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Riding Breeches
https://archives.whyte.org/en/permalink/artifact103.05.0035
- Date
- 1920 – 1930
- Material
- hair, sheep; skin; fibre, cotton
- Catalogue Number
- 103.05.0035
- Description
- A woman's brown wool (knit fabric) jodphurs with front pockets, a fly, and suspender buttons inside the waistband. There are suede patches on the inside of each leg. The legs lace at the bottom where they are tightly fitted. The pants have a cotton lining and are a small size. The label reads: “…
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- Title
- Riding Breeches
- Date
- 1920 – 1930
- Material
- hair, sheep; skin; fibre, cotton
- Dimensions
- 36.0 x 90.5 cm
- Description
- A woman's brown wool (knit fabric) jodphurs with front pockets, a fly, and suspender buttons inside the waistband. There are suede patches on the inside of each leg. The legs lace at the bottom where they are tightly fitted. The pants have a cotton lining and are a small size. The label reads: “Made in England Pytchley Brand”.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 103.05.0035
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- Date
- 1920 – 1940
- Material
- wood; metal; fibre
- Catalogue Number
- 104.36.0001 a,b
- Description
- A small hamonica (a) in a cardboard box (b).a) A miniature harmonica of wood sandwiched between two rectangular brass plates with silver coloured metal panels on each side. There is a metal ring attached to a brass eye at one end. The harmonica is marked “Hohner Little Lady”.b) A red cardboard bo…
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- Title
- Harmonica
- Date
- 1920 – 1940
- Material
- wood; metal; fibre
- Dimensions
- 1.4 (a); 1.8 (b) x 1.1 (a); 1.4 (b) x 3.7 (a); 3.8 (b) cm
- Description
- A small hamonica (a) in a cardboard box (b).a) A miniature harmonica of wood sandwiched between two rectangular brass plates with silver coloured metal panels on each side. There is a metal ring attached to a brass eye at one end. The harmonica is marked “Hohner Little Lady”.b) A red cardboard box which opens by sliding one end over a yellow sleeve. There is a wood grain pattern on the box and “Little Lady” on one side, and “Hohner Made in Germany” on the other.
- Subject
- household
- music
- social customs
- hobbies
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.36.0001 a,b
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- Date
- 1920 – 1930
- Material
- ceramic
- Catalogue Number
- 104.39.0001
- Description
- A set of five stacking ceramic palette cups and one lid that are stored in a blue cardboard box. Each cup has a slight lip at the outside of the bowl which fits into the depression in the underside of another. A flat-topped lid sits on the last cup when they are all stacked. Inside the lid there…
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- Title
- Palette Cup
- Date
- 1920 – 1930
- Material
- ceramic
- Dimensions
- 1.4 (each) cm
- Description
- A set of five stacking ceramic palette cups and one lid that are stored in a blue cardboard box. Each cup has a slight lip at the outside of the bowl which fits into the depression in the underside of another. A flat-topped lid sits on the last cup when they are all stacked. Inside the lid there is a sphinx trademark and “Made in Austria”. There is paint residue in each cup.
- Subject
- households
- hobbies
- crafts
- painting
- Edmee Moore
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.39.0001
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- Date
- 1920 – 1930
- Material
- wood; metal
- Catalogue Number
- 104.39.0003
- Description
- A flexible metal blade with a blunt tip attached to a plain varnished wood handle. The blade is marked with “-W”.
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- Title
- Palette Knife
- Date
- 1920 – 1930
- Material
- wood; metal
- Dimensions
- 1.1 x 1.5 x 18.5 cm
- Description
- A flexible metal blade with a blunt tip attached to a plain varnished wood handle. The blade is marked with “-W”.
- Subject
- households
- hobbies
- crafts
- painting
- Edmee Moore
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.39.0003
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- Date
- 1920 – 1930
- Material
- paper; skin
- Catalogue Number
- 104.39.0004 a-d
- Description
- A collection of four stumps used to smudge charcoal drawings. Each stump has a tightly rolled cigar shape with a blunt point at each end. Three stumps (a-c) are made of soft grey paper and one (d) is made of soft leather with a red paper wrapping at the middle.
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- Title
- Stump
- Date
- 1920 – 1930
- Material
- paper; skin
- Dimensions
- 15.7 (a); 13.3 (b); 12.3 (c); 12.5 (d) cm
- Description
- A collection of four stumps used to smudge charcoal drawings. Each stump has a tightly rolled cigar shape with a blunt point at each end. Three stumps (a-c) are made of soft grey paper and one (d) is made of soft leather with a red paper wrapping at the middle.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.39.0004 a-d
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- Date
- 1920 – 1930
- Material
- metal, brass
- Catalogue Number
- 104.39.0006 a-c
- Description
- Three brass holders for drawing crayons (charcoal, conti, chalk, etc.). Each holder is a set of hollow tubes split into long jaws at each end to hold the crayon. The jaws tighten with sliding rings at the middle of the tube. There are also nine pieces of squared black Conti crayon and a squared p…
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- Title
- Crayon Holder
- Date
- 1920 – 1930
- Material
- metal, brass
- Dimensions
- 1.0 x 0.7 x 13.0 cm
- Description
- Three brass holders for drawing crayons (charcoal, conti, chalk, etc.). Each holder is a set of hollow tubes split into long jaws at each end to hold the crayon. The jaws tighten with sliding rings at the middle of the tube. There are also nine pieces of squared black Conti crayon and a squared piece of white chalk with the holders.
