding papers, 1913-1938, pertaining mainly to the Half Diamond M Ranch at Tete Jaune Cache; poems, n.d., 1910, 1940; lengthy manuscript by S. Knapp, ca.1920, titled "Camping with Windy: Tales of the Canadian Rockies"; and photographs pertaining to Carr, associates, clients and p…
- Date Range
- 1910-1976
- Reference Code
- M179 / V127
- Description Level
- 1 / Fonds
- GMD
- Photograph
- Album
- Photograph print
- Transparency
- Textual record
- Private record
- Part Of
- Stan J. Carr fonds
- Description Level
- 1 / Fonds
- Fonds Number
- M 179
- V 127
- Sous-Fonds
- M 179
- V 127
- Accession Number
- 1072, 2108, 2370, 2589
- Reference Code
- M179 / V127
- Date Range
- 1910-1976
- Physical Description
- 2 cm of textual records. -- 1 photograph album (134 prints). -- 70 photographs : prints, transparencies
- History / Biographical
- Stan J. "Windy" Carr, 1890-1983, was a guide and outfitter and dude ranch owner at Lake Louise, Alberta and Tete Jaune Cache, British Columbia, Canada. Carr, an English immigrant, began working for Brewster Transport Co. at Lake Louise in 1910. He worked as a pony-boy around Lake Louise and began leading pack train trips. Rev. Dr. S. Knapp, Worcester, Massachusetts was a client for thirty years. Carr later operated the Half Diamond M ranch near Tete Jaune Cache, B.C.
- Scope & Content
- Fonds consists of guiding papers, 1913-1938, pertaining mainly to the Half Diamond M Ranch at Tete Jaune Cache; poems, n.d., 1910, 1940; lengthy manuscript by S. Knapp, ca.1920, titled "Camping with Windy: Tales of the Canadian Rockies"; and photographs pertaining to Carr, associates, clients and pack trips, 1910-1914. Knapp manuscript discusses camping trips in the vicinities of Bow Lake, Lake O'Hara, Mount Assiniboine, Lake Louise, Pipestone Valley and Kananaskis Lakes and includes notes by Carr, 1976.
- Photograph album pertains to horse ranching and horses at Springbank and Calgary, and Brewster horse staff and kitchen staff? at Lake Louise Chalet, ca.1910.
- Name Access
- Carr, Stan J.
- Subject Access
- Exploration, discovery and travel
- Access Restrictions
- No restrictions on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Finding Aid
- Finding aids and reference tools: basic description for prints and album pages
- Creator
- Carr, Stan J.
- Category
- Exploration, discovery and travel
- Title Source
- Title based on contents of fonds
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Mary Fallis fonds
https://archives.whyte.org/en/permalink/descriptions176
- Part Of
- Mary Fallis fonds
- Scope & Content
- Fonds pertains to trips made by Fallis and the Vancouver Section of the Alpine Club of Canada to: Mount Baker Park, Cascade Mountains, U.S.A., 195-; Waites Hut in the Tonquin Valley, 1955; Moat Lake camp, 1957; Outpost Lake, 1957-1958, 1968; Mummery Camp, 1958; Tantalus Hut opening, Coast Range, 19…
- Date Range
- 1950-1968
- Reference Code
- V194
- Description Level
- 1 / Fonds
- GMD
- Photograph
- Negative
- Photograph print
- Transparency
- Part Of
- Mary Fallis fonds
- Description Level
- 1 / Fonds
- Fonds Number
- V 194
- Sous-Fonds
- V194
- Accession Number
- 5329, 6354, 6442
- Reference Code
- V194
- Date Range
- 1950-1968
- Physical Description
- 323 photographs : transparencies, print, album page, ca.2.3 cm
- History / Biographical
- Mary Fallis, b.1927, is a mountaineer and Alpine Club of Canada member who lives at Prince George, B.C. She has been active in the Vancouver section of the Alpine Club of Canada.
- Scope & Content
- Fonds pertains to trips made by Fallis and the Vancouver Section of the Alpine Club of Canada to: Mount Baker Park, Cascade Mountains, U.S.A., 195-; Waites Hut in the Tonquin Valley, 1955; Moat Lake camp, 1957; Outpost Lake, 1957-1958, 1968; Mummery Camp, 1958; Tantalus Hut opening, Coast Range, 1961 or 1962; Eremite Camp, 1963; also includes ice schools and climbs. Fallis identified images on the mounts and lists are for some sets.
- Name Access
- Fallis, Mary
- Subject Access
- Exploration, discovery and travel
- Sports, recreation and leisure
- Access Restrictions
- Some restriction/s on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Related Material
- Reproductions of sketches of Alpine Club huts and cabins found within fonds are available in Information File.
