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14 records – page 1 of 2.

Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage

https://archives.whyte.org/en/permalink/catalogue25525
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2021
Publisher
Vancouver, British Columbia : University of British Columbia Press
Call Number
07.2 L62a
Responsibility
Edited by Sigrid Lien and Hilde Wallem Nielssen
Publisher
Vancouver, British Columbia : University of British Columbia Press
Published Date
2021
Physical Description
vi, 312 pages : illustrations (black & white) ; 24 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous
Indigenous Art
Indigenous Photography
Politics
Heritage
Colonialism
Abstract
Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
Contents
Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
ISBN
9780774866613
Accession Number
P2022.04
Call Number
07.2 L62a
Collection
Archives Library
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Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate

https://archives.whyte.org/en/permalink/catalogue25155
Medium
Library - Periodical
Published Date
2020
Author
Reid, Mark Collin
Call Number
P
  1 website  
Author
Reid, Mark Collin
Responsibility
Mark Collin Read
Published Date
2020
Physical Description
p.28 - 35
Medium
Library - Periodical
Subjects
Art
Art Canadian 20th century-Exhibitions
Art galleries
Artists
Group of Seven
Abstract
Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
Notes
In Canada's History, Vol. 100, No.3 (June-July)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
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Braided learning : illuminating indigenous presence through art and story

https://archives.whyte.org/en/permalink/catalogue25539
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2022
Author
Dion, Susan D.
Publisher
Vancouver, B.C. : Purich Books
Call Number
07.2 D62b
Author
Dion, Susan D.
Publisher
Vancouver, B.C. : Purich Books
Published Date
2022
Physical Description
275 pages
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous
Indigenous Art
Reconciliation
Storytelling
Studying
Teaching
Education
Abstract
The Truth and Reconciliation Commission and Indigenous activism have made many Canadians uncomfortably aware of how little they know about First Nations, Métis, and Inuit peoples. In Braided Learning, Lenape-Potawatomi scholar and educator Susan Dion shares her approach to learning and teaching about Indigenous histories and perspectives. Métis leader Louis Riel illuminated the connection between creativity and identity in his declaration, “My people will sleep for a hundred years, but when they awake, it will be the artists who give them their spirits back.” Using the power of stories and artwork, Dion offers respectful ways to address challenging topics including treaties, the Indian Act, the Sixties Scoop, land claims, resurgence, the drive for self-determination, and government policies that undermine language, culture, and traditional knowledge systems. Braided Learning draws on Indigenous knowledge and world views to explain perspectives that are often missing from the national narrative. This generous work is an invaluable resource for Canadians trying to make sense of a difficult past, decode unjust conditions in the present, and work toward a more equitable future. -- Provided by publisher
Contents
Introduction: Indigenous Presence ; Requisites for Reconciliation ; Seeing Yourself in Relationship with Settler Colonialism ; The Historical Timeline: Refusing Absence, Knowing Presence, and Being Indigenous ; Learning from Contemporary Indigenous Artists ; The Braiding Histories Stories ; Conclusion: Wuleelham - Make Good Tracks ; Glossary and Additional Resources: Making Connections, Extending Learning
ISBN
9780774880794
Accession Number
P2022.04
Call Number
07.2 D62b
Collection
Archives Library
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Brushes with climate change - Rockies Repeat project explores the intersection between conservation, art, history, and culture

https://archives.whyte.org/en/permalink/catalogue25227
Medium
Library - Periodical
Published Date
2020
Author
Campbell, Brooke
Call Number
P
  1 website  
Author
Campbell, Brooke
Responsibility
Brooke Campbell
Published Date
2020
Physical Description
p. 12 - 13
Medium
Library - Periodical
Subjects
Art
Art galleries
Artists
Women
First Nations
Climate
Climate change
Photography
Abstract
Pertains to the Rockies Repeat Project which involves a group of women travelling to specific locations and re-creating the paintings of Peter Whyte and Catharine Robb Whyte with the end result of creating a documentary, exhibition and digital storytelling capsule
Notes
In Canada's History, Vol. 101, No.2 (April-May)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
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Flower : exploring the world in bloom

