Narrow Results By
Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate
https://archives.whyte.org/en/permalink/catalogue25155
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Reid, Mark Collin
- Call Number
- P
1 website
- Author
- Reid, Mark Collin
- Responsibility
- Mark Collin Read
- Published Date
- 2020
- Physical Description
- p.28 - 35
- Medium
- Library - Periodical
- Abstract
- Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
- Notes
- In Canada's History, Vol. 100, No.3 (June-July)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Brushes with climate change - Rockies Repeat project explores the intersection between conservation, art, history, and culture
https://archives.whyte.org/en/permalink/catalogue25227
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Campbell, Brooke
- Call Number
- P
1 website
- Author
- Campbell, Brooke
- Responsibility
- Brooke Campbell
- Published Date
- 2020
- Physical Description
- p. 12 - 13
- Medium
- Library - Periodical
- Abstract
- Pertains to the Rockies Repeat Project which involves a group of women travelling to specific locations and re-creating the paintings of Peter Whyte and Catharine Robb Whyte with the end result of creating a documentary, exhibition and digital storytelling capsule
- Notes
- In Canada's History, Vol. 101, No.2 (April-May)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Flower : exploring the world in bloom
https://archives.whyte.org/en/permalink/catalogue25676
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Clarke, Victoria
- Publisher
- London ; New York : Phaidon Press Limited
- Call Number
- 06.1 C55f
- Author
- Clarke, Victoria
- Publisher
- London ; New York : Phaidon Press Limited
- Published Date
- 2020
- Physical Description
- 351 pages : illustrations (chiefly colour) ; 30 cm
- Subjects
- Art
- Botany
- Flowers
- Photography
- Abstract
- Takes readers on a journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. Showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media - from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles - and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them.
- ISBN
- 9781838660857
- Accession Number
- 2022.27
- Call Number
- 06.1 C55f
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Old man's garden : the history and lore of southern Alberta wildflowers
https://archives.whyte.org/en/permalink/catalogue25141
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Brown, Annora
- Publisher
- Calgary, Alberta : Rocky Mountain Books
- Call Number
- 04.1 B81 2020
1 website
- Author
- Brown, Annora
- Responsibility
- Annora Brown
- Mary-Beth Laviolette (introduction)
- Niitsitapi (Siksika) Bishop - the Right Reverand Sidney Black (forward)
- Publisher
- Calgary, Alberta : Rocky Mountain Books
- Published Date
- 2020
- Physical Description
- xxii, 268 pages : illustrations (some colour)
- Subjects
- Botany
- Folklore
- Art
- Flowers
- Brown, Annora
- Abstract
- Through pen and ink illustrations and stories, Old Man’s Garden conveys the legends and folklore connected with Southern Alberta’s wildflowers, native plants, and Indigenous culture. Originally published in 1954, Annora Brown’s Old Man’s Garden is a Canadian classic that tells the story of Southern Alberta’s native plants and wildflowers through art and in consideration of Indigenous traditional knowledge from the region. Accompanying the new RMB edition of Old Man’s Garden, Sidney Black of Fort Macleod, the Indigenous Anglican Bishop for Treaty 7, provides his own commentary about Annora’s art and writing in relation to the Blackfoot, while independent art curator Mary-Beth Laviolette broadens the story about the artist’s contribution to Canadian art. Also included in this new edition are full-colour images of Annora’s later paintings of Blackfoot lodges (tipis) and regalia, the dramatic landscape of the Oldman RIver region such as Waterton National Park, and her abiding, lifelong regard for the flora of her homeland. According to Annora Brown, Old Man’s Garden is a “book of gossip about the flowers of the West.” A one-of-a-kind work featuring 169 black-and-white drawings of flowers and native plants, this classic text is about more than botany. Throughout its pages there is a sparkle to her stories of early exploration and settlement, her concern for conservation, and her regard for the Blackfoot Nation, and Indigenous culture. (from Rocky Mountain Books website)
- Contents
- Forward by Niitsitapi (Siksika) Bishop - the Right Reverand Sidney Black
- Introduction to the new edition by Mary-Beth Laviolette
- Introduction to the 1954 edition
- I Wi-suk-i-tshak
- II Trail Blazers
- III Moon-When-the-Grass-Turns-Green
- IV Old Man's Vegetable Garden
- V Old Man's Medicine Bag
- VI Dyes
- VII Desert and Swamp
- VIII Incense
- IX Moon-of-the-Flowers
- X Berries
- XI Trees
- Index
- Notes
- Originally published in 1954 by J.M. Dent & Sons Ltd. and 1970 by Gray's Publishing Co.
