The frame has been divided into three squares, from top left to right; - no. 1 12.5x9cm. has two pole shapes and wires running from it. - the no. 2, 9x10cm. is shaded shapes. - the third in the shape of a backwards L could be the front part of a ship with the anchor winch shown and a large block an…
The frame has been divided into three squares, from top left to right; - no. 1 12.5x9cm. has two pole shapes and wires running from it. - the no. 2, 9x10cm. is shaded shapes. - the third in the shape of a backwards L could be the front part of a ship with the anchor winch shown and a large block and tackle on cable above. Marks; the cardboard has been cracked through the vertical middle.“Collings spent the first 40 years of his life in South Devon, only a few miles from the coast. Harbour views, often with boats, dominate his early work. This studious sketch, with the paper divided into three sections to accommodate mast, reflection, and winch details, was probably made when the artist was about 20.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
Front: a rather dark image of trees on the left and buildings on the left. Water runs between the two. brc: Brimsley [Brinsley?] RoughBack: a small dark drawing of a forest with a water or a path running through it.There is some indecipherable writing.
Front: a rather dark image of trees on the left and buildings on the left. Water runs between the two. brc: Brimsley [Brinsley?] RoughBack: a small dark drawing of a forest with a water or a path running through it.There is some indecipherable writing.
At the top are two rough sketches of a man’s head with a hat. Two figures stand in the middle, one is facing away from the viewer, and the other a semi-side view. At the bottom is a man’s profile.
At the top are two rough sketches of a man’s head with a hat. Two figures stand in the middle, one is facing away from the viewer, and the other a semi-side view. At the bottom is a man’s profile.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme
Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme
A crowd stands in front of a few buildings. A steeple or tower can be seen to the left.At left is a stamp that reads “The Bungalow, Sandhills, Deal” [Kent]
A crowd stands in front of a few buildings. A steeple or tower can be seen to the left.At left is a stamp that reads “The Bungalow, Sandhills, Deal” [Kent]
Front: a dilapidated building stand on the right, and a fence runs off into the distance. Most of the left of the image is field. There are buildings and trees on the horizon. Some writing details a colour scheme.Back: a very rough sketch of some cottages and buildings.
Field, gate and shed (Rough sketch of buildings on back)
Date
c. 1900
Medium
graphite on paper
Dimensions
15.0 x 25.0 cm
Description
Front: a dilapidated building stand on the right, and a fence runs off into the distance. Most of the left of the image is field. There are buildings and trees on the horizon. Some writing details a colour scheme.Back: a very rough sketch of some cottages and buildings.
Front: a grassy beach fills the foreground with the sea and some rocks in the background.Back: a sandy beach fills the foreground and runs into the surf. Water starts 1/3 of the way down from top.
Front: a grassy beach fills the foreground with the sea and some rocks in the background.Back: a sandy beach fills the foreground and runs into the surf. Water starts 1/3 of the way down from top.
Front: a very dark image of a marsh with grasses to the left and right. A farmhouse sits along the horizon on the left.Back: a very rough rendition of a fence with some houses and trees in the background. The foreground appears to be mostly grass.
Front: a very dark image of a marsh with grasses to the left and right. A farmhouse sits along the horizon on the left.Back: a very rough rendition of a fence with some houses and trees in the background. The foreground appears to be mostly grass.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Front: a large leafless tree dominates the scene, with smaller trees to the right and houses and buildings along horizon line. In the front right, a stream flows towards some sheep that are grazing.Back: a rather dark rendition of a large tower (of a castle? another building?) to the left of the p…
Front: a large leafless tree dominates the scene, with smaller trees to the right and houses and buildings along horizon line. In the front right, a stream flows towards some sheep that are grazing.Back: a rather dark rendition of a large tower (of a castle? another building?) to the left of the page.