topic:"abstract" found 9 records - Research Collections - Whyte Museum of the Canadian Rockies

The Blind Cannot see Patterns

https://archives.whyte.org/en/permalink/artifactcmc.04.03

Artist: Colleen Campbell (1945 – , Canadian )

Date: 1975

Medium: lithograph on paper

Catalogue Number: CmC.04.03

Description: Lithograph plate is pressed through paper but no ink was used. Only the pattern from the plate was pressed into the paper. Abstract figure under a tree.

1 image

Artist: Colleen Campbell (1945 – , Canadian )

Title: The Blind Cannot see Patterns

Date: 1975

Medium: lithograph on paper

Dimensions: 48.9 x 37.4 cm

Description: Lithograph plate is pressed through paper but no ink was used. Only the pattern from the plate was pressed into the paper. Abstract figure under a tree.

Subject: abstract; tree; figure

Credit: Gift of Harold C. Whyte, Penticton, 2003

Catalogue Number: CmC.04.03

Images

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Down Under

https://archives.whyte.org/en/permalink/artifactsir.05.05

Artist: Robert William Sinclair (1939 – , Canadian)

Date: 1978

Medium: watercolour on paper

Catalogue Number: SiR.05.05

Description: Minimally painted red canyon; pencil drawn image frame 46.0x13.7 has tlc painted shapes of red and green; a line drops off from this to left of brc; red/yellow at bottom goes into red/purple then fades off into white; pencil lettered under image DWN UNDE

1 image

Artist: Robert William Sinclair (1939 – , Canadian)

Title: Down Under

Date: 1978

Medium: watercolour on paper

Dimensions: 56.0 x 19.0 cm

Description: Minimally painted red canyon; pencil drawn image frame 46.0x13.7 has tlc painted shapes of red and green; a line drops off from this to left of brc; red/yellow at bottom goes into red/purple then fades off into white; pencil lettered under image DWN UNDE

Subject: landscape; abstract

Credit: Purchased from Wynick/Tuck Gallery, Toronto, 1990

Catalogue Number: SiR.05.05

Images

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

NTV

https://archives.whyte.org/en/permalink/artifactsir.05.09

Artist: Robert William Sinclair (1939 – , Canadian)

Date: 1978

Medium: watercolour on paper

Catalogue Number: SiR.05.09

Description: Abstract shapes in blues and browns; pencil drawn frame 9.6x14.2; irregular shapes, largest top left is olive drab; smaller shapes br have shades of blue;

Artist: Robert William Sinclair (1939 – , Canadian)

Title: NTV

Date: 1978

Medium: watercolour on paper

Dimensions: 14.0 x 19.0 cm

Description: Abstract shapes in blues and browns; pencil drawn frame 9.6x14.2; irregular shapes, largest top left is olive drab; smaller shapes br have shades of blue;

Subject: landscape; abstract

Credit: Purchased from Wynick/Tuck Gallery, Toronto, 1990

Catalogue Number: SiR.05.09

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Peach Glad

https://archives.whyte.org/en/permalink/artifactsir.05.04

Artist: Robert William Sinclair (1939 – , Canadian)

Date: 1977 – 1978

Medium: watercolour on paper

Catalogue Number: SiR.05.04

Description: Partially painted flower drawing; pencil drawn frame 18.3x12.4; blossom cluster extends beyond pencil frame; peach coloured blossoms; green stem and leaves.

1 image

Artist: Robert William Sinclair (1939 – , Canadian)

Title: Peach Glad

Date: 1977 – 1978

Medium: watercolour on paper

Dimensions: 28.0 x 19.0 cm

Description: Partially painted flower drawing; pencil drawn frame 18.3x12.4; blossom cluster extends beyond pencil frame; peach coloured blossoms; green stem and leaves.

Subject: abstract

Credit: Purchased from Wynick/Tuck Gallery, Toronto, 1990

Catalogue Number: SiR.05.04

Images

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Ribboned Passage

https://archives.whyte.org/en/permalink/artifactsir.05.01

Artist: Robert William Sinclair (1939 – , Canadian)

Date: 1976

Medium: aquatec stain on canvas

Catalogue Number: SiR.05.01

Description: unpainted road into dark canyon; foreground is unpainted except for pencil drawn lines indicating a road to right of centre; 5 irregular vertical panels, narrow brown at right edge, next panel moss green, dark blue then variant rose, next panel moss green, farthest left panel greyish; left side of …

1 image

Artist: Robert William Sinclair (1939 – , Canadian)

Title: Ribboned Passage

Date: 1976

Medium: aquatec stain on canvas

Dimensions: 35.7 x 41.0 cm

Description: unpainted road into dark canyon; foreground is unpainted except for pencil drawn lines indicating a road to right of centre; 5 irregular vertical panels, narrow brown at right edge, next panel moss green, dark blue then variant rose, next panel moss green, farthest left panel greyish; left side of painting and foreground unpainted.

Subject: abstract

Credit: Purchased from Wynick/Tuck Gallery, Toronto, 1990

Catalogue Number: SiR.05.01

Images

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

This is what I mean by sitting and forgetting

https://archives.whyte.org/en/permalink/artifactcmc.04.01

Artist: Colleen Campbell (1945 – , Canadian )

Date: 1975

Medium: lithograph on paper

Catalogue Number: CmC.04.01

Description: The same plate is printed twice so that the images mirror one another. On the right the scene is gold. On the left the scene is colourless, the plate is just pressed into the paper to leave the image indented in the paper.

1 image

Artist: Colleen Campbell (1945 – , Canadian )

Title: This is what I mean by sitting and forgetting

Date: 1975

Medium: lithograph on paper

Dimensions: 52.6 x 75.0 cm

Description: The same plate is printed twice so that the images mirror one another. On the right the scene is gold. On the left the scene is colourless, the plate is just pressed into the paper to leave the image indented in the paper.