- Creator
- Fallis, Mary
- Title Source
- Title based on accession records
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Mary Fallis Transparencies
https://archives.whyte.org/en/permalink/descriptions54133
- Part Of
- Mary Fallis fonds
- Scope & Content
- File consists of 197 colour, 35mm transparencies. File pertains to Alpine Club of Canada trips made by Fallis. Trips include Waites Hut, Tonquin Valley, 1955; Moat Lake Camp, 1957; Outpost Lake, 1957-1958; opening Tantalus Hut, Coast Range, 1962; Eremite Camp, 1963; Christmas trip, Outpost Lake 196…
- Date Range
- 1955-1968
- Reference Code
- V194 / NS - 128 to 324
- Description Level
- 5 / File
- GMD
- Photograph
- Transparency
- Part Of
- Mary Fallis fonds
- Description Level
- 5 / File
- Fonds Number
- V 194
- Sous-Fonds
- V194
- Accession Number
- 6354
- Reference Code
- V194 / NS - 128 to 324
- Date Range
- 1955-1968
- Physical Description
- Photographs: 197 tranparencies, 35mm, colour
- History / Biographical
- See fonds level description
- Scope & Content
- File consists of 197 colour, 35mm transparencies. File pertains to Alpine Club of Canada trips made by Fallis. Trips include Waites Hut, Tonquin Valley, 1955; Moat Lake Camp, 1957; Outpost Lake, 1957-1958; opening Tantalus Hut, Coast Range, 1962; Eremite Camp, 1963; Christmas trip, Outpost Lake 1968. Fallis identified the slides on the mounts and prepared lists for some sets. Box titles read: "3 days at Waites Hut 1955 Gertrude Smith, Nora Neilsen, Mary Fallis ; ACC Moat Lake Camp 1957 ; Outpost Lake Dec. 26 1957 to jan. 1, 1958 ; Opening Tantalus Hut, Oct. 1962 ; ACC Eremite Camp July 1963 (snowstorm) I 1-29 ; ACC Eremite Camp 1963 30-40, 50-63 II ; Xmas trip Dec. 23, 24, 25, 26, 1968." File also contains captions and identifications realting to the transparencies.
- Name Access
- Fallis, Mary
- Subject Access
- Exploration, discovery and travel
- Sports, recreation and leisure
- Access Restrictions
- Some restriction/s on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Related Material
- Reproductions of sketches of Alpine Club huts and cabins found within fonds are available in Information File.
- Creator
- Fallis, Mary
- Title Source
- Title based on contents on file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Lantern Slides
https://archives.whyte.org/en/permalink/descriptions54147
- Part Of
- Stan J. Carr fonds
- Scope & Content
- File consists of 8 colour lantern slides, some captioned. File subjects include an unidentified mountain scene, Mount Assiniboine, horse in unientified mountain scene, man posed in campsite in unidentified location, Lake Louise and Victoria Glacier, Hector Lake and Bow Peak, unidentified man in cam…
- Date Range
- ca. 1912
- Reference Code
- V127 / PS - 1 to 8
- Description Level
- 5 / File
- GMD
- Transparency
- Lantern slide
8 images
- Part Of
- Stan J. Carr fonds
- Description Level
- 5 / File
- Fonds Number
- M 179
- V 127
- Sous-Fonds
- V 127
- Accession Number
- 1072
- Reference Code
- V127 / PS - 1 to 8
- Date Range
- ca. 1912
- Physical Description
- 8 photographs : col. slides ; 10.5 x 14 cm
- History / Biographical
- Additive Colour Screen Plates, first theorized by James Clerk Maxwell in 1861, were the first forms of colour photography. Maxwell’s original process involved printing the same black and white image through different coloured screens onto transparencies and then projecting them overlapped in order to create a single full-colour image. In 1868 Louis Ducos du Hauron expanded on this method by placing a screen made up of microscopic coloured stripes in front of a light-sensitive emulsion before exposing it to light. During exposure, the colours in the screen attached to the developing picture so when viewed back through the screen in a projector the image appeared fully in colour. Neither of these methods were commercially popular during the 19th century since black and white processes were cheaper and more widely available. In 1907 the Lumiere brothers introduced the Autochrome process to wide commercial success. The Autochrome process involved a mix of tiny potato starch grains dyed green, orange-red, and blue-purple that were mixed thoroughly and applied to a glass slide coated in a sticky varnish that held the grains in an evenly-distributed layer. The grains were laminated into the varnish to make them smaller and more transparent, and then the whole thing was sealed with another layer of waterproof varnish. The entire process could be done by machines, which made the slides cheap to produce, easily available to the public and opened up the process to amateur photographers. Photographs developed on Autochrome plates created soft images with relatively natural colour rendering, making them popular with artists and photojournalists. Autochrome plates (which came to refer to all colour screen plates regardless of manufacturer) created one-of-a-kind positive images and required long exposure times. Once an image was complete, it had to be quickly covered with either a strong coating of varnish or another slide of glass and then sealed along the edges with binding tape. Because silver is an element of the sticky base varnish that holds the dyed grains, if moisture was allowed to access the image the layers of varnish could ripple or tear away from the glass, or the dye could bleed or fade. The silver base is highly sensative to oxygen and if improperly sealed images could begin to "mirror," a process in which the exposed parts of the slide become uniform and shiny, obscuring the image. Because of the random distribution of dyed colour grains throughout the image and the lines created by laminating those grains into the base varnish, Autochrome transparencies are often mistaken for hand-painted coloured slides. Autochrome can be identified by looking closely for small dots of colour in all parts of the image, rather than the solid blots of colour found on hand-painted slides.
- Scope & Content
- File consists of 8 colour lantern slides, some captioned. File subjects include an unidentified mountain scene, Mount Assiniboine, horse in unientified mountain scene, man posed in campsite in unidentified location, Lake Louise and Victoria Glacier, Hector Lake and Bow Peak, unidentified man in camp.
- Name Access
- Carr, Stan J.
- Subject Access
- Exploration
- Discovery and travel
- Lantern slide
- Geographic Access
- Mount Assiniboine
- Lake Louise
- Bow Summit
- Banff National Park
- Alberta
- Canada
- Access Restrictions
- No restrictions on access
- Language
- English
- Conservation
- Re-seal all slides appropriately; keep stored in cool, dry, dark area; refrain from exposing to further damage.
- Creator
- Carr, Stan J.
- Category
- Exploration, discovery and travel
- Biographical Source Notes
- http://www.graphicsatlas.org/identification/?process_id=286#overview
- https://psap.library.illinois.edu/collection-id-guide/slide#autochrome
- Title Source
- Title based on contents of file
- Processing Status
- Processed
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.