https://archives.whyte.org/en/permalink/catalogue25676
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Author
Clarke, Victoria
Publisher
London ; New York : Phaidon Press Limited
Call Number
06.1 C55f
Author
Clarke, Victoria
Publisher
London ; New York : Phaidon Press Limited
Published Date
2020
Physical Description
351 pages : illustrations (chiefly colour) ; 30 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Botany
Flowers
Photography
Abstract
Takes readers on a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. Showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media - from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles - and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them.
ISBN
9781838660857
Accession Number
2022.27
Call Number
06.1 C55f
Collection
Archives Library
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Indigenous media arts in Canada : making, caring, sharing

https://archives.whyte.org/en/permalink/catalogue25729
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2023
Publisher
Waterloo, Ontario : Wilfrid Laurier University Press
Call Number
07.2 C54m
Responsibility
Edited by Dana Claxton and Ezra Winton
Publisher
Waterloo, Ontario : Wilfrid Laurier University Press
Published Date
2023
Physical Description
437 pages
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous Art
Indigenous
Indigenous Artists
Indigenous Culture
Indigenous Peoples
Media
Abstract
A timely and crucial collection of essays and conversations focused on Indigenous-settler cultural politics and the ethics of Indigenous representation in Canada’s media arts that explores issues of narrative sovereignty, cultural identity, cultural resistance and decolonizing creative practices. -- Provided by publisher.
ISBN
9781771125413
Accession Number
P2023.15
Call Number
07.2 C54m
Collection
Archives Library
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Journey north : the Inuit Art Centre Project = Aullaaniq Ukiuqtaqtuq : Inuit Sabanguaganut Iglurjuaq Piliaksaq

https://archives.whyte.org/en/permalink/catalogue25677
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2021
Author
Borys, Stephen D.
Publisher
Winnipeg, Manitoba : Winnipeg Art Gallery
Call Number
06 B65j
Author
Borys, Stephen D.
Publisher
Winnipeg, Manitoba : Winnipeg Art Gallery
Published Date
2021
Physical Description
285 pages : illustrations (chiefly colour), portraits (chiefly colour) ; 30 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art galleries
culture
Museum
Inuit
History-Canada
Abstract
To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery Director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912, when the foundation was laid to support a diverse and far-reaching mission that could embrace both historical and contemporary artmaking on national and international levels. By the time director Dr. Ferdinand Eckhardt arrived at the gallery in 1953, and discovered Inuit stone carving at the Hudson's Bay Company department store located across the street from the WAG, the idea of assembling a collection to celebrate this Indigenous art form moved closer to reality. This account of the development of the Inuit Art Centre includes different historical and contemporary perspectives and voices through a compilation of texts and images. In addition to the key essay by the book's author Stephen Borys, several writers from across the country have shared their stories about the gallery, the Inuit art collection, and the building project. In addition to the essays and the architectural renderings of the Inuit Art Centre by Michael Maltzan, the book also includes: a selection of Arctic photographs taken by Hazel Mouzon Borys and Iwan Baan, a series of construction images by Winnipeg Free Press photographers Mike Sudoma and Mike Deal, and finished building photographs by Jacqueline Young. -- Provided by publisher.
Contents
Message from the title sponsor / Ernest Cholakis -- Foreword / Natan Obed -- Message from the Chair / Ernest Cholakis -- Acknowledgements / Stephen Borys -- Qaumajuq: a name for the Inuit Art Centre / Julia LaFreniere -- Introduction / Stephen Borys -- A journey north / Stephen Borys -- Midnight sunlight / Iwan Baan -- Reflections on a curatorial journey / Darlene Coward Wight -- Origins / Abraham Anghik Ruben -- Multiple visions, magnificent reality / Patricia Bovey -- A vault into visibility : personal reflections / Richard Yaffe -- Museum encounters of another kind : indigenous methodologies of collaboration lead the charge / Julie Nagam -- Selecting an architect for the Inuit Art Centre / George Baird -- Characteristics and context / Michael Malitzan -- Biindigin Biwaasaeyaah and Qaumajuq : conversations and collaborations towards a new Winnipeg Art Gallery / Heather Igloliorte and Julie Nagam -- Winnipeg : a new cultural capital for Inuit art / Pat Feheley -- Moments of kindness and reconciliation : a new understanding for Inuit culture / Barry Appleton -- Building photography -- Contributors.
ISBN
9781773070032
Accession Number
2022.27
Call Number
06 B65j
Collection
Archives Library
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Object lives and global histories in northern North America : material culture in motion, c. 1780-1980

