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Journey north : the Inuit Art Centre Project = Aullaaniq Ukiuqtaqtuq : Inuit Sabanguaganut Iglurjuaq Piliaksaq
https://archives.whyte.org/en/permalink/catalogue25677
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Author
- Borys, Stephen D.
- Publisher
- Winnipeg, Manitoba : Winnipeg Art Gallery
- Call Number
- 06 B65j
- Author
- Borys, Stephen D.
- Publisher
- Winnipeg, Manitoba : Winnipeg Art Gallery
- Published Date
- 2021
- Physical Description
- 285 pages : illustrations (chiefly colour), portraits (chiefly colour) ; 30 cm
- Subjects
- Art galleries
- culture
- Museum
- Inuit
- History-Canada
- Abstract
- To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery Director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912, when the foundation was laid to support a diverse and far-reaching mission that could embrace both historical and contemporary artmaking on national and international levels. By the time director Dr. Ferdinand Eckhardt arrived at the gallery in 1953, and discovered Inuit stone carving at the Hudson's Bay Company department store located across the street from the WAG, the idea of assembling a collection to celebrate this Indigenous art form moved closer to reality. This account of the development of the Inuit Art Centre includes different historical and contemporary perspectives and voices through a compilation of texts and images. In addition to the key essay by the book's author Stephen Borys, several writers from across the country have shared their stories about the gallery, the Inuit art collection, and the building project. In addition to the essays and the architectural renderings of the Inuit Art Centre by Michael Maltzan, the book also includes: a selection of Arctic photographs taken by Hazel Mouzon Borys and Iwan Baan, a series of construction images by Winnipeg Free Press photographers Mike Sudoma and Mike Deal, and finished building photographs by Jacqueline Young. -- Provided by publisher.
- Contents
- Message from the title sponsor / Ernest Cholakis -- Foreword / Natan Obed -- Message from the Chair / Ernest Cholakis -- Acknowledgements / Stephen Borys -- Qaumajuq: a name for the Inuit Art Centre / Julia LaFreniere -- Introduction / Stephen Borys -- A journey north / Stephen Borys -- Midnight sunlight / Iwan Baan -- Reflections on a curatorial journey / Darlene Coward Wight -- Origins / Abraham Anghik Ruben -- Multiple visions, magnificent reality / Patricia Bovey -- A vault into visibility : personal reflections / Richard Yaffe -- Museum encounters of another kind : indigenous methodologies of collaboration lead the charge / Julie Nagam -- Selecting an architect for the Inuit Art Centre / George Baird -- Characteristics and context / Michael Malitzan -- Biindigin Biwaasaeyaah and Qaumajuq : conversations and collaborations towards a new Winnipeg Art Gallery / Heather Igloliorte and Julie Nagam -- Winnipeg : a new cultural capital for Inuit art / Pat Feheley -- Moments of kindness and reconciliation : a new understanding for Inuit culture / Barry Appleton -- Building photography -- Contributors.
- ISBN
- 9781773070032
- Accession Number
- 2022.27
- Call Number
- 06 B65j
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Upholding Indigenous economic relationships : nehiyawak narratives
https://archives.whyte.org/en/permalink/catalogue25716
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2023
- Author
- Wuttunee Jobin, Shalene
- Publisher
- Vancouver ; Toronto : UBC Press
- Call Number
- 07.2 W96u
- Author
- Wuttunee Jobin, Shalene
- Publisher
- Vancouver ; Toronto : UBC Press
- Published Date
- 2023
- Physical Description
- xv, 255 pages : illustrations ; 24 cm
- Abstract
- Upholding Indigenous Economic Relationships explains settler colonialism through the lens of economic exploitation, using Indigenous methodologies and critical approaches. What is the relationship between economic progress in the land now called Canada and the exploitation of Indigenous peoples? And what gifts embedded within Indigenous world views speak to miyo-pimâtisiwin, the good life, and specifically to good economic relations? Shalene Wuttunee Jobin draws on the knowledge systems of the nehiyawak (Plains Cree people) - whose distinctive principles and practices shape their economic behaviour - to make two central arguments. The first is that economic exploitation was the initial and most enduring relationship between newcomers and Indigenous peoples. The second is that Indigenous economic relationships are constitutive: connections to the land, water, and other human and nonhuman beings form who we are as individuals and as peoples. This groundbreaking study employs Cree narratives that draw from the past and move into the present to reveal previously overlooked Indigenous economic theories and relationships, and provides contemporary examples of nehiyawak renewing these relationships in resurgent ways. In the process, Upholding Indigenous Economic Relationships offers tools that enable us to reimagine how we can aspire to the good life with all our relations. -- Provided by publisher
- Contents
- 1. Grounding methods -- 2. Grounding economic relationships -- 3. nehiyawak peoplehood and relationality -- 4. Canada's genisis story -- 5. Warnings of insatiable greed -- 6. Indigenous women's lands and bodies -- 7. Theorizing Cree economic and governing relationships -- 8. Colonial dissonance -- 9. Principles guiding Cree economic relationships -- 10. Renewed relationships through resurgent practices --11. Upholding relations.