- Subject
- households
- crafts
- drawing
- sketching
- Edmee Moore
- hobbies
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.39.0006 a-c
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- Date
- 1920 – 1930
- Material
- wood
- Catalogue Number
- 104.41.0002
- Description
- A long narrow piece of wood (pine?), stained dark brown, with sixteen slits cut across one face at an angle. These slits would hold photographic prints separate from one another while drying.
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- Title
- Print Dryer
- Date
- 1920 – 1930
- Material
- wood
- Dimensions
- 7.8 x 15.0 x 22.7 cm
- Description
- A long narrow piece of wood (pine?), stained dark brown, with sixteen slits cut across one face at an angle. These slits would hold photographic prints separate from one another while drying.
- Subject
- households
- souvenirs
- hobbies
- tourism
- Edmee Moore
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.41.0002
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- Date
- 1925 – 1950
- Material
- wood; metal; fibre, flax
- Catalogue Number
- 104.45.0005
- Description
- A very crude home made lace loom. There is a flat board as a base with two square wooden pieces standing at each end, in the corners, with round dowel roller beams between them supported through holes at the centre of each side piece. The front has a narrow board nailed between the two square piec…
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- Title
- Lace Loom
- Date
- 1925 – 1950
- Material
- wood; metal; fibre, flax
- Dimensions
- 8.0 x 17.5 x 30.0 cm
- Description
- A very crude home made lace loom. There is a flat board as a base with two square wooden pieces standing at each end, in the corners, with round dowel roller beams between them supported through holes at the centre of each side piece. The front has a narrow board nailed between the two square pieces, and the back has a wire mesh screen panel to act as the reed. An ecru linen thread warp is wound on a back roller, passes through holes in the screen, and is placed in tension (maintained by nails through rollers). The lace, woven with threaded needles, has been wound on a forward roller as it was completed. There are strips of elastic and cotton around the middle of the loom (to help with tension?).
- Subject
- households
- hobbies
- crafts
- needlework
- weaving
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.45.0005
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Phonograph Record
https://archives.whyte.org/en/permalink/artifact105.03.0006%20a-df
- Date
- 1925 – 1973
- Material
- vinyl; paper
- Catalogue Number
- 105.03.0006 a-df
- Description
- A collection of 101 phonograph records: VICTOR RECORDS a) Everybody’s Doing It Now, Collins and Harlan (A-side), Darktown Poets, Golden and Hughes (B-side) b) A Mama Like You and a Papa Like Me (Rose-Russel-Woods), Jane Green (A-side), Somebody Like You (Friend-Donaldson), Jane Green (B-side) c) Sw…
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- Title
- Phonograph Record
- Date
- 1925 – 1973
- Material
- vinyl; paper
- Dimensions
- 30.4 x 30.4 cm
- Description
- A collection of 101 phonograph records: VICTOR RECORDS a) Everybody’s Doing It Now, Collins and Harlan (A-side), Darktown Poets, Golden and Hughes (B-side) b) A Mama Like You and a Papa Like Me (Rose-Russel-Woods), Jane Green (A-side), Somebody Like You (Friend-Donaldson), Jane Green (B-side) c) Sweet Little You-Fox Trot (Bibo), Jos C. Smith and His Mount Royal Orchestra (A-side), Nashville Nightingale-Fox Trot (Gershwin), Jos. C. Smith and His Mount Royal Orchestra (B-side) d) Barcelona-Fox Trot (Barcelona) (Khan-Evans), International Novelty Orchestra Vocal Refrain by Billy Murray (A-side), On the Riviera-Fox Trot, (Sur la Riviera) (Gilbert-Rich), International Novelty Orchestra Vocal Refrain by Carl Mathieu (B-side) e) Nonsense (Havez-Botsford), Billy Murray with orchestra (A-side), At the Regime Ball (Lewis-Monaco), Peerless Quartet with orchestra (B-side), f) Gloria Patri (Palestina-Damrosch), Victor Chorus (A-side), Popule Meus (Palestina-Damrosch), Victor Chorus (B-side), g) On a Beautiful Night with a Beautiful Girl (Cobb-Edwards, Heidelberg Quintette with Orchestra (A-side), Be My Baby Bumble Bee from “A Winsome Widow”, (Murphy-Marshall), Ada Jones and Billy Murray with orchestra (B-side) h) Cecilia (Ruby-Dreyer), Jack Smith (The whispering baritone) (A-side), I’m Knee Deep in Daisies (And Head Over in Love), (Goodwin-Little-Stanley-Ash-Shay), Jack Smith (The whispering baritone) (B-side) i) Melancholy Lou-Fox Trot, (Louise rêveuse) (Hibbeler), Howard Lanin’s Ben Franklin Dance Orchestra (A-side), Donkt Wake Me Up Let Me Dream-Fox Trot, (Ne m’éveille pas laisse-moi rêver), (Baer-Wayne), Howard Lenin’s Ben Franklin Orchestra (B-side), j) Carolina-Fox Trot (From Fox film “Carolina”, (Lew Brown-Jay Gorney), Rudy Valley and his Connecticut Yankees vocal refrain by Rudy Vaileé (A-side), Dancing in the Moonlight-Fox Trot, (Bailands Bejo los Reyes de la Luna), (Gus Kahn-Walter Donaldson), Rudy Vallée and his Connecticut Yankees, Vocal refrain by Rudy Vallée (B-side) k) Somebody Loves Me-Fox Trot (From “George White’s Sandals”), (Soy), Paul Whiteman and his Orchestra (A-side), Lonely Little Melody-Fox Trot (From “Ziegfeld Follies”), (Buck-Stamper), Paul Whiteman and his Orchestra (B-side) l) Roses of Picardy-Waltz (Wood), The Troubadours (A-side), Marcheta-Waltz, Green-Arden Orchestra (B-side) m) Jealous-Fox Trot (Jaloux), (Malie-Finch-Lilttle), International Novelty Orchestra, Vocal refrian by Eliott Shaw (A-side), Waitin’ Around-Fox Trot (Dans l’Atente), (Davis-Hanleyj, Garber-Davis Orchestra, Jim Garber, Director (B-side) n) Song of the Vagabond-Fox Trot (from the Musical Play “The Vagabond King”), (Cancion de los Vagabundos), (Brian Hooker-Rudolf Firml), International Novelty Orchestra with male chorus (A-side), Only A Rose-Fox Trot, (from the musical play “The Vagabond King”), (Solo Una Rosa), (Brian Hooker, Rudolf Friml), International Novelty Orchestra (B-side)o) ***This record belonged to Edmee (her name on it)*** Valencia-Fox Trot (A Song of Spain), (Valence) (Chanson d’Espagne), (Boyer-Charles-Grey-Padilla), Paul Whiteman and His Orchestra with vocal refrain (A-side), No More Worryin’-Fox Trot (Plus d’ennius), (Kahn-Donaldson-Mills), Paul Whiteman and His Orchestra with vocal refrain (B-side) p) n) Tenor W. Male Chorus and Orchestra, It’s a Long, Long Way to Tipperary, (Jack Judge-Harry Williams), John McCormack with Male Chorusq) o) It Happened In Monterey-Waltz hFrom the Motion Picture, “King of Jazz”), (Rose-Wayne), George Olsen and his Music, Vocal refrain by Bob Borger (A-side), The Somg of the Dawn-Fox Trot (From the Motion Picture, “King of Jazz”), (Ager-Yellen), George Olsen and His Music, Vocal refrain by Donald Novis (B-side)r) Yankee Rose-Fox Trot (Rose Americaine), (Holden-Frankl), Roger Wolfe Kahn and His Orchestra (A-side), I’m Looking Over a Four Leaf Clover-Fox Trot (J’admire un treffle d quarte feuilles), (Dixon-Woods), Jean Goldkette and His Orchestra (B-side) s) The Doll Dance-Fox Trot (La danse de la poupée), (Brown), Nat Shilkret and the Victor Orchestra (A-side), When Day is Done-Fox Trot, (Quand le jour est fin), (De Sylva-Katscher), Nat Shilkret and the Victor Orchestra (B-side) t) Melancholy, (Ryan Handman), Johnny Marvin Comedian with orchestra (A-side), Satisfied, (Caesar-Friend), Johnny Marvin Comedian with orchestra (B-side) u) ***This record is also Edmee’s*** To-Night’s My Night With Baby-Fox Trot (Je verrai ma mie ce soir) (Caesar- Meyer- Buttenuth), Waring’s Pennsylvanians, Vocal refrain by Tom Waring (A-side), In a Little Garden- Fox Trot (You Made Paradise), (D’un petit jardin, vous avez fait un paradis), (Whittmore-luna), Waring’s Pennsylvanians, Vocal refrain by Tom Waring (B-side) v) He’d Have to Get Under-Get Out and Get Under, (To Fix Up His Automobile), (Clarke-Leslie-Abrahams), Billy Murray (A-side), Wilhelm, the Grocer, (Lewis-Meyer), Ada Jones (B-side), w) While A Cigarette Was Burning-F.T., (Charles and Nick Kenny), Swing and Sway with Sammy Kaye), Vocal refrain by Charles Wilson (A-side), They Say-Fox Trot, (Heyman-Mann-Wiess), Swing and Sway with Sammy Kaye, Vocal refrain by Tommy Ryan (B-side), x) Tap Dance, (Arr. Nathaniel Shilkret), Victor Novelty Orchestra (A-side), The Daughter of Rosie O’Grady-Waltz Clog, (Brice-Donaldson), Victor Novelty Orchestra (B-side) y) Singin’ In the Rain-Fox Trot (from the Motion Picture “Hollywood Revue of 1929”), (Fred Brown), Gus Arnheim and His Orchestra (A-side), Your Mother and Mine-Fox Trot, (From the Motion Picture, “Hollywood Revue of 1929”), (Goodwin-Edwards), Nat Shikret and the Victor Orchestra, Vocal refrain by Frank Munn (B-side) z) Would You Like To Take A Walk?