EL 14:1 Renata Gibson interview transcript
https://archives.whyte.org/en/permalink/descriptions21927
- Part Of
- Luxton family fonds
- Scope & Content
- Renata Gibson interview with Judy Larmour, March 23, 2000 and transcribed by Astrid Bell April, January 2003. Interview content relates to the following: Biographical history; born in Germany, refugee to England 1934; trained in nursing; immigrated to Calgary 1958 and employed at Holy Cross Hospi…
- Date Range
- 2003
- Reference Code
- LUX / II / F3 i
- Description Level
- 5 / File
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Series
- II. F. Collected Material Series
- Sous-Fonds
- II. Eleanor Luxton sous-fonds
- Reference Code
- LUX / II / F3 i
- Date Range
- 2003
- Physical Description
- 11 pp. textual records
- Scope & Content
- Renata Gibson interview with Judy Larmour, March 23, 2000 and transcribed by Astrid Bell April, January 2003. Interview content relates to the following: Biographical history; born in Germany, refugee to England 1934; trained in nursing; immigrated to Calgary 1958 and employed at Holy Cross Hospital First meeting with Eleanor Luxton Subsequent occasional meetings with Eleanor Luxton through McDougall family annual service, the Glenbow, Banff Centre opera Shared interests with Eleanor Luxton – gardening and paintings; occasional visits to Eleanor Luxton’s home while in Banff Characterization of Eleanor Luxton’s personality Discussion of Eleanor Luxton’s home; paintings Eleanor Luxton’s views on her father’s will Eleanor Luxton’s nurses - Thelma Nickles; Eleanor Luxton as a patient Observations on the nature of their conversations about Eleanor Luxton’s family, her parents, Norman Luxton’s Tilikum voyage, Eleanor Luxton’s smoking Reference to hiking, Renata Gibson’s husband Bob, her son Andrew, Eleanor Luxton’s connection with Bob Smith
- Finding Aid
- Electronic finding aid and printed interview summary available
- Title Source
- Title based on contents of file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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