Narrow Results By
Camera; Equipment Case
https://archives.whyte.org/en/permalink/artifact104.41.0287a-m
- Date
- 2024
- Catalogue Number
- 104.41.0287a-m
- Description
- Custom red brown camera case containing a camera, recorder, and various equipment and accessories.a) Red brown suitcase that has been customized to carry cameras and their equipment. The outside has reinforced leather corners and silver hardware. The outside has the initials “J. R. G.” on the top a…
1 image
- Title
- Camera; Equipment Case
- Date
- 2024
- Dimensions
- 13.5 x 41.0 cm
- Description
- Custom red brown camera case containing a camera, recorder, and various equipment and accessories.a) Red brown suitcase that has been customized to carry cameras and their equipment. The outside has reinforced leather corners and silver hardware. The outside has the initials “J. R. G.” on the top and bottom sides, as well as under the handle. Inside, the case has a brown plaid lining. The bottom of the case has been fitted with a custom made wood, cream coloured apparatus that is designed to hold (c). It comes apart into two pieces - the base, which is not removable, and the lid, which slides out to the right once it has been unhooked from the latch built into the base n the left hand side. The lid of the suitcase reads “J. R. GRICE / 9920 - 75 ST / EDMONTON / ALBERTA”. The foam on the apparatus has worn off, leaving black dust like particles in the suitcase. There are a set of two keys hanging from a brown strap connecting the lid to the base in the center of the suitcase.b) Silver and black camera in a brown leather case. The camera is secured in the case with a wide, flat screw at the base. The camera also comes with its original document outlining the features and instructions of the camera. The camera itself is a Olympus Chrome Six. According to the document, the camera was used to produce “ (12) 6x6cm photos or (16) 4.5x6cm photos on a roll of 120 film”. The camera is black leather with a silver body. There are two silver knobs on the base. The top has four knobs, a viewfinder, and a mount for flash. The smallest knob next to the viewfinder is used to release the lens, which opens from a square panel in the front. The lens is a coated Olympus Zuiko lens. The brown case is Olympus brand and is custom fitted to the camera model. It opens from the top and has two snaps that secure it to the base of the case. A small flap can be opened to allow the camera to be used while remaining in the case. The strap that connects the top of the case to the bottom reads “J. R. GRICE / 9920 - 75 ST / EDMONTON / ALBERTA”. There is a short, thin strap that attaches to either side of the case by metal hardware - one side is broken, the leather has split. The case shows some wear - the connecting middle strap has a large horizontal tear at the seam, while the lens flap has a smaller horizontal tear on the right hand side. c) Green, silver and black recorder that has a strap, brown cloth case and spare reel. The brand on the case, recorder and strap is labeled as Sankyo. The recorder is a muted green colour, with black and silver components. It has three lenses on the front with metal lens caps, The viewfinder is clear. The strap is made of silver components and brown braided cord. The case is brown cloth with a gold zipper, with Sankyo Japan embossed on the side. The reel is made of grey plastic and branded as Kodak, but is believed to work with the recorder. d) Black and white stop watch on a red cord. Was likely used to time exposure times. e) Viewfinder in its original box. Brand is “Watameter”.f) Light meter on a silver snake-chain in its original box. Still operable.g) Blower brush in its original box. h) Handmade camera mount made from wood with attached trigger. There is also a spare trigger wire. i) Film reel it its original box. Reel is empty.j) Bag of miscellaneous bulbs, two of which are for a Sylvanus projector. One is brand new in box. k) Red cloth bag. Front reads “BeautifFeel / Design that feels good” while the bottom says “every woman deserves a pair”l) Miscellaneous papers detailing movie film features and instructions. Have been folded, so they are creased.
