Publication associated with the Russian Antique Salon , pertains to Nicholas de Grandmaison and includes images from the Whyte Museum of the Canadian Rockies archive and art collections.
Notes
Publication is in Russian using Cyrillic script with partial, separate, typed translation to English
Pertains to the artwork and art history of Alex Janvier, an Indigenous man from the Cold Lake First Nations, Treaty 6 Territory. While reflecting his strong Indigenous culture, his art combines both Indigenous and Canadian stylistic elements. His art is deeply representative of his connection to nature, as well as the struggles imposed upon Indigenous Peoples through colonial relations. Parallels can be drawn when considering the effects of colonial relations on Indigenous Peoples and communities, such as those who resided in and around the Canadian Rocky Mountains.
Contents
Foreword -- Where the land begins / Greg A. Hill -- The landlord / Lee-Ann Martin -- The narrative murals of Alex Janvier : Abstraction, representation and oral history / Chris Dueker -- Plates -- Chronology : The life and work of Alex Janvier / Jaime Koebel -- List of works -- Exhibitions -- Further references.
ISBN
9780888849427
Accession Number
2019.46
Call Number
06.1 H55a
Collection
Archives Library
URL Notes
An online resource dedicated to Alex Janvier, offering insight into the history of both himself and his art work.
This exhibition celebrates the strength and contemporaneity of Pootoogook’s work but also uncovers how it has influenced her peers. Alongside works by Pootoogook, this exhibition will include works of art by Shuvinai Ashoona, Itee Pootoogook, Jutai Toonoo, Ohotaq Mikkigak and Siassie Kenneally, showing how Annie Pootoogook made it possible to begin a different conversation that celebrates Inuit art in new ways in Canada and the world. Bringing these artists’ works and words together in the Cutting Ice exhibition, will celebrate Annie Pootoogook as an important creative catalyst in contemporary art. (Taken from McMichael: Canadian Art Collection)
Contents
Director's foreword / Ian A.C. Dejardin -- West Baffin Eskimo Co-operative President's foreword / Pingwartok Ottokie -- West Baffin Eskimo Co-operative: a short history / Nancy Campbell, in consultation with West Baffin Eskimo Cooperative -- Dear Annie... / Nancy Campbel.
ISBN
9781773100692
Accession Number
2019.46
Call Number
06.1 C14a
Collection
Archives Library
URL Notes
The URL pertains to the site in which the information for the abstract was drawn from
"A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
Contents
Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
ISBN
978-1-988788-04-3
Accession Number
2019.36
Call Number
06.4 H11a
Collection
Art Library
URL Notes
Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
Drawing upon our fascination with self-portraits, The Artist Herself expands the genre’s definition by moving beyond the human face to propose other forms of self-representation, from both settler and Indigenous perspectives. The result is a thought-provoking selection of 55 works by 42 women artists in a range of media, including paintings, textiles, photographs and film. Both renowned and lesser-known artists are featured: Pitseolak Ashoona, Simone Mary Bouchard, Emily Carr, Paraskeva Clark, Martha Eetak, Artis Lane, Caroline Gros Louis, Alice Egan Hagen, Frances Anne Hopkins, E. Pauline Johnson, Maud Lewis, Pegi Nicol MacLeod, Hannah Maynard, Daphne Odjig, Princess Louise, Mary Hiester Reid and Marian Dale Scott. From Johnson’s performance costumes representing her dual Mohawk and Euro-Canadian identity to Carr’s painting of herself from the back at her easel, from Maynard’s playful photographs of her multiple selves to Ashoona’s sly comment on her participation in the Inuit art market, these works open up new avenues of inquiry and new understandings of the realities and perspectives of women in Canadian society before 1970. Most important, the exhibition reveals the ways in which women artists have given profound expression to their identities
Contents