-Fox Trot, (Sump’n Good’ll Come Out of That), (From the Musical Comedy “Sweet and Low”), (¿Quisieras Salir Commigo?), (Dixon-Rose-Warren), Vocal refrain by Rudy Vallée (A-side), 99 Out of A Hundred Wanna Be Loved-Fox Trot, (Todas Quleren Caricias), (Al Lewis-Al Sherman), Rudy Vallée and His Onnecticut Yankees, Vocal refrain by Rudy Vallée (B-side), aa) I’m Putting All My Eggs in One Basket, Fox Trot (From the Film “Follow the Fleet”), (Irving Berlin), Guy Lombardo and His Royal Canadians, Vocal Refrain by Carmen Lombardo (A-side), But Where Are You-Fox Trot, (From the film lFollow the Fleet”), (Irving Berlin), Guy Lombardo and His Royal Canadains, Vocal refrain by Carmen Lombardo (B-side) ab) Dinah-Fox Trot, (Lewis-Young-Akst), Jean Goldkette and His Orchestra (A-side), After I Say I’m Sorry-Fox Trot, (What Can I Say), (Despuès de Padirte Pérdon), (Walter Donaldson-Abe Lyman), Jean Goldkette and His Orchestra with vocal refrain (B-side) ac) Red Lips, KIss My Blues Away-Fox Trot, (Lévres roses chasses mes ennuis), (Bryan-Monaco-Wendling), Charles Dornberger and His Orchestra, Vocal refrain by Franklyn Baur (A-side), Why Should I Say That I’m Sorry Fox Trot, (When Nobody’s Sorry But Me), (Pourquoi airais-je que j’ai de la peine), (Conley), Nat. Shilkret and The Victor Orchestra, Vocal refrain by Henry Burr (B-side) ad) Under A Texas Moon- Fox Trot (From the Motion Picture, “Under A Texas Moon”), (Perkin), Ted Fiorito and His Orchestra, vocal refrain by Pedro Espino (A-side), I’d Like To Be a Gypsy-Fox Trot, (From the Motion Picture, “Lilies of the Fields”), (Washington-Cleary), Ben Pollack and his Park Central Orchestra, vocal refrain by Burt Lorin (B-side) ae) Hold My Hand-Fox Trot, (From “Hold My Hand”), (Gay), Ray Noble and his New Mayfair Orchestra, with vocal refrain (Recorded in England) (A-side), Pied Piper of Hamelin-Novelty Fox Trot, (“From Hold My Hand), (Gay), Ray Noble and his New Mayfair Orchestra with vocal refrain, (Recorded in England) (B-side) af) Lying In The Hay-Fox Trot, (Mireille, Roberts, Pepper), Ray Noble and his Orchestra with vocal refrain, (Recorded in Europe) (A-side), Wanderer-Fox Trot, (Flanagan), Ray Noble and His Orchestra with vocal refrain, (Recorded in Europe) (B-side) ag) Meadow Lark-Fox Trot, (Alondra de los Prados), (Florito-Kiedel), Greg Olsen and His Music, Vocal refrian by Bob Borger, Fran Frey, Bob Rice (A-side), Sweet Thing-Fox Trot, (Linda Cosita), (Williams-Kahn-Verges), Nat Shilkret and the Victor Orchestra, Vocal refrain and ukelele by Johnny Marvin (B-side) ah) Moanin’ Low-Fox Trot, (From the musical comedy, “The Little Show”), (Suaoes Quejidos), (Howard Deitz-Ralph Reinger), Leo Reisman and His Orchestra with vocal refrain (A-side), Ain’t Misbehaving-Fox Trot! (From the musical comedy, “Connies Hot Chocolates”), (¿No Est Eso Mal?), (Razaf-Waller-Brooks), Leo Reisman and His Orchestra with vocal refrain (B-side), ***PAPER TAKEN TO ARCHIVES***, ai) Should I?-Fox Trot, (From Metro-Goldwyn-Meyer picture, “Lord Byron of Broadway”), (¿Deberia Yo?), Arthur Freed-Nacio Herb Brown), Victor Arden-Phil Ohman and Their Orchestra, Vocal refrain by Burt Lorin (A-side), A Bundle of Old Letters-Waltz, (From Metro-Goldwyn-Meyer picture, “Lord Byron of Broadway”), Viejas Cartas de Amor, (Arthur Freed-Nacio Herb Brown), The High Hatters, conducted by Leonard Hay, Vocal Refrain by Frank Lutheraj) Wabash Moon-Waltz, (Luna de Wabash), (Dave Dreyer-Morton Downey), Wayne King and His Orchestra, Vocal refrain by male quartet (A-side), Dream A Little Dream Of Me-Fox Trot, (Llega a Soñar en Mí), Kahn-Schwandt-Andree), Wayne King and His Orchestra, Vocal refrain by Ernie Birchill (B-side), ak) Look Up and Smile-Fox Trot, (Mirame y Sonrie), (Harry D. Squires), Nat Shilkret and the