- Credit
- Gift of Janet Grice, Banff, 2024
- Catalogue Number
- 104.41.0287a-m
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
- Date
- 2024
- Material
- metal
- Catalogue Number
- 104.41.0288
- Description
- Black and silver metal tripod used to mount a camera or recorder. Legs are black with silver pointed feet. Stamped “MADE IN GERMANY”
1 image
- Title
- Camera Tripod
- Date
- 2024
- Material
- metal
- Dimensions
- 44.5 x 4.0 cm
- Description
- Black and silver metal tripod used to mount a camera or recorder. Legs are black with silver pointed feet. Stamped “MADE IN GERMANY”
- Subject
- photography
- cinema
- cinematography
- recorder
- Credit
- Gift of Janet Grice, Banff, 2024
- Catalogue Number
- 104.41.0288
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Capturing glaciers : a history of repeat photography and global warming
https://archives.whyte.org/en/permalink/catalogue26254
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2023
- Author
- Inkpen, Dani
- Publisher
- Seattle : University of Washington Press
- Call Number
- 04 In5c
- Author
- Inkpen, Dani
- Publisher
- Seattle : University of Washington Press
- Published Date
- 2023
- Physical Description
- In Capturing Glaciers, Dani Inkpen examines the many ways scientists have made and used photographs of receding glaciers and how the meanings and evidential value of such images evolved over time. This project sheds light on the challenges of conducting research about climate change, the challenges of enacting social change around environmental problems, and the ways that well-intentioned scientists can still replicate social inequalities"-- Provided by publisher.
- Subjects
- Glaciers
- glaciology
- Global warming
- Climate change
- Photography
- Repeat photography
- Environment
- Nature
- Abstract
- In Capturing Glaciers, Dani Inkpen examines the many ways scientists have made and used photographs of receding glaciers and how the meanings and evidential value of such images evolved over time. This project sheds light on the challenges of conducting research about climate change, the challenges of enacting social change around environmental problems, and the ways that well-intentioned scientists can still replicate social inequalities. -- Provided by publisher.
- Contents
- Introduction : thinking historically about photos of ice -- Documenting : glacier naturalism -- Transitions : the limits of photography -- Measuring : geophysical glaciology -- Monitoring : environmental glaciology -- Witnessing : the iconography of ice -- Conclusion : people and glaciers.
- Notes
- Whyte Museum collections utilized for research purposes and imagery.
- ISBN
- 9780295752020
- Accession Number
- 2024.27
- Call Number
- 04 In5c
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Rare merit : women in photography in Canada, 1840-1940
https://archives.whyte.org/en/permalink/catalogue25534
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Skidmore, Colleen
- Publisher
- Vancouver, British Columbia : UBC Press
- Call Number
- 08.1 Sk3r
- Author
- Skidmore, Colleen
- Publisher
- Vancouver, British Columbia : UBC Press
- Published Date
- 2022
- Physical Description
- 356 pages
- Subjects
- Photography
- Women
- History-Canada
- Travel
- Abstract
- As Canada took shape in the nineteenth and early-twentieth centuries, the camera was there throughout as both a witness to the colonialism, capitalism, and gendered and racialized social organization, and as a protagonist. And women across the country, whether residents or visitors, photographed people and places that were entirely new to the lens. Rare Merit examines how they did so, why their images look the way they do, and the meanings their work carries. Studio portraitists, travel documentarians, photojournalists, fine artists, hobbyists, and photographic printers make up the assembly, beginning with the arrival in Nova Scotia of North America’s first professional woman photographer, the American daguerreotypist Mrs. Fletcher. Colleen Skidmore surveys the professional lives and photographs of nearly eighty women who followed her, from Lucy Maude Montgomery on Prince Edward Island to Élise Livernois in Quebec City, and from Margaret Bourke-White in the Arctic to Hannah Maynard on Vancouver Island. Why women? Why not women? Presenting the exceptional range of their work, Rare Merit proves that women’s practices and images--knowingly omitted from founding narratives of photographic history--were diverse, compelling, widespread, and influential. Whenever and wherever women photographers lived, travelled, and worked, their impact undermined the status quo. -- Provided by publisher
- Contents
- The Daguerreans, 1841-61 ; The Livernois Studio, 1854-74 ; Notman's Printing Room, 1860-80 ; The Maynard Studio, 1862-1912 ; The Moodie Studio, 1895-1905 ; Travel, Photography, and Photojournalism, 1872-1940 ; Commercial Studio Photographers,1860-1940 ; Artists and Amateurs, 1890-1940
- ISBN
- 9780774867054
- Accession Number
- 2022.09
- Call Number
- 08.1 Sk3r
- Location
- Reading Room
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Mont Blanc lines
https://archives.whyte.org/en/permalink/catalogue26253
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Buisse, Alex
- Publisher
- London : Vertebrate Publishing
- Edition
- First English Edition
- Call Number
- 01.2 B87m o.s.
