- Part Of
- Gordon Burles fonds
- Scope & Content
- File contains the following poems: 1751. “Titanic Survivor”, 1997—subject: Albert Dick, who with his wife survived the sinking and had a weekend house in Banff 1752. Separation, 1997—subject: lost love 1753. Huay-Tsin, 1997—subject: author’s ex-wife 1754. Mortality, 1997—subject: imagining death of…
- Date Range
- 1997
- Reference Code
- M196 / I / 36
- Description Level
- 5 / File
- Part Of
- Gordon Burles fonds
- Description Level
- 5 / File
- Series
- I : Poetry Manuscripts
- Reference Code
- M196 / I / 36
- Date Range
- 1997
- Physical Description
- 1 cm of textual records
- Scope & Content
- File contains the following poems: 1751. “Titanic Survivor”, 1997—subject: Albert Dick, who with his wife survived the sinking and had a weekend house in Banff 1752. Separation, 1997—subject: lost love 1753. Huay-Tsin, 1997—subject: author’s ex-wife 1754. Mortality, 1997—subject: imagining death of mother 1755. Lovers’ hike, 1997—subject: two birches along Vermilion Lakes Road 1756. A sunny day, 1997—subject: Kezia 1757. Involute being, 1997—subject: surrealist poem 1758. Letter to Kezia, 1997—subject: Cemetery Dream Garden; surrealist 1759. Letter to Angelica, 1997—subject: Cemetery Dream Garden 1760. Sermon for Manyusya, 1997—subject: Cemetery Dream Garden; original and revision present 1761. Letter for Lilia, 1997—subject: collage-like poem 1762. Narrative for Barrymore Nettleshaw, 1997—subject: cemetery hijinx 1763. Narrative for Horace Von Ostmark, 1997—subject: Cemetery Tea House poem 1764. Portrait of a summer morning, 1997—subject: Tea House of the Ram 1765. Afternoon visit, 1997—subject: Kezia 1766. A Sunday in March, 1997—subject: semi-surrealist poem 1767. Summer wooing, 1997—subject: wooing Kezia (Kazimiera) 1768. The mason’s narrative, 1997—surrealist poem 1769. Elizabeth, 1997—subject: cancer 1770. Discourse for Ludmila Harwich, 1997—subject: Plato 1771. Mount Louis, 1997—subject: Mount Louis, near Banff 1772. Reflection, 1997—subject: dusk musings 1773. Episode in August, 1997—subject: Cemetery Tea House 1774. Portrait for Eleanor, 1997—subject: Kezia 1775. Portrait for Manyusya, 1997—subject: the mason and Lydia 1776. Portrait for Bernard Leigh-Windermere, 1997—subject: barograph and mason 1777. Portrait for Augustus Torrington, 1997—subject: barograph and Natalie 1778. Narrative for Liam Walker-Genereux, 1997—subject: Cemetery Tea House poem 1779. Incident in early summer, 1997—subject: barograph and theodolite 1780. Horsemen, 1997—subject: horsemen in the Rockies 1781. Portrait of late summer, 1997—subject: Cemetery Tea House poem; original and revision present 1782. Portrait of early August, 1997—subject: Cemetery Tea House poem; original and revision present 1783. Portrait of early summer, 1997—subject: Cemetery Tea House poem 1784. Homage in August, 1997—subject: surrealist poem 1785. October epiphany, 1997—subject: Cemetery Tea House poem 1786. Portrait for Matheson Eastaway, 1997—subject: Cemetery Tea House poem 1787. Incident for Esperanza, 1997—subject: Cemetery Tea House poem 1788. Portrait of early autumn, 1997—subject: Cemetery Tea House poem 1789. Autumn vision, 1997—subject: Cemetery Tea House poem 1790. Narrative for Jennifer Litchfield, 1997—subject: Reverend Jellicoe; Cemetery Tea House 1791. Portrait, 1997—subject: Kezia 1792. Portrait for Leicestershire Baldwin, 1997—subject: Cemetery Tea House poem 1793. Portrait for Lorimer Giesbrecht, 1997—subect: Cemetery Tea House poem 1794. For Kathleen, 1997—subject: Cemetery Tea House people 1795. September forenoon, 1997—subject: Drucilla 1796. Narrative for Barrymore Hamilton, 1997—subject: Cemetery Tea House poem; original and revision present 1797. Letter to Hailsham Berrigan, 1997—subject: Perpetual Tea Room 1798. Portrait for Augustus Honegger, 1997—subject: Cemetery Tea House poem 1799. Narrative for Bessemer Heseltine, 1997—subject: Kezia 1800. Portrait for Doddsmuir Matheson, 1997—subject: Lydia and Reverend Jellicoe
- Subject Access
- Poetry
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