- ISBN
- 9780774865104
- Accession Number
- P2023.11
- Call Number
- 07.2 W96u
- Location
- Reading Room
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Unsettling Canadian art history
https://archives.whyte.org/en/permalink/catalogue25727
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Call Number
- 06 M84u
- Responsibility
- Edited by Erin Morton
- Publisher
- Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press
- Published Date
- 2022
- Physical Description
- xviii, 340 pages : illustrations (some in colour) ; 26 x 21 cm
- Subjects
- Canada
- Art
- Colonialism
- History-Canada
- Race
- Abstract
- Rethinking visual and material histories of settler colonialism, enslavement, and racialized disapora in the contested white settler state of Canada Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, Unsettling Canadian Art History imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture. -- Provided by publisher.
- Contents
- Introduction: Unsetting Canadian art history / Erin Morton -- Part One: Unsettling settler methodologies, re-centring decolonial knowledge -- White settler tautologies and pioneer lies in Mi’km’ki / Travis Wysote and Erin Morton -- Notes to a nation: Teachings on land through the art of Norval Morrisseau / Carmen Robertson -- Embodying decolonial methodology: Building and sustaining critical relationality in the cultural sector / Leah Decter and Carla Taunton -- Silence as resistance: When silence is the only weapon you have left / Lindsay McIntyre -- Part Two: Excavating and creating decolonial archives -- Truth is no stranger to (para)fiction: Settlers, arrivants, and place in Iris Ha¨ussler’s He Named Her Amber, Camille Turner’s BlackGrange, and Robert Houle’s Garrison Creek Project / Mark A. Cheetham -- “Ran away from her Master…a Negroe Girl named Thursday”: Examining evidence of punishment, isolation, trauma, and illness in Nova Scotia and Quebec fugitive slave advertisements / Charmaine A. Nelson -- “Miner with a Heart of Gold”: Native North America, Vol.1 and the colonial excavation of authenticity / Henry Adam Svec -- Excavation: Memory work / Sylvia D. Hamilton -- Part Three: Reclaiming sexualities, tracing complicities -- Bear grease, whips, bodies, and breads: Community building and refusing trauma porn in Dayna Danger’s Embodied 2Spirit Arts Praxis / Dorian J. Fraser, Dayna Danger, and Adrienne Huard -- Coming out a l’oriental: Diasporic art and colonial wounds / Andrew Gayed -- Indian Americans engulfing “American Indian”: Marking the “Dot Indians” Indianess through genocide and casteism in diaspora / Shaista Patel.
- ISBN
- 9780228010982
- Accession Number
- P2022.13
- Call Number
- 06 M84u
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Indigenous media arts in Canada : making, caring, sharing
https://archives.whyte.org/en/permalink/catalogue25729
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2023
- Publisher
- Waterloo, Ontario : Wilfrid Laurier University Press
- Call Number
- 07.2 C54m
- Responsibility
- Edited by Dana Claxton and Ezra Winton
- Publisher
- Waterloo, Ontario : Wilfrid Laurier University Press
- Published Date
- 2023
- Physical Description
- 437 pages
- Abstract
- A timely and crucial collection of essays and conversations focused on Indigenous-settler cultural politics and the ethics of Indigenous representation in Canada’s media arts that explores issues of narrative sovereignty, cultural identity, cultural resistance and decolonizing creative practices. -- Provided by publisher.
- ISBN
- 9781771125413
- Accession Number
- P2023.15
- Call Number
- 07.2 C54m
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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