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The story of Jesus. Pictures from paintings by Grotto, Fa Angelico, Duccio, Ghirlando, and Barnja da Siena.
https://archives.whyte.org/en/permalink/catalogue20450
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1920
- Publisher
- Boston : Marshall Jones
- Call Number
- N8050 S7
- Responsibility
- Descriptive text from the New Testament. Selected and arranged by Ethel Nathalie Dana
- Publisher
- Boston : Marshall Jones
- Published Date
- 1920
- Physical Description
- iv. (unpaged) : plates
- Subjects
- Jesus Christ - Art
- Painting - Renaissance
- Accession Number
- 400
- Call Number
- N8050 S7
- Location
- Art Library is located in Curatorial Department - Please contact Curatorial Department for access
- Collection
- Art Library
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Mountain landscape and police barracks
https://archives.whyte.org/en/permalink/descriptions55524
- Part Of
- Luxton family fonds
- Scope & Content
- File consists of two framed paintings. One painting depicts a ranch or small farming community with horses in a fenced area and mountains visible in the background; second painting depicts a North-West Mounted Police barracks with a raised flag nearby and separate stables.
- Date Range
- [ca.1900-1920]
- Reference Code
- LUX / II / F2 / PC - 9 to 10
- Description Level
- 5 / File
- GMD
- Painting
- Framed print
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / II / F : Collected material
- Sous-Fonds
- LUX / II : Eleanor Luxton sous-fonds
- Sub-Series
- LUX / II / F2 : Photographs
- Accession Number
- LUX
- Reference Code
- LUX / II / F2 / PC - 9 to 10
- GMD
- Painting
- Framed print
- Responsibility
- Artist(s) unknown
- Date Range
- [ca.1900-1920]
- Physical Description
- 2 paintings : framed landscape ; 25 x 17 cm
- Scope & Content
- File consists of two framed paintings. One painting depicts a ranch or small farming community with horses in a fenced area and mountains visible in the background; second painting depicts a North-West Mounted Police barracks with a raised flag nearby and separate stables.
- Material Details
- Paintings are in identical wooden frames painted orange with geometric border design. Metal hanging wires are attached to back of each frame
- Subject Access
- Landscapes
- Painting
- Arts
- Mountains
- Homestead
- Settlement
- Language
- N/A
- Category
- Land, settlement and immigration
- Arts
- Title Source
- Title based on contents of file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
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- Date
- 1925 – 1930
- Material
- stone; paint;
- Catalogue Number
- 104.02.0104 a-e
- Description
- Five samples of paint left on stones by J.E.H. MacDonald and Peter Whyte from Lake McArthur and Opabin, Lake O’Hara. Paint samples are mostly blue, green, and white in colour.Includes:a - blue and blue-green paint chips left by Peter Whyte at Lake McArthur [he sat below J.E.H. MacDonald] housed in …
1 image
- Title
- Paint Sample
- Date
- 1925 – 1930
- Material
- stone; paint;
- Dimensions
- 3.1 x 5.0 x 10.8 cm
- Description
- Five samples of paint left on stones by J.E.H. MacDonald and Peter Whyte from Lake McArthur and Opabin, Lake O’Hara. Paint samples are mostly blue, green, and white in colour.Includes:a - blue and blue-green paint chips left by Peter Whyte at Lake McArthur [he sat below J.E.H. MacDonald] housed in a small round gold-coloured tin with “Pete Whyte McA sitting below JEH” on the lid, as well as four photographs of the paint samples in situb - white paint chips and a stone with more white paint on it from the Schaffer Bluffs at Lake McArthur [paint possibly left by Peter Whyte, J.E.H. MacDonald, or Richard Jack] - chips are housed in a small round gold-coloured tin with “MCARTHUR MISSING SCENE” written on the lid, as well as three photographs of the paint samples in situc - blue and white paint chips [possibly left by J.E.H. MacDonald] at the Lake McArthur Gully housed in a small round gold-coloured tin with “McA Gully” written on the lid, as well as three photographs of the paint samples in situd - blue and white paint chips left by J.E.H. MacDonald at Lake McArthur [he sat above Peter Whyte] housed in a small round gold-coloured tin with “JEH at McA sitting above Pete W.” written on the lid, as well as four photographs of the paint samples in situe - blue and white paint chips [possibly left by J.E.H. MacDonald] at Opabin near the Porcupine shelter housed in a small round gold-coloured tin with “Opabin near porcupine shelter” written on the lid, as well as two photographs of the paint samples in situ
- Subject
- Peter Whyte
- J.E.H. MacDonald
- James Edward Hervey MacDonald
- art
- artists
- paint
- painting
- Lake O’Hara region;;
- Credit
- Gift of Patricia Cucman, Calgary, 2021
- Catalogue Number
- 104.02.0104 a-e
Images
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- Date
- 1924 – 1930
- Catalogue Number
- 104.02.0105 a-d
- Description
- four samples of paint left on stones and trees, presumably by J.E.H. MacDonald from Lake McArthur and Opabin, Lake O’Hara. Paint samples are mostly blue, green, and white in colour.