https://archives.whyte.org/en/permalink/catalogue25572
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2021
Publisher
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
Call Number
07.2 L54o
Responsibility
Edited by Beverly Lemire, Laura Peers, and Anne Whitelaw
Publisher
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
Published Date
2021
Physical Description
x, [x], 450 pages : illustrations (some color), maps (some color) ; 25 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Museum
Museum Studies
Material culture
North America
Object
History
Indigenous
Indigenous Art
Abstract
Object Lives and Global Histories in Northern North America explores how close, collaborative looking can discern the traces of contact, exchange, and movement of objects and give them a life and political power in complex cross-cultural histories. Red River coats, prints of colonial places and peoples, Indigenous-made dolls, and an Englishwoman's collection provide case studies of art and material culture that correct and give nuance to global and imperial histories. The result of a collaborative research process involving Indigenous and non-Indigenous contributors, this book looks closely at the circumstances of making, use, and circulation of these objects: things that supported and defined both Indigenous resistance and colonial and imperial purposes. Contributors re-envision the histories of northern North America by focusing on the lives of things flowing to and from this vast region between the eighteenth and the twentieth centuries, showing how material culture is a critical link that tied this diverse landscape to the wider world. An original perspective on the history of northern North American peoples grounded in things, Object Lives and Global Histories in Northern North America provides a key analytical and methodological lens that exposes the complexity of cultural encounters and connections between local and global communities.-- Provided by publisher
Contents
Acknowledgments ; Maps ; Introduction / Beverly Lemire, Laura Peers, and Anne Whitelaw ; 1. Object lives: innovating methodology / Beverly Lemire, Laura Peers, and Anne Whitelaw ; Sidebar 1. Management and methodology / Beverly Lemire, Laura Peers, and Anne Whitelaw ; 2. Crossing worlds: hide coats, relationships, and identity in Rupert's Land and Britain / Laura Peers ; 3. "A typical Canadian outfit": the Red River coat / Cynthia Cooper ; Sidebar 2. The Huron-Wendat Capot / Cynthia Cooper ; Sidebar 3. The Red River coat and its commercial promotion / Cynthia Cooper ; 4. Colonizing winter: tobogganing, toboggan suits, and imperial agendas in the Northlands, c. 1800-1900 / Beverly Lemire ; Sidebar 4. Gifts of empire / Beverly Lemire ; 5. Peter Rindisbacher and the imagined North: circulations, realities, and representations / Julie-Ann Mercer ; 6. The wampum and the print: objects tied to Nicolas Vincent Tsawenhohi's London visit, 1824-1825 / Jonathan Lainey and Anne Whitelaw ; Sidebar 5. Active imperial networks / Jonathan Lainey and Anne Whitelaw ; 7. A brief history of the "Eskimo sweater" / Laurie K. Bertram ; 8. Clare Sheridan: British writer, sculptor, and collector in Blackfoot country, 1937 / Sarah Carter ; 9. Dolls, women's art, and Indigenous networks in the borderlands of northern North America, 1885-1945 / Katie Pollock ; 10. Dew claw bags, Indigenous women, and material culture in history and practice / Judy Half and Beverly Lemire ; 11. Inscribing the North West: hide jackets and colonial surveyors / Susan Berry ; Sidebar 6. Jackets in circulation / Susan Berry ; 12. From the sanatorium to the museum and beyond: the circulation of art and craft made by Indigenous patients at tuberculosis hospitals / Sara Komarnisky ; Figures ; Bibliography ; Contributors ; Index.
ISBN
9780228003991
Accession Number
P2022.13
Call Number
07.2 L54o
Collection
Archives Library
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Old man's garden : the history and lore of southern Alberta wildflowers