- ISBN
- 9781771603447
- Accession Number
- P2020-6
- Call Number
- 04.1 B81 2020
- Collection
- Archives Library
- URL Notes
- Book on Rocky Mountain Book's website
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Revision and resistance : mistiko^siwak (Wooden Boat People) at The Metropolitan Museum of Art
https://archives.whyte.org/en/permalink/catalogue25281
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Monkman, Kent
- Publisher
- Toronto, ON : Art Canada Institute
- Call Number
- 06.1 M74r
1 website
- Author
- Monkman, Kent
- Responsibility
- Kent Monkman
- Publisher
- Toronto, ON : Art Canada Institute
- Published Date
- 2020
- Physical Description
- 127 pages (2 folded) : illustrations (chiefly color)
- Abstract
- This book explores mistikôsiwak (Wooden Boat People) by the internationally renowned artist Kent Monkman. Commissioned by The Metropolitan Museum of Art, the epic diptych exhibited in The Met’s Great Hall revisits iconic works of art, notably the famed painting Washington Crossing the Delaware by Emanuel Leutze. Monkman—featured in mistikôsiwak (Wooden Boat People) as his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle—reverses the colonial gaze of American and European art history through an Indigenous lens to present a powerful vision for the future. Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art is the definitive documentation on Monkman, his practice, and two of the most important paintings of our times. (From publisher's website)
- Contents
- Introduction from the Met / by Randall Griffey -- Introduction from ACI / by Sara Angel -- Introducing Miss Chief Eagle Testickle / by Shirley Madill -- Inside Kent Monkman's Studio / by Jami Powell -- Revisioning History: An Index, Part I / by Ruth Phillips & Mark Phillips -- Welcoming the Newcomers by Ruth Phillips & Mark Phillips -- Revisioning History: An Index, Part II / by Sasha Suda -- Resurgence of the People / by Sasha Suda -- Waves of History / by Nick Estes.
- ISBN
- 9781487102258
- Call Number
- 06.1 M74r
- Collection
- Archives Library
- URL Notes
- Publisher's website
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Uninvited : Canadian women artists in the modern moment
https://archives.whyte.org/en/permalink/catalogue25674
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Author
- Milroy, Sarah
- Publisher
- Vancouver ; Berkeley : Figure.1
- Call Number
- 06.1 M64u
- Author
- Milroy, Sarah
- Responsibility
- McMichael Canadian Art Collection
- Publisher
- Vancouver ; Berkeley : Figure.1
- Published Date
- 2021
- Physical Description
- 317 pages : illustrations (some colour), portraits (some colour) ; 29 cm.
- Abstract
- A monument to the talent of Canadian women artists in the interwar period, Uninvited: Canadian Women Artists in the Modern Moment provides a full and diverse cross-country survey of the art made by women during this pivotal time, incorporating the work of both settler and Indigenous visual artists in a stirring affirmation of the female creative voice. -- Provided by publisher.
- Contents
- Director's foreword / Ian A.C. Dejardin -- Uninvited: Canadian women artists in the Modern Moment / Sarah Milroy -- The politics of invitation: Canadian women's art history and the settler-colonial context / Kristina Huneault -- Teachers, colleagues, and friends: Canadian men and women artists in the modern period / Katerina Atanassova and Jocelyn Anderson -- Anne Savage / Jocelyn Anderson, Anna Hudson -- Winifred Petchey Marsh / Maureen Matthews -- Attatsiaq / Christina Williamson -- Kathleen Munn / Georgiana Uhlyarik -- Yvonne McKague Housser / Sara Angel, Alicia Boutilier -- Elizabeth Katt Petrant / Alexandra Kahsenni:io Nahwegahbow, Christi Belcourt -- Bess Harris / Ian M. Thom -- Regina Seiden Goldberg / Alma Mikulinsky -- Vera Weatherbie / Michelle Jacques -- Emily Coonan / Anne-Marie Bouchard -- Suzanne Duquet / Anne-Marie Bouchard -- Lilias Torrance Newton / Shelley Adler, Gerta Moray -- Prudence Heward / Jacques Des Rochers, Tobi Bruce, Michelle Jacques -- Yulia Biriukova / Ian A.C. Dejardin -- Mary Wrinch / John Geoghegan -- Marion Long / Anna Hudson -- Frances Loring and Florence Wyle / Catharine Mastin, Luis Jacob -- Elizabeth Wyn Wood / Renée van der Avoird -- Margaret Watkins / Sarah Parsons -- Mrs. Walking Sun / Tanya Harnett -- Kathleen Daly Pepper / Gerald McMaster -- Annora Brown / Mary-Beth Laviolette -- Elizabeth Styring Nutt / Sarah Fillmore -- Bridget Anne Sack / Jordan Bennett and Melissa Peter-Paul -- Isabel McLaughlin / Tobi Bruce -- Pegi Nicol MacLeod / Georgiana Uhlyarik, Shary Boyle -- Marian Dale Scott / Alicia Boutilier, Gwendolyn Owens -- Paraskeva Clark / Jocelyn Anderson, Panya Clark Espinal -- Sewinchelwet (Sophie Frank) / Sesemiya (Tracy Williams) -- Emily Carr / Kristina Huneault, Jisgang Nika Collison -- Note -- List of works -- Figures -- Further reading -- Acknowledgements.