1 image
- Title
- Paint Sample
- Date
- 1924 – 1930
- Description
- four samples of paint left on stones and trees, presumably by J.E.H. MacDonald from Lake McArthur and Opabin, Lake O’Hara. Paint samples are mostly blue, green, and white in colour.
- Subject
- J.E.H. MacDonald
- James Edward Hervey MacDonald
- art
- artists
- paint
- painting
- Lake O’Hara region;
- Credit
- Gift of Patricia Cucman, Calgary, 2021
- Catalogue Number
- 104.02.0105 a-d
Images
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Painting; Fine Art Easel; Presentation Case
https://archives.whyte.org/en/permalink/artifact104.39.1011%20a%2cb
- Date
- 1930 – 1940
- Material
- wood; fibre; metal
- Catalogue Number
- 104.39.1011 a,b
- Description
- Elaborately carved, W. J. Phillips' (a) presentation case: 61.5x79.3x12.5, hinged lid drops open, held by 52.5 long chains both sides. Lid elaborately carved, centre design 34.0x27.0,leaves, berries, etc. Border 8.0 wide carved square chain design, corners pinwheel, inside lined with green velvet …
1 image
- Title
- Painting; Fine Art Easel; Presentation Case
- Date
- 1930 – 1940
- Material
- wood; fibre; metal
- Description
- Elaborately carved, W. J. Phillips' (a) presentation case: 61.5x79.3x12.5, hinged lid drops open, held by 52.5 long chains both sides. Lid elaborately carved, centre design 34.0x27.0,leaves, berries, etc. Border 8.0 wide carved square chain design, corners pinwheel, inside lined with green velvet (b) easel: 183.0x71.0, top of upright ca 40.0x30.0 elaborately carved, also carving on upright and both wings, more carving at cross bar. Feet of wings curve out into scroll. Tray has turned outer edge with carved design brace, brace broken in 2 places (old), the upright has 9 holes for movement of tray, the 2 wings have 2 holes near top for installation of case. The back lever is 140.0 long with 21.5 foot, attached to the back of the upright with a bolt and brace mechanism. Condition: water spots over all, left wing foot broken off and secured with 3 screws, piece broken off right wing top, glued back on, gouges from improper moving of tray, lever slightly warped.
