Narrow Results By
- Peter Whyte (1905 – 1966, Canadian) 42
- George Webber 23
- Reinhold H. Palenske (1884 – 1955, American) 10
- Catharine Robb Whyte, O. C. (1906 – 1979, Canadian) 8
- Nicholas Raffael de Grandmaison (1892 – 1978, Canadian) 5
- John Lefthand Jr. 4
- Byron Harmon (Banff, Alberta) 3
- George Douglas Pepper (1903 – 1962, Canadian) 3
- Gerda Christoffersen ( – 2012, Canadian) 3
- Unknown 3
- Wall Kimmerer, Robin 3
- Blake 2
Aboriginal TM : the cultural and economic politics of recognition
https://archives.whyte.org/en/permalink/catalogue25713
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Adese, Jennifer
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Call Number
- 07.2 A3a
- Author
- Adese, Jennifer
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Published Date
- 2022
- Physical Description
- x, 260 pages : illustrations ; 24 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous People
- Indigenous Traditions
- Tourism
- Language
- Politics
- Abstract
- In Aboriginal™, Jennifer Adese explores the origins, meaning, and usage of the term "Aboriginal" and its displacement by the word "Indigenous." In the Constitution Act, 1982, the term's express purpose was to speak to the "aboriginal rights" acknowledged in Section 35(1). Yet in the wake of the Constitution's passage, Aboriginal, in its capitalized form, became far more closely aligned with Section 35(2)'s interpretation of which specific groups held those rights, and was increasingly used to describe and categorize people. More than simple legal and political vernacular, the term Aboriginal (capitalized or not) has had real-world consequences for the people it defined. Aboriginal™ argues the term was a tool used to advance Canada's cultural and economic assimilatory agenda throughout the 1980s until the mid-2010s. Moreover, Adese illuminates how the word engenders a kind of "Aboriginalized multicultural" brand easily reduced to and exported as a nation brand, economic brand, and place brand--at odds with the diversity and complexity of Indigenous peoples and communities. In her multi-disciplinary research, Adese examines the discursive spaces and concrete sites where Aboriginality features prominently: the Constitution Act, 1982; the 2010 Vancouver Olympics; the "Aboriginal tourism industry"; and the Vancouver International Airport. Reflecting on the term's abrupt exit from public discourse and the recent turn toward Indigenous, Indigeneity, and Indigenization, Aboriginal™ offers insight into Indigenous-Canada relations, reconciliation efforts, and current discussions of Indigenous identity, authenticity, and agency. -- Provided by publisher.
- Contents
- Introduction -- 1. Aboriginal, aboriginality, aboriginalism, aboriginalization: what's in a word? -- Aboriginalized multiculturalism tm: Canada's olympic national brand -- Selling Aboriginal experiences and authenticity: Canadian and Aboriginal tourism -- Marketing aboriginality and the branding of place: the case of Vancouver international airport -- Conclusion: thoughts on the end of aboriginalization and the turn to indigenization.
- Notes
- Title appears with the trademark symbol after the word "Aboriginal".
- ISBN
- 9781772840056
- Accession Number
- P2023.09
- Call Number
- 07.2 A3a
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage
https://archives.whyte.org/en/permalink/catalogue25525
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Call Number
- 07.2 L62a
- Responsibility
- Edited by Sigrid Lien and Hilde Wallem Nielssen
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Published Date
- 2021
- Physical Description
- vi, 312 pages : illustrations (black & white) ; 24 cm
- Abstract
- Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
- Contents
- Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
- ISBN
- 9780774866613
- Accession Number
- P2022.04
- Call Number
- 07.2 L62a
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Advertising Decal
https://archives.whyte.org/en/permalink/artifact105.01.1017
- Date
- 1958
- Material
- paper
- Catalogue Number
- 105.01.1017
- Description
- Round paper decal, Indigenous person in headdress centered with a red band around with "Calgary Stampede July 7 to 12 1958 Calgary Alberta Canada
1 image
- Title
- Advertising Decal
- Date
- 1958
- Material
- paper
- Description
- Round paper decal, Indigenous person in headdress centered with a red band around with "Calgary Stampede July 7 to 12 1958 Calgary Alberta Canada
- Subject
- Calgary Stampede
- souvenir
- Indigenous
- Credit
- Gift of Maxine Bishop, Calgary, 1992
- Catalogue Number
- 105.01.1017
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1968 – 1971
- Material
- skin; fibre; glass
- Catalogue Number
- 103.09.0085
- Description
- Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside…
1 image
- Title
- Amulet Charm
- Date
- 1968 – 1971
- Material
- skin; fibre; glass
- Dimensions
- 13.0 x 30.0 cm
- Description
- Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside of pouch beaded on canvas and front side beaded on buckskin. Fringe tassels of silver beads on lower two thirds of pouch edge.