Foreword / Avant-propos -- Lenders / Pre^teurs -- Acknowledgements / Remerciements -- The artist herself = L'artiste elle-me^me / Alicia Boutilier & Tobi Bruce -- Cree dolls / Sherry Farrell Racette -- Elizabeth Simcoe / Erin Wall -- Katherine Jane Ellice / Arlene Gehmacher -- Shanawdithit / Fiona Polack -- Mary Ann Scrimes & Elizabeth Jane Turner / Janice Helland -- Lady Belleau & Lady Glover / Andrea Kunard -- Frances Anne Hopkins & Princess Louise / Kristina Huneault -- E. Pauline Johnson / Carla Taunton -- E. Pauline Johnson / Paula Whitlow -- Hannah Maynard / Jennifer Salahub -- Maud Darling / Jennifer Salahub -- Bertha May Ingle / Mary Thompson & David Beattie -- Mattie Gunterman / Susan Close -- Caroline Gros Louis / Annette de Stecher -- Emily Carr / Lisa Baldiserra -- Martha (Muqyunnik) Eetak / Maureen Matthews -- Marion Long / Janice Anderson -- Margaret Watkins / Mary O'Connor -- Dorothea Mitchell / Kelly Saxberg -- Sylvia Daoust / Joyce Millar -- Paraskeva Clark / Panya Clark -- Pegi Nicol MacLeod / Laura Brandon -- Simone Mary Bouchard / Laurier Lacroix -- Marian Dale Scott / Esther Tre´panier -- Maud Lewis / Erin Morton -- Elizabeth Harrison / Dorothy Farr -- Suzanne Duquet / Miche`le Grandbois -- Artis Lane / Artis Lane -- Molly Lamb Bobak / Amber Lloydlangston -- Cecil Buller / Sandra Dyck -- Jessie Oonark & Inuit Doll / Heather Igloliorte -- Kenojuak Ashevak / Kenojuak Ashevak -- Christiane Pflug / Georgiana Uhlyarik -- Daphne Odjig / Greg Hill -- Margaret Frank & Marion Wilson / Andy Everson -- Pitseolak Ashoona / Norman Vorano -- Exhibition list = Liste des œuvres -- Contributors = Contributeurs.
Notes
Some of the essays are in English, while others are in French
ISBN
9781553394075
Accession Number
2019.46
Call Number
06.1 B66t
Collection
Archives Library
URL Notes
The URL pertains to the website in which the abstract was drawn from
Artistry Revealed celebrates Peter and Catharine Whyte whose work reflected their connection to the mountain landscapes of the Canadian Rockies and their love of the Bow Valley community. The book commemorates the 50th anniversary of the Whyte Museum of the Canadian Rockies, founded by Peter and Catharine. Bursting with stunning reproductions of Peter’s and Catharine’s paintings and sketches, the publication includes essays in which Anne Ewen, Lisa Christensen and Monique Westra discuss the couple’s creative talent, accomplishments and legacy.
Contents
Foreword / by Vincent J. Varga -- Introduction /essay by Anne Ewen -- Looking closely at the art of Peter and Catharine Whyte / essay by Monique Westra -- Paint and philanthropy: the artistic legacy of Peter and Catharine Whyte / essay by Lisa Christensen.
Pre´face / par Vincent J. Varga -- Introduction / essai par Anne Ewen -- Profond regard sur les oeuvres de Peter et Catharine Whyte / essai par Monique Westra -- Peinture et philanthropie: le legs artistique de Peter et Catharine Whyte / essai par Lisa Christensen.
general editor, Charles C. Hill ; with essays by Christine Boyanoski, Andrea Kunard, Laurier Lacroix, Rosalind Pepall, Bruce Russell, Geoffrey SimminsCanadian art 1890-1918
Issued also in French under title: Artistes, architectes & artisans, l'art canadien 1890-1918
"Published in conjunction with the exhibition Artists, Architects and Artisans: Canadian Art 1890-1918, organized by the National Gallery of Canada and presented in Ottawa from 8 November 2013 to 2 February 2014"--Title page verso
Includes bibliographical references and an index
Introduction / Charles C. Hill -- The pursuit of art and the flourishing of aestheticism amidst the everyday affairs of mankind / Laurier Lacroix -- Arts and crafts traditions in the Canadian domestic interior / Rosalind Pepall -- Artists, architects and artisans at home / Christine Boyanoski -- Art's 'renewed nearness to life': reflections on the unity of the arts in Canada / Geoffrey Simmins -- Ecclesiastical patronage in Canada: from the Gothic Revival to the arts and crafts movement / Bruce Russell -- For an integration of the arts / Charles C. Hill -- A harmony of the arts: the diverse expressions of pictorialism / Andrea Kunard -- Competing visions for redesigning the Canadian city: architecture, urban planning, and landscape architecture, 1893-1918 / Geoffrey Simmins
From back titlepage: "Artists for Conservation's annual exhibit celebrates artistic excellence in the depiction of nature, raises awareness of important conservation issues and directly supports organizations dedicated to addressing them."
