topic:"Wolves" found 2 records - Research Collections - Whyte Museum of the Canadian Rockies

Abstract: A unique look at the cultural, environmental, historical, literary, metaphorical, and political role of the wolf. Echo Loba, Loba Echo is a story about the metaphor of the wolf and how this is echoed in the lives and minds of people. A metaphor that embodies worldviews colliding, and the collision, the fallout, we live with still. It is a story about wolves’ own cultures, survival stories, acts of rebellion, and vital roles in maintaining healthy territories. And it is also a story about what we have been told to forget, or never even know, and what wolves show us about ourselves. Through essay and poetry, the metaphor of the wolf, and loba – for she-wolf – is examined the way one might observe the light off a prism, in multi-dimensional ways. The associations are many and diametrically varied. Wolf as scapegoat, villain, outcast, blamed for human violence. Wolf as warrior, guide, mother to stray or orphaned children as well as her own pups. The Ojibwe word for wolf is ma’iingan: the one sent here by that all-loving spirit to show us the way. Wolf (Latin: lupus), which is another word for whore (lupa), for woman. Wolf, another word for backcountry. Yet the choice is not an easy duality, not simply between the notion of wolf as heroine or wolf as devil. -- From publisher

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Publisher: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press

Publisher: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press

Abstract: A wolf's howl is felt in the body. Frightening and compelling, incomprehensible or entirely knowable, it is a sound that may be heard as threat or invitation but leaves no listener unaffected. Toothsome fiends, interfering pests, or creatures wild and free, wolves have been at the heart of Canada's national story since long before Confederation. Villain, Vermin, Icon, Kin contends that the role in which wolves have been cast - monster or hero - has changed dramatically through time. Exploring the social history of wolves in Canada, Stephanie Rutherford weaves an innovative tapestry from the varied threads of historical and contemporary texts, ideas, and practices in human-wolf relations, from provincial bounties to Farley Mowat's iconic Never Cry Wolf. These examples reveal that Canada was made, in part, through relationships with nonhuman animals. Wolves have always captured the human imagination. In sketching out the connections people have had with wolves at different times, Villain, Vermin, Icon, Kin offers a model for more ethical ways of interacting with animals in the face of a global biodiversity crisis. -- Provided by publisher.

Contents: PART ONE: VILLIANS AND VERMIN -- Fear: settler encounters with wildness out of place -- Disgust: bounties and bureaucracies of extermination -- PART TWO: RECUPERATING THE WOLF -- Passion: writing the wolf in Canadian literature -- Curiosity: the scientific reimagining of a predator -- Devotion: wolf live in modern times -- PART THREE: KNOWING THE WOLF -- Ambivalence: dwelling in multispecies assemblages -- Empathy: Indigneous teachings offer a way out (and in) -- Epilogue: the hazards of a symbol

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.