- Subject
- Indigenous
- lore
- religious
- Eliza Hunter
- ceremonial
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.09.0085
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Ancestors : indigenous peoples of Western Canada in historic photographs
https://archives.whyte.org/en/permalink/catalogue25527
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Responsibility
- Edited by Sarah Carter and Inez Lightning
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Published Date
- 2021
- Physical Description
- x, 188 pages : illustrations (some color) ; 23 x 24 cm
- Abstract
- This exhibition catalogue introduces historic photographs of Indigenous peoples of Western Canada from a collection housed at the University of Alberta's Bruce Peel Special Collections. The publication focuses on the ancestors represented in the collection and how their images continue to generate stories and meanings in the present. The selected photographs contribute to a richer, deeper understanding of the past. There is strength, character, persistence, determination, artwork, humour, dance, celebration, and so much more in the photographs. Some serve as records of cherished landscapes that may have been altered. Others provide links to ancestors: revered leaders, soldiers, healers, thinkers, and orators. The curators hope that the process of identifying the people in these photographs, only begun here, will continue. (Provided by Publisher)
- Contents
- Foreword / Chief Willie Littlechild ; The nature of the collection and its challenges ; Western Canada in the late Nineteenth and early Twentieth Centuries ; The aims of the curators ; The Exhibition
- ISBN
- 9781551954547
- Accession Number
- P2022.05
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Ancient Brave of the Blood Tribe
https://archives.whyte.org/en/permalink/artifactmig.03.04
- Date
- prior to 1938
- Medium
- graphite on paper
- Catalogue Number
- MiG.03.04
- Description
- A portrait from the shoulders up of a man wearing a fuzzy fir hat and a warm winter coat with hood. The man is looking directly at the viewer. Behind the man’s head is some heavy black shaded area created by the artist. The title is written on the lrc with the date: Alberta, 1938.
- Title
- Ancient Brave of the Blood Tribe
- Date
- prior to 1938
- Medium
- graphite on paper
- Dimensions
- 56.0 x 40.5 cm
- Description
- A portrait from the shoulders up of a man wearing a fuzzy fir hat and a warm winter coat with hood. The man is looking directly at the viewer. Behind the man’s head is some heavy black shaded area created by the artist. The title is written on the lrc with the date: Alberta, 1938.
- Subject
- portrait
- male
- Indigenous
- Credit
- Gift of C. Gardner Lane Jr., Scarborough, USA, 1996
- Catalogue Number
- MiG.03.04
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Anthropology on the Great Plains
https://archives.whyte.org/en/permalink/catalogue26190
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1980
- Publisher
- Lincoln : University of Nebraska Press
- Call Number
- 07.2 W86a
- Responsibility
- Edited by W. Raymond Wood and Margot Liberty
- Publisher
- Lincoln : University of Nebraska Press
- Published Date
- 1980
- Physical Description
- vii, 306 pages : illustrations ; 27 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous Customs
- Indigenous People
- Indigenous Traditions
- Turtle Island
- History
- Abstract
- Native American tribes living on the Great Plains have long attracted the attention of Euro-American scholars, inspiring over the years a vast quantity of research. The contributors to this volume discuss and evaluate all the major works of scholarship devoted to the culture of Plains Indians, from the arrival of these peoples on the North American grasslands thousands of years ago, through their subsequent Village and High Plains lifeways, to their present-day adaption to reservation and urban life. Toghether, the twenty-two authors undertake a comprehensive survey of the state of anthropology on the Plains: what it has been, what it is now, and what it may offer theory and method in the future. -- From interior dustjacket
- Contents
- The Plains setting / B. Miles Gilbert -- The influence of Plains ethnography on the development of anthropological theory / E. Adamson Hoebel -- The Plains culture area concept / Richard Scaglion -- Prehistoric studies on the Plains / Alfred E. Johnson and W. Raymond Wood -- An overview of Great Plains physical anthropology / David V. Hughey -- Studies in Plains linguistics : a review / Robert C. Hollow and Douglas R. Parks -- Plains trade in prehistoric and protohistoric intertribal relations / W. Raymond Wood -- The ethnohistorical approach in Plains area studies / Mildred Mott Wedel and Raymond J. DeMallie -- Plains economic analysis : the Marxist complement / Alan M. Klein -- Morgan's problem : the influence of Plains ethnography on the ethnology of kinship / John H. Moore -- Social control on the Plains / Garrick Bailey -- The Sun Dance / Margot Liberty -- The Ghost Dance / Omer C. Stewart -- The Native American church / Omer C. Stewart -- Plains Indian art / Mary Jane Schneider -- Plains Indian music and dance / William K. Powers -- Psychological anthropology / Margot Liberty and Robert Morais --The formal education of Plains Indians / Janet Goldenstein Ahler -- Plains Indian women : an assessment / Katherine M. Weist -- Research in health and healing in the Plains / Luis S. Kemnitzer -- Peoples of the Plains / compiled by Douglas R. Parks, Margot Liberty, and Andrea Ferenci.