Victor Orchestra, Vocal refrain by Lewis James (A-side), When Day Is Done-Fox Trot, (Al Acabar el Día), (De Sylva-Katscher), Nat Shilkret and the Victor Orchestra (B-side), al)You Will Remember Vienna-Waltz, (From Warner Bros. picture, “Viennese Nights”), (Te Acordaras de Viena), (Oscar Hammerstein, 2nd-Sigmund Ronberg), Leo Reisman and His Orchestra with vocal refrain (A-side), I Bring A Love Song-Fox Trot, (From Warner Bros. picture, “Viennese Nights”), (Te Traigo una Canciòn de Amor), (Oscar Hammerstein, 2nd-Sigmund Romberg), Leo Reisman and His Orchestra with vocal refrain (B-side), am) A Cottage For Sale-Fox Trot, (Una Casita de Venta), Larry Conley, Willard Robison) Bernie Cummins and His New Yorker Hotel Orchestra, Vocal refrain by Walter Cummins (A-side), Gone-Fox Trot, (Se Fué), (Razaf-Waller-Link), Nat Shikret and the Victor Orchestra, Vocal Refrain by Frank Luther (B-side), an) The One I Love Just Cant Be Bothered With Me-Fox Trot, (Yo la Quiero mas Ella No), (Gus Khan-Seymour Simons), Philip Spitalny and His Orchestra, Vocal refrain by Burt Lorin (A-side), Blue, Turning Grey Over You-Fox Trot, (Surfriendo por Ti), (Andy Razaf-Thomas Waller), Nat Shilkret and the Victor Orchestra, Vocal refrain by Burt Lorin (B-side) ao) Every Day Away From You, (Jay Mills-Charles Tobias), Johnny Marvin, Comedian with orchestra (A-side), Little By Little, (From Patiné picture, “The Sophomore”), Walter O’Keefe-Bobby Dolan), Johnny Marvin, Comedian with orchestra (B-side), ap) Wont You Let Me Take You Home, (Doerr-Lashley), Walter J. Van Brunt with orchestra (A-side), The Ghost of the Violin, (Kalmer-Snyder), Walter J. Van Brunt, Maurice Burkhardt with orchestra (B-side) aq) I knew Him When He Was All Right, (Vincent Bryan-Harry Von Tilzet), American Quartet (A-side), Chinatown, My Chinatown, (William Jerome-Jean Schwarz), American Quartet) (B-side), ar) Lord Geoffrey Amberst, (Amberst College Song), (Hamilton), Reinald Werrenrath and Haydn Quartet with orchestra (A-side), The Orange and the Black (Princeton), (Princeton College Song), (Mitchell-Biedermann), Haydn Quartet with orchestra (B-sidej, as) Hello, People! (Leslie Stuart) from “Havana”, Victor Light Opera Company with orchestra (A-side), The Yama-Yama Man, from “The Three Twins”, (Davis-Hoschna), Ada Jones and Victor Light Opera Company with orchestra (B-side), at) La Marseillaise, (National Air of France), (Rouget de L’Isle), Francis Alda (with Metropolitan Opera Chorus) au) Non penso a lei, Titta Ruffo accompanied by Victor Orchestra, av) Du, Du Liegst mirim Herzen, (You Live In My Heart (Folk Song), (Pax-arr, Wilhem Berger), Alma Gluck, Paul Reimers, aw) I Hear You Calling Me, (Hartford-Marshall), John McCormack, Accompaniment by Victor Orchestra ****LARGER RECORDS**** ax) Pagin**inelligible** esi guibba, **inelligible**, (Ruggero-Leoncavallo), Enrico Caruso, with orchestra ay) “Oh What a Beautiful Night”, “Trail of the Lonesome Pine” (A-side), “I’m Going Back to Memphis, Tenn.”, Victor Military Band (B-side) az) Irrestistible Tango Argentine, (L. Legatti), Europe’s Society Orchestra (A-side), Amapa-Maxixe Bresilica (Le Vrai), (J. Storoni), Europe’s Society Orchestra (B-side) ba) Bridal Chorus from Lohengrin, (Wagner), Victor Opera Chorus, (with orchestra) bb) Travel, Travel Little Star, from “The Old Town”, (Bryan-Pryer), Montgomery and Stone with orchestra bc) Crossing the Bar (Willeby), (Poem by Tennyson), Evan Williams, accompaniment by Victor Orchestra bd) Cavantina (Raft), (Op. 85, No.3), Maud Powell, piano accompaniment by Waldemar Liachowsky be) Naughty Marietta Intermezzo, (Victor Herbert), Victor Herbert’s Orchestra, Personally directed by Victor Herbertbf) Siegfried’s Funeral March, (from Götterdämmerung), (Richard Wagner), Vessella’s Italian Band (A-side), Ride of the Valkyries, (from the Walkure), (Richard Wagner), Vessella’s Italian Band (B-side) DECCA RECORDS bg) Let’s Face The Music and Dance, From R.K.O. Radio Picture Production “Follow the Fleet”, (Irving Berlin), Ted Fio Rito and his Orchestra (A-side), Fox Trot by Muzzy Marcellino, Vocal Chorus by & The Debutantes, Its Been So Long, From M-G-M Production, “The Great Ziegfield”, (Walter Donaldson-Harold