- Credit
- Gift of Grace Turner, Calgary, 1988
- Catalogue Number
- 104.39.1011 a,b
Images
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- Date
- prior to 1950
- Material
- skin; wood; metal
- Catalogue Number
- 104.33.0003
- Description
- A drum made of hide tightly stretched across a round (wood?) frame. The hide is dyed yellow with a red border and the design is divided into four quadrants by zig-zag lines. A red teepee with two figures in the door flap is drawn at the centre of the drum. Four similar yellow teepees are around…
1 image
- Title
- Drum
- Date
- prior to 1950
- Material
- skin; wood; metal
- Dimensions
- 7.5 cm
- Description
- A drum made of hide tightly stretched across a round (wood?) frame. The hide is dyed yellow with a red border and the design is divided into four quadrants by zig-zag lines. A red teepee with two figures in the door flap is drawn at the centre of the drum. Four similar yellow teepees are around the outside with the base of each resting on the red border. Metal disks on nails have been added as jingles.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.33.0003
Images
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- Date
- 1920 – 1930
- Material
- ceramic
- Catalogue Number
- 104.39.0001
- Description
- A set of five stacking ceramic palette cups and one lid that are stored in a blue cardboard box. Each cup has a slight lip at the outside of the bowl which fits into the depression in the underside of another. A flat-topped lid sits on the last cup when they are all stacked. Inside the lid there…
1 image
- Title
- Palette Cup
- Date
- 1920 – 1930
- Material
- ceramic
- Dimensions
- 1.4 (each) cm
- Description
- A set of five stacking ceramic palette cups and one lid that are stored in a blue cardboard box. Each cup has a slight lip at the outside of the bowl which fits into the depression in the underside of another. A flat-topped lid sits on the last cup when they are all stacked. Inside the lid there is a sphinx trademark and “Made in Austria”. There is paint residue in each cup.
- Subject
- households
- hobbies
- crafts
- painting
- Edmee Moore
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.39.0001
Images
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- Date
- 1920 – 1930
- Material
- wood; metal
- Catalogue Number
- 104.39.0003
- Description
- A flexible metal blade with a blunt tip attached to a plain varnished wood handle. The blade is marked with “-W”.
1 image
- Title
- Palette Knife
- Date
- 1920 – 1930
- Material
- wood; metal
- Dimensions
- 1.1 x 1.5 x 18.5 cm
- Description
- A flexible metal blade with a blunt tip attached to a plain varnished wood handle. The blade is marked with “-W”.
- Subject
- households
- hobbies
- crafts
- painting
- Edmee Moore
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.39.0003
Images
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- Date
- 1920 – 1930
- Material
- paper; skin
- Catalogue Number
- 104.39.0004 a-d
- Description
- A collection of four stumps used to smudge charcoal drawings. Each stump has a tightly rolled cigar shape with a blunt point at each end. Three stumps (a-c) are made of soft grey paper and one (d) is made of soft leather with a red paper wrapping at the middle.
1 image
- Title
- Stump
- Date
- 1920 – 1930
- Material
- paper; skin
- Dimensions
- 15.7 (a); 13.3 (b); 12.3 (c); 12.5 (d) cm
- Description
- A collection of four stumps used to smudge charcoal drawings. Each stump has a tightly rolled cigar shape with a blunt point at each end. Three stumps (a-c) are made of soft grey paper and one (d) is made of soft leather with a red paper wrapping at the middle.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.39.0004 a-d
Images
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Photographic Print
https://archives.whyte.org/en/permalink/artifact105.02.0026
- Date
- 1930 – 1940
- Material
- paper; wood; glass
- Catalogue Number
- 105.02.0026
- Description
- A black and white photograph of a man (Carl Rungius) sitting, wearing a smock over a vest and tie, and holding paint brushes in his right hand. The photograph is framed with a wide white mat and a simple black wooden frame with a narrow gold inside border and a narrow gold outside border. The mat…
1 image
- Title
- Photographic Print
- Date
- 1930 – 1940
- Material
- paper; wood; glass
- Dimensions
- 24.0; 36.6 (frame) x 18.9; 29.2 (frame) cm
- Description
- A black and white photograph of a man (Carl Rungius) sitting, wearing a smock over a vest and tie, and holding paint brushes in his right hand. The photograph is framed with a wide white mat and a simple black wooden frame with a narrow gold inside border and a narrow gold outside border. The mat has “To Pearl and Philip Moore with affectionate regards, Carl Rungius” written in the lower left corner.
- Subject
- photography
- Carl Runguis
- artists
- painting
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 105.02.0026
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
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