- Notes
- Catalogue of an exhibition held at the McMichael Canadian Art Collection from September 10, 2021 to January 16, 2022
- ISBN
- 9781773271194
- Accession Number
- P2021.01
- Call Number
- 06.1 M64u
- Location
- Reading Room
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Unsettling Canadian art history
https://archives.whyte.org/en/permalink/catalogue25727
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Call Number
- 06 M84u
- Responsibility
- Edited by Erin Morton
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Published Date
- 2022
- Physical Description
- xviii, 340 pages : illustrations (some in colour) ; 26 x 21 cm
- Subjects
- Canada
- Art
- Colonialism
- History-Canada
- Race
- Abstract
- Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, Unsettling Canadian Art History imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture. -- Provided by publisher.
- Contents
- Introduction: Unsetting Canadian art history / Erin Morton -- Part One: Unsettling settler methodologies, re-centring decolonial knowledge -- White settler tautologies and pioneer lies in Mi’km’ki / Travis Wysote and Erin Morton -- Notes to a nation: Teachings on land through the art of Norval Morrisseau / Carmen Robertson -- Embodying decolonial methodology: Building and sustaining critical relationality in the cultural sector / Leah Decter and Carla Taunton -- Silence as resistance: When silence is the only weapon you have left / Lindsay McIntyre -- Part Two: Excavating and creating decolonial archives -- Truth is no stranger to (para)fiction: Settlers, arrivants, and place in Iris Ha¨ussler’s He Named Her Amber, Camille Turner’s BlackGrange, and Robert Houle’s Garrison Creek Project / Mark A. Cheetham -- “Ran away from her Master…a Negroe Girl named Thursday”: Examining evidence of punishment, isolation, trauma, and illness in Nova Scotia and Quebec fugitive slave advertisements / Charmaine A. Nelson -- “Miner with a Heart of Gold”: Native North America, Vol.1 and the colonial excavation of authenticity / Henry Adam Svec -- Excavation: Memory work / Sylvia D. Hamilton -- Part Three: Reclaiming sexualities, tracing complicities -- Bear grease, whips, bodies, and breads: Community building and refusing trauma porn in Dayna Danger’s Embodied 2Spirit Arts Praxis / Dorian J. Fraser, Dayna Danger, and Adrienne Huard -- Coming out a l’oriental: Diasporic art and colonial wounds / Andrew Gayed -- Indian Americans engulfing “American Indian”: Marking the “Dot Indians” Indianess through genocide and casteism in diaspora / Shaista Patel.
- ISBN
- 9780228010982
- Accession Number
- P2022.13
- Call Number
- 06 M84u
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Uplift : visual culture at the Banff School of Fine Arts
https://archives.whyte.org/en/permalink/catalogue25538
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2020
- Author
- Reichwein, PearlAnn and Wall, Karen
- Publisher
- Vancouver, B.C. : UBC Press
- Call Number
- 08.3 R27u
- Publisher
- Vancouver, B.C. : UBC Press
- Published Date
- 2020
- Physical Description
- xii, 342 pages : illustrations ; 24 cm
- Abstract
- In 1933, the Banff School was established as a summer outreach program of the University of Alberta, offering a single course in drama. Since then, it has become a renowned cultural destination and educational institution, today known as the Banff Centre for Arts and Creativity. As PearlAnn Reichwein and Karen Wall recount in this engaging history, over its first four decades the school produced and circulated ideals of culture and liberal democratic citizenship that were intrinsic to the development of modern Canada. Uplift traces the role of the school in shaping arts and cultural education, as reflected in its array of interests from the artistic to the political, economic, and ideological. Situated within Banff National Park, the school and its surroundings combined stunning natural scenery and cultural capital in a symbolic national landscape. In an era of unstable cultural policy and state support for the arts, Uplift offers a nuanced account of one particular engine of nation building and tourism development. It draws attention to the past and present place of fine arts, culture, and the humanities in public education and in Canada's history, exploring what they mean to democracy, citizenship, and a life well lived. -- Provided by publisher
- Contents
- Introduction: Artists, Tourists, and Citizens ; Uplifting the People: Extension Education and the Arts ; Branding Banff: Arts Education, Tourism, and Nation Building ; Building a “Campus in the Clouds”: Space, Design, Modernity ; “Wholesome, Understandable Pictures”: Practices of Landscape Painting and Production of Landscapes ; Presence and Portrait: Indigeneity in the Park ; “Leading Artists of the World”: Teachers as Tourist Attractions and Pedagogues ; “Some Paint, Some Tan”: Students Coming to the Mountains ; Conclusion: The Arts, Nature, and Democracy
- ISBN
- 9780774864527
- Accession Number
- P2022.07
- Call Number
- 08.3 R27u
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