https://archives.whyte.org/en/permalink/catalogue25141
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Author
Brown, Annora
Publisher
Calgary, Alberta : Rocky Mountain Books
Call Number
04.1 B81 2020
  1 website  
Author
Brown, Annora
Responsibility
Annora Brown
Mary-Beth Laviolette (introduction)
Niitsitapi (Siksika) Bishop - the Right Reverand Sidney Black (forward)
Publisher
Calgary, Alberta : Rocky Mountain Books
Published Date
2020
Physical Description
xxii, 268 pages : illustrations (some colour)
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Botany
Folklore
Art
Flowers
Brown, Annora
Abstract
Through pen and ink illustrations and stories, Old Man’s Garden conveys the legends and folklore connected with Southern Alberta’s wildflowers, native plants, and Indigenous culture. Originally published in 1954, Annora Brown’s Old Man’s Garden is a Canadian classic that tells the story of Southern Alberta’s native plants and wildflowers through art and in consideration of Indigenous traditional knowledge from the region. Accompanying the new RMB edition of Old Man’s Garden, Sidney Black of Fort Macleod, the Indigenous Anglican Bishop for Treaty 7, provides his own commentary about Annora’s art and writing in relation to the Blackfoot, while independent art curator Mary-Beth Laviolette broadens the story about the artist’s contribution to Canadian art. Also included in this new edition are full-colour images of Annora’s later paintings of Blackfoot lodges (tipis) and regalia, the dramatic landscape of the Oldman RIver region such as Waterton National Park, and her abiding, lifelong regard for the flora of her homeland. According to Annora Brown, Old Man’s Garden is a “book of gossip about the flowers of the West.” A one-of-a-kind work featuring 169 black-and-white drawings of flowers and native plants, this classic text is about more than botany. Throughout its pages there is a sparkle to her stories of early exploration and settlement, her concern for conservation, and her regard for the Blackfoot Nation, and Indigenous culture. (from Rocky Mountain Books website)
Contents
Forward by Niitsitapi (Siksika) Bishop - the Right Reverand Sidney Black
Introduction to the new edition by Mary-Beth Laviolette
Introduction to the 1954 edition
I Wi-suk-i-tshak
II Trail Blazers
III Moon-When-the-Grass-Turns-Green
IV Old Man's Vegetable Garden
V Old Man's Medicine Bag
VI Dyes
VII Desert and Swamp
VIII Incense
IX Moon-of-the-Flowers
X Berries
XI Trees
Index
Notes
Originally published in 1954 by J.M. Dent & Sons Ltd. and 1970 by Gray's Publishing Co.
ISBN
9781771603447
Accession Number
P2020-6
Call Number
04.1 B81 2020
Collection
Archives Library
URL Notes
Book on Rocky Mountain Book's website
Websites
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Revision and resistance : mistiko^siwak (Wooden Boat People) at The Metropolitan Museum of Art

https://archives.whyte.org/en/permalink/catalogue25281
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Author
Monkman, Kent
Publisher
Toronto, ON : Art Canada Institute
Call Number
06.1 M74r
  1 website  
Author
Monkman, Kent
Responsibility
Kent Monkman
Publisher
Toronto, ON : Art Canada Institute
Published Date
2020
Physical Description
127 pages (2 folded) : illustrations (chiefly color)
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Art galleries
Artists
First Nations
Exhibition catalogue
Exhibitions
Abstract
This book explores mistikôsiwak (Wooden Boat People) by the internationally renowned artist Kent Monkman. Commissioned by The Metropolitan Museum of Art, the epic diptych exhibited in The Met’s Great Hall revisits iconic works of art, notably the famed painting Washington Crossing the Delaware by Emanuel Leutze. Monkman—featured in mistikôsiwak (Wooden Boat People) as his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle—reverses the colonial gaze of American and European art history through an Indigenous lens to present a powerful vision for the future. Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art is the definitive documentation on Monkman, his practice, and two of the most important paintings of our times. (From publisher's website)
Contents
Introduction from the Met / by Randall Griffey -- Introduction from ACI / by Sara Angel -- Introducing Miss Chief Eagle Testickle / by Shirley Madill -- Inside Kent Monkman's Studio / by Jami Powell -- Revisioning History: An Index, Part I / by Ruth Phillips & Mark Phillips -- Welcoming the Newcomers by Ruth Phillips & Mark Phillips -- Revisioning History: An Index, Part II / by Sasha Suda -- Resurgence of the People / by Sasha Suda -- Waves of History / by Nick Estes.
ISBN
9781487102258
Call Number
06.1 M74r
Collection
Archives Library
URL Notes
Publisher's website
Websites
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14 records – page 1 of 2.

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