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Calgary bicycle races, Calgary Stampede events and early Calgary views
https://archives.whyte.org/en/permalink/descriptions55026
- Part Of
- Luxton family fonds
- Scope & Content
- File consists of 4 loose prints and 4 prints on matboard backings. Content pertains to early events and views in Calgary, including bicycle races in 1896 and [ca.1900], Calgary Stampede event decorations [1912] and parade [postcard print, ca.1920-1930], and a view of Castle Hotel and a nearby gas s…
- Date Range
- 1896
- [ca.1900]
- 1912
- [ca.1920-1930]
- Reference Code
- LUX / I / D6c / PA - 212 to 219
- Description Level
- 5 / File
- GMD
- Photograph
- Photograph print
- Postcard
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / I / D : Professional and Personal
- Sous-Fonds
- LUX / I : Norman Luxton sous-fonds
- Sub-Series
- LUX / I / D6 : Other activities and interests
- Accession Number
- LUX
- Reference Code
- LUX / I / D6c / PA - 212 to 219
- Responsibility
- Two photographs [PA-214 & 215] produced by Boorne and May Ltd. of Calgary
- Date Range
- 1896
- [ca.1900]
- 1912
- [ca.1920-1930]
- Physical Description
- 4 photographs : b&w ; 14.5 x 9 cm or smaller -- 4 photographs : b&w prints on matboard ; 17.5 x 24 cm and 18 x 13 cm
- Scope & Content
- File consists of 4 loose prints and 4 prints on matboard backings. Content pertains to early events and views in Calgary, including bicycle races in 1896 and [ca.1900], Calgary Stampede event decorations [1912] and parade [postcard print, ca.1920-1930], and a view of Castle Hotel and a nearby gas station in Calgary. File also contains scanned paper copies of photographs depicting scenes in Calgary between 1875 and [ca.1915-1920]. Paper copies include early panoramic and “downtown” views of Calgary prior to 1900, the unveiling of a Royal Northwest Mounted Police memorial plaque [1917?], and a parade scene [ca.1915-1920].
- Notes
- Scanned paper copies of photographs in file do not have individual reference codes; source of images and location of originals unknown.
- Subject Access
- Buildings
- Businesses
- Townsite development
- Land use
- Events
- Public events
- Parade
- Calgary Stampede
- Sports
- Recreation
- Bicycles
- Race
- Horses
- Settlement
- Geographic Access
- Canada
- Alberta
- Calgary
- Language
- English
- Conservation
- Paper photograph copies stored in separate mylar sheet from photographs
- Title Source
- Title based on contents of file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Heads and Tails
https://archives.whyte.org/en/permalink/catalogue20532
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1936
- Author
- Hoffman, Malvina
- Publisher
- New York : Charles Scribner Sons
- Call Number
- NB1930 H6
- Author
- Hoffman, Malvina
- Publisher
- New York : Charles Scribner Sons
- Published Date
- 1936
- Physical Description
- xx, 416p. : plates, ports. maps facsim
- Subjects
- Sculptors
- Art and race
- Rodin, Auguste
- Accession Number
- 400
- Call Number
- NB1930 H6
- Location
- Art Library is located in Curatorial Department - Please contact Curatorial Department for access
- Collection
- Art Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Unsettling Canadian art history
https://archives.whyte.org/en/permalink/catalogue25727
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Call Number
- 06 M84u
- Responsibility
- Edited by Erin Morton
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Published Date
- 2022
- Physical Description
- xviii, 340 pages : illustrations (some in colour) ; 26 x 21 cm
- Subjects
- Canada
- Art
- Colonialism
- History-Canada
- Race
- Abstract
- Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, Unsettling Canadian Art History imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture. -- Provided by publisher.
- Contents
- Introduction: Unsetting Canadian art history / Erin Morton -- Part One: Unsettling settler methodologies, re-centring decolonial knowledge -- White settler tautologies and pioneer lies in Mi’km’ki / Travis Wysote and Erin Morton -- Notes to a nation: Teachings on land through the art of Norval Morrisseau / Carmen Robertson -- Embodying decolonial methodology: Building and sustaining critical relationality in the cultural sector / Leah Decter and Carla Taunton -- Silence as resistance: When silence is the only weapon you have left / Lindsay McIntyre -- Part Two: Excavating and creating decolonial archives -- Truth is no stranger to (para)fiction: Settlers, arrivants, and place in Iris Ha¨ussler’s He Named Her Amber, Camille Turner’s BlackGrange, and Robert Houle’s Garrison Creek Project / Mark A. Cheetham -- “Ran away from her Master…a Negroe Girl named Thursday”: Examining evidence of punishment, isolation, trauma, and illness in Nova Scotia and Quebec fugitive slave advertisements / Charmaine A. Nelson -- “Miner with a Heart of Gold”: Native North America, Vol.1 and the colonial excavation of authenticity / Henry Adam Svec -- Excavation: Memory work / Sylvia D. Hamilton -- Part Three: Reclaiming sexualities, tracing complicities -- Bear grease, whips, bodies, and breads: Community building and refusing trauma porn in Dayna Danger’s Embodied 2Spirit Arts Praxis / Dorian J. Fraser, Dayna Danger, and Adrienne Huard -- Coming out a l’oriental: Diasporic art and colonial wounds / Andrew Gayed -- Indian Americans engulfing “American Indian”: Marking the “Dot Indians” Indianess through genocide and casteism in diaspora / Shaista Patel.
- ISBN
- 9780228010982
- Accession Number
- P2022.13
- Call Number
- 06 M84u
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