Pertains to wildlife art and wildlife artists at the National Museum of Wildlife Art in Jackson, Wyoming
Contents
From Yellowstone to Yukon - the Journey of Wildlife Art
Above Timberline - the Complete Carl Rungius Drypoint Collection
A Force of Nature - the Art of George McLean
The Last Ocean - Weller's Antarctica
In the Spotlight - Mark Eberhard's "On the Edge"
Notes
Article about the exhibition "From Yellowstone to Yukon - the Journey of Wildlife Art" was on display at the Whyte Museum of the Canadian Rockies in 2012
Article "Above Timberline - the Complete Carl Rungius Drypoint Collections" pertains the the complete collection of drypoint's at the National Museum of Wildlife Art in Jackson, Wyoming
Pertains to wildlife art and wildlife artists at the National Museum of Wildlife Art in Jackson, Wyoming
Contents
Patrons without peer: selections from the McCoy Collection
He speaks for the trees: Dr. Suess and the Lorax
On the natural world
Collection spotlight: Dan Ostermiller's "The Emperor"
Walter Hood to design sculpture trail for museum
Wildlife in American art
Community focus committee: engaging the community
Notes
Features article on page 18 entitled "Looking at Wildlfe - the maturing Carl Rungius" - the National Museum of Wildlife Art holds the largest collection of Carl Rungius pieces in the United States
Steven Loft, Archer Pechawis, Jackson 2bears, Jason Edward Lewis, Steven Foster, Candice Hopkins, and Cheryl L'Hirondelle ; edited by Steven Loft and Kerry Swanson
Publisher
Calgary, Alberta : University of Calgary Press
Published Date
2014
Physical Description
xvii, 195 pages : illustrations (chiefly colour) ; 22 cm
Catalogue of an exhibition held at the Mendel Art Gallery from June 27 to September 14, 2014 which includes seven paintings and one original sketchbook of drawings and writing by Emily Carr and works by international artists
Includes bibliographical references
Foreword -- Wildly rebellious at heart : reconsidering Emily Carr's aura / Lisa Baldissera -- They who hold the world together : Emily Carr's ecological poetics : a photo essay -- Emily Carr : often the other... / Vinciane Despret -- Psychedelics, architecture, and a history of exile / Erika Dyck -- Sketchbook for "pause" : selected images -- Works in the exhibition -- Exhibition list -- Biographies."Convoluted Beauty examines Carr's legacy through work by major international artists, including: Thomas Zipp (Germany), Louise Lawler (USA), Mark Wallinger (UK), and commissioned projects by Canadian artists Nathan and Cedric Bomford, Karen Tam, Marianne Nicolson and Joanne Bristol. The exhibition also includes work from across Carr's career, generously loaned from the collections of the McMichael Canadian Art Collection and the Vancouver Art Gallery." --From publisher's website
Crows, Cranes and Camellias: the Natural World of Ohara Koson 1877-1945 is the first publication in a Western language to discuss his corpus of work, and it has drawn upon the private Jan Perree collection (now housed in the Rijksmuseum, Amsterdam) for inspiration. First published In 2001, this new edition features an additional chapter on Koson's oeuvre and designs which have been discovered since the original publication of Crows, Cranes and Camellias. Including an overview of Koson's life and artistic career, augmented by a checklist of the majority of his work, select seals and signatures, this book is a valuable source for Koson collectors. --Book Jacket.
Contents
Forward
Preface
Acknowledgements
A flock of myriad hues : the enduring art of Ohara Koson
Pertains to the work of David Brown Milne, a modernist artists whose work reflected the intellectual and emotional mind. Milne was a highly respected and influential artist who portrayed astonishing technique in both oil and watercolour. Rather than follow the path various other artists had at the time of his career, Milne ascended his own path, and his work reflects such independence. The publication is comprehensive in the sense that it combines Milne’s art with a history of his life and experiences. Written by David Silcox, the publication explores the artist’s successes, failures and major breakthroughs, artistically speaking. Readers can expect to learn more about David Brown Milne and his artistic endeavors.
Contents
Introduction (pg. 9)
One: Early promise and early success (pg. 11)
Two: A solitary path (pg. 19)
Three: The Great Depression: Years of productivity (pg. 39)
Pertains to an exhibition aimed at sharing the extraordinary artistic talent of Canadian artist, David Milne. While certainly not the largest exhibition of its kind, the hope was to share some forty watercolor art pieces in an intimate manor, in an effort to expose the breadth of Milne’s artistic achievements. The publication shares a brief history pertaining to Milne’s artistic career, as well as captures some of his art work.