- Author
- Buisse, Alex
- Responsibility
- Translated by Natalie Berry
- Edition
- First English Edition
- Publisher
- London : Vertebrate Publishing
- Published Date
- 2022
- Physical Description
- 176 pages : illustrations (colour) ; 32 cm
- Subjects
- Mont Blanc
- Switzerland
- France
- Italy
- Alps
- Eiger
- Mountaineering
- Guidebook
- Photography
- Photography, Aerial
- Abstract
- In Mont Blanc Lines, photographer and alpinist Alex Buisse has travelled the Mont Blanc massif to capture images of all the major mountain faces and to trace the classic climbing and skiing lines. As well as Mont Blanc itself, also featured are other Alpine icons, including the north faces of the Grandes Jorasses and the Froites, Aiguille du Midi, and the Grand Capucin. Whether on the ground in crampons or on skis, or in the air by ultralight or paraglider, he has captured the majesty of the range so that he can tell the story of the classic lines and present them to us in the most stunning way possible. Mont Blanc Lines features images taken during over a decade of mountaineering while Alex worked as a professional photographer based in Chamonix. Alex Buisse's story of these iconic mountain faces is mixed with the stories of climbers who have experienced great moments there. As a bonus feature, also included are the legendary faces of the Matterhorn and the Eiger North Face in Switzerland. -- From back cover.
- ISBN
- 9781839811678
- Accession Number
- P2024.02
- Call Number
- 01.2 B87m o.s.
- Location
- ARC O.S.
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Aloft : Canadian Rockies aerial photography
https://archives.whyte.org/en/permalink/catalogue25493
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Author
- Zizka, Paul
- Publisher
- Victoria, British Columbia : Rocky Mountain Books
- Call Number
- 06.4 Z7a
- Author
- Zizka, Paul
- Publisher
- Victoria, British Columbia : Rocky Mountain Books
- Published Date
- 2021
- Physical Description
- 1 volume (unpaged) : color illustrations ; 29 cm
- Abstract
- An astounding, unique collection of some of the most stunning mountain landscapes in North America. There is a reason why the Canadian Rockies are some of the most photographed mountains in the world. Rugged peaks encircle glacier-fed lakes, rise up like protective walls around tree-filled valleys, and offer a stunning backdrop to open alpine meadows. They have been photographed from the valley bottoms, from the shores of famous lakes, and from the summits of prominent peaks. They are accessible by vehicle, boat, gondola, skis and hiking boots. But a lucky few have photographed the Rockies from the air. In the most comprehensive collection of aerial photos to date, Aloft: Canadian Rockies Aerial Photography by Paul Zizka gives the reader a unique bird's-eye view of this prized mountain range. From vast glaciers to winding rivers, animal overpasses to lakes that look like brilliant spills of turquoise paint on the landscape, these images provide a rare look at mountains that are as grandiose from the skies as they are from their better-known vantage points.