- ISBN
- 9780803247086
- Accession Number
- 2022.17
- Call Number
- 07.2 W86a
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- prior to 1970
- Material
- skin; metal
- Catalogue Number
- 103.01.3021 a,b
- Description
- Two heavy leather straps with leather thongs attached to the ends of the straps (a - 62.0 cm long with thongs, b - 67.0 cm long with thongs). Each strap has four round metal bells (4.0 cm diameter) tied on with leather thongs. White adhesive tape has been wrapped around the straps.
1 image
- Title
- Armband
- Date
- prior to 1970
- Material
- skin; metal
- Dimensions
- 3.0 x 31.0 cm
- Description
- Two heavy leather straps with leather thongs attached to the ends of the straps (a - 62.0 cm long with thongs, b - 67.0 cm long with thongs). Each strap has four round metal bells (4.0 cm diameter) tied on with leather thongs. White adhesive tape has been wrapped around the straps.
- Subject
- Indigenous
- regalia
- dancing
- music
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.01.3021 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- prior to 1970
- Material
- bone; feather; metal; wood
- Catalogue Number
- 104.05.3001
- Description
- Eight handmade arrows. Each arrow has a wooden shaft, feathers and down fletching attached to the shaft with waxed thread (sinew?), and a carved nock.a-c) Three similar arrows (72.0 x 0.8 cm) with red and green coloured bands around the shaft at the fletching. d-f) Three similar arrows (74.0 x 0.9…
1 image
- Title
- Arrow
- Date
- prior to 1970
- Material
- bone; feather; metal; wood
- Dimensions
- 1.2 (g) x 77.5 (g) cm
- Description
- Eight handmade arrows. Each arrow has a wooden shaft, feathers and down fletching attached to the shaft with waxed thread (sinew?), and a carved nock.a-c) Three similar arrows (72.0 x 0.8 cm) with red and green coloured bands around the shaft at the fletching. d-f) Three similar arrows (74.0 x 0.9 cm) with no markings.g) Long arrow with thick shaft (77.5 x 1.2 cm) and a serrated bone arrowhead attached with waxed thread. The shaft is marked with red at the fletching and the arrowhead.h) Arrow (69.0 x 0.7 cm) with the fletching feathers cut square. There are red bands around the shaft and at the fletching. There is a metal (copper?) band at the tip.DO NOT DISPLAY AS OF JULY 2013: Corleigh Powderface (Belton)
- Subject
- Indigenous
- crafts
- carving
- sports, archery
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 104.05.3001
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 1910 – 1950
- Material
- wood; metal; plastic; feather; paint
- Catalogue Number
- 104.05.0003 a-z, aa
- Description
- A set of twenty-seven arrows: - Four handmade wooden arrows with three feathers at one notched end. The other end of each arrow is sharpened to a point. There are coloured bands painted under the feathers. - Ten very thin wooden arrows with pointed metal tips. The notched end of each arrow has s…
1 image
- Title
- Arrow
- Date
- 1910 – 1950
- Material
- wood; metal; plastic; feather; paint
- Dimensions
- 72.0 (average) cm
- Description
- A set of twenty-seven arrows: - Four handmade wooden arrows with three feathers at one notched end. The other end of each arrow is sharpened to a point. There are coloured bands painted under the feathers. - Ten very thin wooden arrows with pointed metal tips. The notched end of each arrow has small feathers and painted coloured bands. Four of these arrows are marked “South Bend Quality Tackle Bait Co.”. Two of these arrows are marked “The Oreno Pat. Pending”.- Five wooden arrows with pointed metal tips. These arrows have red, yellow and white bands at the feathered end. One of these arrows has a pointed spike projecting from the tip. These arrows are marked “made in U.S.A. Rounsville-Pohm, Hazel Crest, Ill. 29”. - Two wooden arrows with pointed metal tips at one end, and plastic notches at the other. There are red, white, blue and yellow bands at the notched end of each arrow. - Two arrows with blue and white bands at the notched feathered end. These arrows have a darker harder wood piece, with a metal tip, scarfed to the other end.- One handmade arrow, in the manner of Indigenous arrows, that is painted blue at the notched end. The opposite end is sharpened to a point. - Three odd arrows: one arrow with a plastic tip and faded blue bands at the notched, feathered end; one arrow with a red and yellow band at the notched feathered end and metal tip; one arrow that was once painted completely red with plastic notch and metal tip (no feathers).
- Subject
- Indigenous
- hunting
- households
- sports, archery
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.05.0003 a-z, aa
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.