Adamson), Ted Fio Rito and his Orchestra (B-side) bh) Lost, (Ohman-Mercer-Teeter), Jan Gerber and His Orchestra, (The Idol of the Air Lanes) (A-side), The Touch of Your Lips, (Noble), Jan Garber and his Orchestra, (The Idol of the Air Lanes) (B-side) bi) Lookin’ For Love, (Reilly-Farley), Reilly-Farley and their Onyx Club Boys (B-side), The Music Goes ‘Round and Around, (Reilly-Farley), Reilly-Farley and their Onyx Club Boys (A-side) bj) Dick McIntire’s Harmony Hawaiians, Featuring Prince Lei Lani (A-side), Hoonanea, (Machado), Dick McIntire’s Harmony Hawaiians (B-side) BRUNSWICK RECORDS bk)The Blue Room- Fox Trot, El cuarto azul From “The Girl Friend”, Hart and Rogers, Phil Ohman and Victor Arden with Their Orchestra (Side 1), The Girl Friend-Fox Trot, La ambiguita From “The Girl Friend”, Hart-Rogers, Phil Ohman and Victor Arden with Their Orchestra, (Side 2) bl) I Don’t Stand A Ghost of a Chance With You, Sin un poquitin de esperanzas contigo, Washington-Crosby-Young, Tel Fio Rito and His Orchestra (Side 1), I’ll Take An Option On You, Estoy dispuesto a esperar por ti, From the Musical Revue “Tattle Tales”, Robin-Rainyer, Ted Fio Rito and His Orchestra (Side 2) bm) You Never Know, From “You Never Know”, Cole Porter, Kay Kyser and his Orchestra (Side 1), From Alpha to Omega, From “You Never Know”, Cole Porter, Kay Kyser and his Orchestra (Side 2) bn) The Sleepy Town Express, El expreso de la ciudad durmiente, Gillispie, Ben Bernie and his Orchestra (side 1), The King’s Horses (And the King’s Men), Los caballos ael Rey, Gay-Graham, Ben Bernie and his Orchestra (side 2) bo) It’s Been So Long, From “The Great Ziegfeld”, Adamson-Donaldson, Freddy Martin and his Orchestra (side 1), You, From “The Great Ziegfeld”, Adamson-Donaldson, Freddy Martin and His Orchestra (side 2) bp) Ain’t That a Grand and Glorious Feeling?, Colonial Club Orchestra (A-side), Love and Kisses, (From Baby to You), Colonial Club Orchestra (B-side) bq) Night on the Water, Rand-B. Clarke, G. Clarke, Lombardo, Guy Lombardo and his Royal Canadians (side 1), Inka Dinka Doo, From “Palooka”, Ryan-Durante, Guy Lombardo and his Royal Canadians (side 2) br) My Ideal, Mi Ideal, Robin-Whiting-Chase, Isham Jones’ Orchestra, (side 1j, I’m So Ahead Of You, Te tengo miedo, Kalmar-Ruby, Isham Jones’ Orchestra (side 2), bs) Cheerful Little Earful, Alegre al oido, From the Musical Comedy “Sweet and Low”, Gershwin- Rose-Warren, Tom Gerun and His Orchestra (side 1), (You’re Always Sure Of) My Love For You, Mi amor por ti, G. Kahn-G.L. Kahn, Tom Gerun and His Orchestra (side 2) bt) Deed I Do, Hirsch-Rose, Macy and Smalle, “The Radio Aces” (A-side), Hello! Swanee, Hello!, Coslow-Britt, Macy and Smalle, “The Radio Aces” (B-side), bu) The Original Charleston-Fox Trot, El baile Charleston original, Mack-Johnson, Isham Jones Orchestra (A-side), Sweet Man-Charleston Fox Trot, Dulce hombre, Turk-Pincard, Isham Jones Orchestra (B-side), COLUMBIA RECORDS bv) Angel’s Serenade, (G. Braga), Played by George Stehl, Marshall Lufsky, and Charles Schuetze (side 1) Aubade, Morning Serenade, (A. d’Ambrosio), Played by Cristeta Goni (side 2), bw) Throw No Stones in The Well That Gives You Water, (Morse), sung by Arthur Fields (side 1), Good Broadway, Hello France!, (Baskette), sung by Peerless Quartette (side 2), bx) Princeton Cannon Song, (Hewitt and Osborn), sung by the Nassau Quartette of Princeton (side 1), Princeton Steps Song, (Ernest Carter, ‘88), sung by Nassau Quartette of Princeton (side 2), by) Whistling in the Dark, (Silvando En La Obscuridad), (Suesse and Boretz), Guy Lombardo & His Royal Canadians (side 1), Building A Home For You, (Edificando Una Casa Pari Tí), (Santly, Bennett & Kahn), Guy Lombardo & His Royal Canadians (side 2) bz) When Yankee Doodle Learns to Parlezvous Francais, (Nelson), Arthur Fields (side 1), Take Me Back to Dear Old Blighty, (Mills, Godfrey and Scott), Arthur Fields (side 2) ca) Ragtime Moses Oldtime Bomboshay, (Franklin), Sung by Can and Schenk (side 1), They Were All Out of Step But Jim, Did You See My Little Jimmy Marching?, (Berlin), Sung by Van and Schenk (side 2), cb) La Donna E Mobile, (From “Pigoletto”), Verdi, Sung by Salvatore Sciaretti (side 1), Aria From “Ernani” Infelice, (Verdi), Sung by Marcel Journet (side 2) cc) The Palms, Faure, Sung by Henry Burr (side 1), Lord’s Prayer And Gloria Patria, Vocal Quartette, Mixed Voices (side 2) cd) Faust-Serenade, Berlioz, Sung by Taurino Parvis (side 1), Faust-Di Possente, Gounod, Sung by Taurino Parvis (side 2) ce) Dreaming of Mother and of Home Sweet Home, (Holmes), Vocal Quartette-Male Voices, Sung by Columbia Quartette (side 1), What Makes The World Go Round, From “A Broken Idol”, Williams and Van Alstyne, Soprano and Baritone Duet, Sung by Miss Stevenson and Mr. Stanley With Orchestra Accompaniment (side 2) cf) Traviata “Un di Quando”, Verdi, By Taurino Parvis (side 1), Rigoletto (Miei Signori), Verdi, By Taurino Parvis (side 2) cg) Opera “Martha” Solo, Profugo, Flotow, Sung by A. de Bassini and Signor Giannini (side 1), Toreador Song, (From “Carmen”), Bizet, Sung by Taurino Parvis (side 2) ch) I Love You As The Roses Love The Dew, (Morse), Sung by Stanley and Burr (side 1), The Heart Bowed Down, Balfe, Sung by Alan Turner (side 2) ci) You’ll Have To Get Off And Walk, Dave Reed, Jr., Sung by Will F. Denny (side 1), Iola (An Indian Love Song), O’Dea and Johnson, Sung by Stanley and Burr (side 2), cj) One Sweetly Solemn Thought (Sacred), R.S. Ambrose, Sung by Henry Burr (side 1), Lead Kindly Light, Baritone Solo, With Organ Accompaniment (side 2), ck) Roses Bring Dreams of You, (Ingraham), Sung by Columbia Quartet (side 1), In the Garden of My Heart, (Ball), Sung by Stanley and Burr (side 2) cl) Armorer’s Song, From “Robin Hood”, Baritone Solo, Orchestra Accompaniment (side 1), Kathleen Mavourneen, Bass Solo (side 2) cm) Oh You Beautiful Doll, (Nat D. Ayer), Sung by Columbia Quartette (side 1) Oh, You Wonderful Girl, from “The Little Millionaire”, Geo. M. Cohan, Sung by Andrea Sarto (side 2) ***LARGER RECORDS*** cn) Dream of Love, Liebestraum, (Franz Liszt), Played by Max Droge (side 1), Noctrune In E Flat, (Chopin), Played by Max Dodge (side 2) co) Vocal Sexette, For Soprano, Mezzo-Soprano, Tenor, Baritone, Bass and Tenor, Sung in Italian by Bronskaja, Freeman, Constantino, Blanchart, Mardones and Cilla, with Orchestra Accompniemt, Lucia Di Lammermoor, (Donizeri), Sexette, Act II, “Chi refferna il mio furore”, (Why do I arm my own restrain?) (side 1), Vocal Quartette, Sung in Italian by Eugenie Bronskaja, Bettina Freeman, Florencio Constantino and zRamin Blanchart, With Orchestra Accompaniment, Rigoletto, (Verdi), Quartette, Act IV, “Bella figila dell amore”, (Beauteous Daughter of the Graces) (side 2) cp) Baritone Solo, With Orchestra Accompaniment, Drink to Me Only With Thine Eyes, (Old English Air), Words by Ben Johnson, Sung by David Bispham (side 1), Baritone Solo, With Orchestra Accompaniment, Mary Of Argyle, (Nelson), Sung by David Bispham (side 2) cq) Sung in Italian by Eugenia Bronskaja Florencia Constantino and Jose Mardones,With Orchestra Accompaniment, Faust, Trio, Act 5, (Gounod), “All’erta! all’erta!, (Hasten, or I leave you) (side 1), Tenor, Baritone and Bass Trio, Sung in Italian by Florencio Constantino Ramon Blanchart and José Mardones, With Orchestra Accompaniment, Faust, (Gounod), “Il duello”, (Duel Scene) (side 2) cr) Soprano Solo, Sung in Italian by Bernice de Pasquali, With Orchestra Accompaniment, Hamlet, (Thomas), Mad Scene, Part I. (side 1), Soprano Solo, Sung in Italian by Bernice de Pasquali, With Orchestra Accompaniment, Hamlet, (Thomas), Mad Scene, Part II. (side 2) cs) Soprano Solo, Sung by Mme. Lillian Nordica, With Orchestra Accompaniment, Omaha Indian Tribal Song, (C.W. Cadman) and Mighty Lak’a Rose, (Ethelbert Nevin) ct) Contralto Solo, Sung in Italian by Rosa Oliitzka, With Orchestra Accompaniment, Xerxes, (Handel), “Ombra mai fu”, (These leafy shades), “Handel’s largo” (side 1), Contralto Solo, Sung in Italian by Rosa Olitzka, With Orchestra Accompaniment, La Gioconda, (Ponchelli), “Voce di donna o d’angelo”, (Voice of angel or mortal) (side 2) cu) Stabat Mater, “Inthammatus”, (When Thon Connest), (Rossini), Sung in Latin by Anne Grant Fugitt and Chorus (side 1), Stabat Mater, “Cuius Animam”, (Lord, Vouchsafe Thy Loving Kindness), (Rossini), Sung in Latin by Charles W. Harrison (side 2) cv) Lucia di Lammermoor, Selections, (Donizettij, Played by Prince’s Military Band (side 1), Triumphal March From “Aida”, (Verdi), Played by Prince’s Band (side 2) cw) There’s Another Fellow Looks Like Me, (Fred Leigh), Sung by George Lashwood (side 1), My Latchkey, (Ernee Woodville), Sung by George Lashwood (side 2) cx) On the Beautiful Blue Danube, Waltz, (Johann Strauss), Played by Prince’s Orchestra (side 1), March of the Sharpshooters, Two Step, (Rich, Ellenberg), Played by Prince’s Orchestra (side 2) cy) Chopin’s Funeral March, Chopin, Played by Prince’s Band (side 1), Dead March From Saul, Handel, Played by Prince’s Band (side 2) cz) Schubert’s Serenade, (Schubert), Played by Lufsky, Stehl, and Pinto (side 1), Grand Selection “Pagliacgi”, (Leoncavallo), Played by Prince’s Military Band (side 2) da) Baritone Solo, Orchestra Accompaniment, “Sea, Sea, Sea”, Mills amd Scott, Sung by George Lashwood (side 1), Baritone Solo, Orchestra Accompaniment, In the Twi-Twi-Twilight, Hermann E. Darewski, Jr., Sung by George Lashwood (side 2) db) Musical Monologue, Musical Interpolations, The Musical Yankee, Len Spencer, by Len Spencer (side 1), Tenor Solo, Orchestra Accompaniment, I Can Say “Truly Rural”, Geo Arthurs, Sung by Albert Whelan (side 2) dc) Lohengrin, Introduction to 3d Act, (R. Wagner), Played by Prince’s Military Band (side 1), Selections From “Traviata”, (Verdi), Played by Banda Español, Señor C. A. Prince, Directir (side 2) MISCELLANEOUS dd) Hit of the Week, The Wooden Soldier and the Chna Doll, El Soldado de Madera y la Muñeca de China, (Fox Trot), Rudy Vallee and his Connecticut Yankees SOCIETA ITALIANA DI FONOTOPIA-MILANO RECORDS de) Violin Solo with Piano, Reverie (Schumann), Violino con accomp. di pianoforte, Jan Kubelik, Milano (side 1), Faust, (Gounod), Varlaz sulla ballatta di Mefisrofele, Violino con accomp. di pianoforte, Jan Kubelik, Milano (side 2) df) Violin Solo with Piano, Le Cygne (Saint-Saëns), Violino con accompagnamento di Pianoforte, Viennisa Jacques Thibaud, Milano (side 1), Sérenté (Vieuxtemps), Violino con accomp. di pianoforte, Jacques Thibaud
- Subject
- households
- hobbies
- music
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 105.03.0006 a-df
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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- Date
- 1925 – 1930
- Material
- wood; metal; hair
- Catalogue Number
- 104.39.0002
- Description
- A collection of twenty-three artist's paintbrushes and four paintbrush tips. Many of the brush handles are broken off at the end and some are chewed as well. The brushes and their dimensions are as follows:one flat Cambridge (London) - 21.0 x 1.3; one flat Cambridge (London) - 26.0 x 1.5 cm; one…
1 image
- Title
- Paint Brush
- Date
- 1925 – 1930
- Material
- wood; metal; hair
- Description
- A collection of twenty-three artist's paintbrushes and four paintbrush tips. Many of the brush handles are broken off at the end and some are chewed as well. The brushes and their dimensions are as follows:one flat Cambridge (London) - 21.0 x 1.3; one flat Cambridge (London) - 26.0 x 1.5 cm; one flat J.H. Siegel (N.Y.) - 21.5 x 1.0 cm; one round #3 G. Rowney & Co (London) - 33.0 x 0.5 cm; two round #8 G. Rowney & Co (London) - 21.0 x 0.8 cm; two round #6 G. Rowney & Co (London) - 20.0 x 0.7 cm; one round #4 G. Rowney & Co (London) 79.0 x 0.5 cm; two round #7 Reeves 152 (England) - 19.8 x 0.8 cm; one round #3 Reeves 152 (England) - 19.0 x 0.5 cm; one round #6 Nippon - 18.0 x 0.7 cm; one round #4 Japan - 18.2 x 0.6 cm; one round #4 Bavaria - 17.5 x 0.5 cm; one round #6 - 23.3 x 0.6 cm;one round #3 - 17.0 x 0.5 cm; one round very fine - 16.1 x 0.4 cm; one round #1 with stiff bristles - 22.3 x 0.5; one round (England) - 32.0 x 0.8 cm; one round #12 (Bavaria) - 30.7 x 0.6 cm; one round cut off brush tip (England) - 8.4 cm; one flat brush tip with metal collar - 8.7 cm; one round brush tip with plastic collar - 7.0 cm; one short flat brush tip in - 3.9 x 1.3 cm.
- Subject
- households
- hobbies
- crafts
- painting
- Edmee Moore
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.39.0002
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.