- ISBN
- 9781771603973
- Accession Number
- P2022.01
- Call Number
- 06.4 Z7a
- Location
- Reading Room
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage
https://archives.whyte.org/en/permalink/catalogue25525
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Call Number
- 07.2 L62a
- Responsibility
- Edited by Sigrid Lien and Hilde Wallem Nielssen
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Published Date
- 2021
- Physical Description
- vi, 312 pages : illustrations (black & white) ; 24 cm
- Abstract
- Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
- Contents
- Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
- ISBN
- 9780774866613
- Accession Number
- P2022.04
- Call Number
- 07.2 L62a
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Ancestors : indigenous peoples of Western Canada in historic photographs
https://archives.whyte.org/en/permalink/catalogue25527
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Responsibility
- Edited by Sarah Carter and Inez Lightning
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Published Date
- 2021
- Physical Description
- x, 188 pages : illustrations (some color) ; 23 x 24 cm
- Abstract
- This exhibition catalogue introduces historic photographs of Indigenous peoples of Western Canada from a collection housed at the University of Alberta's Bruce Peel Special Collections. The publication focuses on the ancestors represented in the collection and how their images continue to generate stories and meanings in the present. The selected photographs contribute to a richer, deeper understanding of the past. There is strength, character, persistence, determination, artwork, humour, dance, celebration, and so much more in the photographs. Some serve as records of cherished landscapes that may have been altered. Others provide links to ancestors: revered leaders, soldiers, healers, thinkers, and orators. The curators hope that the process of identifying the people in these photographs, only begun here, will continue. (Provided by Publisher)
- Contents
- Foreword / Chief Willie Littlechild ; The nature of the collection and its challenges ; Western Canada in the late Nineteenth and early Twentieth Centuries ; The aims of the curators ; The Exhibition
- ISBN
- 9781551954547
- Accession Number
- P2022.05
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Overexposure : a story about a skier
https://archives.whyte.org/en/permalink/catalogue25735
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Calgary : Rocky Mountain Books
- Call Number
- 01.5 S9o
- Variant Title
- Sayers, Chad
- Responsibility
- Leslie Anthony and Taylor Godber
- Publisher
- Calgary : Rocky Mountain Books
- Published Date
- 2021
- Physical Description
- 288 pages : color illustrations ; 23 x 35 cm
- Subjects
- Skiing
- Ski mountaineering
- Biography
- Photography
- Abstract
- At the age of 18, Chad Sayers chooses to pursue a perilous existence in the world of professional freeskiing. Immediately successful, he rides high on a train of celebrity, sponsorship, travel, and freedom. But "living the dream" is, in reality, a tiring treadmill of daily risk that eventually sets him adrift from family, friends, lovers -- even himself. As injuries and emotional traumas pile up, his identity fractures into a hall of mirrors -- the flickering images of athlete, son, brother, traveller, and seeker veiling the reality of a man running blindly from heartbreak and physical debilitation. Then one day, in the mountains of France, hanging by a finger above certain death, he sees the one reflection that finally scares him straight: a man who doesn't care. To heal this severed connection to reality and the constant pain he lives with, Sayers quits skiing and turns to his other passions of travel, surfing, and photography. In Overexposure, some of the world's greatest outdoor photographers contribute to this engaging story in order to parse not only the high-stakes gambits required for a pro skier to stay in the spotlight, but also the grandeur of the stage on which these play out. The international roster of renowned photographers included in this stunning work are: Oskar Enander, Mattias Fredriksson, Jordan Manley, Paul Morrison, Steve Ogle, Daniel Ronnback, Chad Sayers, Jason Thompson, Eric Berger, David Carlier, Guy Fattal, Garrett Grove, Guillaume Le Guillou, Bruno Long, Kari Medig, Bruce Rowles, Ben Thouard, and Don Weixl. -- Provided by publisher
- Contents
- An epiphany -- Whistler days -- The Alps -- A skier's journey -- La Grave -- Broken -- Traveller -- Shadows in the snow
- ISBN
- 9781771605199
- Accession Number
- P2022.14
- Call Number
- 01.5 S9o
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Lake O'Hara Lodge staff photos
https://archives.whyte.org/en/permalink/catalogue25159
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Gaynor, Don
- Publisher
- Don Gaynor
- Call Number
- 08.3 G25l 2020
- Author
- Gaynor, Don
- Responsibility
- Don Gaynor
- Publisher
- Don Gaynor
- Published Date
- 2020
- Physical Description
- illustrations [colour]
- Subjects
- Lake O'Hara
- Photography
- Abstract
- Introduction July 2020 by Don Gaynor: This album began as a collection of all the Lake O'Hara Lodge annual staff photographs since 1987 when Tim Wake asked me to do them for display in the stairwell to the second floor in the Lodge. I added the group photographs taken of the two reunions I attended and recently scanned all the other staff photos displayed on the stairway walls for the last part of this book
- Contents
- Photographs from 1987 to 2019 of the Lake O'Hara Lodge staff taken by Don Gaynor except 2014
- Accession Number
- 2020.29
- Call Number
- 08.3 G25l 2020
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.