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North of the color line : migration and Black resistance in Canada, 1870-1955
https://archives.whyte.org/en/permalink/catalogue25244
- Medium
- Library - Book (including soft-cover and pamphlets)
- Author
- Mathieu, Sarah-Jane
- Publisher
- Chapel Hill : University of North Carolina Press
- Call Number
- 08.1 M42n
1 website
- Author
- Mathieu, Sarah-Jane
- Responsibility
- Sarah-Jane Mathieu
- Publisher
- Chapel Hill : University of North Carolina Press
- Physical Description
- xv, 280 pages : illustrations, maps, photographs
- Abstract
- North of the Color Line examines life in Canada for the estimated 5,000 blacks, both African Americans and West Indians, who immigrated to Canada after the end of Reconstruction in the United States. Through the experiences of black railway workers and their union, the Order of Sleeping Car Porters, Sarah-Jane Mathieu connects social, political, labor, immigration, and black diaspora history during the Jim Crow era. By World War I, sleeping car portering had become the exclusive province of black men. White railwaymen protested the presence of the black workers and insisted on a segregated workforce. Using the firsthand accounts of former sleeping car porters, Mathieu shows that porters often found themselves leading racial uplift organizations, galvanizing their communities, and becoming the bedrock of civil rights activism. Examining the spread of segregation laws and practices in Canada, whose citizens often imagined themselves as devoid of racism, Mathieu historicizes Canadian racial attitudes, and explores how black migrants brought their own sensibilities about race to Canada, participating in and changing political discourse there. (From publisher's website)
- Contents
- Introduction. Birth of a nation: race, empire, and nationalism during Canada's railway age -- Drawing the line: race and Canadian immigration policy -- Jim Crow rides this train: segregation in the Canadian workforce -- Fighting the empire: race, war, and mobilization -- Building an empire, uplifting a race: race, uplift, and transnational alliances -- Bonds of steel: depression, war, and international brotherhood.
- ISBN
- 9780807871669
- Accession Number
- P2020.07
- Call Number
- 08.1 M42n
- Collection
- Archives Library
- URL Notes
- Publisher's website
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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They call me George : the untold story of black train porters and the birth of modern Canada
https://archives.whyte.org/en/permalink/catalogue25243
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2019
- Author
- Foster, Cecil
- Publisher
- Windsor, Ontario : Biblioasis
- Edition
- First, revised
- Call Number
- 08.1 F81t
1 website
- Author
- Foster, Cecil
- Responsibility
- Cecil Foster
- Edition
- First, revised
- Publisher
- Windsor, Ontario : Biblioasis
- Published Date
- 2019
- Physical Description
- 296 pages
- Abstract
- Smartly dressed and smiling, Canada’s black train porters were a familiar sight to the average passenger—yet their minority status rendered them politically invisible, second-class in the social imagination that determined who was and who was not considered Canadian. Subjected to grueling shifts and unreasonable standards—a passenger missing his stop was a dismissible offense—the so-called Pullmen of the country’s rail lines were denied secure positions and prohibited from bringing their families to Canada, and it was their struggle against the racist Dominion that laid the groundwork for the multicultural nation we know today. Drawing on the experiences of these influential black Canadians, Cecil Foster’s They Call Me George demonstrates the power of individuals and minority groups in the fight for social justice and shows how a country can change for the better. (From publisher's website)
- ISBN
- 9781771962612
- Accession Number
- P2020.7
- Call Number
- 08.1 F81t
- Collection
- Archives Library
- URL Notes
- Publisher's website
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
